If Evil is in the Title, this Zomedy has to be Good! “Evil – In the Time of Heroes” review!


An overwhelming zombie outbreak has swallowed Athens and the most of Greece and four survivors, Melitis, Marina, Jenny, and Lieutenant Vakirtzis continue their embattled journey through the hell-stricken streets in search for help and in desperation for survival, but there lies hope in history. This evil has plagued Greece once before, in Ancient Greece thousands of years ago, and like that time before, a cloaked messenger from the Gods is sent to locate unwitting heroes and guide them toward a path that goes straight through the hordes of the undead in order to stop this ancient evil once and for all. Teamed up with another small group of eclectic survivors, they must fight the undead, and even match up against a merciless gang of people who kill humans for the pure joy of it, to fulfill their destiny and be Greece’s last hope.

If we’re being completely honesty with each other, Yorgos Nousias’s 2005 horror-comedy “Evil” has never screened across these reviewer’s eyes and so, Nousias’s 2009 followup, “Evil – In the Time of Heroes” (or “Evil 2”), became the ice breaker into the Greece filmmaker’s written and directorial approach to the zombie genre. The overall result is this: I absolutely need to watch “Evil” as soon as possible! Not only because of the overwhelming drive to watch films in sequential order, but because “Evil 2” is a well blended machine of horror, comedy, and action rolled up into a short circuiting toaster ready for the toast inserts to be stuck with a silver metal fork while being just elevated the surface of soapy bath water. In short, it’s insane! Nousias rapid fires into many multi-faceted directions in a story co-written between himself, Claudio Bolivar, Christos Houliaras, Themis Katz, and Petros Nousias.

“Evil 2” starts off nearly where the first left off. Aside from the introduction of when this particular evil reared it’s ugly head last, the modern day story starts off with Melitis (Meletis Georgiadis), Marina (Pepi Moschovakou), Jenny (Mary Tsoni), and Lieutenant Vakirtzis (Andreas Kontopoulos) bloodied, exhausted, and in mourning over their falling comrade Argyris (Argiris Thanasoulas) – I apologize if this is a spoiler for you, but to be frank, this is where the sequel starts right off the coattails of the first. They’re joined by a whole new lineup of characters to form a motley crew of heroes consisting of actors Ioanna Pappa, Hristos Biros, Eftyhia Yakoumi, Drosos Skotis, Thanos Tokakis, and Billy Zane as the Messenger. And, yes, Billy Zane has Greek ancestry. Each character has their specific talent and persona and each actor pinpoints and exposes those traits to the detail that flourishes the comedy amongst the gory content.

The gory content becomes the aortic life line. If there was no vast amounts of gore, then “Evil 2” slips into a slumber of conventional means, but Nousias pulls no punches splattering the viscera and the blood by going over-the-top with comic book illustrated hemorrhaging. A concoction of spouting decapitations, dangling entrails, and so much death and decay are strewn throughout that not one scene stands out amongst the masses. To my surprise, “Evil 2” works well under a manifold of production companies that, in most usual cases, don’t mingle into a working element of fruition when shelving out a hard rated film as too many a time particular producers shell out strong suggests to go with their strong cash flow, but Audio Visual Enterprises, Boo Productions, Ekso Productions, Graal, Greek Film Center, and Strada Productions work in perfect harmony allowing Nousias to build upon his brainsick banter.

“Evil – In the Time of Heroes,” or “To kako – Stin epohi ton iroon” in the native Greek tongue, wastes no time reveling in recalling the first film and can stand solidly alone. Presented for the first time in the USA, “Evil 2” lands a DVD distribution deal with Doppelgänger Releasing and exhibited in an none cropped widescreen 1:85.1 aspect ratio. The quality gleams in the detail, but not in the night time segments that become a soft and blotchy. The vivid color palette defines the range of vast colors across Athens and the boldly bright red blood with each and every brutal death. Though with English subtitles, the Greek 5.1 Dolby Digital ups the game for the surround sound, balancing between ambient, soundtrack, and dialogue through the five channels with such clarity and that proverbial oomph. Extras include are unfortunately slim with an original film illustrated storyboards. “Evil – In the Time of Heroes” encompasses a smorgasbord of horror and comedy through an enticing misadventure of rampaging anarchy. Aside from starring Billy Zane in a kickass role and a gargantuan amount of really neat effects, this zombie film is high on the likably repetitive list and is conjugally attached to bring entire story to an epic finale toward a satisfying close.

Amazon has “Evil in the Time of Heroes!”


Wes Craven’s Evil After School Special! “Summer of Fear” review!


