A Pair of Duo Dunces Take on Horror Homages. “Caesar and Otto’s Paranormal Halloween” review!

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The homeless twosome Caesar and his half brother Otto haphazardly take down a notorious serial killer and are awarded a fall-to-winter housesitting gig at a powerful California politician’s summer home where multiple families have been brutally murdered. Their good fortune seems ill-fated as the two encounter strange house employees, random levitating objects, and an endless supply of dead bodies. Tagging along with the brothers is their drunk and inattentive father Fred who spearheads his own agenda in a house full of secrets. When Fred ends up trapped on the other side of the spirit world, Caesar and Otto’s antics strive far and wide within their bag of tasteless tricks to not only save their hapless father, but also save their very lives and, perhaps, the entire state of California. In the middle of all the chaos, Otto is informed that his once thought dead mother is truly alive and discovers he was born with a hidden talent that’s soon to be pertinent to his current and dire situation.
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My second “Caesar and Otto” experience compares to nearly the same tomfoolery as their “X-Mas” inspired horror spoof, except that “Paranormal Halloween” is vastly more superior when considering the comedy quality. Caesar himself Dave Campfield once again stars and directors the spoof that pays tribute to many classic and modern horror films such as “The Amityville Horror,” “Paranormal Activity,” “Halloween”, and “The Conjuring.” Campfield joins forces once again with his longtime sidekick Paul Chomicki as Otto to produce and star in the Campfield’s and Chomicki’s four feature film of nitwit wonders Caesar and Otto who resemble a one more tool in the toolbox version of Harry and Lloyd from “Dumb and Dumber.”
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Campfield pens more dialogue for Caesar who hilariously continues to generate a well-defined lisp while spit firing one-liners, comebacks, and insults at Otto and anyone and everyone standing in the vicinity. Chomicki’s Otto is the big lovable oaf whose on-going hunt for love in all the wrong places, but manages to catch a break in nearly biting the bullet by sheer dumb luck and stupidity. Campfield and Chomicki’s whole schtick isn’t groundbreaking as we’ve seen this kind of film before in “Scary Movie” and even outside the realm of horror with “Airplane!” Unlike “Scary Movie,” Campfield and his team dedicated horror icons maintain a sense of dignity and respect that honor horror more than just dumbing it down. My first experience with the “Deadly X-Mas” Caesar and Otto wasn’t a very pleasant one as I couldn’t grasp the scene-by-scene speedy pace, the cut rate budget, and the inexplicable reference, after reference, after reference structure and I was a bit hesitant in enduring another episode of their continuing legacy. Now that I’ve matured as a viewer a little bit more from two years ago, I can honestly state that “Paranormal Halloween” is calculated corniness and precisely patronizes faithfully the horror outlets.
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Like the predecessors before, “Paranormal Halloween” contains the usual cast of entourage actors that coincide with Dave Campfield, Paul Chomicki, and Scott Aguilar as the fatherly Fred. Deron Miller again ends up shaggy and disoriented, Ken MacFarlane once again plays a guy with a J name, Avi K. Garg is calm and cool until he loses an arm, Ray Plumb quickly makes an appearance, Keith Bush sports a rad stash, Samantha Barrios makes another cut, and “Sleepaway Camp” legend Felissa Rose conjures up some on-screen time and this marks the second time I’ve seen her in a film that I’ve reviewed twice in a month. The credits also add other “Felissa Rose” type stardom actors from the similar molds such as “The People Under The Stairs’s” Sean Whalen, “Commando’s” Vernon Wells, b-horror vixens Tiffany Shepis, Debbie Rochon, and Brinke Stevens, and along with “Return of the Living Dead’s” Beverly Randolph. An excellent lineup for a horror spoof of this size. Tack on a few cute faced actresses and a nude scene from Model Mayhem model Jin N Tonic and you have a decent, well-rounded cast to support this Wild Eye Releasing film.
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The Wild Eye Releasing backed production “Caesar and Otto’s Paranormal Halloween” won’t be the last of it’s kind (a hint from the film suggests that Caesar and Otto’s Spring Break of the Dead will be the next title) from funny guys Dave Campfield and Paul Chomicki. A second chance or a second look never hurt anybody and taking a plunge after a seemingly disastrous first round with “Deadly X-mas” will now be deemed as only a fluke. With giggly-garbage writing, a cast of willing horror legends, and cruise ship filled of homages (or horror ripoffs such as the same John Carpenter “Halloween” font used on “Halloween” in the title), “Paranormal Halloween” smarts oh so good and doesn’t apologize for any or all of it’s budgeted quality.
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[trailer=https://youtu.be/CsUvnUiIvls]

Evil Is Only Skin Deep! “Skinless” review!

