Vestron Video Collection’s Blu-ray Return of the Living Dead 3 and C.H.U.D. II: Bud the Chud Shows Love for Sequels!

From Liongsgate Home Entertainment comes Vestron Video Collection’s Blu-ray releases of two sequels that needed some refreshing! “Return of the Living Dead 3” and “C.H.U.D. II: Bud the Chud” will see the light of Blu-ray day come November 22nd, instilling a 1080p campy fear into hearts of North American horror fans! Packed with extra content and a fresh coat a cover art paint, Lionsgate has resurrected (and remastered) the Vestron Video label from it’s burial ground in the 1980’s, re-delivering cult classic titles into super Hi-Def and redefining a label that made a name for pioneering B-movies such as the below.

C.H.U.D. II: Bud the Chud

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PRE-ORDER C.H.U.D. II: Bud the Chud at http://amzn.to/2cpUgyC for only $28!

OFFICIAL SYNOPSIS
Kevin, Steve, and Katie are an inseparable trio of friends doing some extracurricular snooping in the school science lab when, among the test tubes and beakers, they discover a corpse! But before they can say “Abra Cadaver,” the body disappears, rolling down Route 51 strapped to a gurney. The kids need a spare stiff, and fast. What they find is “Bud the Chud,” a half-dead decomposing humanoid, the result of a military experiment gone haywire. When Bud sets out on a killing spree, the kids, the Army, the police, and the FBI are hot on his trail, trying to save the entire town from becoming “Chudified!”

BLU-RAY SPECIAL FEATURES
• Audio Commentary with Director David Irving
• Interview with Actor Gerrit Graham
• Interview with Actress Tricia Leigh Fisher
• Interview with Special Effects Artist Allan Apone
• Still Gallery

Return of the Living Dead 3

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PRE-ORDER “RETURN OF THE LIVING DEAD 3” at http://amzn.to/2diuIRj for $28!

OFFICIAL SYNOPSIS
In Return of the Living Dead: Part II, the chemical Trioxin turned people into flesh-eating zombies. Now, the government is trying to control these unstoppable cannibalistic killers in Return of the Living Dead 3. When a young man uses the chemical to bring his girlfriend back to life after a motorcycle accident, she is driven to eat the only thing that will nourish her…human brains! She tries to stop her own feeding frenzy but a chain reaction has already begun, as hordes of undead are unleashed from their graves!

BLU-RAY SPECIAL FEATURES
• Audio Commentary with Director Brian Yuzna
• Audio Commentary with Actress Melinda Clarke and Special Make-Up Effects Artist Tom Rainone
• “Ashes to Ashes” – A Conversation with Director Brian Yuzna and Screenwriter John Penney
• “Living Dead Girl” – An Interview with Actress Melinda Clarke
• “Romeo Is Bleeding” – An Interview with Actor J. Trevor Edmond
• “Trimark & Trioxin” – Interviews with Production Excecutive David Tripet and Editor Chris Roth
• “The Resurrected Dead” – Interviews with Special Effects Designers Steve Johnson and Chris Nelson
• Still Gallery

Evil Goes Silent! “The Unspoken” review!

