American Horror Story: Freak show… freakin’ hell

American Horror Story: Freak Show
Season 4 Episode 1 “Monsters among us”

Evan Peters as Jimmy Darling.  The scene in which he pleasures an ordinary housewife with his lobster-like hands.

Evan Peters as Jimmy Darling.
The scene in which he pleasures an ordinary housewife with his lobster-like hands.


American Horror Story hit our screens after a largely anticipated return. We were quickly introduced to Elsa Mars (Jessica Lange) and the other characters. Jessica Lange performs brilliantly and it was a surprise to find out that she isn’t just fame-hungry. She’s paraplegic and fame-hungry. Evan Peters is back with lobster hands, playing Jimmy Darling. We meet the very likeable Bette and Dot Tattler (Sarah Paulson). The relationship between the two is funny and very entertaining to watch. We see Ma Petite played by Jyoti Amge, who is actually the smallest woman in the world – claiming a Guinness Book of World Records title. Providing the terror in the first episode, and possibly the title, is Twisty the Clown (John Carroll Lynch). If killing an innocent couple isn’t enough, he also keeps two young children locked up and terrifies them to the point of torture. “There’s a big story that explains the clown and what he’s doing that’s based on an urban myth we uncovered” revealed director Ryan Murphey. It is the fourth season that will explain to us what we are eager to know about Twisty, so stay tuned.
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Kathy Bates comes across far too tame playing the bearded lady. Her acting skills are capable of providing a more sinister and malicious character… but this could be exposed throughout the season. We will meet Angela Bassett next week who is Desiree Dupree, the three-breasted lady (and according to her a “full-blown hermaphrodite”). We are also yet to meet con artist Maggie Esmerelda (Emma Roberts) and strongman played by actor Michael Chiklis.
Erika Ervin, Jyoti Amge, Evan Peters and Mat Fraser (Amazon Eve, Ma Petite, Jimmy ‘Lobster-hands’ Darling and Paul the illustrated seal).

Erika Ervin, Jyoti Amge, Evan Peters and Mat Fraser (Amazon Eve, Ma Petite, Jimmy ‘Lobster-hands’ Darling and Paul the illustrated seal).


We know from the previous seasons to expect; brutality, rape, seduction, distressing scenes of violence, racism, discrimination and so on. Sensuality and seductiveness has always been a huge part of the show which has interested us, the mature audience, because of its candid approach. I have never had any issues with the previous scenes of this nature, sure I’ve been like “what the hell” during rape scenes but it’s never disgusted me to the point where I feel nauseous. That is until now. Prior to watching this episode I generally perceived that the freaks were ostracized from the “normal” townsfolk. I wrongly assumed that the freaks would be considered vermin, and that even making eye contact with one could result in receiving the cold shoulder from ordinary people living in the area. What I see instead is quite the opposite. In one scene Jimmy Darling, who has lobster hands, can be seen pleasuring regular women with his deformities. Women are literally lining up to pay for this. We see him moving his lobster hands towards the woman’s sex, leaving absolutely no room for doubt that he is prostituting his deformed hands. This left me feeling slightly bewildered more than anything because I just cannot believe that that many women, if any, would be sexually intrigued by this man with lobster-like hands. The moment of nausea smacked me in the face when we see Elsa Mars watching a video reel. A young woman enters threatening to expose all of the shenanigans happening behind the scenes at the freak show. It soon becomes clear that the young woman was willingly high on opium and whilst she was so, she took part in a sex orgy with the freaks. This is the most unsettling scene American Horror Story has offered us to date. Pepper getting excited like a child in the clip intensified my feeling of horror and I was left feeling utterly shocked. If the programme continues to show these depraved acts, which I’m sure they will, I’m not sure how much my stomach will be able to handle.
Jessica Lange and Jyoti Amge (Paraplegic and world’s smallest woman)

Jessica Lange and Jyoti Amge (Paraplegic and world’s smallest woman)

Horror Short: Happy Halloween

Here’s a little horror short from director Adam Green (“Frozen” (2010), Hatchet) and starring Shawn Ashmore (“Frozen” (2010), ‘The Following’) and Brea Grant (“Halloween II” (2009)). Everything seems normal between a husband and wife chatting over Skype on Halloween night until the truth comes out and a turn for the worst is revealed!

This Evil Island is More Like a Luxurious Resort: “Zombie Isle” review!