Julia Trent is left orphaned after the fatal accident of her parents that involved them falling to their fiery deaths when their car careens off a cliff attempting to drive their housekeeper home. The only family Julia has left is the Bryant family whom she hasn’t seen in over 15 years. The Bryants welcome their niece with consolation and open arms, inviting her to room with her cousin, Rachel. Rachel has the perfect life: a loving mother and father, a cute boyfriend, and the ability to ride and compete in horse competitions. However, Rachel’s world is upended when Julia enters her life and something just doesn’t seem right when Julia slowly begins to push Rachel out of her comfy position, bewitching the men in her life to turn against her and being the center of a number of considerable accidents. As Rachel suspicions grow and she becomes further attached from all those that surround her, an investigation ensues with Rachel at helm to retrieve what’s rightfully her’s from an underlying evil.

The late Wes Craven made for television movie “Summer of Fear,” also known as “Stranger in the House,” is a living relic; a time capsule type horror this generation will find difficult to grasp, like Nintendo’s Gameboy or music tape cassettes, with thrilling suspense unlike today’s cookie cutter product. After he shocked audiences with the controversial “The Last House on the Left” and crafted a shifty dream killer in “A Nightmare on Elm Street,” director Wes Craven embarked on a venture into the television movie scene that didn’t spur graphic content, but focused putting the supernatural in the forefront of reality with a similarity to that of “Tales of the Darkside” or “The Twilight Zone,” captivating audiences sitting in front of the boobtube with twists and thrills in a Halloween premiered NBC movie. Based on Lois Duncan’s novel of the same title and written for television by Glenn Benest (who also wrote another Craven directed picture “Deadly Blessings”) and Max Keller, Wes Craven greatly accepted the challenge of reaching a broad audience without being subversive and explicit, sharing his vision with another living horror icon in the starring role.

“The Exorcist’s” Linda Blair has a role that’s certainly a far cry from the possessed Reagan, but the 1978 “Summer of Fear” had opened up a sleuth-type role for Blair that made her more of the hunter than the victim. Blair’s raspy voice and spoiled girl attitude completes the privileged daughter of the household compared to her tall and charming rival, Julia Trent, in “Necromancy’s” Lee Purcell. Purcell compliments Blair all too well and, together, the on screen tension is ever present, even if slightly over exaggerated. From that point on, “Summer of Fear” was filled in by other great talent such as Jeremy Slate (“True Grit” ’69), Carol Lawrence, a very young Fran Drescher in the beginning of her career, Jeff McCracken, and Jeff East (“Pumpkinhead”), but the more fascinating role, that was hardly explored, is awarded to MacDonald Carey, the resident occult professor of the neighborhood. Carey’s has a very old school actor with a performance very familiar to Robert Mitchum and the veteran actor’s vast career felt very small here in the catalytic role as the confirming source for Rachel in her suspicions.

In addition to the withdrawal of the contentious content, “Summer of Fear” entertains on a minimalistic special effects stage that still pops with jaw-dropping suspense and still caters to an, even if slightly dated, story altering moment that rockets toward a maelstrom finish. All the while, Lee Purcell’s character has such glam and beauty that the bewitching sticks overpoweringly raw as a telling moment that beauty isn’t all that’s wrapped up to be and people can be ugly on the inside. Through brief glimpses into Julia Trent’s authentic past, including the mountainous Ozark retreats, one could conclude the story’s ultimate ending, but the fact that the actors embrace their rolls and Wes Craven connects himself enthusiastically to the project makes “Summer of Fear” a solid small box show of terror.

Doppelgänger Releasing releases the Wes Craven classic “Summer of Fear” for the first time onto Blu-ray home video. Transferred to a 1080p resolution, the presentation is certainly made from TV in the Academy, 4:3 or 1.33:1, aspect ratio. Image quality sporadically has moments of definition instability where the image goes fluffy or soft and amongst the duration’s entirety are a slew of white specks and noticeable grain, but the transfer remains solid over the decades that display a grandeur of vivid coloring despite some scenes of with an overburdening washed yellow tint. The English 2.0 DTS-HD Master Audio cleanly presents the feature with not a lot of flashy audio moments and the dialogue is clean and clear suggesting that the audio track aged very well. Bonus material includes an audio commentary track by director Wes Craven, an exclusive interview with Linda Blair, photo and poster gallery, and concluding with the original 1978 trailer. “Summer of Fear” might be obsolete in modern ways of terror filmmaking, but Wes Craven imprints a searing cult classic that brandishes more than just guts and gore. Instead, the father of “Scream” continues to impress beyond the grave, thanks to distributors like Doppelgänger Releasing, with the filmmaker’s expansive range that debunks many popcorn horror goers’ assumptions about the director and his films. “Summer of Fear” simply showcases that Craven was a jack of all trades when coming down to brass tax in creating a terrifying story.

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