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In September of 1997, the Anderson family vanished from their remote home on Briar road, leaving behind scores of scattered blood, a lynched dead body, and a house keeper in mental shambles. Seventeen years later, Jeanie and her son Adrian move into the Briar home with the legendary and infamous reputation for being ghastly haunted. Living on hard times with her father being laid off from the region business, Angela reluctantly accepts a good paying caretaker position for Adrian at the notorious Briar home. When a local drug runner gets wind that his stash’s repository is no longer vacant, a dangerous game of retrieval pits the desperate small time dabblers against a supernatural force living inside the home that puts Angela, consequently, in the middle of a terrifying standoff.
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Sheldon Wilson. A name that’s under the horror radar for most horror fans, but for this particular reviewer, this particular fan, Sheldon Wilson has had a major influential role in bringing a wealth of horror to my life. The director’s 2004 film “Shallow Ground” was the first domino piece to fall that a started landslide of independent horror cinema to come flooding into my presence and opening up my world, my eyes, to the many facets of the genre. I fell hard for “Shallow Ground” that led to the foundation of a grand and glorious horror collection that would be acknowledged Rob Zombie, who’ve I’ve heard, has an extensive film collection. Wilson’s latest venture “The Unspoken” has reminded me that horror can live in the restraints of the past and can be bold with an unforeseen twist.
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Now, “The Unspoken” epitomizes the very definition of generic titles, but the premise goes far beyond being geriatric with similarities, but not on the same elaborate scale, to the 2012’s “The Cabin in the Woods” by exploiting the genre’s familiar tropes but shifting, at the very last moment, to an ending that’s well received and a breath of fresh air. From the Wilson films that I’ve experienced, his story structure is orchestrated in a detailed manner making the subtleties pop with saturated intensity. With “The Unspoken,” Wilson’s indirect jump-scare style is very much engrained and effect goes without diluting the entire film as some, examples such as some of the recent Halloween films, have done in the past to the point of tiresome and ungratifying.
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A satisfying cast genetically makes up the captivating story with young and upcoming scream queen Jodelle Ferland in as the lead role of Adrian’s desperate caretaker Angela. Ferland has quite the stint in horror starring in such memorable films as the recently referenced “The Cabin in the Woods,” “The Messengers,” and as the young child in 2006’s strong video game adaptation of “Silent Hill.” Ferland possesses that scared and innocent persona and she leaves nothing on the table when forcing to battle against a supernatural danger that can animate a decaying, jaw-severing dog corpse. Pascale Hutton, Anthony Konechny, Chanelle Peloso, Lochlyn Munro (Freddy Vs. Jason) and a passing-through role for “The Hitcher” remake’s Neal McDonough as a local sheriff rounds out the rest of the “The Unspoken” cast. Sunny Suljic, who portrays the unspoken Adrian, solidly performs as the creepy and mute, Damian resembling child even with his bad young Elijah Wood haircut. Together, the ensemble plays their respective roles with as much as earnest as the next film with more of the focus on Angela and Adrian throughout with supporting characters driving much of the storyline, funneling toward a surprising catalytic event.
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For the majority of the film, “The Unspoken” meets the harsh criteria fans need and desire from their horror films with some solid practical effects, no CGI effects, a story-driven plot, and a haunted house full of good scares with tidbits of blood and gore in between them all. There’s even a little nod of respect for the “Amityville” series. Only insignificant character underdevelopments raise a few unanswered questions about situations perhaps more pertinent to the motivation of the story such as the forbidden relationship between Angela and best friend Pandy which floundered a bit out of place within the confines of the plot and went stagnant when more about the Briar home became revealed or when Pandy’s more-or-less boyfriend Lutheran and his drug scheme goes through the sharp blades of a blender.
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The Lighthouse Pictures produced and Arrow Films UK distributed paranormal disturbance feature “The Unspoken” hit retail shelves and online markets September 5th. I’m unable to review video and audio quality with a region 2 DVD-R and there were no bonus material available from the static menu. However, Wilson’s film fairs with a sharp and clean appearance without the bedazzling of a Hollywood budget; the director’s use of the slow panning method and focusing on unsettling camera angles to transform an ordinary mountain home into a menacing dark presence doesn’t require much touchup in order to terrify audiences. If you’re a fan of quiver inducing, nail biting horror with a good M. Night Shyamalan twist at the end, “The Unspoken” will leave you completely terrified and utterly speechless.

Family’s First Night in an Evil House! “The Purging Hour” review!

