Evil Science! Frankenstein: The True Story review!

Posted by Steven Lewis on

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Frankenstein’s Creature hasn’t receive much love lately. The piece by piece monster hasn’t seen much screen time fame since the 1970s and the latest big screen installment didn’t fair too well in theaters with highly Underworld rip-off film I, Frankenstein. To get any good Creature action, we have to travel back in time to the 70’s when Peter Cushing and Christopher Lee dominated the Hammer horror gothic scene and take a good look at the British tele-movie Frankenstein: The True Story.

With the loss of Dr. Victor Frankenstein’s young brother William, Frankenstein looks for ways to cheat death. He embarks back to medical school where he meets the unethical physician Dr. Henry Clerval and together they create a new species of man from the body parts of several tragic accident victims including the mind of Henry Clerval who collapses and dies before the Creature’s “birth.” Frankenstein soon learns that his creation is nothing more than abomination that continues to decay and tries to disconnect from the whole situation until Dr. John Polidori takes upon a new creation of man.
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The two part television movie series from 1973 can really suck you in for multiple reasons. For starters, the Jack Smidght film has a fair amount of graphic content from severed arms and separate heads from their necks; a great assumption scene. Secondly, Frankenstein: The True Story is right smack in the middle of the Golden Age of the Gothic horror era and though the cast doesn’t include Christopher Lee or Peter Cushing, the tele-cast is full of life and vigor. A young Jane Seymour plays the young, beautiful tragic leading lady, David McCallaum who you might know as the doctor from NCIS and, who ironically enough, portrays a mad doctor in this film, and 1966’s Romeo & Juliet star Leonard Whiting.

The setting yells period piece and this the production value dried up that budget to the bone. The extravagant sets lends a hand to the epic nature of Frankenstein and his Creature, but this sets don’t include the natural and standard definitions of a Frankenstein mythology. For instance, yes, there is a laboratory overloaded with machines and mechanisms, but instead of electricity to bring the Creature to life, the use of the sun’s energy becomes harnessed for life which has been unchallenged by any other film (or literature) that I am aware.
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The story doesn’t following conventional storytellings. The Creature is shown as strong yet child-like, fairly usual, but then as the Creature is being discarded from society and his creator, he wonders on his own and learns how to love. With a twist catalyst in the second half of the film, the Creature’s compassion turns human and tragic. Michael Sarrazin’s portrayal of the Creature is fair to say at the least with some unintentional humor elements. I found myself chuckling at times rather than feeling compelled in a purposefully compelling scene. The child-life Sarrazin more than likely is suppose to be a bit funny and I don’t fault his portrayal to the extent as it may seem in this write up.

Second Sight release of Frankenstein: The True Story is a great edition to the label. Enriched with Technicolor and soaked with Gothic details, the film’s orgasmic battle between the creator and the creation is great symbolism between man and his creator. Though I believe the release to be heavily edited, this is still a great release.

Upcoming Evil! Skinless!

Posted by Steven Lewis on

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Dustin Mills has become one of my favorite independent directors over the last two years with successful features such as Bath Salt Zombies (read review here), Zombie A-Hole (read review here), and Night of the Tentacles (read review here). Mills continues to course and has released a trailer for his next project – a bloody, body horror film – entitled Skinless which is full of practical, gooey effects.

Synopsis

He searched for a cure. What he found was a curse. Brilliant oncologist Peter Peel discovers a possible cure for skin cancer in the belly of an exotic parasite. When he tests the cure on himself, his world is shattered and a monster is born. Skinless is a sad tale of madness, murder, monsters, and love.

Cast favorite Brandon Salkil plays the male lead Dr. Peter Peele, which I’m guessing “Peele” goes with the whole “skinless” motif. Check out gory trailer down below.

One Hell of an Evil Ride! Scream Park review!

Posted by Steven Lewis on

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I’ve never been big on a budget film, or any other film, riding the coattails of famous actors by name alone. The style of marketing seems like a scam, a racket, a trick, or a scheme since most of the time the actors or the actresses are in the film for a whole five minutes, if that. Scream Park pulls the same kind of marketing headlining the film with Hellraiser’s Pinhead himself Doug Bradley at the top of the DVD cover. Like any and all movies in que for a review, a chance is given and so I continue with my viewing of Cary Hill’s Scream Park with Doug Bradley. Bradley’s presence is a quick snapshot, but the entire film is worth a long take when a good slasher is considered.
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THe horror inspired amusement Fright Land is shutting it’s rundown doors for good and the handful of workers are looking to have one last after hours hurrah with booze and a little sexual mischief. Park owner (played by Doug Bradley) has another idea to spark more life into Fright Land that will have ride goers remember Fright Land forever. Hired killers lurk through the darkness of the park and one by one the teen workers are hunted down.