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I’ve been following Dustin Mills and his films for quite some time now. From the ambitious, multi-role Zombie A-Hole to the from actual news to your for your home entertainment Bath Salt Zombies, producer, writer, and director Dustin Mills has all the makings of a great independent director. The latest indie feat for the ambitious director is “Skinless,” a fierce and grotesque body horror film that sparks a familiar resemblance to a certain David Cronenberg film but with more ooze and goo that will leave a sticky, slimy aftertaste sensation that makes the film difficult to look away from yet still hard to wash off once the credits roll.
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“Skinless” revolves around brilliant scientist Dr. Peter Peele who suffers from a terminal condition of the cancerous melanoma. His only hope is a flesh-eating enzyme from an exotic worm. Peter’s research partner, Dr. Alice Cross, genetically modify’s the enzyme to attack only cancer cells. When Peter and Alice are refused backing funds for the project, Peter turns to a more radical approach to use his own body as a test subject even at Alice’s stern disapproval. The enzyme worked as the cancer cells were stricken from Peter’s body, but at the cost of losing all of his flesh and going through a metamorphose that drives Peter into a murderous monster.
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It’s icky. It’s sticky. It’ll have your skin crawling literally of your muscle tissue. Dustin Mills and his body horror entry proves that heart still exists in independent films today. Brandon Salkil and Erin R. Ryan, a regular cast of actors used by Dustin Mills, star as Dr. Peter Peele and Dr. Alice Cross. These two have chemistry on screen making chemistry. Salkil co-wrote the script with Mills making his character, pre- and post- metamorphose, into completely separate entities. There is a serious tone change in Dr. Peele that results in Dr. Cross to change with him in the second act of this two act film. What I like about Salkil is his style of acting, much like his other roles in previous Mills’ work, resembles a “Dumb and Dumber” Lloyd Christmas from an alternative universe – fairly silly with a realistic handle and grip of tension and hostility.
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Once you view “Skinless”, you might feel like you’ve had a dose of deja vu. I know I did. I started to compare “Skinless” to David Cronenberg’s remake of “The Fly” in which Jeff Goldblum plays an inventory who develops a transporter, uses himself as the first test subject, and has his DNA infused with a fly’s DNA. Much of the same qualities from “The Fly” are transposed to “Skinless” from the projectile digestive acids to the transforming fly-like-ticks each character develops through the metabolical change. Was “The Fly” a big inspiration for “Skinless?” I would like to think so since the evidence is hard to ignore, but is this an intentional homage or a re-write flying below the bar?
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Any way you dissect it, one can’t deny the special effects from the crew with one name to mention in Brandon’s Salkil’s wife – Sherriah. There’s something to be said for creativity and invention in body horror films because without the transformation of Dr. Peele to this skinless, fleshing eating thing, you would literally have no movie. Some of the puppetry might some dated and cheesy, but campy and still can put a ripple up your spine to think and feel like you’re going through the flesh-deducing change yourself.
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Whacked Movies and MVD bring you the latest and greatest of Dustin Mills Productions with “Skinless.” Check it out on DVD on November 18 and watch this sleazy take on a gory-glorified body horror film.

 

 

Dig the Evil out of your Ears! Scream of the Banshee review!

Lauren Holly.  Oh, sweet Lauren Holly.  My, my how have you tripped and stooped to such films that are way under your more gifted talents (or assets for that matter).  From your Turbulence flight of terror to your sweet, Angel Boris lookalike sweet piece of round booty in Dumb and Dumber to your short-lived stint of empowering women roles in NCIS and, now, you’ve dropped to so called “originals” presented by the After Dark collection.  Whats next, Lauren Holly?  Will we see you next on Soap Operas and Nickelodeon shows?  Scream of the Banshee, part of After Dark collection, should be considered as a Nickelodeon TV show!

A university professor and her understudies are sent a mysterious package with no return address.  The contents of the box are that of a gauntlet, a suited metal armor that covers the forearm and hand.  A note with the gauntlet directs them to Section 3 where a box has been hidden behind a deteriorating wall.  The professor uses the gauntlet to open the box releasing a ear-piercing, blood thirsty terror that will haunt them and kill them if they so much as scream!

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