An Evil Hangover is No Match Against…”Rotgut” review!

vlcsnap-00011
Six patrons become trapped inside a dilapidating New Mexico drinking hole when tainted Mexican tequila infests an unlucky boozer, turning him into a host for flesh-eating larvae and into an unwilling hand against the rest in seeking desperately for more flesh to feast upon. With the back and front doors inoperable and the phone lines dead due to lack of payment, the bar regulars must use every ounce of their fleeting sobriety and every aspect of the small hole in the wall bar to keep hope carbonated and afloat if they want to escape alive.
vlcsnap-00016
If you’re a fan of “Night of the Creeps,” “Slugs,” or “Slither,” this campy creepy-crawler will be your go-to session brew of choice because, finally, 2012’s “Rotgut” infests inside a home video distributor, courtesy of always delightful Camp Motion Picture. Director Billy Garberina helms the charge collaborating with another of Devin O’Leary’s scribed films involving a drinking establishment’s handful of thirsty-allured anti-heroes finding themselves literally fighting through their inebriated state against almost exactly the same intoxicating liquid they so desperately crave. Sure beats the hell out of an AA meeting.
vlcsnap-00014
“Rotgut,” simply put, is just not another run-of-the-mill creature film, oozing a path toward lovers of the said genre while still managing to follow a familiar suit within a typical bar location that becomes the death ensnarement, but this time around, a congregation of alcoholics are the hapless victims that are pitted up against the odds, similar to that of Robert Rodriguez’s “From Dusk till Dawn” and John Gulager’s “Feast,” but with more enticing and gross body horror and less antagonizing vampires and monsters.
vlcsnap-00015
Structurally, O’Leary individually sets up the players – Leon, Tom, Sloppy, Verna, Deena, Allen, and The Professor – to instill a developing persona or just provide an interesting backstory into each body that adds flavor to their character that would evidently punch you in the face when that character bites the fateful bullet and instead of creating good natured, outstanding personalities to fight a ghastly force, as if to underline good versus evil, the roster consists of deplorable and degenerative drunks embodied with past, present, and future hiccups and are on the cusp of not being redeemable toward being a part of society until faced with life and death choices to expose their true nature. Then, there is trio of ATF officers who are literal to each of the words of the acronym they represent; one officer smokes cigarettes, another drinks out of a flask, and the last official carries a sidearm. The dialogue-stricken characters need no exposition as they’re cleverly written into the story that’s already exchanges heavy in confabulation amongst the main roles mentioned above.
vlcsnap-00013
The impressiveness with Hank Carlson and teams’ practical effects don’t go unnoticed while, at the same time, the composite shots from visual effects artist Luke Fitch were just as effective. Both departments relayed the visceral consuming nature of the worms, splattering eye-popping blood everywhere, and transmitting their antibiosis organism through some fairly gnarly ways. Working with sluggishly minuscule organisms, whether digital, inanimately practically, or real, can be problematic, but Gaberina and team had the precision and the talent that made “Rotgut” outlandishly enjoyable with a half gallon handle of smeared blood slicked over the cast including Jeremy Owen, Aaron Worley, Megan Pribyl, Paul Alsing, Merritt Glover, Isreal Wright, and Whitney Moore.
vlcsnap-00018
Four years have swiftly gone by since this film quietly made debut in 2012 and has finally landed onto DVD from the fine folks at Camp Motion Pictures! “Rotgut” has undeservingly gone under the radar, but it shall no more, gifting audiences with supreme worm mayhem and bloodshed. The not rated DVD is presented in a 16×9 widescreen format with bonus features including a trailer vault and a lengthy behind-the-scenes featurette that displays the good times, and sometimes stressful times, of independent filmmaking. In the end, “Rotgut” come out on top with the gooiest, slimiest, and stickiest creature feature this side of the 2010.

You can BUY “Rotgut” at Amazon! Let it slither into your soul!

Seeing Evil! Curandero: Dawn of the Demon review!

curandero-poster

By now I imagine we’re all, by all I mean avid movie-goers, familiar with the director Robert Rodriguez. The balls-to-the-wall flare for action Rodriguez has written and directed some of the most memorable movies in nearly the last two decades – Desperado, From Dusk till Dawn, Planet Terror and, yes, even Spy Kids. Rodriguez is now a well-known household name now that he has his own production company – Troublemaker Studios – and is a hot-shit friend of Django Unchained writer and director Quentin Tarantino (they’re always in each other films if you haven’t noticed). Now, I had thought that I’ve seen all of Rodriguez’s work with the exception of Spy Kids, but I was wrong. Curandero: Dawn of the Demon is a latest release from Lionsgate; however, the movie was completed and released in 2005 – why such a delay? Perhaps the delay was a product of the film being made in and using the language spoken in Mexico. I wouldn’t doubt this as El Mariachi was not known to the American audience until Antonio Banderas and Selma Hayek starred in Desperado, a sort of sequel or remake of El Mariachi, and an American DVD of El Mariachi was released later.

Curandero, which translate to The Healer, follows the healer Carlos – a practical man who uses his knowledge of healing on those he think are weak minded fools just so they feel better about their lives. That is until he meets Mexican Federale Magdalena who hires him to become involved a case where a satanic cult terrorizes Mexico City. Carlos beliefs will be challenged as black magic becomes ultimately real and the forces against him are closer to home than what he could ever imagine.
curandero1
Curandero grabs you right from the start as we’re thrown into Carlos’s simple hometown world where he competes with another curandero named Alex Munez who is more popular around town, but even though Carlos thinks his line of work is a bit of a sham, he still makes an effort to please other people making him well liked in the community and has been given respect due to his father’s healing services. The horrifying action begins when Agent Magdalena enters the story; the saucy tall Latina is a realist and doesn’t much in the mumbo-jumbo that is black magic, but her story makes a complete 180 degree turn at the finale and so does Carlos. The story is well written by Rodriguez giving the both Carlos and the federale the same view on spirituality yet making both reason completely different.

