Meet the Evil Jade Executioner! “Red Nights” review!

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“Red Nights” is not exactly a new film. Being released in 2010, the erotic, giallo-inspired, thriller has only been available for DVD purchase in the Belgium market while Germany has the sole blu-ray edition. With much anticipation, Philadelphia based company Breaking Glass Pictures will be bringing “Red Nights” to DVD in the States in all it’s suspenseful and bloody glory.

The ancient box of the Jade Executioner has become the fascination of everyone’s desires. From crooked politicians, to thieves, to sadomasochistic murderers, the box contains a poison that will increase your pleasure by ten fold while leaving you completely paralyzed and increase your pain by the same amount. This twisted tale with a sexual aura constructs a cat-and-mouse game between two femme fatales, Catherine – who just wants a giant pay day for the box and Carrie Chan – who wishes to use the poison for the ultimate pleasure from pain, while a Manau crime lord embarks on a mission to retrieve back his stolen antique box.
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This is the first feature length film from French directors Laurent Courtiaud and Julien Carbon and while “Red Nights” looks beautiful on screen – the shot scenes remind me the Wachowski brother’s Noir film “Bound” – the story can be a bit loose and slow at first. The By the end of act one, “Red Nights” really pick up the pieces and the story of how Frédérique Bel’s character Catherine, a personal assistant to the crooked politician Savini, becomes snared in a web of deadly game with Carrie Chan – played by Hong Kong actress Carrie Ng – and in this game, minor players get a slow and painful death which translates very well to screen and relates very precisely to the character’s personas. Carrie is a sadist who can whip a dry martini while skinning you alive. Catherine is a bit more hesitant but her greed can force her hand to kill.
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The gory effects are surprisingly realistic for a pair of visual effects crew members – Jam Abelanet and Bertrand Levallois – who don’t have much horror and thriller film credits behind their names. This goes hand and hand with how I described the first time directors and how the crew of “Red Nights” got it right the first time. Where the film lost me a many of times was the back and forth dialect of French, Chinese, and a little bit of English thrown in there for good measure. As much as I like a foreign film to use their native tongue, it’s hard to follow when a conversation between a Chinese actress who speaks in full Chinese and then the French actress retorts in full French. “Red Nights” would not make a good Rosetta Stone substitute.
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Carrie Ng creates a fascinating character in Carrie Chan, a respectable, world renowned perfume designer and model. Chan’s dark side involves tight leather, bondage ropes, and razor sharp metallic finger talons that shred skin like shredding a block of cheese. Carrie Ng is lustfully sleek and sexy with her bad girl image that suites her well. Frédérique Bel couldn’t compare to Ng’s prowlness nor clean good looks, but I have to give Bel credit for making her character Catherine a sneaky and aggressive go getter. Maybe the issue was in the script’s writing, but Catherine seemed to lack a lot of intelligence for being in a game that could cost her her life. Catherine trusted everyone too easily and let people go too quickly without any kind of punishment or pain.
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While “Red Nights” won’t break the DVD retail shelf bank, I’m still glad Breaking Glass Pictures and Vicious Circle Films are releasing this foreign gem to the masses of ‘Merica. And while I appreciate every aspect of this film from the director’s inspiration of Giallo genre to the histories of Chinese folklore, I can’t see my country men going crazy over a Chinese girl with finger blades. However, the story for Carrie Chan might speak more to horror enthusiast in that the Jade Executioner’s poison is similar to the box in Hellraiser. The box is described to show you the pleasures of pain much like the poison in “Red Nights.” Lets also not forget that Japanese porn actress Kotone Amamlya and French actress Carole Brana do a bit of nudity as well – click to see my skin page here. Come Tuesday October 21st, DVD will be readily available for purchase, but why wait? Pre-order your copy of a unique thriller with hints of gruesome horror torture!

Judgment of Evil Looks: “Blackbird” review!

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Columbine. Your first thought? I bet your first thought is a Columbine high school massacre of 15 students and teachers in April of 1999. Two armed to the teeth individuals walk into a school wearing trench coats and black clothing giving the look of Goth a bad name and forever giving the once questionably fashionable outfit of the early nineties stigma of hate, anger, revenge, and murderous intentions. The film “Blackbird” explores what happens when fear takes over a community because a Goth 15 year old boy makes insubstantial threats among his peers. His life is forever changed because he dresses the part of historical mass murders and lives in a cycle of despair because his right to freedom of speech is revoked by just a few expressive words written on a blog.
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Sean is an outcast. His black, satanic laden clothing, thrash metal music, and pacifist persona make him an easy target for popular kids, say the entire hockey all star team. When popular hottie Deanne shows interest in Sean’s life, the angst of high school becomes more of a burden upon Sean’s shoulders Deanne’s boyfriend threatens him. Sean’s counter threats go public and he is thrown into youth detention center by a community who fears a school-shooting massacre. From then on, Sean is force to conform and lie about who he really is and tries to regain his dignity and self from in and out of jail and in a community that fears him.
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Bravo writer-director Jason Buxton for producing a freshman film that is powerfully anecdotal, well performed by young actors, and well down in a production sense. Lead actor Connor Jessup serves as a force driven by his bottle emotions in the character of Sean. Jessup, who might remember as from TNT’s sci-fi series Falling Skies, harks up being a gothic pacifist as if he was one himself. Another stand out actor is Alex Ozerov as the relentless youth detention center bully Trevor. These two actors, plus a just as equivalently strong cast with Alexia Fast and Michael Bule, represent a strong contingency of intermediate Canadian actors that need more international exposure.
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While Blackbird doesn’t rely on major effects, the captivating storytelling is worth the price of admission. There are numerous underlying issues in Blackbird that are current in today’s world which makes this film so compelling and interesting. Topics like bullying, being true to yourself, high school shootings, parenting, and the broken court system are just a few of many touched upon and exploited for our own good. We, as people, can learn a lot from Blackbird. We can all relate to being bullied and being the bully and facing all the consequences in between.
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This multiple festival award winner is being released on VOD platforms and on DVD home entertainment by Breaking Glass Pictures on October 21st here in the States. This release should be a big win for Breaking Glass and a big win for whomever goes and grabs a copy.

