If Evil is in the Title, this Zomedy has to be Good! “Evil – In the Time of Heroes” review!


An overwhelming zombie outbreak has swallowed Athens and the most of Greece and four survivors, Melitis, Marina, Jenny, and Lieutenant Vakirtzis continue their embattled journey through the hell-stricken streets in search for help and in desperation for survival, but there lies hope in history. This evil has plagued Greece once before, in Ancient Greece thousands of years ago, and like that time before, a cloaked messenger from the Gods is sent to locate unwitting heroes and guide them toward a path that goes straight through the hordes of the undead in order to stop this ancient evil once and for all. Teamed up with another small group of eclectic survivors, they must fight the undead, and even match up against a merciless gang of people who kill humans for the pure joy of it, to fulfill their destiny and be Greece’s last hope.

If we’re being completely honesty with each other, Yorgos Nousias’s 2005 horror-comedy “Evil” has never screened across these reviewer’s eyes and so, Nousias’s 2009 followup, “Evil – In the Time of Heroes” (or “Evil 2”), became the ice breaker into the Greece filmmaker’s written and directorial approach to the zombie genre. The overall result is this: I absolutely need to watch “Evil” as soon as possible! Not only because of the overwhelming drive to watch films in sequential order, but because “Evil 2” is a well blended machine of horror, comedy, and action rolled up into a short circuiting toaster ready for the toast inserts to be stuck with a silver metal fork while being just elevated the surface of soapy bath water. In short, it’s insane! Nousias rapid fires into many multi-faceted directions in a story co-written between himself, Claudio Bolivar, Christos Houliaras, Themis Katz, and Petros Nousias.

“Evil 2” starts off nearly where the first left off. Aside from the introduction of when this particular evil reared it’s ugly head last, the modern day story starts off with Melitis (Meletis Georgiadis), Marina (Pepi Moschovakou), Jenny (Mary Tsoni), and Lieutenant Vakirtzis (Andreas Kontopoulos) bloodied, exhausted, and in mourning over their falling comrade Argyris (Argiris Thanasoulas) – I apologize if this is a spoiler for you, but to be frank, this is where the sequel starts right off the coattails of the first. They’re joined by a whole new lineup of characters to form a motley crew of heroes consisting of actors Ioanna Pappa, Hristos Biros, Eftyhia Yakoumi, Drosos Skotis, Thanos Tokakis, and Billy Zane as the Messenger. And, yes, Billy Zane has Greek ancestry. Each character has their specific talent and persona and each actor pinpoints and exposes those traits to the detail that flourishes the comedy amongst the gory content.

The gory content becomes the aortic life line. If there was no vast amounts of gore, then “Evil 2” slips into a slumber of conventional means, but Nousias pulls no punches splattering the viscera and the blood by going over-the-top with comic book illustrated hemorrhaging. A concoction of spouting decapitations, dangling entrails, and so much death and decay are strewn throughout that not one scene stands out amongst the masses. To my surprise, “Evil 2” works well under a manifold of production companies that, in most usual cases, don’t mingle into a working element of fruition when shelving out a hard rated film as too many a time particular producers shell out strong suggests to go with their strong cash flow, but Audio Visual Enterprises, Boo Productions, Ekso Productions, Graal, Greek Film Center, and Strada Productions work in perfect harmony allowing Nousias to build upon his brainsick banter.

“Evil – In the Time of Heroes,” or “To kako – Stin epohi ton iroon” in the native Greek tongue, wastes no time reveling in recalling the first film and can stand solidly alone. Presented for the first time in the USA, “Evil 2” lands a DVD distribution deal with Doppelgänger Releasing and exhibited in an none cropped widescreen 1:85.1 aspect ratio. The quality gleams in the detail, but not in the night time segments that become a soft and blotchy. The vivid color palette defines the range of vast colors across Athens and the boldly bright red blood with each and every brutal death. Though with English subtitles, the Greek 5.1 Dolby Digital ups the game for the surround sound, balancing between ambient, soundtrack, and dialogue through the five channels with such clarity and that proverbial oomph. Extras include are unfortunately slim with an original film illustrated storyboards. “Evil – In the Time of Heroes” encompasses a smorgasbord of horror and comedy through an enticing misadventure of rampaging anarchy. Aside from starring Billy Zane in a kickass role and a gargantuan amount of really neat effects, this zombie film is high on the likably repetitive list and is conjugally attached to bring entire story to an epic finale toward a satisfying close.

