“The Long Walk” on Blu-ray for the Holidays!
Over a decade ago, a divisive civil war nearly tore the United States of America apart, leaving in it’s wake a country on the brink of financial ruin and its place in the world behind other nations. To help heal the nation back into an industrial superpower, an annual long walk was enacted to be a show of encouragement, an act of bravery, and to instill a sense of duty and production amongst the citizens of America. Voluntary participants of young men, one from each state, must walk continuously at 3 ore more miles per hour with a military escort. Last man standing will be bestowed a large cash prize and granted one wish of their choosing. Those unable to continue their trek at the required pace will be issued three warnings before being gunned down, punching out their ticket. Home state’s Ray and Georgia’s Peter form a bond on their walk that’ll test not only their friendship but their will to live in hopes to change the contest’s cruelty.
“The Long Walk” has itself been on a long walk to being adapted on film from the first official novel by the prolific and renowned suspense writer Stephen King under his pseudonym of Richard Bachman. I’ve italicized official because the late 60’s novel wasn’t published and released until 1979, five years later after “Carrie” was published in 1974. Through the hands of George Romero and Ridley Scott, neither could materialize a filmic rendition of what is considered his most grim work. That is until “Constantine,” “I Am Legend,” and “Hunger Games” director Francis Lawrence came along, acquired the rights, hired “Strange Darling’s” JT Mollner to script the project, and produced perhaps the most disturbed dystopian film of 2025. “The Long Walk” feature is a collaborative production from Spooky Pictures, Electric Lady, and Miramax, is produced by Steven Schneider, Francis Lawrence, Roy Lee, Cameron MacConomy, Rhonda Baker, Ellen Rutter, and Carrie Wilkins, and has been given executive producer Stephen King’s blessing for minor, yet impactful, creative control.
“The Long Walk” courses with a young but up-and-coming cast with a veteran icon bringing up the rear as coxswain spurring the unpleasant action. “Licorice Pizza’s” Cooper Hoffman, son of the late Philip Seymour Hoffman, and English actor David Jonsson whose just came off his part in a big science-fiction horror franchise with “Alien: Romulus” from last year. Together, Hoffman and Jonsson play the central characters of Ray Garrity and Peter McVries, two young men who formulate a bond while voluntarily participating in the annual deadly contest that traverses for hundreds of miles through heartland portions of an undisclosed state. Right from the get-go, Ray and Peter hit it off as the check in for the contest simultaneously upon arrival with the story quickly introducing and discerning a select sundry of other walkers that are either in it to make friends, be an in-it-to-win-it antagonists, or be a formidable indifferent with a spectacular end to their ticket or otherwise arc toward either direction. In these walk-along parts are Ben Wang, Charlie Pummer (“Moonfall”), Joshua Odjick, Tut Nyuot, Roman Griffin Davis, Garrett Wareing (“Independence Day: Resurgence”), and Jordan Gonzalez supporting the Ray and Peter narrative with their own in-state regionalism and dialect backstories and motives for sacrificial strutting, which their exit that much more poignant. Then you have Mark Hamill, who needs no introduction, in a performance on a totally different plane of existence than the young man walking for their very lives. Blind to compassion and stern on his belief sacrifice is necessary for the greater good of the nation, Hamill as no nonsense brass, known only as The Major,” is a mythical figurehead initially held in high esteem and awe or overall indifferent amongst the young men. All except one with Ray being the firm outlier of contrarian using passive aggressive measures that build to an endgame goal. Sporting large aviators, green fatigues, and occasionally holding and firing a sidearm, Hamill’s method ways really come alive within The Major’s gung-ho disposition inside an authoritarian America. Judy Greer (“Jurassic World”) and Josh Hamilton (“Dark Skies”) round out the cast as Ray’s parents.
