Ruriko’s family is on steep decline: Ruriko’s fooing around with other men, her husband has no job, and their son Koichi may or may not be accepted to Tokyo University. Money is tight, tensions are high, and then it all changes when Ruriko brings home Milk, a self-declared baby angel looking to get back to Heaven. Koichi and his dad believes Milk is annoying and needs to be committed, but when Milk is presented to live with the Tokyo family, nobody can resist her innocent sex appeal and mystical charm.
Oh my goodness. Tia is an absolute beautiful AV model who has only been in the Japanese porn business for 3 years. Her exotic red hair, massive succulent H cup, and slender tight body creates Tia to be the center of gravity in “Milk the Maid.” Her innocent act as a baby angel looking to make her way back to Heaven from God’s approval, but first she much help those around her “reach heaven” first. You can imagine the troubles the male characters, Koichi and his father, go through are quickly extinguished and they see their fateful path to enlightenment. Supporting female cast members Mirei Yokoyama, another tight big breasted Japanese AV wonderment, and Ayum, a lesser known AV model but none-the-less still cute, round out this zany erotic comedy. The film opens with Mirei Yokoyama working it on a man; her absolutely gorgeous body had me convinced that she was the “star” of the film until I saw Tia. The exotic red hair and light skin and the cutesy fantasy-like appeal certainly outshines the rest of the cast.
Though “Milk the Maid” ignites into a pretty common, yet spectacular, Japanese wacky erotic comedy – still quite hilarious at points – the characters do go through a rough patch and work through Milk’s heavenly-body ways in order to rekindle the lost spark back into the family and help them rediscover love. Another point to love this film is the sex scenes. Most pink films I’ve seen conjoin two people who seem to be contending on who can over sex the other. That’s not the case here as the sensual scenes are more, well, normal for lack of a better word. They’re still very sexy without creating an awkward viewing experience.
“Milk the Maid” is another great hit and recent release for the pinkusploitation empire Pink Eiga. Long time pink film director Motosugu Watanabe strikes panty wet gold! Being one of the most revealing pink films that I’ve ever seen, I’m glad Tia had honed onto my radar and is now a object of my dreams. Catch this DVD either at your local video store’s back room or, and a much easier more convenient way, purchase it directly at Pink Eiga.com!
Tag Archives: nudity
My Wish is for Evil to Always be this Beautiful! “The Succulent Succubus” review!
Japanese iconic pornstar Sho Nishino stars as Momo, a very unlucky attractive young women whose luck consists of meeting all the wrong and greedy men. On top of that, Momo is told she only has 6 months left to live due to an incurable disease. When Momo is at her lowest, the VP of Hell gives her a visit. Ms. Devil Girl Succubus, played by the stunning Asami, and offers her a single wish in return for the possession of her soul for all eternity. Momo has to decide the outcome of her last six months of life to either keep wasting it on money-hungry men using her for a trip to heaven or give up her soul and spend the rest of her afterlife in the depravity of Hell for a little short tern of happiness.
The two female leads Sho Nishino and Asami couldn’t get any more sexier. I though Asami in “Prison Girl” (review here) was the peak of her sexiness, but I was wrong as her role as Ms. Devil Girl Succubus in “The Succulent Succubus” has gone far and beyond “Prison Girl.” Hair teased and curled, dark lucious lipstick, striking doctored eye coloring, and a figure that kills, Asami couldn’t be any hotter unless she really was in the infernal Hell. This is my first viewing experience with Sho Nishino. The slender body and the tenderness look is a tall tell sign that Nishino is a mega force in the porn industry; probably one of the hottest JAV actresses out there. Nishino and Asami are petite women who don’t need curves to excite and “The Succulent Succubus” pairs sex and parody and weaves a glorious romp-filled tale aiming to delight all you sinners out there.
Director Motosugu Watanabe’s simple editing and framing style works to accomplish creating Asami as the VP of Hell. Quick editing techniques and creative cost efficient special effects combined with quirky Japanese acting turns the what could have been another run of the mill, lackluster erotica film into a fun and entertaining hard-on producing gem. One particular scene stands out involving Nishino and Asami in a Hell setting lesbian scene. As the two grind their love boxes together in a scene of epic proportions, the obviously cheap Hell constructed scene only adds to the charm of the scene. I know what you’re thinking: Why are you looking at the setting instead of two naked and beautiful women doing the nasty? Answer: the setting creates a time warp and a sense of fantasy to where you yourself might think you’ve traveled back in time or to Hell to watch a lustful scene undertake.