Amazon has “Evil in the Time of Heroes!”


Dark Universe Resurrects an Ancient Evil! “The Mummy” (2017) review!


Entombed under the volatile sands of what’s now the Iraqi dessert, an ancient Egyptian princess Ahmanet, who made a pact with an evil God named Set, lies and waits for more than 500 years to rise again and fulfill a destined promise to birth hell on Earth and rule the world. Ahmanet resurrects after being mistakenly unearthed by loose cannon treasure seeker Nick Morton and curses a reign of archaic terror over Nick and all of modern day London in search for a gem cladded dagger to make good on her pact. With the help of a well-funded secret organization called Prodigium ran by mysterious physician Dr. Henry Jekyll, and skillful researcher Jenny Halsey, the cursed Nick will need all the help he can muster to save himself and humanity from a mummified, hellbent she-devil.

Alex Kurtzman’s “The Mummy” is the gateway reboot that’ll give life once again to Universal’s classic monsters and place them in Universal’s newly established realm known as Dark Universe, think what Marvel accomplished with Marvel Comic Universe but with monsters. The kickoff action-horror has the delectable adventure wit seen from the Stephen Sommers directed, Brendan Fraiser starred trilogy from 1999 to 2008 while channeling the Boris Karloff mysticism and menace that made a frightening black and white classic. So, how did Kurtzman exactly provide new breath to an ancient, decrepit mummy that’s been redone two times over and has been spun off more ways than wrapped? One major way was to be the inaugural launch of Universal’s Dark Universe that opens the door for other classic monsters such as Frankenstein, Dracula, and The Creature from the Black Lagoon. In fact, Dr. Jekyll and Mr. Hyde makes a brief appearance as the head of the Prodigium, the ringmaster that’ll be the epicenter connecting creatures together. In another aspect, Kurtzman isn’t afraid to use practical effects, such as Ahamanet’s mummy minions, while also lighting up the screen with some brutal thrilling moments, such as murdering a baby and killing pilots with a murder of crows, that clearly separates the 2017 film from it’s 1999 predecessor, but watch for the quick scene easter egg that pays homage to the Fraiser film.

Upon first hearing Tom Cruise would star in a reboot of “The Mummy,” a long moment of hesitation washed over like a cold wet blanket as the “Mission Impossible” star hadn’t tackled a horror film since the adaptation of Anne Rice’s 1994 Lestat film “Interview with the Vampire” during a time when Cruise bathed in dramatic thrillers and added quite a bit of finesse to his characters. However, with every passing year, Cruise becomes more and more involved with not only his love for acting, but sides heavily with the unquenchable need to a part of action films and “The Mummy” promised to display his enthusiasm for accomplishing his own rigorous stunt work and the script provided the heart-throbbing intensity that’ll sure to awe audiences. Cruise’s performance as a shoot first, ask questions later Nick Morton snugly fits the razor sharp mold the megastar has equipped himself ever since the first “Mission Possible” film over two decades ago, but as a selfish knucklehead, Cruise short sells the charm with a flat expressive tone and doesn’t progress his shell of Nick Morton to a enlightened savior battling for the fate of humankind. Yes, there are other actors in “The Mummy” other than Cruise. Russell Crowe fills the mighty big shoes of Dr. Jekyll and Mr. Hyde, splitting his personalities into two and fulfilling both characters to the very epitome they’ve been classically scribed. Love interest Annabelle Wallis (who was also in John Leonetti’s “Annabelle”) sparked little-to-no chemistry with a overpowering Cruise and she felt rather like a Robin sidekick in a Joel Schumacher Batman film, but Wallis did a fine job as a historical researcher with a lifelong goal of discovering ancient artifacts. Algerian actress Sofia Boutella as the titular character was almost non-existent until the filmmakers had to scramble to redesign the villain due to similarities in another film, but the dark features of Boutella and her elegant performance made Ahmanet lustfully scary with dual irises and body-riddled tattoos, like a wild animal with deep blue eyes, and she sinks into Ahmanet’s malevolent soul and embraces the darkness that is the mummy. Jake Johnson (“Jurassic World”), Courtney B. Vance (“The Last Supper”), and Marwan Kenzari, who will star in Guy Ritchie’s upcoming “Aladdin” film, costar.

