Based On Real Life Evil? “My Name is ‘A’ By Anonymous” review!

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Based on the real life teenage ‘thrill killer’ Alyssa Bustamente, Shame Ryan (“Amateur Porn Star Killer”) directs “My Name is ‘A’ By Anonymous” to tell what may or may not have happened to murdered Elizabeth Olten by her neighbor Alyssa Bustamente. The story tells the story of a group of teenagers left to their own emotional devices and left to their own parentless neglect manifesting a dark world that sparks angst leading to murder.
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Shane Ryan mixes real life with an art film and the result doesn’t and won’t translate to most audiences. The non-linear story creates more confusion than clarity and being that this is one possible scenario on the murder of Elizabeth Olten, the scenario leaves more questions that perhaps vivid answers. One quality the film does do is color Alyssa Bustamente to be a thrill killer with self cutting tendencies, a dry attitude toward life, and the possibility of having a multiple personality disorder. Does this revolution around Alyssa paint a portrait that the film is more about a killer than about the victim?
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The expectation bar was set high for director/writer Shane Ryan. With the exploitations of his earlier work such as “Amateur Porn Star Killer” movies and “Warning!!! Pedophile Released,” there were hopes that this film would be more intense and graphic. Since Ryan decided to take a cheap and artistic route, the outcome will confuse, bore, and shred any bit of entertaining qualities to itty-bitty pieces.
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Marketed as being in the same vein of more infamous teen angst films such as “Kids” and “Ken Park” is very deceiving. Besides the killing, which was mostly described in sub context art form, and the implied incest-rape, also in sub context, there is really no comparison to “Kids” or “Ken Park.” Very few moments in the movie where the scene feels powerful and telling but these scenes are overpowered by lack of story telling and more of just teenage girls scenes of them brutalizing themselves and dealing with parental issue.
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I’m not a fan of this Wild Eye Release. I’m encouraging you, however, to try to have an open mind and give it a whirl. Ryan’s film is not for everybody and won’t be a stellar hit. “My Name Is ‘A’ By Anonymous” teases mostly in the same likes as “The Life: What’s Your Please?” teases the possibility of Denise Richards and Daryl Hannah, a pair of escorts, getting their freak on but leave the view limp all the way to the end. This film harks on that same flaws. Don’t get your hopes maxed out, but instead go into the movie, being released this Tuesday September 23rd, with a backup plan just in case of severe boredom.

http://youtu.be/a1GyyoiXVew%5D

Syfy’s Z-Nation S1E2 “Fracking Zombies”

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Following a successful premier, Syfy’s Z-Nation follows up with a great second episode that develops more on a couple of character backstories while still raking in the gory bits and pieces of flesh and bone of zombie deaths. Z-Nation can deliver unsuspecting turns making this show unpredictable and entertaining.

Still considered to be a carbon-copy of The Walking Dead, Z-Nation slowly begins to journey itself away from the widely popular AMC series. I’m also seriously impressed with the special effects that Z-Nation (zombie stuck in the truck carriage, burnt to a crisp zombie, and zombie fuel tank) and while the series is not gored up by effects guru Greg Nicotero, there does lie some great talent behind Z-Nation’s blood.

The characters are starting to come to light with Pisay Pao’s Cassandra and her pack of dark secrets and as well as Keith Allan’s Murphy character and his struggle to maintain his convict past. Critics might be a bit harsh at first, but I think Z-Nation’s like-ability will come around with critics and see that’s not to compete with the drama of The Walking Dead. Instead, Z-Nation will stand on it’s own to dead feet and come out on top as an entertaining zombie series.

Woman Vs Shark! “In The Deep” news!

Scene from "Jaws:  The Revenge"

Scene from “Jaws: The Revenge”

Any Shark related news is good news for me, being a shark enthusiast. Today, the news across that a new shark film, entitled “In The Deep,” spec script was bought by Sony Pictures. The script, described as “Jaws” meets “127 Hours,” revolves around a young female surfer, 60 feet from a remote beach shore, being stalked by a Great White shark from below.

Woman versus Nature and I’m lovin’ it (as McDonalds would say). “In The Deep” sounds intense and thrilling and with a shark being involved the film already has a soft spot in my heart!

Stay with us to learn more about this development.

Quick Pic: Jinkies!

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“I Saw The Devil” and “I Know What You Did Last Summer” on the Remake/Reboot Chopping block!

Just when you think it’s safe to go back into the theater, another remake and reboot news bit rears it’s ugly little head. Two pieces of news bits delivered today spilling the beans that “I Saw The Devil” and “I Know What You Did Last Summer” will be being redone for a second time around.
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“Oculus” director Mike Flanagan is in reports to write and produce the “I Know What You Did Last Summer” reboot which the story is based off a Lois Duncan novel. My question is why remake reboot this at all? This film, starring a gorgeous Jennifer Love Hewitt, was a major success in the wake of Wes Craven slasher game changer Scream back in 1997 and then spawn two more not-so-successful sequels. The story revolves around a group of teens who accidentally kill someone and then are hunted down by a man with a hook afterwards.
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Kim Jee-woon’s “I Saw The Devil” is the other film that made remake headlines today in which Adam Wingard and Simon Barrett will bring the film to life…in America I’m sure. Wingard is set to helm and Barrett will be penning the project about the fiance of a special unit cop being murdered by a vicious psychopath. Hellbent on revenge, the cop is determined to hunt down the killer no matter the cost and the line between good and evil are sub-sequential. I’m a fan of Wingard and his style of horror and thrills, but I’m not so keen on remaking foreign movies for American audiences for the sake of those who can’t stand to read subtitles and this kind of situation just screams that instance.

No word on any dates yet, but I’ll keep my eyes open and see what comes across my desk.