The Evil Behind the Bars! “Prison Girl” review!

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The Japanese exploitation distributor Pink Eiga is back in the DVD home entertainment and they’re hitting their audiences hard in the face with the overly raunchy, sensationally sleazy exploitive women in prison film “Prison Girl” starring the beautiful Asami of “The Machine Girl” and “Rape Zombie: Lust of the Dead.” Pink Eiga over the last couple of years had their focus more on the Video on Demand market to satisfy the upcoming thirst for instant video pleasure and the company provided an excellent service. However, the demand sky rocketed for the distributor to release DVDs again and Prison Girl made the first cut after numerous years of DVD celibacy.
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Asami plays a bored housewife named Ayaka. Her lifeless, sexless marriage leaves more guilt than anger when dreams of being an inmate at an all women prison plague her nightmares and she becomes the toy of the warden and his guards’ sexual perversions. When Ayaka reaches for outside help from a shrink, her world fantasy world and real world become intertwine. Is she really a bored housewife fantasizing about being sexually taken advantage of or is she an constantly raped inmate dreaming of being a bored housewife? This surreal look into a conflicted mind of escape is certainly interesting as well as being highly erotic.
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I’ve seen my fair share of pinku eiga films and “Prison Girl” has taken a top spot as one of my favorites to date. This gem for 2008 not only stars a young and upcoming Asami, but “Prison Girl” does more than just shrink your pants. The Osaka born director Naoyuki Tomomatsu has a slew of trashy-horror that are much more weird and wacky in a cultural-sensitive Japanese style than as truly frightening art as we may see here in the States (or anywhere else for that matter). “Prison Girl” is different. Its disturbing and surely mental with Ayaka unable to differentiate between her worlds because before she can figure out what’s going on inside her head, her worlds start to collide.
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the sleazy portion of the film is too great for typed words. Asami is degraded in every possible way, her holes are filled tightly accompanied by over-the-top foley effects like squishing, popping, and tearing. She’s probed, she’s double-penetrated, she’s golden showered, she’s tortured, and the list could go on and on. Asami is superfine as always and their is a natural look about her that fits her roll her as Ayaka; being a bored housewife doens’t make you a dolled up Barbie looking flawless. I want to see the dimples in Asami’s ass as those dimples, the very little imperfections in her round, kind of flat rear-end make “Prison Girl” just that more real for me.
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With “Prison Girl” being a must have as Pink Eiga’s first release in 3 years, the company spares no expense in also giving out more features such as an interview with Asami herself. Catch the film in it’s entire glory now on DVD. You’ll be turned on and psychologically disturbed at the same time and you’ll like every minute of it.

This Evil Knows No Super Hero Action. The Rise of the Black Bat review!

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The thing about the recent DC Universe or Marvel super hero movies is that they’re full of action. Bombarded with punches to the face, super human powers, and loads of soaring, gliding, and cloaking, super hero movies can get the blood pumping and sear entertainment into your soul and off the charts. The makings of an unlimited budget, mega-Hollywood superhero action movie hit relies on these qualities. So what about the independent forum? Sure, some fair well with “Super” with Rainn Wilson comes to mind. Then their is ultra-low budget and this is where the super hero movie flounders without mercy on it’s audience.
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“Rise of the Black Bat” follows the fallen district attorney Tony Quinn after being blinded by acid from a notorious city gangster Oliver Snate. When numerous surgeries fail to restore Tony’s sight, he turns to more radical procedures. One of those procedures turns his sight into fully functional night vision and thus his vigilantism begins against his nemesis Snate.
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I had great hopes for “The Rise of the Black Bat” from director Scott Patrick. The expectation was high for action and violence in what was hoped to be a “Punisher” type movie. However, the Black Bat isn’t that black. My first sign that my grand hopes have been let down was the amount of talking. The power of speech, not the great and grand speech, but the vast diarrhea of the mouth can ruin any action film that involves more talking with your feet, legs, and fists.
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Secondly, the editing is painstakingly dreadful. Why use slow motion on almost every pointless scene? That’s not how slow motion works. Use slow motion to specially focus on the action and not the D.A. conversing with the D.A.’s secretary. The scenes are also repeated to create some sort of dramatic effect which creates more of a dull waste of film.

