Evil on the Quick Draw! “Day of Anger” review!

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In the quiet western town of Clifton, Scott is the naive town fool. As a simple bastard of a prostitute, Scott grew up without a place in Clifton and without knowing who fathered him and is belittled. Scott is only good for is taking up sweeping outside homes, taking care of the horses, and collecting the residential human waste for disposal in order to earn a better living for himself. But That all changed when Frank Talby rode into town. The infamous gunslinger takes the adoring Scott under his wing and turns the town fool into Talby’s right hand gun for hire, making Scott a fast drawing force in Clifton. When Talby takes the reigns over the town of Clifton, Scott doesn’t pity those who mistreated him as Talby turns the disrespectful rich into the town fools, but the one man that cared for Scott is the one man Talby hates the most from his past and Scott must choose between his long time mentor or his newly found idol when the two showdown.

This is a first; a spaghetti western review on Its Bloggin’ Evil! But I just love the genre with the rich story lines and colorful dialogues and dynamics between characters. The genre never becomes dull, the desert stricken west never looks unbearable on screen, and, just like that Seth MacFarlane movie, there are certainly are a million ways to die in the west. Director Tonino Valerli’s “Day of Anger” fits the bill for the Italian Western genre. Also entitled “Gunlaw” or “I giorni dell’ira,” Rome born Giuliana Gemma stars as Scott Mary to make this an authentic spaghetti western and genre veteran, and overall on screen bad guy, Lee Van Cleef, who you may recognize form “The Good, The Bad, and The Ugly,” as the downright mean snake Frank Talby.

The story directly sets up Scott as this blundering idiot, but if you watch closely during the progression of the character, Scott is written with easter eggs showcasing him as being quick, agile, and strong. With Talby schooling him on how to be a gritty gunslinger, Scott is well on his way to being what he always idolized and instead of being the town joke, the town fears him. This is also where the script becomes a bit of enigma because you want Scott, the fool, to be respected by the people of Clifton. Yet, the people still don’t respect Scott and only fear him because he’s becoming like the ruthless Talby who the town folk despise. Giuliana Gemma does a fine job at portraying the nitwit part of Scott, but not so much the quick draw, new and improved Scott. Gemma made the character growth too easy and didn’t sell it properly to have Scott earn the right to be tough.

Lee Van Cleef, on the other hand, is damn nasty. The natural look of undermining and deceptiveness with power and brutality just can’t be undone in any project Cleef undertakes. The character Talby is formidable, cutthroat, and smart and Cleef plays those qualities to the exact tune. Scott is severely overshadowed by Talby making Cleef more of the stud as the “Day of Anger” headlining actor than Giuliana. Giuliana had some success in the niche genre under the pseudo name Montgomery Wood, maybe because it sounded more American or more Hollywood, but when death came for the genre, so did it for Gemma’s lucrative Italian career. Overall, both male leads are not hindered by a female love interest. “Day of Anger,” from start to finish, only contains a handful of scenes were women become prevalent.

The Arrow Film’s Blu-ray released from MVDVisual is quite awe-inspiring sharp with a beautifully brilliant picture that is presented in it’s original aspect ratio 2.35:1 format from the transfer of the original negative. The long range shots of the desert are unbelievable with the 1080p transfer. The contrasting colors amongst the town of Clifton organically bring the town to life, constructing a seemingly realistic town rather than a stage or a set. The audio comes in three soundtrack options: English (longer cut of the film), Italian (longer cut of the film), or English (shorter international version). The Riz Ortolani soundtrack really stands out clearly and firmly but not in annoying overbearing style that doesn’t sync with the film or with the characters’ dialogues. There are a few high frequency pops during a couple of transitional scenes, but these won’t distract from the amazing film. This Region A and B Blu-ray is absolutely stunning with loads of extras just waiting to be experienced. MVD and Arrow Film’s Blu-ray version of “Day of Anger,” the first time on Blu-ray anywhere in the world, would be a fine piece for anybody’s western collection.

Evil Never Sleeps! “Coyote” review!

