Wild Eye Releasing’s “Creatures of the Night” Now Available on DVD!
A hitman is summoned to arrive an old manor home and offered to be paid to babysit an elderly wheelchair bound man. The disabled, eccentric loner only gives the hitman one task, to keep him alive until 3 A.M. The task is easier said than done as the client has the gift for gab that pulls ever so roughly on the strings of the hitman’s already agitated patience, threatening the man with harm from his double barrel shotgun if his playfully doting name calling and persistent chit chat continues through into the night. In order to pass the time, the old man pulls out of a scrapbook filled with news clippings of mysterious deaths around the surrounding area, regaling a presumptive truth around the circumstances of the victim’s demise: a Halloween party guest finds himself in the clutches of an aristocratic, demonic cult, a man collects fresh dead bodies to host at his apartment as part of an exclusive club, a work retreat turned into a frightening alien abduction, and bingo night results in a monstrous transformation of screams and blood.
Wild Eye Releasing has a hallmark of putting forth at the same time a string of films helmed by the same director. We also see this theme in their subsidiary boutique label Visual Vengeance that specializes in underground, SOV films deserving a second, or third, chance by giving them a Hi-Def release. British director John Williams is one of those repeated filmmakers. We’ve recently reviewed and approved positively the dead mother and occult tensioner “Watch Me Sleep” from 2023 and now we’re overtop the microscope again looking at another Williams’ production, a horror anthology from a year earlier, entitled “Creatures of the Night.” Originally and more commonly known as “Tales of the Creeping Death,” the 2022 anthology too tackles the occult but also branches out to divergent purposes of the dead, extraterrestrial interests, and werewolves with mother issues. Williams wrote the screenplay for the crowdfunded Kickstarter indie with Williams co-producing with Clair Ward (“There’s Something in the Shadows,” “Watch Me Sleep”).
The unnamed wraparound begins with Michael Socha (“As Dead As It Gets”) as a fast car-driving, black cloth-cladded hitman hired to oversee the inexplicable life-or-death of the invalid but chatty Harold, played by television actor Andrew Readman in an over-the-top showcase of uncomfortable friendliness. With no board games or show of kinetic entertainment afoot, Harold goes into his stories stemmed from the newspaper clippings of unsolved deaths that bring us to four individual tales to pass the time between the two men. Halloween night proves to be a dud when Billy and his friends can’t find a good, alcoholic party to attend. Dressed in zombie attire, Billy Cook (“Eat Locals”) is the centric principal amongst on-screen friends Sophie (Solaya Rowley) and Jon (John Solomonides, “There’s Something in the Shadows”) who make him aware of a private invitation to an exclusive party where they meet the formally dressed elders, known as the Gentlemen and named only by their individual numbers, with sinister plans surrounding demons and an unborn twin brother. The second segment is less serious with a seemingly unstable man collecting bodies of the recently deceased to stage his own exclusive friends club. Kev, played by the distinct face of Dean Ackerman (“Crispy’s Curse”), caters a performance around being the entertainment host at an old folks home but doesn’t quite seem to fit the loser loner narrative with having friends that are living and dead but Ackerman’s ported derangement is cheeky fun it the playful yet ghastly tale. Rebecca Parsons is one of a trio of actors whose characters are travelling to a work-related team building retreat but along the way they stop to check out a touristy cave exhibit when the outside world essentially changes as people have disappeared, nothing mechanical works, and the blue glow of alien visitors reveals the terrible truth of an otherworldly abduction. There’s not much to note performance wise here as the workplace banter, within the confines of the car, quickly evolves into mysterious situations and visuals that leave the group into a dumbfounded and confused what-happened-here state. The last segment is more visceral in its violence as Steve Wood (“Watch Me Sleep”) plays a disabled son grieving the death of his viciously attacked mother in the woods with her boyfriend but also practices as the new bingo hall host in lieu of his mother demise. His debut is cut short when a monstrous lycanthrope continues the bloody rampage that began with his mother. Like his performance in “Watch Me Sleep,” Wood’s range of emotions and precise, performative acting nails his character Peter to the narrative board, fastening a great finale segment to “Creatures of the Nights’” favorable anthology format. The cast rounds out with Ricky Tomlinson, Darren McAree, James Whitehurst, Wesley Martin, and George Newton.
Just from looking at the cover and reading the synopsis, without doing any research prior to viewing, “Creatures of the Night” doesn’t appear to be an anthology until you get the meat and bone of story where the wheelchair bound Harold opens his book to amuse with darkly grim tales and that’s the moment you know you’re in for a multi-short story fright with a diverse lot of horror. What’s impressive about this Kickstarter production is its practice effects that produces a disintegrating body and werewolf destruction with detailed suit and deep lacerations. Visual effects are limited to areas where they’re needed for a smaller production, such as the third story of an alien abduction that composites scenes together to create an unsettling environment. While the effects are neat and not overbearing, each story is mostly driven by the story structure and acting to establish and flesh out idiosyncrasies in character and in scenarios, adding that something extra to the segments rather than rely heavily on the glitzy yet shallow terror and chase of horrifying situations without an ounce of personality. On more a negative note, the stories do have a disjointed way about them with the stories, especially more so in stories 2 through 4 that limit exposition to heighten that mystery factor that puts that small morsel of fear in our cerebral nodes.
Those who gravitate to anthologies should find their way to “Creatures of the Night,” a Wild Eye Releasing DVD now available. The MPEG2 encoded, 720p standard definition, DVD5 is fashioned just as it’s spec’d in a fair reproduction of quality based on the storage capacity and compression codec. Certainly not polished with a slick grading, there’s a bit of tired veneer on it but the cinematography and special effects more than makes up for the dull grading with a cozy lighting, natural lighting, a slick-and-sick werewolf design, and seamless practical effects. Depth sates special range and plenty of contrast to set the mood and scene appropriately. The English LPCM Stereo 2.0 shows no signs of qualms or problematic areas of concern with a clear and presently forth dialogue of the UK dialect. Range and depth work fine and no issues in the balancing of layers. Sound design is able to fill in the monstrous roars or the breaking down of biological matter within the context of the scene at the right distance from the camera, never seemingly distant or misplaced. Bonus features include segment outtakes and the trailer along with other Wild Eye Releasing trailers. The DVD cover presents an accurate representation of what’s inside which is surprising because usually Wild Eye embellishes the cover to make a more visceral or large-than-life draw toward the film but the “Creatures of the Night” receives an accurate account. The reverse side of the cover art pulls a shocking scene into a still image. The DVD houses in a clear Amaray, eco-lite case. The film is not rated and the DVD is region free with a runtime of 100 minutes.
Last Rites: “Creatures of the Night” holds its own as an anthology, one that can get horror fans behind it, offering a variety of occult tales to surely be mortally hazardous!