Lastly, the gun fights are a joke. Both the villains and the Black Bat are horrible shots. The fights last about 10 minutes a peace and the characters stay in the same place the entire scene. Pow-Pow. Bang-Bang. Miss, miss, miss, miss, miss, miss, and miss with no real movement. The amount of intensity the audience is suppose to feel in these particular scenes are nullified and depressing.
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Overall, The Rise of the Black Bat is not a great action, super-vigilante movie and is no where near even being a so-so action, super-vigilante movie. What it comes down to is that the bare bones of basic hero movie necessities are not displayed. Instead, they are rather hidden behind a great looking DVD cover. I’d suggest not picking this one up and don’t give up your time to get let down.

Skipping School Only to be Trapped by Evil! “Playing Hooky” review!

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Skipping school and playing hooky is a rite of passage for any under 18 student. Almost everybody and their mother have ditched class to go to the mall or smoke pot or drink or even probably something more naturally and hormonally scandalous between two teenagers. Usually the only worst thing that could happen from playing hooky is being caught and punished – grounded, detention, or suspension. Now if you were to skip school to go to a potentially demon possessed and satanic sacrificial abandoned insane asylum to get your kicks, then you might have something other than the prospect of getting pregnant or suspended from school to be worried about…

Five high school students decide to play hooky and set up a smoke and drink shop in an abandoned Psychiatric facility where rumors of spirits and demons inhabit. The creepy, spiderweb infested asylum delivers to be the perfect isolated spot for their fun day away. That’s until they meet Buddy. Buddy unleashes a playfully rough and violent game of hide and seek. When the five students realize that Buddy isn’t all right in the head, the jig is up and playing hooky has become a fateful and frightful game for their very lives.
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“Playing Hook” is the first film under the Chad Clinton Freeman created Pollygrind, a Las Vegas Film Festival, title. Shot in only seven days, Frank S. Petrilli’s found footage film inspires us all to invest a cheap camera, a decent script, fair actors, and to produce solid entertainment for a hour and half. Petrilli’s film has a lot of heart; more than most well-funded and fully production glazed films today. Every scene involving an effect is based off slight of hand or implying techniques. The first act of the film bares the only fault where too much exposition on backstories and too much wandering around to find a hang out spot creates a loss of excitement. These scenes seem too much like script filler than important notations.
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Not until the second act are we greeted with a compelling escape and the maniacal Buddy. Buddy, a childlike grown man with a schizo mentality, has a violent and perverted nature about him. Tom Petrone makes good on Buddy’s character. I wish I could say the same amongst the five students. If you’re playing hooky and doing what raging hormonal teenagers like to do, there needs to be sinful activities. Most of their activities are implied. The bag of weed is shown, but nobody is seen smoking it. The bottle of whiskey is stolen from one of the student’s home, yet nobody drinks it. Sexy dances are given, but no sex was given. The intentions are there, but the execution was a bit lacking because in most slasher-survival films, sinful acts get you killed. There was one scene in particular where Rosie and Megan made out, but the camera was behind Rosie and the kissing was blocked intentionally I’m sure. A sure sign of being on the edge and then you’re pulled right back to safety and safe is what I feel “Playing Hooky” was made out to be.
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“Playing Hooky” stars Kim Kleemichen as the tough girl Rosie, Becky Byers as the sexy Catholic girl, Vincent Kulish as the slick as shit driver, J. Wright Chester as the mouthy hidden camera guy, and Theresa Davis as the ugly Catholic girl. Every actor and actress has their role and plays it well, but there characters lack depth and that isn’t their fault except for maybe Vincent Kulish who co-wrote the movie. However, “Playing Hooky” is a good first release film for Pollygrind and Derelict Films and a good edition release for Wild Eye Releasing on October 27th.
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Nudity Report

Not a damn thing…

Shout Factory Brings “Destroyer” Back to Life!

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Some exciting news coming out of the ever-glorious Scream Factory, aka Shout Factory, company and that is 1988’s “Destroyer” with Anthony Perkins from “Psycho.” The incredulous film will pari with another 1988 film – Scarecrows. The double feature will hit blu-ray in 2015!

