Limited Edition and Standard Edition Sets of “You’re Next” Available At Amazon!
Celebrating 35 years of marriage, Paul and Aubrey Davison invite their four children – Drake, Crispian, Aimee, and Felix – to their rural weekend manor along with their respective spouses for the occasion. Tensions amongst strained family ties begin to boil over as siblings quarrel before they even share the first meal all together. Yet, that’s the least of the family’s problems when animal masked intruders shoot crossbow arrows through the windows and are found hiding, waiting under the bed with machetes. The surprising attack sends a surge of shock through them but not Crispian’s girlfriend Erin who intends on fighting back and defending herself with survival knowhow. As the night carries on, the family is being brutally executed one-by-one in what is seemingly random acts of violence. Unsure how many assailants are outside and the cell service not working, Erin and the rest of survivors attempt to survive the night until help arrives.
Before being the directorial face behind the recent string of mega blockbusters, literally, in the “Godzilla vs. Kong” films, Adam Wingard had more humbling beginnings as an original horror storyteller. From working with “Texas Chainsaw Massacre: Part II’s” Bill Moseley as a demented door-to-door salesman in “Home Sick,” to interlacing themes of drug addiction and haunting visions in “Pop Skull,” to thrill with an abusive pursuit of an escaped convict tracking down his ex-girlfriend in “A Horrible Way to Die,” Adam Wingard had a knack for extracting small time horror in a big way. Although all three of those examples saw success at some level, the glass ceiling never really broke until a juncture point just after the turn of the decade in 2010 with “You’re Next.” Screenwriter Simon Barret, who also before writing “Godzilla x Kong: The New Empire,” wrote the U.S. home invasion and slasheresque horror-comedy as the fourth film under Wingard’s direction, following “A Horrible Way to Die,” “Autoerotic,” and “What Fun We Are Having;” however, Barrett has found moderate success of his own with “Frankenfish” and, one of my personal favorites, “Dead Birds,” with an early performance from Michael Shannon. Barrett, alongside Jess Wu and Keith Calder of Snoot Entertainment, Chris Harding, Kim Sherman, and Brock Williams produce the Snoot Entertainment in association with HanWay Films production.
“You’re Next” reunites a cast of Wingard regulars, interchanged with good friend and fellow horror filmmaker Ti West (“The House of the Devil”) that has all but nearly faded the higher the filmmaker climbs the Hollywood latter. The entourage includes “Hatchet II” and “The House of the Devil’s” A.J. Bowen as the pacifist academic Crispian, “Alien: Covenant” and “Pet Semetary’s” Amy Seimetz as Crispian’s starving filmic sister Aimie, “The Sacrament” and Autoerotic’s” Joe Swanberg as the pompous older brother Drake, and “Pop Skull,” and “V/H/S’s” Lane Hughes as the Fox masked killer all of whom were in Wingard’s “A Horrible Way to Die” a year earlier. Plus “Home Sick” and “Pop Skull’s” L.C. Holt dons a killer’s mask and director and friend Ti West of the highly popular X film series also has a brief role that plays into their whole dark nature of storytelling. The inner circle of friends and usual casting smooths out to fills voids by adding a couple of marketable and genre renowned names to add a solidifying agent to “You’re Next’s” magnetism with “Habit” and “The Last Winter” actor-director Larry Fessenden as well as un-retiring one of the genre’s more respected and timeless scream queens and final girls in Barbara Crampton (“Re-Animator,” “Frome Beyond”) to be playing matriarch and host of the family being invaded upon. Though marking her return back to horror, Crampton relinquishes her reins on the final girl trope, swallows her stardom by moving aside, and letting have that particular subcategory role to Australian actress Sharni Vinson (“Bait”) in one of her first handful of roles in a feature film. Vinson will send shockwaves through audiences on her quick turn of character from a lovely, liberal oblique woman to a complete cutthroat badass that not only turns the tables on the attackers but also shepherds in a new fear or thrill – a worriment encompasses over the sociopathic bad guys. “You’re Next” puts up a high body count with the rest of the cast body including the late Nicholas Tucci (“Choose”), Wendy Glenn (“11-11-11”), Margaret Laney (“Absence”), Rob Moran (“There’s Something About Mary”), and Kate Lyn Sheil (“She Dies Tomorrow”).
