How About A Nice Evil Plate of Hillbilly, Long Pig Meat? Legend of the Hillbilly Butcher!

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Taking after his demented butcher of a father, Carl Henry Jessup (Paul E. Respass) is a backwoods living hunter whose local delicacy amongst his surround neighbors is serving up grade-A human meat for breakfast, lunch, and dinner. Carl relives the past with the tragic death of a murder-suicide of his parents and tries to summon them to live again with the help a demon named Sam Bakoo. When the loner cannibal doesn’t get his wish from Sam Bakoo, he curses and rejects the demon starting a whole new set of problems for poor old Carl. All this is told in narrative story of the “Legend of the Hillbilly Butcher” to three young children by an old man who knows Carl and his murderous history.
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Director Jaoquin Montalvan could be considered the underground doppleganger of Rob Zombie in filmmaking especially in “House of a 1000 Corpses” or “The Devil’s Rejects.” In the “Legend of the Hillbilly Butcher”, all the makings of a Rob Zombie like film are accounted for with the exception of hard rockabilly music. White trash and white trash dialogue? Check. Grindhouse style editing and cinematography? Check. Cannibalism and demon summon horror genre? Check. It isn’t like Montalvan exactly mirror’s Zombie’s films from scene to scene. Montalvan makes this film his own in the subtlety of the work; many of the scenes are low key and not over the top with dialogue and heavy moments of stimulating effects. And the indie director does make this into a bit of a horror comedy. In a number of scenes, the characters will sit across from each other, have a meal or a drink of moonshine, and bullshit in a quippy could of way. End scene.
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The cannibalism story tangent takes a bit of a backseat to the demon that plagues Cary Henry. The quick switch in plot direction is a good, positive change for the Hillbilly Butcher as monotony would set in with the cannibalism plot line. Much of the “meat” effects were a bit scarce and cheesy. The dead bodies were not so realistic. But the quick edited dream sequences of Sam Bakoo and Carl Henry’s visions of Sam Bakoo were intense, surreal, and welcomed. What also helped was the performance from amateur actor Allen East as Sam Bakoo – a scrawny, bald man who can conform with the best of them like Doug Jones from “Hellboy.”
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Another good actor (or actress in this case) is Theresa Holly. A blue eyed, black haired beauty with a bust that would break hearts. Her character Rae Lynn, a friend of Carl Henry, is sweet and tender but when push comes to shove, her salvation lies with her fighting for her life. While there were no nude scenes for her character, Theresa Holly does do some bra and panty scenes in a, and again in a Rob Zombie like way, montage scene.
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With any cannibal archetype or cannibalism film, I expect a lot of gore and with a title like the Legend of the “Hillbilly Butcher”, there comes an expectation that meat would be separated from the bone for consumption. Well, prepared to be mostly disappointed with only one real scene of disembowelment. The scene is fairly gory and intestinally jarring, the movie is practically over by the time we get to this scene. The film does speak more to it’s tone toward placement in the world and in the afterlife; how the good become better and those who do wrong get what they deserve in the end.
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MVDVisual is releasing this 2012 festival hit on September 23rd, 2014 and while I won’t expect this to be flying off the shelves, reaching cult status in a matter of weeks, I do expect a pretty good following for poor old Carl Henry.

The Evil Dr. Is in! House of the Witchdoctor Review!

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Who doesn’t love Bill Moseley? The loud mouth, sarcastic-trash talking, balls-to-the-fucking-wall, maniac characters swirl him into a familiar role that have been overly typecast by general audience standards, yet we, as the audience, love every minute Moseley is on screen – Otis Firefly from Rob Zombie’s “The Devil’s Rejects” for instance. Hell even Johnny from Tom Savini’s “Night of the Living Dead” gave Johnny a more twisted outlook on his short lived life. The same maniacal Moseley archetype reveals itself once again in House of the Witchdoctor along side a timeless buxom blonde and reoccurring co-cast member Leslie Easterbrook.
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A young and beautiful Leslie Van Hooten and her four grad-study friends retreat to the Van Hooten home to help Leslie cope with the anniversary of her fiance’s brutal and shocking death one year ago. Peter (Bill Moseley) and Irene (Leslie Easterbrook) Van Hooten leave the family home for the weekend, giving the young group a chance to give Leslie a feeling of peace and relaxation during her time of suffering. However, a peaceful weekend is interrupted by a career criminal Cliff (played by Allan Kayser) and his drug fueled sidekick Buzz as they break into the Van Hooten home looking to rape and torture the women and steal from Leslie rich parents. What Cliff and Buzz don’t realize is that they have unleashed hell upon themselves breaking into a house that isn’t all quaint and innocent as it seems.
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“House of the Witchdoctor” prides itself more toward the torture, rape, and murder that falls upon the young grad students than more toward the actual focus of what the title suggest – the Casa de El Witchdoctor. And while I enjoy a good torture scene between dirty old criminals and the naive youth of the nation, the witchdoctor intrigued me more because the subject matter of voodoo and witchdoctors are hardly explored anymore. “The Serpent and the Rainbow,” “American Horror Story” Season 3, and, well the “Candyman” trilogy, is all I can really account for voodooism. Aside from the lack of witchdoctor and witchdoctor activities, the misbehaving activities of Cliff and Buzz are quite enjoyable as their rampage is non-stop, their carnage reaping is continuities, and their true to their snake tongue speak. Buzz especially since this is actor’s David Willis feature film and his long, yet balding greasy hair and beer-belly gut attributes really play to Buzz’s low-life persona. Cliff is a bit of an enigma; coming from a religious home and being just release from prison, my first thought is that Cliff is a converted convict. The two minutes of his scenes are deceiving and you’re beliefs about Cliff will turn your head around so fast your neck might snap.
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Leslie (Callie Stephens) travels home with a group of stereotypical archetypes that are commonly used in horror films such as the sex-crazed best friend Regina (Emily Bennett), her jock boyfriend Tom (Danny Miller), their religiously prude friend Patty (Summer Bills) and the nerd wimp Thad (Jonathan Helvey). I’m surprised that wasn’t a token black actor who tossed around quick quips, but I guess you just can’t have it all. Surprisingly enough, all three lead actresses show their racks! Woohoo! That in itself makes up for the usage of common archetypes and yet those scenes were more-or-less gratuitous – some more than others. Character development could have been improved especially since Thad and Patty had some sort of weird relationship arrangement where they together, yet not on holding hand terms due to religious beliefs. In turn, their religion background, along with Cliff’s religious background, would have been a good contrast with the Haitian voodoo, but the mark was missed. Also, Regina and Tom couldn’t stop with the overzealousness of their hormones and so their development was skewed. Leslie had more going for her character in which she would reminisce alone about her murdered fiance, but this is confusing in later on scenes when the shit hits the witchdoctor’s fan. We’re more in tune with Buzz and Cliff’s characters than really anybody else’s. Even Leslie parents, Peter and Irene, are simplified characters who deserve more background. But like I said at the start of this review, Bill Moseley could bring any character life even a limp one.
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“House of the Witchdoctor” breaks the mold with a couple of good scumbags and will forever terrorize your dreams about being home alone. Also, a good amount of iconic cult star power doesn’t hurt and along side Moseley, Easterbrook, and Kayser are Dyanne Thorne (the ferociously buxom and nasty nazi Ilsa of the “Ilsa She Wolf of the SS”) and Howard Maurer (Also famed from an Ilsa film “Ilsa Harem Keeper of the Oil Shieks). Breaking Glass Pictures plan to release “House of the Witchdoctor” on DVD on September 16th!