Werewolf evil? More like Puppy Love! Face of the Screaming Werewolf review!

My mindset on vintage horror flicks goes a little something like this – they’re without a shadow of a doubt all classics.  There will be always be films that are more popular and stand out more than other black and white labeled pioneers of earlier film-hood, but the question begs, have you’ve ever seen a horrible horror movie from the Lon Chaney Jr. or Boris Karloff days?  Before tonight, I can honestly say no.  Then, I had to go and watch Cheezy Flicks version of Face of the Screaming Werewolf starring Lon Chaney Jr. and was directed by three directors.  Remember what I’ve always said about having multiple directors – the shit never works!

Dr. Redding and his team use hypnosis on a Cali girl named Ann Taylor in discovering ancient forms of life in the Yucatan pyramids.  When him and his team go exploring through the deep dark tunnels of the ruins, a living-ish breathing-ish mummy attacks them, but falls when the team fights back.  They also discover a more modern individual also mummified for unknown reasons.  Dr. Redding takes both mummified subjects back to America, but is soon killed and the modern mummy is stolen when Redding attempts to showcase his finds.  When the modern man is revived by a bolt of lightning (Frankenstein reference anyone?), his uncanny secret of being a werewolf is revealed when the full moon just happens to be out at the same time as his revival.  The werewolf and the mummy are both reanimated and walk the city, stalking and killing innocent folk.  Who will stop them?  Hell if I know.

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Is Your Home this Evil? House (Hausu) review!

Japanese horror isn’t something I pride myself on having a lot of knowledge of or contain much material about, but I do find enjoyment in what I come across even if the resemblance to an anime style becomes apparent in the storytelling.  I’ll be straight forward with you right here and now, I’m not a fan of Japanese anime.  No, sir.  Can’t say that I am.  However, my latest venture into the J-horror sends me back in time to the groovy year of 1977.  The film is called House and no, not the Steve Miner feature from ’86.  Also known by it’s Japanese name Hausu, House is a simple ghost tale with ambitious and groundbreaking special effects that dared much of the decade to catch up with the times.

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Evil all around! I Saw the Devil review!

Every so often, a hole must be filled.  This hole is the deepest, darkness, most horrifying and brutally stricken hole  a single person would imagine if they had the fortitude to ever do so.  The reason this hole needs to be filled lies majorly with curiosity and morbidness.  Human nature is quirky and our senses need to be overloaded with fear and shock when the time calls for it.  Jee-woon Kim’s I Saw the Devil fills that hole and exceeds to overflow it with unmerciful loathing which will haunt you long after the credits roll.

A solitary man rapes and dismembers young women in order to appease his appetite for human suffering, but when when one of his victims turns out to be the pregnant fiance of a secret service agent and a former police chief’s daughter, he may have made a big mistake.  The agent devises a plan to find his fiance’s killer and play a capture and release torture game in order to inflict as much as pain as the killer has caused the agent’s fiance.  What the agent doesn’t realize is that this killer is relentless when it comes to getting even and nothing will stop his destructive path.

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Where’s the hunt for evil? Death Hunter: Werewolves vs Vampires review!

As seductively epic does the title Death Hunter:  Werewolves vs Vampires sounds, the funds for such a grand title don’t support it.  Werewolves and vampires have been the subject of folklore for more than century and to have the two be in the same production needs the backing of the money.  The Underworld trilogy gained much of it’s success and popularity through dollar signs and it’s stardom in the beautifully femme fatale of Kate Beckinsale.  Death Hunter has none of the above, leaving most of it’s special effects to the wolves and creativity helpless to the imagination of it’s audiences.

While lost deep with in the desert, John Croix and his wife Maria stumble upon a den of blood thirsty vampires; the master vampire takes his wife but leaves John to die in the desert and that’s not all.  Werewolves roam the night when the full moon is out; John becomes the victim of a werewolf bite, but he is rescued by a fellow survivor Van Ness who helps John beat his canine physical transformation yet keep all the lycanthrope abilities.  A few months training with Van Ness has John ready for his exact revenge on the vampire clan that stole his wife from him.

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More evil than the deadly Firestone blowouts! Rubber review!

As a graduate of film studies, my viewing pleasure has changed to minus “viewing” and adding “analytical” to make it now my viewing analytical.  Taking classes on film sucks the fun at watching Michael Bay and Uwe Boll films which is not really a bad thing, but you’re programmed to pick out the flaws in every little detail.  One thing we learned in class is that there is a purpose for everything in the mise-en-scene; every street lamp as a purpose so says Alfred Hitchcock.  Obviously, these people who expect you to guess the significance of each action and every prop didn’t expect the killer tire film Rubber to ever be created.

Robert wakes up in the desert.  He tries to move only to keep falling down.  As he eventually gets the hang of it, he crosses paths with various objects and creatures in which he destroys…with his mind.  Besides Robert’s murderous telekinetic powers, Robert other’s mysterious issue is that he is also a used vehicle tire.  Robert becomes obsessed with a beautiful young woman and won’t stop killing folks until he gets what he wants.

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