Scream Park starts right from the get go with the last few minutes of park operations and right into where our killers enter the park. There is no time to digest the cast of characters, but writer-director Cary Hill pens just enough information about each character to establish credibility of being. In fact, the killers don much personality as well. Former Skinny Puppy band member Nivek Ogre is a psychotic and deranged hillbilly with no real background other than those traits, but is there a real reason for murder? Ogre’s brute force, unspoken “Ogre” has the strength and measurability of a Michael Myers like killer.
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The practical effects are a nice touch in a computer generated effects world and the amounts of blood spilled warrants recognition. The death scenes are nothing out of the ordinary – a cut throat, a snapped neck, a strangulation – but there are a few that stand out and are nicely done with all the dramatic bells and whistles – see the axe to the head scene! Basically, the killers resemble English invaders of Scotland and commit all but pilferage the rickety old park.

The acting could use some work as the delivers come off as robot-like and scenes seem obviously rehearsed. Unnatural is the term that comes to mind. Kailey Marie Harris gives a jaw dropping performance when she takes off her top and exposes her mammoth melons – goodness gracious. Speaking of maturity, the cast will mature as I see potential in leading lady Wendy Wygant as the fear in her eyes is convincing. You can tell experience from inexperience in the five minute scene with Doug Bradley and leading man Steve Rudzinkski as the park Manager. Bradley has not lost his touch since Hellraiser and continues to be powerful and compelling even for only a short time.
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Scream Park is a good edition to any slasher collection. More low budget horrors should look to Cary Hill’s film as inspiration and as an example. Though the film was made back in 2012, I’m finally treated to a DVD copy by MVD and Wild Eye Releasing that is set to hit the streets April 22, 2014.

Quick Pic: They Live at the Academy!

Posted by Steven Lewis on

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Dance the Evil Dance! Bloody Homecoming review!

Posted by Steven Lewis on

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The latest trend for independent horror filmmakers is to pay homage to the 80’s slasher. Bloody Homecoming is no different as one other review site said the film is “an unusually effective homage to the golden age of American slasher movies.” Is the Freshman of Brian C. Weed a worthy throwback of the “golden age of American slasher?” The elements are there and I can say that Weed gave it one hell of a try making a masked killer into a relentless murderer of teens that harks back to classic icons like Jason Voorhees or Michael Myers.

Football star Billy Corbin dies in a fiery deathtrap during his school’s homecoming. Three years later, the teens who were labeled responsible, but never held accountable, prepare for the school’s first homecoming since the tragic death of Billy Corbin. While in jubilation of their school spirit, a killer dressed in a firman’s gear hunts them down one by one during the homecoming dance; a killer hell fire bent on revenge for Billy.
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And while director Weed makes a heartfelt attempt at a throwback horror movie, the characters are too shallow and need more work to make them more human. Robotic dialogue creates a kind of hatred that only a masked killer could exterminate. Thank goodness for the “fireman” killer. However, a handful of hopeful characters keep the film’s watchability right on the line between entertaining and dull. Bloody Homecoming does bring a unique way, a rare method, when deciding to who gets the axe. Every character is fair game to bite the dust and no one can argue with that as the usual suspects are token black guys, couples who’ve just had sex, and the comic relief – to be fair, all these characters were in this stereotyped high school teen horror film.
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Other slasher films such as My Bloody Valentine or Scream come to mind when thinking about the “fireman” killer. I’m guessing the writer, Jake Helgren, gave the killer inspiration for using the fireman gear after the burning death of Billy Corbin. The outfit is a bit out of place, but the connection between the catalyst and killer can determined. The killer uses a sharpened spirit stick which doesn’t make a intimidating weapon, but effective none the less. Lets just say the spirit stick takes the spirit right out of the kids. The killer character’s depth could have been more extensive and more meaningful. The paper thin motivation from the killer does little for the character and the killer would just be labeled as another run of the mill killer.

Bloody Homecoming won’t knock your socks off, but the death scenes are graphic, bloody, and well timed in the scene. Brian C. Weed’s first attempt at horror is just the tip of the ice berg and we could see some great things from Weed if another opportunity presents itself. The editing is professional and well done so I see things could only get better from here and Bloody Homecoming’s UK DVD release is slated for March 10 from Image Entertainment.