Beginning where the last film left off, alien attack survivor Jane, bruised and bloody, stumbles into the under-renovation Pine Hills Summer Camp where a group of newly hired and horny camp counselors, a nurse chaperone, and a handy-man ex-con spruce up the place. Jane is met with hostility when sounding off about monsters and death, but when the Pine Hills staff realize that a few of their friends are missing and haven’t checked in, Jane’s story is beginning to resonate and take traction. Out in the woods, the rape-impregnated sperm of the monster are parasitic and seek out human hosts to infect with raging hormones and adrenaline, transforming hosts into razor-sharp teethed, superhuman mutants hellbent on procreation of a new monster. The invading parasites turn the isolated camp into a slaughter yard of bloodshed and chaos and it’s up to the remaining survivors to nut up and put violent stop to an alien’s insidious carnage.
Well, by God, Shawn Burkett did it! The director made a sequel to his straight-forward, out-of-nowhere, 2016 indie hit “Don’t Fuck in the Woods,” directly following up from where the first film left us off with a lone survivor having just blown up a sex-crazed, blood-lusting alien creature who clawed, tore, and banged his way through a bunch of naked women and some off-color guys doing the dirty in the woods. The first film made such a splash of interest with the provocative and often controversial title as well as being one of the most pirated movie in the last decade due to said title, The Ohio-born Burket began to formulate the next step of “Don’t Fuck in the Woods 2” with a story co-written with one of the sequel’s principal stars, Cheyenne Gordon, writer of the Tory Jones directed films “The Wicked One” and “They See You.” The enticingly crass, but greatly adored and sought after title aims to be gorier and even more nudity-laden as the first film with the story situated at an actual family-owned campground, Hannon’s Camp America, in College Corner, Ohio. Shot in the Summer of 2019, the pre-pandemic film, “Don’t Fuck in the Woods 2,” is a production of Concept Media, Studio 605, Rising Fire Films, Taintbad Productions, and Head on a Stick Productions with Burkett producing and John Lepper (aka Johnny Macabre, executive producer of “Smoke and Mirrors: The Story of Tom Savini” and “The VelociPastor”) as executive producer.
Though the sequel does not mark the return of the voluptuously captivating adult actress Nadia White, as her character (spoiler alert) was ripped apart by the creature (end spoiler alert), the sequel casts a whole new lot of ladies willing to let Mr. Skin archive and immortalize all their bare body parts forever…or at least until the servers crash, the internet dies, or the world ends. It’s not like eternity or anything. The one returning principal to return is the first film’s sole survivor, Jane, and returning to fill her blood-soaked shoes is Brittany Blanton that has officially solidified the Houston, Texas native as a scream queen, franchise final girl, and an overall badass slayer of otherworldly creatures. Blanton is just one of several actresses to play into the popular campy motif and titular theme of open sexuality and nudity as a formulaic no-no in horror films. B-to-Z horror movie regulars, starting with “RIP: Rest in Pieces’” Kenzie Phillips, “Model Hunger’s” Kaylee Williams, “Slaughterhouse Slumber Party’s” Kayla Elizabeth, “5G Zombies’” Julie Anne Prescott, “Blood Moon River’s” Cara McConnell, and Nessa Moore, who I suspect used a body double for her bare all scene, follow suit (birthday suit that is) playing chopping block babes abreast of their outcome. Burkett doesn’t completely make void his sequel of complex human emotions, supplying bitter love triangles, an oversexualized third wheel, and two more adult-ish characters running from their unpleasant past, One of those two is ex-con Gil (co-writer Cheyenne Gordon) forced into a corner as the camp’s handyman while attempting to turn his life around for the better but finding the path to redemption difficult when being harassed and threatened by corrupt law enforcement officer. Already down in the dumps being judged and juried by fellow campers and law enforcement, Gil is sympathetic role that earns his keep when going toe-to-toe with mutation spawn. Mark Justice (“Atomic Shark”), Jason Crowe (“Dead Moon Rising”), Tom Komisar (“Slaughterhouse: House of Whores 2.5), Alex Gottmann, and returning from the first film for a brief but memorable scene is Brandy Mason completes the cast.