A prison riot breaks out at the moment of a serial murderer’s execution by electrocution, and his fate becomes indeterminate when the prison is shut down. 18 months later, a team of filmmakers converge on the prison to film a women-in-prison exploitation flick, but find that a certain somebody is disrupting their shooting schedule…

Meet the Evil Jade Executioner! “Red Nights” review!

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“Red Nights” is not exactly a new film. Being released in 2010, the erotic, giallo-inspired, thriller has only been available for DVD purchase in the Belgium market while Germany has the sole blu-ray edition. With much anticipation, Philadelphia based company Breaking Glass Pictures will be bringing “Red Nights” to DVD in the States in all it’s suspenseful and bloody glory.

The ancient box of the Jade Executioner has become the fascination of everyone’s desires. From crooked politicians, to thieves, to sadomasochistic murderers, the box contains a poison that will increase your pleasure by ten fold while leaving you completely paralyzed and increase your pain by the same amount. This twisted tale with a sexual aura constructs a cat-and-mouse game between two femme fatales, Catherine – who just wants a giant pay day for the box and Carrie Chan – who wishes to use the poison for the ultimate pleasure from pain, while a Manau crime lord embarks on a mission to retrieve back his stolen antique box.
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This is the first feature length film from French directors Laurent Courtiaud and Julien Carbon and while “Red Nights” looks beautiful on screen – the shot scenes remind me the Wachowski brother’s Noir film “Bound” – the story can be a bit loose and slow at first. The By the end of act one, “Red Nights” really pick up the pieces and the story of how Frédérique Bel’s character Catherine, a personal assistant to the crooked politician Savini, becomes snared in a web of deadly game with Carrie Chan – played by Hong Kong actress Carrie Ng – and in this game, minor players get a slow and painful death which translates very well to screen and relates very precisely to the character’s personas. Carrie is a sadist who can whip a dry martini while skinning you alive. Catherine is a bit more hesitant but her greed can force her hand to kill.
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The gory effects are surprisingly realistic for a pair of visual effects crew members – Jam Abelanet and Bertrand Levallois – who don’t have much horror and thriller film credits behind their names. This goes hand and hand with how I described the first time directors and how the crew of “Red Nights” got it right the first time. Where the film lost me a many of times was the back and forth dialect of French, Chinese, and a little bit of English thrown in there for good measure. As much as I like a foreign film to use their native tongue, it’s hard to follow when a conversation between a Chinese actress who speaks in full Chinese and then the French actress retorts in full French. “Red Nights” would not make a good Rosetta Stone substitute.
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Carrie Ng creates a fascinating character in Carrie Chan, a respectable, world renowned perfume designer and model. Chan’s dark side involves tight leather, bondage ropes, and razor sharp metallic finger talons that shred skin like shredding a block of cheese. Carrie Ng is lustfully sleek and sexy with her bad girl image that suites her well. Frédérique Bel couldn’t compare to Ng’s prowlness nor clean good looks, but I have to give Bel credit for making her character Catherine a sneaky and aggressive go getter. Maybe the issue was in the script’s writing, but Catherine seemed to lack a lot of intelligence for being in a game that could cost her her life. Catherine trusted everyone too easily and let people go too quickly without any kind of punishment or pain.
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While “Red Nights” won’t break the DVD retail shelf bank, I’m still glad Breaking Glass Pictures and Vicious Circle Films are releasing this foreign gem to the masses of ‘Merica. And while I appreciate every aspect of this film from the director’s inspiration of Giallo genre to the histories of Chinese folklore, I can’t see my country men going crazy over a Chinese girl with finger blades. However, the story for Carrie Chan might speak more to horror enthusiast in that the Jade Executioner’s poison is similar to the box in Hellraiser. The box is described to show you the pleasures of pain much like the poison in “Red Nights.” Lets also not forget that Japanese porn actress Kotone Amamlya and French actress Carole Brana do a bit of nudity as well – click to see my skin page here. Come Tuesday October 21st, DVD will be readily available for purchase, but why wait? Pre-order your copy of a unique thriller with hints of gruesome horror torture!