Where Does Evil Stand in the Post-Apocalypse? “Blue World Order” review!


Nuclear war had demolished the quiet rural areas harboring bio-engineering plants and has crumbled societies in a post-apocalypse. The nuclear fallout caused a deadly bacteria to thrive and spread amongst the region, wiping out millions of lives in its path. A group of scientists seek to rebuild the devastated population by devising a plan to send an electromagnetic pulse that will directly input inhibitors in the brain to block the bacteria from overwhelming a dwindling human race, but the success of the pulse came with a severe cost involving the death of every child on the planet. Also embedded in the pulse is a mind altering virus that encoded itself into every person’s brain to act as a mind control device. The only person virally immune, a fallout survivor, is a struggling father, Jake Slater, trying to protect his adolescent daughter, Molly, at all cost as she’s the only child left on Earth due in part to her father’s immunization. Malevolent creators behind the virus aim to get their hands on Molly and experiment on her immunization before inevitably releasing upon the world a much more sinister version of the virus from the pulse tower that only Jake can destroy.

“Blue World Order” is the martial arts, post-apocalyptic, science fiction flick from first time feature directors Ché Baker and Dallas Brand. Baker and Bland co-wrote the screenplay with Sarah Mason that flaunts a major concept, perhaps better suited as a major Hollywood studio concept, but wouldn’t quite cross that threshold of positive public opinion stemmed from cramming too much into the a non-stop, action-packed contiguous acts laid simply out to illuminate an aged old theme of power hungry Government against meager do-right resistance. To further add on top of all that doesn’t feel right about this film, we’ve all seen this film before or, perhaps, a similar rendition of it. The 1989 Jean-Claude Van Damme film, one of many Van Damme guilty pleasures, “Cyborg,” blends martial arts with a futuristic wasteland decimated by a deadly plague and while the gritty and dark “Cyborg” carries itself vastly different from Bland and Baker’s more flashy and glossy approach, the story’s core is virtually the same with oppositions desiring to save the world for an interior motive.

Since this is an Australia production set on location in Australia, seems like a no brainer that Melbourne born actor, Jake Ryan (“Wolf Creek” the television series), would snatch the lead of Jake Slater. Ryan’s beefy build and rugged appearance have him a prime candidate for a hero, a fighting father, in a world in turmoil, but the way the film’s edited, Ryan comes off a bit aloof and a droll warrior. Ryan is joined by a few other familiar Australians and New Zealanders such as Jack Thompson (“Star Wars Episode II: Attack of the Clones), Bruce Spence (“Mad Max”), and Stephen Hunter (“The Hobbit” trilogy) as a screw loose rebellion leader with a awful martial arts stand-in that dons a lighter shade wig. There’s also Billy Zane. Zane, a native of Illinois, has a knack for hitching himself onto foreign products; his last venture we reviewed was a Greek production entitled Evil – In the Time of Heroes, but Zane’s a remarkable actor whose able to morph into the essence of any character, especially characters that sport lopsided power like his character Master Crane, a martial arts instructor turned catastrophic savior post-fallout. The cast rounds out with newcomer Billie Rutherford, Kendra Appleton, and Bolude Fakuade.

One headache smoldering as a consistent motif throughout is the lack of character development. Before his calling as the one to save humanity, a dream sequence exposition touches upon Jake Slater’s time before nuclear war. Slater’s seen engaging in a friendly, if not slightly competitive, martial arts bout with instructor Master Crane. The two have an important, intrinsic history, involving Jake contracting a debilitating disease and able to bounce back with rehab through Master Crane’s teachings, that goes sorely unexplored. Most likely, the lack of development can be a direct result of the aforementioned with too much jammed into an already cluttered heap that jumps from one thought to the next without a proper seque. Even the introduction and the removal of characters has a nauseating sway. For example, when Stephen Hunter’s Madcap is introduced, he suddenly runs up to a fleeing Jake Ryan and the overweight, disheveled, rambler is able to best the physically fit, martial arts instructed, desperate father in more than one occasion. More instances like these can be exploited throughout, but we could be here all day breaking down the details or lack there of.