Robert Rodriguez’s style directorial feels implemented into Curandero even though Robert Rodriguez didn’t direct the film. It is another Rodriguez who takes the credit for Curandero’s fast-paced, over-exaggerated action. Director Eduardo Rodriguez tries to recreate Robert Rodriguez, but does molds his own take to reconstruct the elements and add great horror qualities that contribute to the action.
curandero2
This 2005 cult/possession film should have had a much earlier release in the U.S. There is definitely an appeal here for niche horror fans. Would Curandero have done well with mainstream audiences? No because there is just too much working against Curandero when considering American mainstream audiences – it’s in Spanish, it’s lost in translation with the dialogue, and it deals with some Mexican traditions. Certainly pick this up from Lionsgate Home Entertainment. Curandero will fill your cup of blood and horror.

Sofia Vergara’s Big Evil Guns! Machete Kills poster!

To be honest with you, I was not a very big fan of Machete. Robert Rodriguez’s concept of a vengeful former Mexican Federale out for blood came off as a neat idea when previewed as a spoof trailer from Grindhouse. And having the hard-ridden look of Danny Trejo portray the character is a match made in hell! What was not to love when the news broke that Rodriquez would actually be writing and directing a feature film a few years later. Yet, I was let down and the sort of slap-stick, roughly edited film just didn’t hold the same thrill as the trailer had spun into me.

Machete must have done well enough to warrant a sequel that I will surely grant audience, but the new poster feature Sofia Vergara and her machine gun tits just screams bland, same old exploitation by Robert Rodriequez, feeling the same similarity with From Dusk till Dawn and the crotch gun worn by Tom Savini. Does Robert Rodriguez feel that privates are ultimately dangerous and should be considered hands off in the eyes of a good Catholic? See the poster below.

Sofia Vergara and her heavy artillery.

Sofia Vergara and her heavy artillery.

Machete Kills does sport a motley crew of a cast that includes fallen angels as Charlie Sheen and Mel Gibson. Also appearing would be William Sadler, Cuba Gooding Jr, Amber Heard and Lady Gaga. But of course this would not be a Robert Rodriguez film without his usual cast of actors such as Michelle Rodriguez, Jessica Alba, Tom Savini, Antonio Banderas, and Electra and Elise Avellan. Machete Kills is slated for a September 13, 2013 release.

Evilstep! Listen to the heavy bass of Figure!

figure-monsters-3

Dubstep + Horror and you have Horrorstep brought to you by electro music sensation Figure who delivers Horrorstep right to your door.  Figure’s real name is Josh Gard and he began his career in 2009 dropping beats that stand with the best in the genre, but Figure had to take it beyond his limits…far FROM BEYOND…his limits.  He incorporates his love for horror into his music and THE THING is that makes Figure a cult favorite is that he doesn’t just half ass his mixes.  Oh no.  Like I said before, he is a heavy weight in his divisional genre.

Figure sends SHOCK WAVES down my spine as I’ve been hooked on The Werewolf (VIP edit) and I’ve been just EATEN ALIVE by this track that I yearn for more blood and beats by Figure.  Figure mixes old school and new school horror into his tracks along with the retrofitted artwork on his album covers – Monsters of Drumstep Vol. 1, Vol. 2 and Vol. 3 and the Destruction Series.  On a cold BLACK SUNDAY, I can’t think of anything else I rather listen to and FROM DUSK TILL DAWN I will be searching the inter-webs, scoring more tracks from Figure – especially from SoundCloud.

Figure – Michael Myers is Dead

I’m waiting for Figure to make his return to the States from Europe to start mixing again and hopefully perform at some local. Until then enjoy these two tracks and visit his SoundCloud and Facebook page and don’t be LAID TO REST by boring electro music!

Figure – The Werewolf (VIP Edit)

Williamson’s Trek to Nowhere. Death Journey review!

In the midst of my own journey as I move north to face new challenges (and to move in with my fiance), I find the time in this busy futuristic lifestyle of packed boxes and neglected rest to sit and watch Fred Williamson’s 1976 Death Journey released by Code Red DVD.  I adore Code Red; their fans get what they ask for as Code Red’s ears are surely open and ready to receive the intake of rare and outrageous selections.  However, Death Journey marks my very first concern for the DVD label as I’m not sure what pinpoints to be very unique of this example of blaxploitation besides being very bland.

When two New York City lawyers fear their case against a crime lord will die with the rest of their murdered witnesses, they hire Jesse Crowder, a former cop whose mercenary tactics are undesirable but effective.  His $50,000 mission is to escort Finley, a former account of the crime lord, across the country to testify, but at every turn, trouble lies and waits for Jesse and Finley.

Watching Death Journey was painful.  I hate to admit that, but the truth must be told.  Being exposed to various convoluted stories, my mind has become a complex web of complexities.  This back-to-back sequel to No Way Back, also released in 1976, bares a simple-minded story and executed in a simple-minded way.  Pointless exposition describing their every action boggles down the flow of the plot and the obviously bad choreographed fight scenes reveal the faux blows, the dimwitted edited and the placing of the shot directly on a downed villain to show that he has been knocked out by Crowder’s martial arts skills.

Continue reading