Pink Eiga has again successfully distributed a great film to the masses and has notched another great edition into their extensive catalogue. The DVD, available for purchase at www.pinkeiga.com, release isn’t skimpy on the features (unlike the skimpy clothing the actresses are wearing). The DVD contains an interview “Why The Hell?” with actress Asami and includes also the film’s original artwork, a still image slideshow, and the whole presentation is in outstanding widescreen format for your viewing pleasure. Remember, if you love Pink Eiga make sure you pick this little devilish film up and check out other titles on the 99CentNetwork to stream other titles of titillating films.
Evil Never Sleeps! “Coyote” review!
Cult actor Bill Oberst Jr. plays a deranged struggling writer with insomniac. Bill’s lack of sleep drives him to extremely hallucinate to the point of being dangerous to not only himself but to others. His derangement wields a bowie knife, a rust colored hammer, and a sporting bow and arrow as the hallucinations get weirder, stranger, and more violent and everyone that Bill comes into contact with becomes a target of his severe breakdown into insanity.
Who doesn’t love Bill Oberst Jr? The veteran actor has a unique look about him and his acting method brings stage and screen acting together into one great performance in Trevor Juenger’s “Coyote.” Without saying much through the entirety of the film, Oberst interpretation of one man’s sleepless delusions sports no talking head explanation. Rigorously and physically involved in the role, “Coyote” could not have been possible if it wasn’t for Oberst serious role indulgence.
The film is described as a blend between “Taxi Driver” and “Videodrome.” That description is entirely accurate. Full of body horror and plenty of schizo to go around, the surrealism in the editing by Juenger is remarkable pitted against budgetary restraints. Hard to follow, lost in translation, yet somehow by the end of the movie you get it, you just get it. You might even feel lost for the first hour and by the time the last half hour comes around, you’re just as angry, confused, and disturbed as Bill. You might even want to take out a person or two with a bowie knife.
“Coyote” won’t break much cinematic ground like “Taxi Driver” or “Videodrome,” but “Coyote” will be a great embarkment to a honorable homage and a surreal look into fresh art-house horror. If you like this type of material full of masochistic mutilation, visceral carnage, and a visual look into the mind of lunacy, then Wild Eye Releasing’s “Coyote” is for you.
Drug Abuse Resistance Evil! “Attack of the Morningside Monster” review!
Director Chris Ethridge and screenwriter Jayson Palmer embark on their very first feature film and they welcomes themselves right into the horror genre tackling a slasher film that made it (and won) a handful of film festivals including Fright Night Filmfest and International Horror & Sci-Fi Film Festival. Not bad for a pair of first timers. Their film, “Attack of the Morningside Monster” holds water because the pair were graced with a solid cast of veteran actors such as Robert Pralgo of “The Vampire Diaries,” genre actress Tiffany Shepis (“Night of the Demons” 2009 remake), and Nicholas Brendon from the TV series “Buffy the Vampire Slayer.”
Sheriff Tom Haulk is a straight edge man of the law in his small town of Morningside, New Jersey where everybody knowns everyone. Where small town secrets become small town big news. When corpses of the local drug runners start to turn up murdered and eviscerated, the sheriff starts to notice a pattern when a strange tribal symbol accompanies the gutted bodies. While Tom tries to decipher the pieces to his case, his childhood best fried Mark has personal struggles of his own keeping his cancer stricken wife alive. Tom and Mark both face demons from the past and present and their futures turn dark with a killer on a loose and death knocking at the door.
“Attack of the Morningside Monster” is a basic enough cops try to puzzle together a serial murder’s motives. What the script does however is make the ending fairly predictable, but does throw in a curveball of sorts. The only element of the story that can’t be predicted is the motive behind the killer which leaves just enough wonder for the unexpected viewer. In the end, picking out the killer is not difficult and is practically an alley-oop just waiting for the slam dunk.
