More evil than the deadly Firestone blowouts! Rubber review!

As a graduate of film studies, my viewing pleasure has changed to minus “viewing” and adding “analytical” to make it now my viewing analytical.  Taking classes on film sucks the fun at watching Michael Bay and Uwe Boll films which is not really a bad thing, but you’re programmed to pick out the flaws in every little detail.  One thing we learned in class is that there is a purpose for everything in the mise-en-scene; every street lamp as a purpose so says Alfred Hitchcock.  Obviously, these people who expect you to guess the significance of each action and every prop didn’t expect the killer tire film Rubber to ever be created.

Robert wakes up in the desert.  He tries to move only to keep falling down.  As he eventually gets the hang of it, he crosses paths with various objects and creatures in which he destroys…with his mind.  Besides Robert’s murderous telekinetic powers, Robert other’s mysterious issue is that he is also a used vehicle tire.  Robert becomes obsessed with a beautiful young woman and won’t stop killing folks until he gets what he wants.

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PTSD and evil. Psycho Holocaust review!

My share of horror films deriving from the victims of post traumatic stress disorder of war extends from Bob Clark’s golden oldie Deathdream to more recent no budget indies like Andrew Copp’s Quiet Nights of Blood and Pain.  The issue that always seems to arise in my thoughts when watching one of these flicks is can PTSD victims one day snap into a vicious, emotionless killer?    Examples of actual occurrences doesn’t come to mind (a few will hit me while I’m walking the dog most likely) and this lack of evidence renders me helpless agains’t opposing feelings about wanting to believe that the horrendous acts, such as portrayed in my recent venture Psycho Holocaust, can really take place.

Six friends embark on a getaway vacation to an isolated area lake house.  On the very first night, their getaway turns into a futile get away when three psychotic and evil men plan to toy with the group for as long as there is pain and blood to be given.  These violence junkies won’t stop, won’t be merciful and won’t let anyone live long enough to last a full day.

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Hidden evils will be your undoing! Death’s Door review!

Remember those 80’s and early 90’s demonic films that had the camera pretend to be a floating spirit like in Evil Dead or the original Night of the Demons?  Exposing women’s breasts were a mere exploitive stunt as the well endowed ladies’ shirts just happen to fall off because of a single, light and accidental touch.  The blood waved in like a killer tsunami and the body count was as high as Mount Fuji!  Those were the good ole days of demonic horror with the clarity of the hero and, sometimes, villains was not so black and white.  This melancholy brings me to George Schileppi’s 2008 killer specter and possession film Death’s Door where he skims the surface of all that glory said above and never really sinks his teeth into something that has been, at least to me, long lost in the world of horror.

Television psychic Madame Camille uses smoke and mirrors to make her guest believe they’re actually speaking to their loved ones.  When an aggressive religious driven radio evangelist is invited to face his accusations of murder, Madame Camille’s psuedo-powers become a reality and she has to tap into the evil possessing the evangelist that has trapped the frightened cast and crew inside the station.  One by one people die a gruesome, horrifying death and the survivors are running out of time in finding a way out of their tomb.

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Didn’t know Vincent Price could be so evil! Witchfinder General review!

My experiences with Vincent Price films is almost next to none.  All I got is his voice and likeness appearances on the Scooby Doo cartoons.  I didn’t quite know what to expect when delving into the Odeon Entertainment’s Blu-ray edition of Witchfinder General.  Something to the like of being light hearted and tame was my initial impressions before even watching the movie because I had this idea that Vincent Price was too family oriented and that the late 60’s wouldn’t allow much to be reveal as far as shock and vulgarity value goes.  Boy, was I wrong…

As England is in distress due to a civil war amongst the Royalist and Oliver Cromwell’s Roundheads, an unforeseen man rises to power exploiting village superstitions for his own gain in wealth and sexual prowess.  Matthew Hopkins travels from village to village proclaiming those innocent to be witches and having them confess by brutally sadistic tortures in which there are no ways out.  These tortures are carried out by his brute of an accomplice John Stearne.  When Hopkins and Stearne kill a falsely prosecuted priest and repeatedly rape his niece, they invoke the vengeance of militant Richard Marshall who is engaged to the priest’s niece.

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Not just another evil versus movie! Ninjas vs Vampires review!

If you’ve ever been unfortunate to see that piece of shit Vince D’Amato 2004 film Vampires vs Zombies (also called Carmilla, the Lesbian Vampire), a fear has probably dug deep with in the core of you’re very soul urging you to never, ever watch another indie horror project again for the rest of your mundane life.  No fear fiends!  Lets split up vampires and zombies and add ninjas instead!  First, there was Ninjas vs Zombies; a sleek, funny and fresh clash of two factions that never saw the light of day against each other.  Director and writer Justin Timpane does a great job with the martial art choreographic and special effects that will put your faith back into indie horror.  The subject of this review is Timpane’s sequel to Ninjas vs Zombies; Ninjas vs Vampires was with out a doubt the next logical title for his 2008 versus movie.

Aaron and his long time friend and desire Alex find themselves in the middle of an epic battle between the deadly forces of ninjas and the ultimate blood sucking night stalkers, the vampires.  The ninjas look to stop the world from falling into the sharp fangs of the vampires, but when Alex is kidnapped, the clan and Aaron must make a choice to whether risk the fate of the entire world on a single mortal girl.

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