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Providing his dysfunctional family with new hope of rekindling, Bruce Diaz ditches the hectic grind of the city for the quiet surroundings of a mountainous Californian resort town. As they settle into their new abode, Bruce tries his hardest to piece together a shattered family. From his scared younger son Manny, to his angst-filled teenager daughter Kacie, to his distraught wife Jennifer, Bruce can only find solace in his daughter’s coasting through life boyfriend Mark. After the first 24 hours, nobody really knows what had happened to the Diaz family until an anonymous source leaks a distorted and violence recorded video tape from the dark corners of the world wide web. With new evidence at the table, a documentarian interviews family and friends of the Diaz family, local residents, and officials associated with the case in hopes to determine the whereabouts of the Diaz family that seemingly went through a violent disappearance and expose that disappearances like these can’t just be quickly covered up.
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Vicious Apple Productions and Ruthless Studios add their entry amongst an overcrowded found footage market. More recently in the golden age of independent cinema, found footage films have incorporated faux interviews to add upon an artificial authenticity, but, in reality, these one-on-ones with the closest people to the victims just fill the voids to compensate for a lack of story and “The Purging Hour” plays right into that shortfall story mold. Director Emmanuel Sandoval’s sophomore 2015 feature leads into being a first time venture into horror for the young California director and Sandoval’s potential needs refinement from his also co-authored feature with Robert Trezza and Zaidal Obagi.
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Developmental pacing puts the hurt on the story. I’m not sure how much more Steve Jacques moving of Bruce’s lowbrow attempt to lightheartedly get this family to bind together over this new home I could stomach. If I was Bruce with all of Jacques’ beefiness, not one smart and ugly remark from his ungrateful daughter Kacie would be taken lightly. Kacie’s family trampling is the biggest elephant in the room to the point that’s an exploited archetype in many independent projects. On top of Kacie’s entrenched battle with her family, she’s able to sustain a firm grip over her weak parents by letting her boyfriend Mark stay with them way after the move was completed. Through the muffled sidebar conversations, Mark’s fixture status amongst the family, and an unclear picture of a the family between their personas on the video tape and the their personas through the eyes of the interviewees, which creates a totally different family, speculations fly wildly toward the next steps into what happens next.
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About a little over an hour after being subjected to interviews and multi fits of family bickering, Sandoval begins his HI-8 fright flight and thats where the director soars slightly by casting a muddled look into the family’s last known status. Purge, by the very definition, is to physically remove completely and “The Purging Hour” stays true to that moniker with one hour of purging and 23 hours of family turmoil and in the midst of that hour of purging, either a supernatural force or a violent bunch of heathens do the so said purge. One theory for the latter, a loose one at that, falls upon the introduction of a local resident spooking upon one of Kacie and Mark’s muddled conversations in the outside darkness. The local proceeds to explain that he’s meeting up with friends, which he does every year, and to do what, is not explained. Could this be part of a purging group? Perhaps, but there’s more of an malicious supernatural force at work upon the Diaz family that includes no physical body ever in the scene with the main characters who become main victims.
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Ruthless Studios is the same production studio that also delivered “All Hallows Eve” and, frankly, nothing has tickled the distinctive quality from either film. “The Purging Hour” is a low end rental that fails to blend suspenseful drama with suspenseful thriller. Dabbled with touches of key fear elements that does not rendition a bold new of horror, “The Purging Hour” waits until the very last hour to divulge into the subject matter with anything prior to being a waste of reel. The MVDVisual distributed widescreen 1.78:1 presentation has great retro coloring through the purposefully installed Hi8 format while being clear, with little electronic interference, through the interviews and the 2.0 audio mix is muddle through the Hi8 experience, but should be cleaner for more subversive effect. No bonus material included on the static menu. The DVD cover makes you believe the film centers a supernatural entity with a dead cold hand with razor fingertips upon gnarled fingers grasping a door through the jamb. “The Purging Hour” raises too many questions to satisfy a complete and coherent story that relies too much on fake interviews to provide infamy amongst the characters and instead of letting the characters conjure a force reconstructed through their imbalance, an unknown entity, human or otherwise, randomly select their residence to even more obliterate their family coherency.


Buy “The Purging Hour” on DVD at Amazon.com!

Everything’s Chill at the Beach Until Evil Crashes the Party! “Dark Cove” review!