Now while “The Mummy” is overly successful and generally positive, an itch of amiss pains a slimly slithering way nearly through the entire runtime. Perhaps because the premise involving a mummy sets itself more in the dank and dark allies of London rather than in the hot Egyptian sands where thirst, heat, and isolation provide a slew of dangerous possibilities. During multiple scenes, a looming sensation that Jack the Ripper would pop out with blade in hand ready to strike at Jenny Halsey’s non-prostitute neck, but like a good adventure film, the story’s progression goes through numerous UK hotspots such as the Natural History Museum and tries to blow up London with every Mummy superpower. Ahmanet compounded concerns about her powers such as the introductory prologue of her characters, told in flashback scenes, where after she obtains all this evil power, the princess is easily taken down by Egyptian guards with blow darts and spears. You figured a Demigod like Ahmanet would be able to summon creatures to her aid, mold the sands of Egypt to free her, or resurrect other Egyptian dead, but none-the-less she was mummified alive and buried thousands of miles away under a giant crypt.

“The Mummy” is a win for the first of many Universal reboots under the Dark Universe label. The September 12th release of the 2-disc Blu-ray/DVD combo set, with also a digital copy, clocks in at a hour and 50 minutes and is presented in 1080p High Definition 2.40:1 aspect ratio with no flaws in the image, quality is crisp, and the coloring is naturally lively. The digital effects don’t exhibit an amateur hour complexion that was more attuned to the 1999 film, a different time two decades ago. The Dolby ATMOS is booming with LFE action that reverberates nicely with every nail-biting mummy scenes; certainly balanced with the surround sound. The dialogue is coarse at times during these intense sequences but overly prominent and clear for the most part. Extras on the release are about as monumental as the antagonist with deleted and extended scenes, Cruise and Kurtzman: a conversation, Rooted in Reality – a behind-the-scenes look at the making of “The Mummy,” Life in Zero-G: Creating the Plane Crash, Meet Ahmanet – the stark villain, Cruse in Action – a segment involving Cruise’s action in the film, Becoming Jekyll and Hyde, Choreographed Chaos, Nick Morton: In Search of a Soul, a graphic novel about Ahmanet, and featured commentary. “The Mummy” is all Cruise, all the time, but lives and breathes like a true Universal classic monster movie in modern day, providing superb visuals, an engrossing storyline, and delivers an action-topping-action ferocity. A whole new line of respect must be bestowed upon star Tom Cruise for his insane work ethic and his dedication to any project, especially a one half horror film that redesigns the gender of the iconic villain while maintaining the values of the original.

Pre-Order your Copy of “The Mummy” starring Tom Cruise right here!

Jigsaw (aka Saw 8) trailer is here!


The trailer for this year’s Jigsaw (Saw 8) has arrived online! The San Diego Comic Con red band trailer promises to bring back the grisly games, the blood, and the terror. You can’t have Halloween without the Jigsaw Killer as the two of synonymous and expect Jigsaw, who was sorely missed over these passed few years, to ramp up his games this October 27th!

SYNOPSIS

One of the highest grossing Horror franchises of all time is back, taking the Jigsaw killer’s signature brand of twisted scenarios to the next level.

Cast: Matt Passmore, Callum Keith Rennie, Clé Bennett, Hannah Emily Anderson, Laura Vandervoort (“Bitten”), Mandela Van Peebles, Paul Braunstein, Brittany Allen, Josiah Black

Directed by: The Spierig Brothers (“Undead” and “Daybreakers”)
Written by: Josh Stolberg & Peter Goldfinger
Produced by: Oren Koules, Mark Burg, Greg Hoffman

A Lionsgate release, Twisted Pictures presents, a Burg/Koules/Hoffman production.

This Is One Evil Bunny! “Bunny Und Sein Killerding” review!