Before the film’s release in 2011, the home invasion genre saw an explosion of examples from class that wasn’t exceeding in quantity but rather rocketing skyward in quality. The French had a good handle on concept with a bleak, ultra-violent coating that completely engrossed viewers as well as rocked their core with how nihilistic and cynical characters could become without a heroic, saves-the-day, or survival outcome, such as is the cast with 2007’s “Inside” and 2008’s “Martyrs.” The American industry also attempts to capitalize on the niche market with “Funny Games” released in 2007 but that too is based off a European script from Austrian filmmaker Michael Haneke’s original film a decade earlier of the same title. In all fairness, Haneke also helmed the remake starring Tim Roth and Naomi Watts. Yet, American audiences adored their own success with Bryan Bertino’s “The Strangers” in 2008 and a remake of Wes Craven’s “The Last House on the Left” by director Dennis Iliadis in 2009 that conveyed that sort of callous violence and anarchial analogies. Then in steps Adam Wingard and Simon Barrett’s entry of “You’re Next” of shared sadism and pessimism but sprinkles it gallows humor through the dialogue exchanges and impressions of character attitudes to make a hybrid that pulls inspiration from the likes of “Funny Games,” “The Strangers,” and “The Last House on the Left” and still finding individuality amongst the like without suffering from an identity crisis. Protagonists and antagonists swerve through an interchangeable junction, flipping the script just when you think you’ve plotted the course of the storyline, and yet, a found sense of cold cock shock lands squarely when all is said and done and bits and pieces of the royale rumble characters are strewn about the battled ground mansion.
“You’re Next” arrives at the UK label and friend to physical media Second Sight Films. Second Sight’s single disc Blu-ray comes AVC encoded with 1080p hi-def resolution and dual layered with a BD50, projecting a consistent 24FPS. There’s not much to terribly note about Second Sight’s quality release of Adam Wingard’s over 20-year-old, 4K shot film as digital stock hasn’t necessarily changed significantly for the better over the last two decades. Presented in a widescreen 2.39: aspect ratio, Wingard and cinematographer Andrew Droz Palermo (“The Green Knight”) choose a warmer color pallet of mustard yellows and burgundies, accentuated by enveloping three-point lighting and the tweed dinner jackets and turtlenecks, to give it a retro 70s or 80s veneer in a modern time. No banding issues or digital compression anomalies with the ample disc space. Range is fine but limited to mostly the aforementioned color scheme. Depth is almost limited in what is mostly a series of medium to closeup shots in an interior setting, but we’re treated to a mixed melee of close-up violence that sees splatter scatter the dark syrupy blood. A DTS-HD 5.1 Master Audio mix layers a lossless fidelity consistency. Dialogue has no issues with obstructions, favoring a clean and clear presentation of exchanges without losing inflection, tone, and vitality during the chaos, calmer moments, and tensioned exchanges. A fugitive depth doesn’t sustain any kind of depth; again, with the close quarters action, we tend to forget Larry Fessenden’s blaring music left on repeat and noted to have at least three layers of depth from within the stereo’s room, between rooms, and outside the house. Organic and inorganic ambience and action have seamlessly admixed without a sense of artificial notice. A compilation of artist soundtrack isn’t invasive or intrusive with the assailants and that kind of dampens the effect but it’s an overall workable mix from Mads Heldtberg, Jasper Justice Lee, Kyle McKinnon, and Wingard himself. Optional English subtitles are available. Second Sight Films reliability to earn the right to re-release another modern production stands through again another special features laden release that includes a brand-new audio commentary with director Adam Wingard and writer Simon Barrett as well as archive audio commentary with Wingard, Barrett, and actresses Sharni Vinson and Barbara Crampton. Another new feature is an approx. hour long interview Children of the 80s with Wingard and Barrett recollecting and going through the details for the genesis of the story and film. Other new interviews include producers Keith and Jess Wu Calder the Most of Us, actor AJ Bowen Script is a Blueprint, actor Joe Swanberg Down in the Basement, actor Amy Seimetz Be Funny or Die, and production designer Tom Hammock Falling into Place. Animated storyboards, an archival making of What’s Next?, and a video essay from Tim Coleman Slashers Don’t Die fill out the immensely packed second layer. House in the standard Second Sight green Blu-ray Amaray for their standard lot, the front cover is gruesomely beautiful with a blood illustration of Sarni Vinson in character that’s also very telling of the film’s tone. Like all their standard releases, this one comes with no inserts inside or other tangible bonus content. The disc is pressed with another illustration of one of the masked killers. The UK certified 18 release contains strong bloody violence, as well as language and brief nudity for those of us Americans wondering at home, in a 95-minute duration to which is encoded with a region B playback.
Last Rites: “You’re Next” denounces the helpless and the defensive character topes aimed to be slaughter like cattle in an abattoir. Instead, this final girl and ferocious slasher and home invasion thriller goes against the grain and has gruesomely fun with its kills and thrills.
It's Bloggin Evil! 