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Since the age of ten years old, four lifelong friends, Quinn, Jen, Joey, and Ian, camp on the outlying coast of Vancouver Island, Canada. Quinn’s girlfriend, Rachel, tags along for a trip filled of booze, drugs, and beach lounging. When at first the group of friends meet up with two gung-ho surfing Australians and a drunkard Brit, a night of relaxation and hallucinogenic tripping follows until one of the Aussie’s makes a fateful move on Jen that begins a series of unfortunate and murderous events turning the fun camping getaway into a unbelievable nightmare for all.
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“Dark Cove” is a Canadian thriller from first time director Rob Willey that feasts upon the versatile and volatile nature that is aggressively human. The Vancouver Island beach backdrop is a serene, isolated stretch of sand, water, and forest rolled up into a coastal woodland. A perfect gathering point that serves suitably for “Dark Cove’s” remote needs and the aside from the roar of the surf, the tranquility becomes polluted by the wants of man that goes to prove the notion that one rotten apple can spoil the entire batch, including a peaceful beach, without needing to dump the likes of grisly viscera all over.
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Whereas “Dark Cove” conveys the underlying human aggression ready to explode at any given gas-lit spark, the film also conveys a hefty amount of breathy hot air. When building up toward the momentum-turning event, one would first wonder if anything would ever go array with no sense of a violent storm upon the horizon. Before everything spirals out of control, the centric group of characters find themselves amongst an endless cavern of talking points about the woes and the joys of their young lives growing up and being adults. Quinn quickly dismisses his recently earned university degree because he can’t find a job in his liberal arts field and has to work as a server, Joey’s immature mission in life is to have sex with a girl of every nationality, and Jen departs from a two year relationship that quickly has her jumping into the arms of strangers. The latter being more relevant to the story than all the other campfire jawing with Jen’s encounter with one of two Australian surfers. Its as if “Dark Cove” tries to become more of a film trying to make a statement about the uselessness of a higher education and that one out of five will be successful.
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From then on, the series of unfathomable events go from chill, a term Quinn constantly uses when he’s obviously not, to maximum carnage and confusion in a split second. The effect resembles the shock of going flat-out cold turkey, a sudden forced change that’s so terribly unbelievable it puts a wrench into the situational outlook afterwards. The backstory behind characters starts to quickly unravel to a point where they’re severely different characters than before. Quinn is somehow a master genius of hiding evidence, the professionally successful friend Ian snaps and goes bananas after the altercation between the Aussie and Jen, and Quinn’s girlfriend Rachel transforms into a cold person from a visibly warm and loving partner. Dean and Chase, the two Aussies, also suffer underdevelopment. Dean hints at their risky bohemian habits with their expired Canadian visas, but don’t exactly emit a bad vibe up until the moment of truth. Chase is the most interesting character with this most disappointing exposition about his history with a large Irezumi-like tattoo on nearly his entire back and his shows an enormous amount of aggressive power typical of hard life experiences.
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Rob Willey committed to a one-man filmmaking machine. Willey proved he can tell a coherent story through writing and directing the story while serving as also the lead actor in Quinn, producer, editor, and providing some original scores. His surfer “brah” attitude for Quinn stood out his character from the rest of his childhood friends who deemed more down to Earth with their raunchy “American Pie” sex jokes and philosophical debates. Co-producer Rob Abbate saddled up as sex hound Joey and his performance was filled with over saturated sex comedy that overwhelms, but his timing and delivery was on point, kicking up some chuckles here and there. I can’t say too much about the rest of the cast as they felt just too flat. Ty Stokoe is a bi fella who I wouldn’t want to meet in a dark alley, but when his character Chase removes his shirt in anger and starts to gorilla yell at the sky, the passion didn’t quite fit the scenario and felt out of sync with the tone. Moments like this are prevalent throughout and do affect the raw appeal of “Dark Cove.”
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“Dark Cove” is a 2015 Hot Springs International Horror/Thriller film festival premier film that’s currently only available on iTunes, Digital HD, and Cable VOD. Also, the film is available on Canadian platforms Shaw, Bell, and MTS. I’m unable to critique the video and audio quality of the release since I was provided a DVD-R, but the 84 runtime feature stars Rob Willey, Rob Abbate, Ty Stokoe, Eliot Bayne, Cameron Crosby, Montanna McNalley, James Anderson, Jules Cotton, and Alexandra Brown. In conclusion, “Dark Cove” is an unimaginative, run-of-the-mill thriller we’ve seen before this time set on a Canadian sandy beach and accompanied with some jabs at their North American brethren. No offense taken, but “Dark Cove” is a tired premise done half-cocked.

Watch “Dark Cove” on Amazon Video!

“Blood is Blood” Going into the Family Scrapbook this September!

Multicom Entertainment Group is releasing psychological family horror “Blood is Blood,” the first digital acquisition from under the horror banner channel “ThrillGoreTV.” “Blood is Blood” release will be on digital HD and VOD September 1st! Sooner than you think!

“For privileged siblings Brie, Daniel, Crew and Jess family has always come first. But when Crew (Danile DiTomasso) invites his girlfriend Sara (Kate French) into the family, distrust begins to bubble between the siblings. Seeing Sara as a threat, Brie grows spiteful and suspicious that she is being replaced… That is until the night Crew attempts to murder her in their family house. Traumatized, Brie is sent to a mental facility where she is tormented by hallucinations of Crew from the night of the attack. But when the visions begin to bleed into reality, Brie starts to fear that it’s not just her sanity that’s in danger, and she flees the facility. In a frantic attempt to return to her remaining siblings and warn them, Brie begins to uncover a trail of gory, sinister secrets that leads her to question whether she knows her family as well as she thought.”

Freshman film of writer-director Stuart Sauvarin and stars Fiona Dourif (daughter of iconic Brad Dourif), Kate French, Daniel DiTomassee, Andrew James Allen, Tessa Harnetiaux, and Caitlin Harris. Website: http://www.bloodisblood-movie.com/

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