The folkloric Bigfoot goes bananas on one man’s family, killing his wife and young daughter before leaving him crippled. Years later, the same beast rips the guts out of two tattooed women filming a girl-on-girl romp in the middle of the woods after mistakingly gunning down Littlefoot with their accompanying high powered rifles. Meanwhile, gun store owner, Shannon, receives news that’s she’s inherited land from her estranged, molesting grandfather that could be worth a small fortune. Before opting to sell the land, Shannon, her brother Billy, and her two uncles, Bob and Chester, aim to have a good old fashion hunt, but are viciously attacked by the monster. Barely surviving the ordeal, they managed to capture the creature with a tranquilizer gun and phone in an eccentric cryptozoologist, Dr. Corman, who presents a radical proposition: To prove his missing link genome theory, he wants to conclude that Bigfoot can, in fact, inseminate a human female to produce an offspring. Though crazed and inhumane, the wild idea could bring in loads of capital from all sorts of scientific angles, but the greedy captors soon learn that’ll it’ll take more than a pretty face to get the legendary and mysterious Bigfoot into the proper mood for lovemaking!
With the exception of a few films, the lesser known Sasquatchsploitation genre has been more schlocky exploitation than of Bigfoot doing some serious rampaging. Critics from around all outlets, small and big, have mercilessly dumped upon the hairy big fella, calling the flicks stinky as much as reeking Bigfoot in it’s natural habitat. Unfortunately, “Bigfoot: Blood Trap” sustains the same fodder and, perhaps, evens lowers the bar even further. Despite claims of the satirical motivations and plenty passion for the project, the John Orrichio directed film released in 2017 is a bit of giant mess. The New Jersey based Orrichio (“Paranormal Captivity”) collaborates with Edward X. Young, who was thrusted into scandalous controversy with this film as he was then an active candidate for a member on the New Township Board of Education. Safe to say, a storyline involving young women being kidnapped for rape and insemination didn’t go over well with parents, but Young and Orrichio sallied-forth to bring us a plot about an abomination from the abominable.
As aforementioned, Edward X. Young steps into the role of a creepy cryptologist named Dr. Corman whose obsessed with impregnating an abducted, innocent young women. With extensive credits in no-budget horror, including “Mold!” and themed holiday slasher “Easter Sunday,” Young is highly enthusiastic about his part, being one of the main fixtures of the overhauled production, evening tackling the special effects rich with blood soaked intestines. Another lasting cast member is “The Soulless” actor John McCormack as uncle Chester. Rustic as as he is rusty, McCormack bulldozers through his lines, never letting emotions and inflections carry his performance to fruition. Playing Chester’s nephew, Billy, is “Bloody Christmas’s” Dennis Carter Jr. With turbo energy and a high, if not zany, voice, Carter blossoms more of the satire from hiding, especially when contrasted against his sister, a gun-toting, possessive, money grubber named Shannon played by Chrissy Laboy (“Long Island Serial Killer”). Young, McCormack, Laboy, and Carter are the staple four that have the most scenes, but since the production spanned over the course of years, main characters came and went like yesterday’s bagel, introducing other characters into the fold from a supporting cast that included K.J. Hopkins (“Witches Blood”), Richard Szulborski (“Paranormal Captivity”), Gregory Stokes, and John D. Harris Jr.
As much as one can open their mind to all types of movies, across a vast spectrum of genres, sitting through “Bigfoot: Blood Trap” tested patience, will, and interests. The over-the-top gore, with strewn organs being, sometimes awfully blatantly, ripped from the bellies of Bigfoot victims did not turn heads away in disgust. The problem is more insidious with sloppy, shoddy technical gaffes with a brain seizing storyboard and choppy editing topping the lineup. Performances eek by without much scathing and one could even look past the joker in the “Trading Spaces” monkey suit passing as a vicious Bigfoot, but the lack post-production effort, especially with such a lengthy shoot, kinda says, “Hey! Let’s wrap this up! “Pronto!” and carry on with our lives without batting an eyelash in attempting at beautifying a hunk of ho-hum creature feature, but there is one positive thing about “Bigfoot: Blood Trap,” Orrichio manages to pull off 95 minutes in a sex with Bigfoot bonanza and I’m sure nobody else can claim that title.
“Bigfoot: Blood Trap” is released onto DVD home video courteous of Wild Eye Releasing on their Raw & Extreme label. The DVD is presented in a widescreen, 1.78:1 aspect ratio, that often looks stretched over a canvas with plenty of digital noise and low lighting woes. Colors look okay and same can be said for skin tones. There’s hardly any tinting so all, if not most, scenes are in natural lighting. Some lens cleaning wouldn’t hurt either on the drone for ariel shots. The English language stereo 2.0 lossy mix has hard stops when regarding quality. Swelling vocal tracks lack fidelity gusto and wander into the crackling territories often associated with poor mic placement or an unfinished track mix. Dialogue also comes and go from the forefront to the background. Bonus features include a production interviews, which are basically actors introducing themselves and being advocates for their characters. Also included is a segment entitled “Andy Girffith,” where little foot and Bigfoot reenact that rememberable son and father walk with a fishing rod with whistling that recognizable and catchy thematic tune. “Killing the Girls” is a true behind-the-scenes look into two of Bigfoot’s potential unwilling mates meeting their ends at the monstrous hands of the hairy beast; it’s a glimpse of Edward X. Young, wearing his special effects technician hat, gooey up the gore on the girls as the act out their best scream queen impersonations. Rounding out the extras is a music video and trailers. From the Wild Eye Raw & Extreme’s snarling, bloodied-teeth, Bigfoot faced DVD cover, high hopes created a false foundation leading into a John Orrichio’s Sasquatch breeding farm film! Yet, no matter how enthusiastic the cast, “Bigfoot: Blood Trap” unsavory independent charisma snared time that we’ll never get back into our precious lives ever again.