“A Question of Silence” Laughs Louder than Words on Blu-ray!
Three different in age and lifestyle women carry on with the routine of their normal lives until police offices arrest them on the charge of murdering a male owner of a clothing boutique. Having seemingly no motive and have no connection to each other, never having met each other before, the confounded prosecution hire a psychiatrist to determine the women’s mental state for the brutal beating of the shopkeeper. As the psychiatrist interviews and digs into their personal lives to give rationality to an irrational crime, she finds herself drawn to the women and their heinous act stemmed by a life history that paints a picture of dehumanizing neglect and of providing zero respect. Subjectively overwhelms objectivity the deeper she looks into their case and her professionalism is put to the test when she has to decide whether being labeled insane fits the accusation or if a more gender bias systemic issue is at play.
After a rousing first part of feminist revenge with “Red Sun” from 1970, we fast-forward slightly over a decade later in 1982, and moving from out of Germany and into the Netherlands, with Marleen Gorris’s acclaimed crime drama “A Question of Silence.” With little-to-no film prior film experience, Gorris becomes a provocateuse with her debut picture that stirs controversy amongst one side of the sexes. “A Question of Silence,” natively titled “De stilte rond Christine M,” or “The Silence around Christine M.,” became the best Dutch film of the year with local accolades, including a Golden Calf for best film at the Netherlands Film Festival the year of release. Along with the Rudolf Thome’s “Red Sun” and the German social commentary on women integrating into equal social and professional positions, Gorris comes at a time where the status of Dutch women were on the lower end of the gender equality scale, especially in the workforce. Matthijs van Heijningen, who produced polemic features directed by women filmmakers, such as Nouchka van Brakel’s “A Woman Like Eve” and “The Cool Lakes of Death,” risked yet another credit to his name with the virtually unknown writer-director Marleen Gorris and her sizeable undertone story under his company, Sigma Film Productions.
The narrative opens with Janine van den Bos and her husband Ruud having a flirtatious moment on the couch where Janine playfully annoys her book-reading husband with advances sexual foreplay. Without knowing who these two people are exactly, other than they’re in a version of a relationship, Janine, played by Cox Habbema, and husband Ruud, played by Eddy Brugman setup metaphorically what’s inherently wrong with society with a woman seeking something and the man ignoring her and practically commanding her to stop the foolishness in a dismissive way. This opening scene then cuts to the three women being arrested, led up to by intercuts of their daily routine before the police confront them. We’re treated to some of the most idiosyncratic and grounded performances by Edda Barends as the muted housewife Christine, Nelly Frijda as the cackling coffee barista Annie, and Henriëtte Tol as the beautiful and intelligent secretary Andrea. The three women never met before, never plotted before, and never killed before but a sudden epiphany while shopping became the straw that broke the camel’s back, turning watershed into bloodshed that unveiled something just as sinister as murder. Cox Habbema engrosses herself into the psychiatric role as an educated woman analyzing and judging other women while also being judged herself by the opposite sex despite a higher-level of learning and professionalism. Without exposition, characters express themselves through action while being ambiguous through dialogue, working to convey the lopsided gender equality across the screen perfectly without even one ounce of explanatory detail dropped.
What’s most intriguing about Gorris’s film is it’s mirroring quality to society. “A Question of Silence” doesn’t fabricate grand futures or alternate universes with eccentric, wily characters to be metaphorical fodder of expression; instead, Gorris remains earthbound, present, and timely by incorporating true-to-form examples that create derogatory silence on women. The non-linear narrative, cutting back-and-forth from investigative present to the chronicled past visualizes the women’s struggles and frustrations living inside a male-dominated culture. From being expected to handling all aspects of the household and childcare, to being brushed off and dismissed by colleagues, to forgotten and underappreciated, Gorris forces a frank contemplation on a patternized and patronized patriarchy. Heightening the tension, Lodewijk de Boer and Martijn Hasebos’s giallo-esque and experimental soundtrack adds a layer of loadstone to see whether these extempore femme fatales executed a crime.
Cult Epics, in association with the Eye Film Institute, continue their campaign on delivering thought-provoking, provocative, and controversial Dutch masterpieces onto the high-definition stage with their latest release, “A Question of Silence.” The AVC encoded, 1080p, BD50 stored feature is presented in the 1:66:1 European widescreen aspect ratio. The 2K HD scanned transfer and restoration is based off the 35mm print; however, judging by the grain levels and very little preserved detail, especially in a HD scan, I’d say the original negative was 16mm and then blown up for 35mm project, which was a fairly common process. The noticeable enlargement of grain dampens picture details less favorable yet not the image quality is not a total wash with a stable graded rendering, with a natural skin tone and pigment of objects, and the presence of imperfections kept in a minimum – such as the occasional cigarette burns and dust/dirt. What excels here mostly is the lack of compression issues so we’re only treated to the innate quirks of the original celluloid film. The release offers two Dutch language audio options – a LPCM 2.0 mono and a DTS-HD MA 2.0. Toggling between both tracks, there’s not much different between them until Nelly Frijda’s crone-cackle distinguishes itself with robust HD prominence projecting full-bodied through the dual channel. Again worth noting, Lodewijk de Boer and Martijin Hasebos synthesizing score, coupled with Marleen Gorris’s tense and taut flashback storyline, casts a disquieting tone that’s very fitting for a film entitled “A Question of Silence.” Dialogue, as well as the score and overall soundtracks, suffer very little from the slight hum of the running camera and some minor hissing but the general result has tremendous. English subtitles are optional and synch well with error-free translation; however, upon watching the special features, the Cult Epics’ feature translations differ from the copious amount of snippet clips of the interview segments. Roughly the same interpretation but the phrasing maybe clearer and less wordy in the snippets so I’d be interested in the, what I assume would be, the original English translation. Special features include an audio commentary by film scholar Patricia Pisters, an archival Cinevise interview with Marleen Gorris from feature release year 1982, a sit-down, one-on-one interview with lead actress Cox Habbema and Cinevise host a year later, a Polygoon Journal Newsreel from ’82 that mentions the Golden Calf award from the Netherlands Film Festival, a promotional gallery, and trailers. The clear Blu-ray cover comes with the tear-drenched and shadow-obscured face of Cox Hebbema with a reversible still image of the three accused women on the inside. No insert included and the disc is pressed with the same front cover art. Cult Epics Blu-ray comes with region free playback and the feature is 97-minutes and unrated. Marleen Gorris first run as a filmmaker denotes her as a masterful storyteller with a timeless tale of close-quartered and subtle masculine tyranny in an attempt to open the unwilling eyes of the narrow focused.
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