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When I first read the title “Zombie Isle,” the first thought was the popular survival horror game “Dead Island” where you can take on a horde of bikini clad, thong and thong wearing, tropicana-sippin’ zombies with various melee weapons. Sounds blood thirsty enough to be turned into a movie, right? Well “Zombie Isle” is obviously not the same brainchild from the people behind the “Dead Island” video game. One could only help and what happens to high hopes usually? High hopes are usually squashed and sure enough “Zombie Isle” was a big bust for not only meeting my expectations of being like the “Dead Island,” but for also being one of the many sheep in the undead genre.
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A group of university students and their teacher embark on a field trip to an uninhabited island to study the habitat. When they split up into groups of two, all hell on the island is unleashed and the students succumb as meals for the zombies that inhabit the uninhabited island. Not only do the flesh eaters swarm the island, but a mad Nazi doctor looks to replace the brain his deceased love into one of the bodies of the gorgeous girls trespassing on his island.
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“Zombie Isle’s” plot is, first off, way too scattered to fully explained how this island became ground zero for possible Nazi or U.S. Army experimentation – it’s not really explained. The Nazi mad doctor has a syringe he injects into the neck of the dead bodies to awaken them into flesh eaters. Nobody knows how he got to the island and no one really seems to ask. Also, the doctor keeps a giant three headed mutated zombie chained to a tree. Again, this all goes unexplained. Half the characters gets rip to shreds in the first 15 minutes of the film and that makes caring for characters really difficult.
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On the positive spectrum of “Zombie Isle,” the gory schlock really is potent. Zombies scooping out brains with their hands, stomachs being ripped open and disemboweled, and brains being munched on. With the gory and the blood, the parodical nature of the film, especially with the two dimwitted hotties, can kind of keep us awake at times; as for the rest of the duration, watch your eyelids become heavy and heavier. The zombies themselves do a good job. Hell, even the three headed mutant zombie has a certain ghoulish charm to it even though it’s obviously fake and goofy cladded, but with director Robert Elkins’ use of cigarette burns and faux faulty-like film strips the creature is hidden behind the throwback grindhouse cinematic style. The cast consisting of Crystal Howell, Tony Jones, Apryl Crowell, Kyle Billeter, Davids S. Witt, and Jonathan Moody are seemly a tight-knit group of people who’ve worked on films together before. They feel comfortable in what they’re trying to accomplish, but their really is no depth in their personas.
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On a technical note, the dialogue audibility is absolute crap. One minute you can hear the characters fine and then the next you’re turning up the volume. Constantly I was fiddling with the controls to find a ideal setting and just wasted my time and energy. Also, the soundtracks is very repetitive and drowns out most of the dialogue as well. The sure signs of low budget filmmaking and not making use of something better than to just repeat soundtrack audio. The foley sounds of squished heads and knocks to people’s dome pieces might as well come straight out of a Roadrunner and Coyote cartoon.
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“Zombie Isle” heart and soul likes with the gore effects not leaving the film to be an empty shell. The characters are the empty shells and the production kind have been better along with fine tuned story in which the parody could have stayed as some of bits were smirk-able. Surprisingly, no nudity for a zombie film with a bunch of university students, but that doesn’t give the film low marks at all. With that being said, “Zombie Isle” releases this Tuesday October 7th, but if you must venture into an overplayed genre, there are better zombie films out there that won’t leave you stranded on an island.

Syfy’s “Z Nation” S1Ep4 ‘Full Metal Zombie’

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Another episode of Syfy’s “Z Nation,” and another great night of television. Z Nation just keeps getting better and funnier. Doc, played by Russell Hodgkinson, plays the lovable, father-like, product of the 60’s survivalist whose one liner deliveries get me rolling with laughter every time and as Doc learns more about the zombies of his post-apocalyptic society, he learns more about his friends. I’m talking about 10K and his backstory with his deceased father and the promise 10K made to him. You learn something new about each character every week it seems. We’ll have to catch next week’s episode to find out more.

Also, fucking Bill Moseley made a special guest appearance. Yes, that just happened. Moseley’s character is a one and done of an gone-batshit-insane general holding a last stand building in McClean, Virginia. Our survivors are looking for air transportation and the information received was that the general had a helicopter. Things don’t look bright as the general has lost, not only his men, but his marbles. Mr. Moseley is fantastic as always with his iconic badgering and his unique voice. More screen time could have made warranted for a legend like ‘Otis Firefly,’ but overall ‘Full Metal Zombie’ is a solid episode. The special effects get crazier, the story lines get whackier, and the gruesome fun just gets funner.

Now, bring on Znado!

Judgment of Evil Looks: “Blackbird” review!

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Columbine. Your first thought? I bet your first thought is a Columbine high school massacre of 15 students and teachers in April of 1999. Two armed to the teeth individuals walk into a school wearing trench coats and black clothing giving the look of Goth a bad name and forever giving the once questionably fashionable outfit of the early nineties stigma of hate, anger, revenge, and murderous intentions. The film “Blackbird” explores what happens when fear takes over a community because a Goth 15 year old boy makes insubstantial threats among his peers. His life is forever changed because he dresses the part of historical mass murders and lives in a cycle of despair because his right to freedom of speech is revoked by just a few expressive words written on a blog.
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Sean is an outcast. His black, satanic laden clothing, thrash metal music, and pacifist persona make him an easy target for popular kids, say the entire hockey all star team. When popular hottie Deanne shows interest in Sean’s life, the angst of high school becomes more of a burden upon Sean’s shoulders Deanne’s boyfriend threatens him. Sean’s counter threats go public and he is thrown into youth detention center by a community who fears a school-shooting massacre. From then on, Sean is force to conform and lie about who he really is and tries to regain his dignity and self from in and out of jail and in a community that fears him.
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Bravo writer-director Jason Buxton for producing a freshman film that is powerfully anecdotal, well performed by young actors, and well down in a production sense. Lead actor Connor Jessup serves as a force driven by his bottle emotions in the character of Sean. Jessup, who might remember as from TNT’s sci-fi series Falling Skies, harks up being a gothic pacifist as if he was one himself. Another stand out actor is Alex Ozerov as the relentless youth detention center bully Trevor. These two actors, plus a just as equivalently strong cast with Alexia Fast and Michael Bule, represent a strong contingency of intermediate Canadian actors that need more international exposure.
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While Blackbird doesn’t rely on major effects, the captivating storytelling is worth the price of admission. There are numerous underlying issues in Blackbird that are current in today’s world which makes this film so compelling and interesting. Topics like bullying, being true to yourself, high school shootings, parenting, and the broken court system are just a few of many touched upon and exploited for our own good. We, as people, can learn a lot from Blackbird. We can all relate to being bullied and being the bully and facing all the consequences in between.
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This multiple festival award winner is being released on VOD platforms and on DVD home entertainment by Breaking Glass Pictures on October 21st here in the States. This release should be a big win for Breaking Glass and a big win for whomever goes and grabs a copy.