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An ambivalent group of people are under the relentless rampaging attack of a half man, half bunny. Kidnapped and given an unknown chemical cocktail, one man looking for creative inspiration in a quiet snowy woodland becomes forced to be the object of experimentation by armed and dangerous thugs, transforming him into a vicious hybrid seeking only one desire…fresh pussy. Shredding through every single body who stands in the beast’s path, the chances of surviving the snowy night dims rapidly in the isolated Finnish Mountainside. Under the sheath of dirty fur, the unstoppable creature runs wildly with large limp genitalia flailing about, ready to stick it anywhere and into everyone with, what constitutes as, a fleshy hole.
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“Bunny und sein Killerding,” otherwise known in English as “Bunny the Killer Thing,” is an insanely phallic and deranged creature feature with special needs under the madness of director Joonas Makkonen. Based off of Makkonen’s short film of the same name with a noticeably different storyline, both inhabit a mythically outlandish villain with a raging hard on and mouth agape to swallow any bulbous genitalia that’s ready for the taking. If you couldn’t tell already, Joonas Makkonen is a Finnish native and, thus, the film comes straight from Finland’s snowy landscape. München, Germany distribution company Tiberius Films releases Makkonne’s pet Bunny project onto a region 2 DVD given the reason for the German title “Bunny und sein Killerding.”
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Makkonen’s unorthodox and unpredictable story scratches at being bold and unprecedented with a maniacal furry woodland animal while still being relative with the typical tropes when creating a horrific atmosphere. When dissecting what the director does best, not one character has been penned to stand above amongst the group that continues a revolving door of hero and heroine perceptions, opening up possibilities for each character on all fronts to come forth for glory. A killer bunny with a veiny stiffy looking for the freshest of the snatches doesn’t even explain the absurd juvenility that went through the creation of this film. Yet at the same time, something has to be said about the endless amount of sleazy enjoyment being had into the viewing experience. A slimy guilt residue overtakes just one piece more of your remaining morality and innocence every time Matti Kiviniemi, in a shamelessly shoddy adult bunny outfit, twirls clockwise the at least ten-inch lifelike dildo in such a menacing and manic manner that it makes turning away from the screen that much HARDer.
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However, there’s plenty to dislike about this particular release and none of the negativity originates from the 2015 Finnish film. The Tiberius Films’ heavily edited treatment of this release has been reworked toward a more anti gun violence propaganda film rather than a bunny rocking out with a large cock out. About four minutes, most of it gun violence, has been purposefully omitted, resulting in a slew of choppy scenes that are attempting to piece together a coherent story. If you’re like me and never seen “Bunny the Killer Thing” before, then you may not know much better, construing a mental story about how foreign films sometimes just like to be too artsy. I did have an inkling that an edited disc was in my possession and I was unfortunately correct. The first two acts are passable in the reassembled manner, but the last act has been reduced to nothing more than shambles of it’s true, gory self and, disappointingly enough, the edit loses the required connectivity tissue needed to fire up the necessary neurons of associating scenes with one another. Pivotal scenes are harshly given the editorial boot to remove any type of explicit gun violence, leaving all overly graphic and icky parts of “Bunny und sein Killerding” involving firearms are solely on the Germany theatrical trailer.

Cut Scene from “Bunny und sein Killerding”


“Bunny the Killer Thing” runs the horror comedy at an uncut 88 minutes, but the Tiberius Films upcoming Region 2 DVD and Blu-ray December release will clock in at a shocking 84 minutes. Fortunately, the DVD and Blu-ray will be presented in a widescreen 2.35:1 aspect ratio with a German and Finnish Dolby Digital 5.1 surround sound and a German DTS option. I won’t be able to critique either the audio or video qualities as I was sent a press screener only; however the Ari Savonen and Janne Andberg special effects and the creations by the visual effects teams along with Makkonen’s directorial style dares to be big production and reminds me a lot of what the Spierig brothers accomplished with their Aussie zombie film “Undead” in 2003. Bonus features consists of a theatrical trailer, behind the scenes featurette, and Makkonen’s 17-minute plus short film of the same title. A remarkable class act of Finland and British actors comprises the film’s lineup in this raunchy and violent horror comedy including a stunning, on-point beauty in Enni Ojutkangas, Jari Manninen, Orwi Manny Ameh, Veera W. Vilo, Roope Olenius, Hiski Hämäläinen, Vincent Tsang, Marcus Massey, Katja Jaskari, Olli Saarenpää, Maria Kunnari, and Matti Kiviniemi as Bunny the killer thing. British actors, you say? Yes! Much like the Bunny creature, the film’s a bit a hybrid itself when on the topic of dialogue. The DVD and Blu-ray will have German or Finland audio tracks with German subtitles, but the natural dialogue track will be a combination of Finnish and English! In conclusion, I watched the film, but, at the same time, I didn’t because of the extreme cuts, whether to discourage gun violence or for whatever reason, made to the original runtime that reduced the intended gruesome firefight ending to nothing more than incomprehensible scenes resembling an intense slap fight.

