A ruthless post-apocalypse world consists of killing others for their vital organs and sell them on the black market to earn a living or to score the next high. The latter is the life Tisha lives as a bounty hunter assassin sustaining through a bleak existence of the next job and another hit. When a new job brings her ugly past to the present, no payment is necessary as she gladly assassinate a smutty bar owner and brutal cartel head. Things don’t go as planned when Tisha winds up naked on one of grimy sex mats of her target’s whore house after encountering and being seduced by Luna, the boss’s best laid side piece stripper and confidant. The assassin must fight tooth and nail to survive on her filthy course to truth-hurting vengeance.
A complete ball of filth and fury is how I would begin to describe Eric Fleitas and Luciana Garraza’s sordid wrapped “Scavenger,” hailing from Argentina with wild west undercurrents in a post-apocalypse wasteland that makes George Miller’s barren lands look like Disneyworld. Titled originally as “Corroña” in española, the filmmakers also pen the violent screenplay alongside a third writer in Shelia Fentana to produce their very first feature length credit together that clocks in at 73 minutes, and 73 minutes is plenty enough to be entranced and be gorged by the anarchist sleaze, galloping gore, fast cars, and loose whores. The trio financially self-produce “Scavenger’s” journey to silver screen fruition while Ronin Pictures provides special effects work that can rival the best independent productions.
The role of Tisha is not a pleasant one, no role in where the protagonist being raped is pleasant to begin with, but to compound the character with a nasty drug habit, a gruesome vocation, traumatically scarred past, and be the objectifiable plaything for a bunch of society-fallen degenerates, Tisha’s fortitude had to be uncompromisable and her sensitivity dialed way down to zero in order to survive in her cutthroat world where not even your bodily organs are safe. In steps Nayla Chumuarin, a fresh face Argentinian actress unknown to the majority of general audiences, ready to slip into a demanding role antithesis to Mel Gibson’s Max Rockatansky that’s only similar in a very few ways. Geared in masculine attire, sporting a pixie cut, and gleaming with sweat and dirt from head to toe, Chumuarin offers up an intriguing anti-femme fatale in a more cold shouldered assassin vibe with a fast barb wired cladded car and who can handle herself around all types of antagonists, even those two times her size and are a disfigured mutant! Tisha tracks down Roger, a brothel and bar owner who has ill-fatedly crossed paths with Tisha in a previous life. Played by Gonzalo Tolosa, the mohawk-sporting Roger abides by his own set of rules unless they’re coming out of the sensual viperous mouth of Luna (Sofia Lanaro), Roger’s stripper girlfriend with a true sense of the femme fatale archetype. Together, Roger and Luna call the shots and lust suck each other faces in the torment of Tisha who by the end of the film just wants to waste them both from the face of the post-apocalypse Earth. Fleitas and Garraza purposefully and rightfully omit much of the backstories from most of the film and slide them in, crashing down like a house of falling cards, right on top of not only the characters but also the audience in a moment of realization and shocking truth from everything that has happened in the story up to that climatic end. “Scavenger” rounds out the cast with Tisso Solis Vargas, Denis Gustavo Molina, Norberto Cesar Bernuez, Vanesa Alba, Rosa Isabel Guenya Macedo, and Gaston Podesta as the Mutant.
“Scavenger” is pure debauchery nonsense. A gore loaded free for all. The story is about as ugly as you would expect with the exploitation of carrion from those slowly succumbing to death in one form or another. “Scavenger” is an entertainment juggernaut doused in corrosive material that will either disgust or amuse, depending on your temperament, with no middle ground to balance. Characters are driven by unadulterated greed or rage, even the heroine of vengeance who just a few scenes prior stabbed a man in the back to harvest his organs, without one morally redemptive character to relieve the incessant current shocking the mind’s nipples with searing voltage. Fleitas and Garraza slather in a laissez-faire fashion the exploitation veneer of grindhouse muck to serrate the unsavory snaggleteeth even sharper, but there are points where too much of a good thing becomes bad to the film’s health. As such is with the licking of the face motif. Like Quentin Tarantino and his obsession with closeup shots on female’s feet, Fleitas and Garraza shoot a handful of scenes of sexually engaged males lapping the sweat and pheromone droplets from the faces of their carnal conquests in all types of scenarios from rape to consensual. The saliva wet, grainy muscle just slides right across the soft flesh covered cheekbone in more scenes that I cared to count in what seems more like a filmmaker fetish than an object necessary to overboard the obscenities. It’s a weird action to call out but happens more than just a couple of occasions and between different characters. The pacing’s fine albeit a few nauseating slice and dice editing that doesn’t take away or hinder in abundance understanding the progression of Tisha’s journey, but definitely causes a bit of blurriness on the heroine’s perspective of whether what she’s experiencing is a nightmare, a flashback, or a bad trip from whatever narcotic she withdrawals from that once injected speeds her into a kill monger.
If what I’ve gone over doesn’t entice you, I can tell you this much. “Scavenger” is perhaps the best Cleopatra Entertainment film release I’ve seen up-to-date. The subsidiary of the independent record label, Cleopatra Records, Inc, in collaboration with MVD Visual release the South American grindhouse-fest film on a 2-disc Blu-ray and Compact Disc set featuring the film’s soundtrack, including music from Rosetta Stone, The Meteors, The 69 Cats, Philippe Besombes, Damon Edge and more with a full artist list on the reverse side of the cover liner along with alternate cover art of the film. Presented in a widescreen 16:9 ratio, don’t expect a high-definition output with a homage to grain and a warm high-key contrasts to augment the desert outward show under the eye of Sabastian Rodriguez. Negative space is only used for intense shadows to cloak the lurking menace around every corner. There’s a variety of shots, including some great wide shots and crane angles, that sell “Scavenger” beyond the frenzy of blood-soaked and furrowed brow closeups. There are four audio options available: a dubbed English 5.1 surround and a 2.0 stereo as well as the original Spanish dialogue track in a 5.1 surround mix and a 2.0 stereo. Unfortunately, the Spanish tracks do not come with option English subtitles so if you don’t understand the language, you’ll need to sit through the always awful English dub; however, this particular dub track is not obviously horrendous. With all the Cleopatra Entertainment titles, the soundtrack sticks out like a sore thumb to promote their investments with high quality sound but also in true Cleopatra Entertainment titles, the lack of bonus features continue with “Scavenger” with only a theatrical trailer and an image slideshow. “Scavenger” is a particular breed of film where you just flip your mind’s decency switch to off and gladly watch the world burn in depravity to get your jollies off.
Own “Scavenger” on Blu-ray and Soundtrack CD combo Set!Tweet