Random Media delivers Ché Baker and Dallas Brand’s fantasy-action “Blue World Order” onto DVD and VOD nationwide. A DVD-R screener was provided and can’t officially comment on the presentation or the audio tracks, but if there’s one issue to be said about the image quality, the special effects are horrendously Sy-Fy channel cheap with superimposed flames reaching six feet high in a monolithic-like pose. With effects like that, the indie Sci-Fi picture’s intended purpose is to solely entertain on a round house kick and uppercut punch level and not to invoke too much thought into a series of concepts. Instead, to sell the next Billy Zane installment, the selling point long shot of a “Back to the Future” Delorean car chase through the Australian desert is nice and attractive and proven to work. Shoddy blaster sounds and crumbling CGI put the last few straggling nails into “Blue World Order’s” vast coffin for a film that aimed really high for the bar but missed really low with unfocused material and devastating plot holes on a world-ending scale.

Rent “Blue World Order” at Amazon Video today!

How About Some New Zealand Evil! “I Survived A Zombie Holocaust” review

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Aspiring screenplay writer Wesley Pennington obtains the position of a runner for a low-budget zombie film. Being at the bottom rung, Wesley is commanded to do everything without hesitation or question no matter how big or small the task. With the production already plagued with a slew of problems, the film’s cast and crew come under attack from real life zombies that swarm the forest location. Wesley, along with a handful of lucky survivors, rely on their zombie film knowledge to flee from the flesh feasting fiends, living in their very own zombie apocalypse movie.
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Rare is it to come across New Zealand horror now-a-days and when the opportunity presents itself, one must jump at a viewing with great enthusiasm. New Zealand horror has been known to be eccentric and fun, while also being gory and smartly scripted. From the early prevalent work of Peter Jackson (“Brain Dead,” “Bad Taste”) to lesser known cult favorites (“The Locals,” “Black Sheep”), the tiny New Zealand horror catalogue has made an everlasting mark in a heavily saturated American and European market. Guy Pigden’s written and directed 2014 horror-comedy “I Survived a Zombie Holocaust” takes it’s place rightfully so next to niche brethren, elucidating that horror and comedy in an extremely over saturated genre can and will still be an effective and entertaining movie.
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Simply taking the premise of a horror movie being overwritten by another horror movie and using it’s tropes to poke at itself, while also jabbing at the film industry’s detached reality that ultimately devours itself, conquers being just another run-of-the-mill zombie comedy. Pidgen sharply appoints an ensemble cast to go along with the wanton story, working side by side again with Harley Neville in the socially awkward Wesley Pennington role. The rest of the main characters are purposefully stereotypical, fine tuned by Jocelyn Christian, Ben Baker, Reanin Johannink, Mike Edward, Andrew Laing, and Simon Ward. The character comedy mimics Peter Jackson’s “Brain Dead” with developing persona’s through various types of characters such as Wesley’s nerdy-awkwardness, Reanin as the prissy spoiled actress in Jessica, Mike Edward as an egotistical and closeted gay body builder actor in Adam, and the overbearing, frustrated, and desperate SMP played insanely intense by Andrew Laing.
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The gore is very similar to Jackson’s early nineties splatterfest film. Lead special effects supervisor Timothy Munro had worked under the modern era thumb of Peter Jackson, including box office blockbusters films like 2005’s “King Kong” and 2012’s “The Hobbit: An Unexpected Journey.” Did this influence the effects team to explore the gore written in the screenplay pages in “I Survived a Zombie Holocaust?” I would say so. We’re talking about splitting heads in half, viscera spilling out from the waist side, limb detachments, and more sanguinary bits and pieces. The gore is sound and not as exploitive, as maybe “Brain Dead” comes across, smoothing out and around a well-balanced zombie comedy.
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“I Survived a Zombie Holocaust” has faint issues of pacing that slow down between scenes, toning down a smidgen of my praise for Pidgen’s film. But the 38 Production’s freshman film goes above and beyond of being just another likable zombie comedy. The jest upon the horror community is well played and well received while also being a gory homage to an established horror community in New Zealand. “I Survived A Zombie Holocaust” has been released in the UK courtesy of distributor Matchbox films. However, I can’t comment technically on the audio and video quality due to the screener being a streaming link and nor can I comment on the extras as there are none. What I can comment on is that “I Survived a Zombie Holocaust” makes a killer first impression in the new era of Kiwi horror and will be at the top of the list for one of my favorite at home feature releases of the year!