Alkis Vidalis made friends while serving time in prison. Friends, in the very loose sense of the word, with a corrupt and wealthy businessman, Daniel Bezerianos. When Alkis’s freedom is granted, he’s quickly picked up by Bezerianos’ gangster enforcers to contrive a public viral video with Alkis delivering a verbal message that would exonerate the still imprisoned crime boss and put the blame solely on a rival kingpin, Joseph Forkou. Held in Bezerianos’ rural porn studio building, Alkis commits to the plan that will, for now, save his own skin and as he’s going through the numerous takes to get an absolute resounding performance that will surely free Bezerianos, in the back of his mind, he knows will be undoubtedly be disposed of once his use to Bezeriano has dried up. Alkis’s fight tooth and nail survival and plan-as-he-goes quick thinking must ensure his fate through a multi-level building and a slew of heavily armed henchmen from two criminal factions who all want him dead before the video is uploaded to the internet cloud.
Not many Greek films come across my desk as a reviewer, but when they do show up at the door or in the mailbox, extreme anticipation salivation to pop the disc in the player and hit play begins its rampant course through the core of my body and shoots straight up to my bloodshot eyeballs. Dimitris Tsilifonis’ “Do It Yourself” is no exception as the 2017 action-thriller challenges us to take matters, big or small, into our own hands when push comes to shove and backed into a corner. Written and directed by Tsilifonis, the filmmaker takes the point in his first feature opportunity, aiming high and executing a non-linear, non-formulaic storyline that will keep viewers guessing how, what, when, why and who. “Do It Yourself” seizes the system as a calculated thrill ride that’ll entertain, equaling the same amount of narrative hip-slinging causticity of the last Greek film ventured by Its Bloggin’ Evil, a zomedy known as “Evil: In the Time of Heros” starring Billy Zane and directed by Yorgos Noussias.
As a small time pawn, Alkis Vidalis has prowess in formulating plans quickly; they may not go accordingly and he may break a nose or a leg in the process, but Alkis, like a cat, always seems to land on his two feet when in a skirmish with hired henchmen, coming out bloody but on top. Alkis isn’t a killer but has to become one in order to survive and even though he’s the central character to the story, mystery shrouds around him in what drives the favorable anti-hero to not cower and stay alive other than pure, animal instinct. Konstadinos Aspiotis has the chops to bring Alkis to the screen and express that oxymoronic quality of unsure confidence in Alkis’s mob misadventure. Tsilifonis writes voice over monologue in Alkis’s voice, as if he’s telling a story to the audience, for exposition purposes that describe the setup and the characters which fundamentally weakens the film, but for this particular tale, the voice over monologue is warranted. Aspiotis has numerous interactions with various characters but more so with Makis Papadimitriou as Peter, a low-level enforcer trying to make a name for himself. More like a caretaker than an enforcer, Peter has one job: to make Alkis think they’re friends and then kill him. However, Peter, who isn’t necessarily a screw up, fudges his task and caught in one of Alkis’ fly by the seat of your pants plans. The character is etched with more a selfish attitude toward everything when the tables turn on him and Papadimitriou cultivates all of Peter’s self-regarding desires into the correct power and survival categories while his dynamic with Alkis is looking at himself in a mirror. They mirror so much so that both characters receive their own perspective of the same event. Other characters intertwine with the two leads and they’re played by Mirto Alikaki, Christos Loulis, Argyris Xafis, Panos Koronis, and Themis Panou.
Tsilifonis script has an affinity for pop culture, referencing various films and TV shows by name, such as Martin Scorsese’s “Goodfellas” or HBO’s “Game of Thrones” for example, to juxtapose events and/or characters on a mafia level. Films and television shows are not alone in this homage of iconography as social media websites and their viral and trendy sensations are integrated into the script as table talk conversations. 4chan, Youtube, and The Fappening are particularly referenced when the editor of Alkis’s testimony, also a porn editor with an inflatable sex doll, finds the conservatively torrent side of Google’s acquisition of Youtube distasteful for edgy content and the humor in the bare exposures of star-studded private lives and photos with 4chan and The Fappening while thumb jockeying a Playstation controller in midst of conversation with Peter who seems relatively neutral about these things. Even though suavely placed, “Do It Yourself” frequently uses the pop culture tag words in excess that render them redundant and tiresome that when in retrospect, Tsilifonis could have completely omitted them and “Do It Yourself” can, well, do it itself. The only other gripe with “Do It Yourself” is if the plot takes place entirely in a porn studio, then where was the nudity? Am I wrong?