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Cult actor Bill Oberst Jr. plays a deranged struggling writer with insomniac.  Bill’s lack of sleep drives him to extremely hallucinate to the point of being dangerous to not only himself but to others.  His derangement wields a bowie knife, a rust colored hammer, and a sporting bow and arrow as the hallucinations get weirder, stranger, and more violent and everyone that Bill comes into contact with becomes a target of his severe breakdown into insanity.
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Who doesn’t love Bill Oberst Jr? The veteran actor has a unique look about him and his acting method brings stage and screen acting together into one great performance in Trevor Juenger’s “Coyote.” Without saying much through the entirety of the film, Oberst interpretation of one man’s sleepless delusions sports no talking head explanation. Rigorously and physically involved in the role, “Coyote” could not have been possible if it wasn’t for Oberst serious role indulgence.
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The film is described as a blend between “Taxi Driver” and “Videodrome.” That description is entirely accurate. Full of body horror and plenty of schizo to go around, the surrealism in the editing by Juenger is remarkable pitted against budgetary restraints. Hard to follow, lost in translation, yet somehow by the end of the movie you get it, you just get it. You might even feel lost for the first hour and by the time the last half hour comes around, you’re just as angry, confused, and disturbed as Bill. You might even want to take out a person or two with a bowie knife.
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“Coyote” won’t break much cinematic ground like “Taxi Driver” or “Videodrome,” but “Coyote” will be a great embarkment to a honorable homage and a surreal look into fresh art-house horror. If you like this type of material full of masochistic mutilation, visceral carnage, and a visual look into the mind of lunacy, then Wild Eye Releasing’s “Coyote” is for you.

Lovecraft Evil Done Well! “The Thing on the Doorstep” review!

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“The Thing on the Doorstep” is a nearly 8o-year-old gothic tale converted the short story written by H.P. Lovecraft to a small screen adaptation from Leomark studios and MVDVisual home entertainment. The story tells of Daniel Upton and his relationship with friend socially hopeless affluent Edward Derby. When Edward meets and weds a bizarre hypnotists Asenath Waite, his relationship with good friend Daniel turns eccentric and mysterious. Edward’s personality switches from the person Daniel knows and loves to a completely separate entity. As Daniel investigates down the rabbit hole, he learns that Edward might be a victim of black magic and that Asenath’s disturbed and demented background might be behind it all.
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Telling the story of this magnitude would be a difficult feat but director Tom Gilserman’s style through the narrative the character Daniel Upton and the structure is simple enough to make this story work well on screen. Penned by Mary Jane Hansen, who also has the lead role of Asenath Waite, pieces together natural dialogue to form believable characters. For great writing to transmit, you also need great actors. David Bunce, Susan Cicarelli-Caputo, Ron Komora, and Rob Dalton round out a great first time cast of actors that join Hansen and have completed a flowing conversations.
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Gilserman does try to a create a Lovecraftian atmosphere with unique camera angles, a dark complexion, and a gothic facade that would make H.P. proud to have his story told through this medium. The film plays out as a bad nightmare full of continuous and repeated flashes of scenes that will drown you into madness while also attempting to make Edward have two sides of him – his soul and a wicked others.
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One thing that I thought the film lacked with the use of black magic revealed. Anenath is suppose to be this powerful being who may or may not be human, but a witch, a succubus, a shell of a human. What the plot is more focus on is Daniel and Edward’s relationship and I believe this to be contributed to the narrative style of this film as it delivers as if one is reading straight from the source – the short story. Not too much is given about Asenath or her ‘hired help.’ Budgetary constraints more than likely contributed to the lack of black magic effects if there were to be any.
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Take the plunge and test out this adaptation of one of Lovecraft’s more psychological horror stories. The DVD from MVD was released this past tuesday and surely will get your head twisted around and your spine snapped with intense suspense and mystery.

No Nudity 😦

Ready to Choke on Evil? “Collar” review!