No contextual messages. No metaphors. No symbolizing themes. “Don’t Fuck in the Woods 2” pumps you full of the same obligatory creature feature construct as the first, those who have sex, get murdered….horribly. The only slight difference this time around is director Shawn Burkett gets himself out of the man-in-a-monster suit element and into a state of possession as the cast of characters become heinous hosts to parasitic alien slugs, essentially turning people on themselves in a battle to the death. The concept brings a new angle to the series to build upon the creature’s never say die multi-nefarious abilities that keeps it returning, in one form or another, from the grave. Blood runs rampant with the special effects team implementation of a blood gun into their bag of tricks that soaks the cast in more than one scene, but I would say between the two films, both are equally matched in blood shedding as the sequel, that doesn’t see the return of the first film’s SFX artist Deryk Wehrly but hires the 2016 film’s producer, Rob Collins to fill that void, doesn’t surpass the antecedent’s practical butchery. Looking through a technical critical lens, the indie feature has noticeable issues with crew mistakes, such as shadows of the boom operator in the frame, and scenes that hit the cutting room floor would have shed light on a few second and third act scenes that ended up not keeping the story smooth in a logical sense; one of the bigger scenes in question is one two large arms break through a wall and grab Gib from behind. The arrangement of character positions didn’t quite work out and the feature’s after credits bonus scene cements that misalignment even more. “Don’t Fuck in the Woods 2” might have filmic gaffe (there might be a cream for that) but what started as a straight-shooting, sex and slaughter, potboiler has become Shawn Burkett’s undeniable magnum opus and he’s only just beginning.
Wild Eye Releasing camp on one of the most campiness horror to date with “Don’t Fuck in the Woods 2” on a special edition Blu-ray release. Presented in high definition, 1080p, the transfer is exhibited with widescreen 2.35:1 aspect ratio. First thing I noticed about the independent film and distributor release is there are virtually no issues with compression. The black areas remain deep and inky, hues naturally come across without any fluctuation, and there are no visible banding or artefact issues. In comparison to the first film, the sequel is quite brighter with more lighting available and Burkett isn’t too heavy on gels or tints unless in slug-vision mode with a tinge of low opacity fuchsia. The release comes with a lossy English 2.0 stereo mix that’s every bit languid as it sounds with current releases. Dialogue is clean and clear of damage and interference but is too underweight for full-bodied effect. Sound design offers arm’s length depth but is ample in range with slimy sluggy-ness slithering about and skirmish associated hubbubs to make the action excitable. Optional English subtitles are available. The special features include a behind-the-scenes featurette that gives a walking tour of the Hannon’s family camp shooting location building-by-building, blooper reel which can be seen during the end credits, two deleted scenes, the original producer trailer, Wild Eye Releasing trailers, and a feature length documentary “What Happens in the Woods: The Story of Don’t Fuck in the Woods” that digs deep not only into the genesis of “Don’t Fuck in the Woods,” but also into the personal strifes of Burkett and how the story’s title was turbulent, controversial, and heated from the beginning but became a wildly great success that spurred greenlights for future sequels, such as the after credit scene that may or may not involve space and/or time travel! The clear Blu-ray snapper with latch has physical special features that include a folded-mini poster insert, reversable cover art with a composited image on the front and a bloodied Brittany Blanton screengrab snippet on the opposite, and cardboard slipcover with a mashup character collage on the front. The brisk 81-minute runtime compacts the blood and boobs in this region free, unrated disc. Shawn Burkett teases fans with a third picture that’ll surely bring the wanton woods into the world of tomorrow but, for now, bask in “Don’t Fuck in the Woods 2” unfettered maverick success.