Artsploitation Films delivers another knockout thriller title from their eclectic catalogue with Dimitris Tsilifonis’s “Do It Yourself” on DVD home video, presented in an anamorphic widescreen format, 2.39:1 aspect ratio. Between Aggelos Papadopoulous’ depth defying photography and the impressive visual effects that flawlessly moves and puts a building in the middle of nowhere, the transcendence image quality is one with this release as it’s practically impossible to conclude what’s real and what a visual effect. Other visual effects of displaying Ikea like instructions on the side of a building, showing the cell phone screen next to Alkis, or having subtitles embedded into portions of the wall are unique and clever, but too far and in between that ends up being an inconsistent inconvenience. The dim tint sets the tone while still mastering the color palate. The Greek language Dolby Digital 5.1 surround sound allows you to hear every glass break, every ping of a bullet ricochet, and every guttural and verbal echo in the reverberating car garage through the five channels. The prominently Greek with little English dialogue is in the forefront amongst a well-balanced range and depth of sounds like hearing the muffled voices behind glasses, the soft moans and groans of porn actors behind the fake walls, and, on the other side, the high squeal of a racing tire wheel. Bonus features include a three small featurettes that revels how the camera shot elevated up from ground level to the top, another was the visual effects breakdown in creating the building structure, and the last being two deleted scenes. Dimitris Tsilifonis’ has a commentary track and 14 minute short film “The Way of Styx” is also available. “Do It Yourself” is no Bob Vila special on how to repair the seeping drips from a leaky sink with your own two God-given hands, but the Dimitris Tsilifonis film bustles with fun in a deluge of crime and betrayal and that, my friends, is a priceless enlightened experience.
An overwhelming zombie outbreak has swallowed Athens and the most of Greece and four survivors, Melitis, Marina, Jenny, and Lieutenant Vakirtzis continue their embattled journey through the hell-stricken streets in search for help and in desperation for survival, but there lies hope in history. This evil has plagued Greece once before, in Ancient Greece thousands of years ago, and like that time before, a cloaked messenger from the Gods is sent to locate unwitting heroes and guide them toward a path that goes straight through the hordes of the undead in order to stop this ancient evil once and for all. Teamed up with another small group of eclectic survivors, they must fight the undead, and even match up against a merciless gang of people who kill humans for the pure joy of it, to fulfill their destiny and be Greece’s last hope.
If we’re being completely honesty with each other, Yorgos Nousias’s 2005 horror-comedy “Evil” has never screened across these reviewer’s eyes and so, Nousias’s 2009 followup, “Evil – In the Time of Heroes” (or “Evil 2”), became the ice breaker into the Greece filmmaker’s written and directorial approach to the zombie genre. The overall result is this: I absolutely need to watch “Evil” as soon as possible! Not only because of the overwhelming drive to watch films in sequential order, but because “Evil 2” is a well blended machine of horror, comedy, and action rolled up into a short circuiting toaster ready for the toast inserts to be stuck with a silver metal fork while being just elevated the surface of soapy bath water. In short, it’s insane! Nousias rapid fires into many multi-faceted directions in a story co-written between himself, Claudio Bolivar, Christos Houliaras, Themis Katz, and Petros Nousias.
“Evil 2” starts off nearly where the first left off. Aside from the introduction of when this particular evil reared it’s ugly head last, the modern day story starts off with Melitis (Meletis Georgiadis), Marina (Pepi Moschovakou), Jenny (Mary Tsoni), and Lieutenant Vakirtzis (Andreas Kontopoulos) bloodied, exhausted, and in mourning over their falling comrade Argyris (Argiris Thanasoulas) – I apologize if this is a spoiler for you, but to be frank, this is where the sequel starts right off the coattails of the first. They’re joined by a whole new lineup of characters to form a motley crew of heroes consisting of actors Ioanna Pappa, Hristos Biros, Eftyhia Yakoumi, Drosos Skotis, Thanos Tokakis, and Billy Zane as the Messenger. And, yes, Billy Zane has Greek ancestry. Each character has their specific talent and persona and each actor pinpoints and exposes those traits to the detail that flourishes the comedy amongst the gory content.
The gory content becomes the aortic life line. If there was no vast amounts of gore, then “Evil 2” slips into a slumber of conventional means, but Nousias pulls no punches splattering the viscera and the blood by going over-the-top with comic book illustrated hemorrhaging. A concoction of spouting decapitations, dangling entrails, and so much death and decay are strewn throughout that not one scene stands out amongst the masses. To my surprise, “Evil 2” works well under a manifold of production companies that, in most usual cases, don’t mingle into a working element of fruition when shelving out a hard rated film as too many a time particular producers shell out strong suggests to go with their strong cash flow, but Audio Visual Enterprises, Boo Productions, Ekso Productions, Graal, Greek Film Center, and Strada Productions work in perfect harmony allowing Nousias to build upon his brainsick banter.
“Evil – In the Time of Heroes,” or “To kako – Stin epohi ton iroon” in the native Greek tongue, wastes no time reveling in recalling the first film and can stand solidly alone. Presented for the first time in the USA, “Evil 2” lands a DVD distribution deal with Doppelgänger Releasing and exhibited in an none cropped widescreen 1:85.1 aspect ratio. The quality gleams in the detail, but not in the night time segments that become a soft and blotchy. The vivid color palette defines the range of vast colors across Athens and the boldly bright red blood with each and every brutal death. Though with English subtitles, the Greek 5.1 Dolby Digital ups the game for the surround sound, balancing between ambient, soundtrack, and dialogue through the five channels with such clarity and that proverbial oomph. Extras include are unfortunately slim with an original film illustrated storyboards. “Evil – In the Time of Heroes” encompasses a smorgasbord of horror and comedy through an enticing misadventure of rampaging anarchy. Aside from starring Billy Zane in a kickass role and a gargantuan amount of really neat effects, this zombie film is high on the likably repetitive list and is conjugally attached to bring entire story to an epic finale toward a satisfying close.