The spawned from hell biker gang, Satan’s Sinners, ride the dusty roads of west coast America in search of pure virgin women for their master’s ever growing domain. As they wreak hellish havoc along the way, they ride upon newly wed couple Nick and Bobby Sue, stealing the beautiful bride away from her loving husband and leaving him for dead on the side of the road. However, the Lord works in mysterious ways as divine intervention in a form of a boorish Cowboy, who may or may not be God himself, resurrects Nick from the dead again and again to save his wife from the ultimate damnation – Satan’s beautiful virgin slave. Armed and clueless, Nick finds help wherever he can, whether by the prideful local sheriff or the alcoholic priest who performed Nick’s marriage, to stop the bikers and to reclaim Bobby Sue.

“All Hell Breaks Loose” is one of those indie films that’ll fly under the radar of the indie film circuit, scraping and clawing at the surface and trying to create a name for itself. At face value, “All Hell Breaks Loose” is a hell of fun, devilishly entertaining, and so relaxed that it doesn’t take itself too seriously. Unfortunately, those film’s qualities are the complete antonym to a box office money maker or a breakthrough independent golden nugget. I get why money won’t just flow in, though. Director Jeremy Garner’s name won’t ring any bells and has dabbled more in the special effects field than the director’s chair, which I thought his 2009 special effects work on “Melvin” was fantastic, and the screenwriter Jacy Morris, under the pen name The Vocabularist, is also an unknown with only this film under his belt. There’s strike one. Secondly, the lead actor isn’t a big name; Nick Forrest name might seem similar to “Shaun of the Dead’s” Nick Frost, but, sadly, no. But Nick Forrest plays his character of the dimwitted, pee-wee hero character well enough for be recognized and respected. The last, and final strike, is film’s recognizable headliner – “Danger” Ehren McGhehey from “Jackass” fame.

Garner’s film doesn’t need to prove one damn thing to anybody. The horror-comedy story is simplicity thats surrounded itself with undying love, badass demon bikers, and God’s wish-washy methodology; there’s no symbolism or underlining message that suggest otherwise and there’s not much explanation here or there about the particulars of the Satan’s Sinner’s mission or why in that particular region they choose to run amok. Viewers looking for an untamed experience will just want to see the Bikers dish out violence and pain and see Nick die a horrible death over and over again. Even though Garner didn’t dip his hands into conducting the effects for his Sophomore film, Izzy Combs, Ray Kelley, and Steven Strop team up to pull off some amazing lunacy with the limited budget effects that get gory without being over-the-top and ridiculous.

Aside from a pipsqueak-to-a partial demi-god hero in Nick Forrest and “Danger” Ehren portraying a demon biker with an Elvis Presley obsession, the rest of the cast, like the Satan’s Sinners, is a motley crew of talent ranging from twenty years of B-movie experience in Todd Robinson to a slew of undiscovered actors, especially in the biker gang with Hunter O’Guinn, Joshua Lee Frazier, and Tommy Hestmark with leading lady Sarah Kobel Marquette as the damsel in distress while being undressed.

Wild Eye Releasing summons from the underworld “All Hell Breaks Loose.” The unrated, 92 minute feature might have cheesy and cheap DVD cover art, but the entertainment value speaks volumes. The release contains bonus features that contains an informative director’s commentary, a couple of deleted scenes, and trailers. Overall, give “All Hell Breaks Loose” a chance or two or three, just to be completely sure that you understand that what you’re about to see will be utter chaos that’ll make the Waco, Texas shooting look like a little girl’s tea party with her favorite stuffed animals.