The Evil Dr. Is in! House of the Witchdoctor Review!

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Who doesn’t love Bill Moseley? The loud mouth, sarcastic-trash talking, balls-to-the-fucking-wall, maniac characters swirl him into a familiar role that have been overly typecast by general audience standards, yet we, as the audience, love every minute Moseley is on screen – Otis Firefly from Rob Zombie’s “The Devil’s Rejects” for instance. Hell even Johnny from Tom Savini’s “Night of the Living Dead” gave Johnny a more twisted outlook on his short lived life. The same maniacal Moseley archetype reveals itself once again in House of the Witchdoctor along side a timeless buxom blonde and reoccurring co-cast member Leslie Easterbrook.
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A young and beautiful Leslie Van Hooten and her four grad-study friends retreat to the Van Hooten home to help Leslie cope with the anniversary of her fiance’s brutal and shocking death one year ago. Peter (Bill Moseley) and Irene (Leslie Easterbrook) Van Hooten leave the family home for the weekend, giving the young group a chance to give Leslie a feeling of peace and relaxation during her time of suffering. However, a peaceful weekend is interrupted by a career criminal Cliff (played by Allan Kayser) and his drug fueled sidekick Buzz as they break into the Van Hooten home looking to rape and torture the women and steal from Leslie rich parents. What Cliff and Buzz don’t realize is that they have unleashed hell upon themselves breaking into a house that isn’t all quaint and innocent as it seems.
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“House of the Witchdoctor” prides itself more toward the torture, rape, and murder that falls upon the young grad students than more toward the actual focus of what the title suggest – the Casa de El Witchdoctor. And while I enjoy a good torture scene between dirty old criminals and the naive youth of the nation, the witchdoctor intrigued me more because the subject matter of voodoo and witchdoctors are hardly explored anymore. “The Serpent and the Rainbow,” “American Horror Story” Season 3, and, well the “Candyman” trilogy, is all I can really account for voodooism. Aside from the lack of witchdoctor and witchdoctor activities, the misbehaving activities of Cliff and Buzz are quite enjoyable as their rampage is non-stop, their carnage reaping is continuities, and their true to their snake tongue speak. Buzz especially since this is actor’s David Willis feature film and his long, yet balding greasy hair and beer-belly gut attributes really play to Buzz’s low-life persona. Cliff is a bit of an enigma; coming from a religious home and being just release from prison, my first thought is that Cliff is a converted convict. The two minutes of his scenes are deceiving and you’re beliefs about Cliff will turn your head around so fast your neck might snap.
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Leslie (Callie Stephens) travels home with a group of stereotypical archetypes that are commonly used in horror films such as the sex-crazed best friend Regina (Emily Bennett), her jock boyfriend Tom (Danny Miller), their religiously prude friend Patty (Summer Bills) and the nerd wimp Thad (Jonathan Helvey). I’m surprised that wasn’t a token black actor who tossed around quick quips, but I guess you just can’t have it all. Surprisingly enough, all three lead actresses show their racks! Woohoo! That in itself makes up for the usage of common archetypes and yet those scenes were more-or-less gratuitous – some more than others. Character development could have been improved especially since Thad and Patty had some sort of weird relationship arrangement where they together, yet not on holding hand terms due to religious beliefs. In turn, their religion background, along with Cliff’s religious background, would have been a good contrast with the Haitian voodoo, but the mark was missed. Also, Regina and Tom couldn’t stop with the overzealousness of their hormones and so their development was skewed. Leslie had more going for her character in which she would reminisce alone about her murdered fiance, but this is confusing in later on scenes when the shit hits the witchdoctor’s fan. We’re more in tune with Buzz and Cliff’s characters than really anybody else’s. Even Leslie parents, Peter and Irene, are simplified characters who deserve more background. But like I said at the start of this review, Bill Moseley could bring any character life even a limp one.
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“House of the Witchdoctor” breaks the mold with a couple of good scumbags and will forever terrorize your dreams about being home alone. Also, a good amount of iconic cult star power doesn’t hurt and along side Moseley, Easterbrook, and Kayser are Dyanne Thorne (the ferociously buxom and nasty nazi Ilsa of the “Ilsa She Wolf of the SS”) and Howard Maurer (Also famed from an Ilsa film “Ilsa Harem Keeper of the Oil Shieks). Breaking Glass Pictures plan to release “House of the Witchdoctor” on DVD on September 16th!