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Rookie officer Dana starts her shift as usual and like any other night patrolling with her partner the drug dealt and working girl streets of the city. Responding to a working girl assault behind a pharmacy leads Dana down a path of violence, torture, rape, and cannibalism. A wandering drifter murders her partner and forces a leashed collar around her neck, raping her repeatedly, and subjecting her to his lunacy. Who will come to her rescue? Her pregnant lesbian girlfriend? The drug dealing pimp and his prostitute? Or will it be the two violence junkies looking to record every detailed of the wanderer?
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Director Ryan Nicholson, better known for his directorial of the 80’s slasher-homage film “Gutterballs,” pens and helms a disturbing look into the soul of a massive killer whose background involves clergy abuse leads him to renounce film, take up Satanist rituals, and reek havoc amongst anybody who stands in his way. Genre vet Nick Principe (Chromesull from the “Laid to Rest” films) dons the garbage-clad homeless man look and uses his gargantuan build to create the character of Massive, a stricken man living off abusive fears and a re-wired mental state where killing, raping, and chowing down on human hearts is all he knows.
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But where Massive’s rampage stems from his backstory narrated by flashbacks to explain his intentions, his hunger for hearts can be only guessed at for his rituals for Satan. That’s the whole state of “Collar,’ where the motivation is a guessing game and instead, “Collar” also realistically reveals a more perversive farce to not only Massive’s maniacal being, but to also the surrounding stereotyped characters begging to become dead meat at the hands of Massive. Not one single character to put stock into leaves more than a bad taste and we circle back around to the only character for whom to root for and that would be Massive. Even Dana, our supposed heroine according to the synopsis, isn’t a tough cop. Dana gives up almost immediately to Massive and doesn’t fight back agains’t her rape and doesn’t fight for her survival. Instead, Dana whimpers and cowers, too afraid to take on the brute who gutted her partner and ate his heart.
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Gore is where the film flourishes but, sadly, that is where the blooming ends. “Collar” is a ride at an amusement park that looks so thrilling, so exciting, so stimulating that you’re thirst to ride can hardly be quenched, but when the ride comes to an end and you’re walking out the ride’s gate, you grumble under your breath becomes you’ve been lied to because the fierce facade of the ride was only a mask, a smoke and mirror, to lure you into a mediocre experience. That’s how I felt after viewing “Collar.” The promising cover and a synopsis had to drooling from the mouth, but the girth, the heart and soul, didn’t thrill me nor excite me – well maybe Aiden Dee and Mihola Terzic’s nude scenes might have perked me up a tad and gave me a thrill somewhere.
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Positives due reside in Ryan Nicholson’s “Collar.” Chillwave snyth music from Protector 101 (http//protector101.bandcamp.com) puts the work in for the score at the beginning and ending credits creating a retro vibe that might suit Nicholson’s “Gutterballs” than “Collar.” Unearthed Films is a particular film label that you can expect some nasty, gore and shock films from and “Collar” certainly fits the mold, but as of late the quality of the films have diminished and not so much the storyline but also on the technical side. The ambiance score drowns out too many scenes wroth of dialogue making the dialogue totally inaudible.

“Collar” is a short 77 minute film of one man’s distaste for humanity and to deliver evil amongst all. Certainly an anti-religion, or anti-clergyman, film sparking more controversy than entertainment when consisting of three rape scenes, multiple eaten hearts, unhelpful voyeurs, and a savor for vengeful justice. “Collar” hits retail shelves November 18.

Shout Factory Brings “Destroyer” Back to Life!

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Some exciting news coming out of the ever-glorious Scream Factory, aka Shout Factory, company and that is 1988’s “Destroyer” with Anthony Perkins from “Psycho.” The incredulous film will pari with another 1988 film – Scarecrows. The double feature will hit blu-ray in 2015!

A prison riot breaks out at the moment of a serial murderer’s execution by electrocution, and his fate becomes indeterminate when the prison is shut down. 18 months later, a team of filmmakers converge on the prison to film a women-in-prison exploitation flick, but find that a certain somebody is disrupting their shooting schedule…