No matter how grim “The Long Walk” spans the 108-minute runtime, the story isn’t necessarily all bleak. While the time period is unknown and the war that has seemingly divided the nation goes unsaid, one can assume the decade is late 1960s to early 1970s based off the military fatigues and weaponry, the dialect and slang vernacular, and the outer shell of the world with clothing, cars, and storefronts that speak to a simpler time where no cell phone exists, transmitter radios are the news and music, and the presence of any modern-day convenience lost amongst the vast fields and deprived brick-and-mortars of small town America. Yet, the story walks along the lines of some alternate, dystopian reality, pre-dating a “Hunger Games” like contest involving the permanent elimination of young people in effort to better society. Fortunately for “The Long Walk,” director Francis Lawrence directed “Hunger Games” and that gives him a leg up on the tone this adaptation needed for the big screen but although the two share a similar theme, the differences between them are vast with “The Long Walk” set in a past instead of a future dysphoria, objects and places are established and grounded by reality rather than creative fiction, and the violence is by far the grislier. Often, violence can be gratuitously supplemental and unaffecting but Lawrence’s intention to show closeup executions contrasts with weight against the boys’ bond building during their fear and their ambition test. With every explosion of brain matter and bits of flesh the stakes are real and the tension is thick even if the panic is subdued amongst the walking competitors. Yet, with every ticket punched, that tightness starts to show signs of shuttering in conjunction with fatigue and that carries on for miles. Much like the film adaptation of Frank Darabont’s “The Mist,” the ending for “The Long Walk” has been altered from the novel with prior Stephen King approval and while “The Mist” absolutely shatters all the hope with tons of despair and irony in a blaze of glory ending where one’s heart drops like a cannonball in the ocean, “The Long Walk’s” finale barely fizzle to make the same impact and can even be said to be a predictable modern moving ending.
“The Long Walk” puts one foot in front of the other toward a new Blu-ray release from Lionsgate. The AVC encoded, high-definition presentation in 1080p, is stored on a BD50 with a widescreen 1.39:1 aspect ratio. Sharp detail in the small percentage desaturated picture offers a mid-20th century America air along with the costuming and production sets and locations. Fabric textures result better in sweat-induced cotton Ts overtop a variety of muted shaded pants and solid army fatigues while the rest of the landscape has a green, brown, and tan landscape of a scarce Midwest, harnessing widescreen and medium shots for the open terrain that equally freeing and beautiful yet also confining and harsh in the grim, dystopian contest; however, the textures take a back seat to the chunky bits of exploded flesh, blood, and brain matter splattering either in gray and painted asphalt or spreading amongst the wind. While the detail doesn’t provide all the gory bits and pieces there’s enough there to really cause alarm from within. The English Dolby Amos is the primary English track for best to enclose the immediate space surrounding the 50 State participates feet hitting the pavement and the escorting military convoy tank and wheel tracks. Gun shots are jolting that tear into the audio senses in step with the graphic nature of the scene of apathetic militaristic executions. There are curious post-execution sounds from the blood pooling on the street in what sounds like a continuous gush of blood that hits the side channels; its an odd action for sound to take audible shape, especially in scenes that are not an extreme close up but rather materialize out of medium shots. Dialogue is perfectly suitable in the conversational piece between the young men and the gruff Major. Other audio format choices include a Spanish Dolby Digital 5.1 and a French Dolby Digital 5.1. There are also an English 2.0 descriptive audio and subtitles in English, Spanish, and French. Special features include feature length documentary Ever Onward: Making the Long Wal” with crew – such as director, writer, and DP – and cast – including Cooper Hoffman, David Jonsson, Garrett Wareing and more – interviews discussing the depths of “The Long Walk” from A-to-Z, from it’s previous adaptation concept rights held in limbo down to the individual character mindsets. Two theatrical trailers are the only other special features encoded. Lionsgate Blu-ray Amaray case is encased a O-slipcover with straightforward (pun intended) artwork that’s also on the case artwork. The digital copy leaflet is inside for digital moving watching pleasure. The 108 minute film is encoded region A and is rated R for strong bloody violence, grisly images, alcohol, pervasive language and sexual references.
Last Rites: An intense and somber America born out of division and fear is a reverse reality, an alternate take on what could have been or could be soon, as “The Long Walk” glorifies sacrifice as a scapegoat for national pride, strength, and the greater good in a warped sense of authoritarian rule and industrial encouragement.
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