How Many Chickens Need to Have Their Throats Cut to Satisfying Ritualistic, Naked EVIL! “Voodoo Passion” reviewed! (Full Moon Features / Blu-ray)

Get Entranced by Full Moon’s “Voodoo Passion” Blu-ray!

Newly married Susan House travels to Haiti to join her consulate husband, Jack House, who has been stationed at the British Embassy.   Captivated by the Haitian voodoo religion and culture, Susan is eager to tour the island nation’s most ambiguous practice most don’t or will never understand all the while Jack’s naked and nymphomaniac Sister, Olga, makes forward, flirtatious advances toward her.  That fervor for voodooism and Olga’s point-blank seduction has seemingly incepted terrible nightmares of naked, animal sacrificial rituals and murder conducted beguilingly by a priestess in the form of Jack House’s native housekeeper, Inês.  When Susan awakes, the realism of her dreams afflicts her but her husband Jack and his colleague, a psychiatrist by the name of Dr. Pierre Barré swear there have been no police reported murders.  Night after night, Susan’s entranced nightmares continue to be vivid with murderous mysticism that’s slowly driving her mad in the land of voodoo. 

One of Jesus “Jess” Franco’s more bosom and bush erotic-thrillers, “Voodoo Passion” is nearly a fully naked runtime feature sprinkled with hints of the nation’s cultural religion.  The 1977 released, German Production, also known by the titles “”Call of the Blonde Goddess” or “Der Ruf der blonden Göttin,” was less about his own stylistic substance and auteur stamp and more about spasmatic, gyrating nudity under rhythmic bongo beats for the Spanish sleaze and exploitation genre filmmaker.   The gratuitously sexed-up, multinational feature is penned by the Switzerland born, sexploitation and adult genre screenwriter Erwin C. Dietrich under one of his pen names, Manfred Gregor.  Dietrich also produces the film amongst a substantially historical collaborative effort between himself and Franco over the course of the late 70s to early 80s.  Nestor Film Producktion serves as the production company, filming entirely not in Haiti but in the beautifully scenic and old-world allure of the seaside capital of Lisbon, Portugal.  

Lots of hot body action in this beat-driven, voodooism thriller primarily between a trio of character-diverse, titillating ladies and peppered with peripheral nude women and men tribals engaged in a ceaseless native, ritual thrusting, pulsing, and shaking trance dance.  “Voodoo Passion” grips itself around the rags-to-riches character of Mrs. Susan House in what is a matron-look for Spanish actress Ada Tauler (“The Sexy Horrible Vampire,” “Love Camp”) brought to Haiti at the behest of her British consult, newlywed husband Jack House, played by the stony-faced and “Eugenie” and “Pieces” American actor Jack Taylor able to swing both thrills and feminine frills in his films.  While Tauler’s doesn’t shy away from full nudity of Susan House’s fever dream state, the actress pales in comparison to the other two-thirds who are more engaged in sexual promiscuity and the liberating fervor of ethnic ceremony.   Those two actresses are “Caged Women’s” Karine Gambier as the nymphomaniac sister of Jack House and the face of most of “Voodoo Passion’s” physical marketing with French actress Muriel Montossé (“Cecilia”), under the more westernized stage name of Vicky Adams.  With a face and body like a model, Vicky Adams’s wild arm and stoic expression dance moves will hypnotize viewers entranced with the bongo tempo’s transfixing pomp, contributing to the film’s psychotronic premise of magical and religious rites, obfuscated nightmares, and, cue Austin Powers’s voice, murder.  Yeah, Baby!  “Voodoo Passion” has curves for days and in all different personas that keep things weirdly, but welcomingly, platonic on some level and not just an overly saturated sex-fest.  The film’s cast rounds out with Vitor Mendes (“Swedish Nympho Slaves”) and Ly Frey.

If asked to describe or give an opinion on “Voodoo Passion,” one would say cheekily the Jess Franco film is a thriller swathed in an eyeful of bosom and bush.  If the 4-minute introductory scene with voiceover exposition to the ceremonial voodoo band and half-naked native dancers wasn’t enough of a clue, Ada Tauler and Karine Gambier pull you right back into the soaking tub with their soapy, wet bodies as they immediately take a bath together upon meeting for the first time.  From that point on, the bosom and bush bar has been set and in that the thicket of unshaven landing strips, there’s a good story underneath about the mystics and misconceptions of Haitian voodooism.  Unfortunately, much of that story falls behind the showcases of skin, thrusting the principal ladies into the spotlight, overshadowing Jack Taylor’s performance as well as doing nothing for the poor psychologist in Vitor Mendes, and undercutting the very theme of ritual exploitation and misconduct which is half of “Voodoo Passion’s” concept.  The entirety is all quickly surmised in one fell swoop of exposition without the necessary leg work, that should have been carried out by either Susan House or the consul assistant Inês, of building evidence for or against the contrary exposed in the finale.  Then again, does gorgeous naked women dancing about really need a well-rounded plot?  All depends on the eyes of the beholder and these eyes needed that equilibrium!

Full Moon Features conjures up a Blu-ray for this Jess Franco thriller debased in sexploitation slather.  The AVC encoded, high-definition 1080p, is housed on a single layer BD25, yet not encoded heavily with bonus content, “Voodoo Passion” is able to retain a full-bodied image from a remastered German original negative owned by producer Erwin C. Dietrich.  Vivid color saturation, contrast levels accompanying each other, natural looking skin tons, and the stunning detail render this Full Moon Features release the bees’ knees.  No signs of blocking or banding but some celluloid frames are slightly grainier than others that might be a result of age, wear, or the variable of film stock.  There is only a single audio option, an English LPCM 5.1 renders lossless audio, clearing each channel with ease, and delivering a rhythmic bongo drum beat with intensity.  Dialogue mirrors the richness despite the ADR track overtop the diverse nationalities’ native tongues.  There are no English subtitles, or any setup option for that matter, for this English only track release.  Special features included are an archival interview with Jess Franco with forced English subtitles Franco, Bloody Franco, a rare photo slideshow of images from the film, the German trailer, and a Jess Franco vintage trailer reel of most of his schlocky Eurosleaze fair.  What’s party treasured about these newly re-released films onto a new full HD transfer is Full Moon’s physical package redesigns that offer a cardboard slipcover with new illustrated, pinup-esque, art.  “Voodoo Passion” has a half-naked woman, presumably the nymphomaniac sister Olga, moaning in ecstasy while holding a…hand mirror?  Wonder if that should have been the champaign bottle Olga uses to, well, you know, pleasure herself with.   There’s also a striking, NSFW, Muriel Montossé pose in a scene from the film on the traditional Blu-ray Amaray front cover with additional explicit scenes on the backside.  The disc is pressed with the same slipcover illustration and there are no inserts inside the case.  Presented uncut and region free, this Full Moon release of Jess Franco’s vintage sleaze has a runtime of 86-minutes.   

Last Rites:  Another wholly impressive picture quality presentation of another unwholesome, softcore sexploitation by Full Moon Features, a friend to Haitian voodoo and you, the licentiously greedy viewer! 

Get Entranced by Full Moon’s “Voodoo Passion” Blu-ray!

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