Despite a transparent script, the cast of acting vets delivers reasonable flair. I haven’t seen Nicholas Brendon since “Demon Island” that involved a killer pinata (classic b-movie fun). I’m glad to seen Nicholas is still acting and his role as Mark reminds me much of his “Buffy the Vampire Slayer” role: a bit weak, strong when needed, and a nervous wreck. Cult actress Tiffany Shepis deputy Klare Austin role doesn’t shine as much as one would hope for in a actress of her credit history. Deputy Austin more or lesses flounders around the town trying to solve this case on her own without the help of her boss. Speaking of the boss Tom Haulk, Robert Pralgo has had a more mainstream career and that translate more clearly to the screen. Pralgo delivers a sheriff on a mission to make things right even if it costs him his job and his soul.
I wasn’t too keen on the motive behind the killer who wore a tribal tiled mask and a wheeled around an ancient deadly mace like weapon. Rest of the killer’s outfit involved black cape and hood and rubber gloves like you wear when doing the dishes. The “Monster,” as the movie credits the character, wasn’t very thriller aesthetically and looked more like a cheap halloween costume party goer who decided to attend the big bash at the last minute. The death scenes weren’t that all excellent as well, but given the movie’s crowd-funded budget from indiegogo.com I can’t speak too much on the matter than other that the kill scenes were as great as they were funded.
But why the title “Attack of the Morningside Monster?” A slightly boring and generic title could have given this feature more life especially since the killer is described using a certain kill method. A more thought-provoking title surely would have been appreciated for this entertaining low-budget film that keeps you guessing about the killer’s thirst for drug dealers and their vital organs. Check it out on DVD next year January 20, 2015 from Apprehensive Films and MVDvisual.
The Evil Behind the Bars! “Prison Girl” review!
The Japanese exploitation distributor Pink Eiga is back in the DVD home entertainment and they’re hitting their audiences hard in the face with the overly raunchy, sensationally sleazy exploitive women in prison film “Prison Girl” starring the beautiful Asami of “The Machine Girl” and “Rape Zombie: Lust of the Dead.” Pink Eiga over the last couple of years had their focus more on the Video on Demand market to satisfy the upcoming thirst for instant video pleasure and the company provided an excellent service. However, the demand sky rocketed for the distributor to release DVDs again and Prison Girl made the first cut after numerous years of DVD celibacy.
Asami plays a bored housewife named Ayaka. Her lifeless, sexless marriage leaves more guilt than anger when dreams of being an inmate at an all women prison plague her nightmares and she becomes the toy of the warden and his guards’ sexual perversions. When Ayaka reaches for outside help from a shrink, her world fantasy world and real world become intertwine. Is she really a bored housewife fantasizing about being sexually taken advantage of or is she an constantly raped inmate dreaming of being a bored housewife? This surreal look into a conflicted mind of escape is certainly interesting as well as being highly erotic.
I’ve seen my fair share of pinku eiga films and “Prison Girl” has taken a top spot as one of my favorites to date. This gem for 2008 not only stars a young and upcoming Asami, but “Prison Girl” does more than just shrink your pants. The Osaka born director Naoyuki Tomomatsu has a slew of trashy-horror that are much more weird and wacky in a cultural-sensitive Japanese style than as truly frightening art as we may see here in the States (or anywhere else for that matter). “Prison Girl” is different. Its disturbing and surely mental with Ayaka unable to differentiate between her worlds because before she can figure out what’s going on inside her head, her worlds start to collide.
the sleazy portion of the film is too great for typed words. Asami is degraded in every possible way, her holes are filled tightly accompanied by over-the-top foley effects like squishing, popping, and tearing. She’s probed, she’s double-penetrated, she’s golden showered, she’s tortured, and the list could go on and on. Asami is superfine as always and their is a natural look about her that fits her roll her as Ayaka; being a bored housewife doens’t make you a dolled up Barbie looking flawless. I want to see the dimples in Asami’s ass as those dimples, the very little imperfections in her round, kind of flat rear-end make “Prison Girl” just that more real for me.
With “Prison Girl” being a must have as Pink Eiga’s first release in 3 years, the company spares no expense in also giving out more features such as an interview with Asami herself. Catch the film in it’s entire glory now on DVD. You’ll be turned on and psychologically disturbed at the same time and you’ll like every minute of it.
It's Bloggin Evil! 