UNCUT TRAILER!

Battle Evil With Friends! “Me and My Mates vs. The Zombie Apocalypse” review!

Joel, Darryl, and Roy are mates who work at an Australian telephone exchange. Joined by Roy’s daughter Emma, her boyfriend Lachlan, and his friend Ryan, the surviving group of six hold out in the exchange while the world crumbles around them from a sudden and vicious zombie apocalypse. Trapped and desperate, the survivors bicker amongst themselves in trying to formulate the best plan of escape and who should be recruited for the company cricket team. One shotgun with eight shells, two paintball guns, a machete, a tiny homemade cricket bat, and a grenade is all that stands between them and a cannibalistic horde of zombified Aussies.
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Writer-director Declan Shrubb’s sophomore film stars an eclectic cast of veteran and amateur actors from the 20 years of experience and upcoming TV series “Wolf Creek” actor Greg Fleet to the hilarity of stand-up comedians and radio personalities of Jim Jefferies and Alex Williamson. “Me and my Mates vs. The Zombie Apocalypse” is a tongue-and-cheek zombie comedy straight out of Australia, a country known for it’s intense and respectable homage heavy renditions of America’s video nasties from the 1980’s while also combining brazen wit that hurts so hysterically good. Shrubb’s film nowhere nearly disappoints, living up to the whims and visceral intensity comparable to that of 2007’s “Undead.”
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Just in the simply put title alone, “My and my Mates vs. The Zombie Apocalypse,” should warrant that the 2015 film doesn’t take itself seriously, but Shrubb blends together various facets of humor, slipping in countless forms of comic relief from crude sexual humor to the harmless play on words while also sprinkling throughout with off-color dialogue. A majority of the characters initially feel aloof or appear as pot smoking knuckleheads; yet, the characters can rise to the occasion at times seemingly becoming a formidable force against the living dead, labeled by the exchange workers as ‘Rotters.” Surprisingly enough, the characters’ dumb luck practically leaves them unscathed or, if really unlucky, placed in the folds of another hair raising scenario to only escape in a goofy fashion.
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Alex Williamson is by far a fan favorite as the hapless company cricket team recruit Darryl who spits out off-the-way quips that make him a likable blockhead much in the same way Goofy is a smart klutz friend to Mickey Mouse. Then Greg Fleet portrays Roy, a pissed off father and cricket coach, looking for the easy way out without his balls turning purple (you’ll have to watch the movie to know what I’m talking about). Fleet’s character grows immensely, withstanding many personal pains from not only the zombies, but from his so-called friends. However, Roy is a tough bird, a real nut puncher when needs to be, bringing his character to the forefront of the film. The third friend, Joel, played by Jim Jefferies was a character that had a role reversal from the actor playing him. Jefferies is an actual stand-up comic, but Joel had to be the most serious and smartest character of the bunch, whipping up communications in a jiffy with meager tools while not being too funny about doing it.
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Like always in Australian or New Zealand zombie horror, the special effects realistically pit our heros against a nasty, grotesque bunch of undead and decaying ghouls whom can dig out your innards in no time flat to make a delicacy out of them. The zombies didn’t appear cheap with rotting skin, gnarly gashes, and effective blood smears and were portrayed actively well, even if applied with some brain smarts to be able to get past Darryl’s homemade and shoddy powerful electric fence. The macabre wasn’t too shabby either with a very Romero-Savini-esque death sequences that’ll be stuffed with plenty of pig intestines.
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UK home entertainment distributor Matchbox Films courteously releases “Me and My Mates vs. The Zombie Apocalypse” on DVD. The 90 minute film was sent to Its Bloggin’ Evil for review via an online screener link (as you can tell from the watermark on the screen caps) and a review of the audio and video qualities, plus any bonus material, won’t be critiqued. With that being said, the movie itself nails being impressively amusing. Your sides will burst, your throat will hurt, and your eyes will transform into a torrential waterfall as Declan Shrubb’s horror comedy bites hard into becoming an apocalypse of zombie buffoonery.

Buy “Me and My Mates vs. The Zombie Apocalypse” at Amazon.com. Currently on sale! The laughs don’t ever stop!