You Can Find Mitsuha Kikukawa, Toka Rinne, and Reona Kirishima on DVD and Blu-ray at JGirlYummy.com
The J-Girl Yummy series presents three gorgeous new women who are prevalent from the pornographic Japanese Adult Videos (JAV). Instead of hardcore assembly of action that often doesn’t feel as intimate as maybe one hopes, your favorite starlet now only has eyes for you in this softcore series that nearly leaves nothing to the imagination. Mitsuha Kikukawa (“My Father Steals My Beautiful Fiancé,” “My Compliant Pet”), Toka Rinne (“Mamacita Stories,” “Married Woman’s Cheating Heart”), and Reona Kirishima (“Countdown to Nakadashi,” “On a Stormy Night – I found Myself Alone with My Sister-in-Law Upon Whom I had a Crush”) find themselves as the next trio lot for the showcasing series that explores their solo talents and provides a one-on-one between their hot bodies and the camera, seducing the lens with playful flirtation, a captivating allure, and a stimulating interaction that breaks the fourth wall as they stare, talk, and moan back with inviting eyes for their loyal fanbase.
In a world where sex sells, any form of the vice is surely to be valuable. Hardcore adult films reign as king amongst viewers but there’s also a sizable market for softcore productions, if the ever-desired Skinemax and more highly sought after risky mainstream erotic dramas were not prime evidence enough to make the case. Across the oceans and lands, hailing from Japan, and landing in the North Americas are the gravure videos, Japanese media of idols, or models, posing suggestively with innocence, brazenness, and fun time pleasureful. Gravure videos are typically bikini-cladded women, but the Gravure Glamour Girls produced J-Girl Yummy series go the extra mile by rolling back the clothes with the Japanese censorship working overtime trying to keep the pelvis area obscured from view with impenetrable strategically placed objects. The films offer no credits other than its centerpiece idol on all surfaces of the packaging and in the encoding on the feature.
We begin with Mitsuha Kikukawa, the now 28-year-old from Tokyo measures in at 5’5” tall with a waist at 61cm (24 inches) that curve down to just above a 3’ hip span and a Japanese F cup bust, equivalent to a U.S size between B and C cup. With a high and full cheek bone structure, large round eyes, and pearly white teeth underneath a lighter color bob cut, Mitsuha has petite in all the right places of her traditional Japanese physique with a nicely round and slightly larger than hand size breasts and thick tail end around the thighs and rear. Mitsuha’s presence the best example of erotic foreplay without any physical interaction with a partner as she’s able to work the camera with her eyes, mouth, and body language by herself and that speaks to her level of rising arousal talent coupled by her unique look that closely resembles a live example of an Anime interpretation of a young girl. Each scene introduces a new element into her working the camera to maximize the intended result, to provoke the viewer’s keen feelings for their obsession, or sex in general, and Mitsuha is the clear winner amongst her J-Girl Yummy counterparts.
Next, Toka Rinne from the China prefecture feels like a whole foot taller than Mitsuha but according to her stats, Rinne is the same 5’5” in height. Waist and hips are similar too at 58cm (23 inches) and 90cm (35 inches), making this Amazonian-built like woman smaller around the torso than Mitsuha, despite a small and immaterial front pooch belly, yet her bust size measures in a 98cm, a Japanese I cup, that would secure a U.S. 34D. Rinne also has long auburn-black hair down to mid-back with a big smile and almond-shaped eyes, Rinne has a classical Japanese face that can be slightly masculine in some areas, such as cheek bones and chin and while she may have more of an hour glass figure with a large rack to appease breast men, she tightens and tucks her chin while leaning her forehead forward slightly. This might be age related as she’s a whole 6-7 years older than her counterparts, born in 1990. This is about the tip of the iceberg for her awkward and stiff movements in front of the camera, as if she doesn’t know how to work her hands on herself and she nearly sticks to a single pose for most of the clothes on portions. Rinne’s body carries her through each scene but is less adventurous within the confines of her imagination to pretend being an intimate partner where it counts.
Lastly, we come to Tokyo’s Reona Kirishima, the shortest of the three standing at 5’ tall that translates to her 56cm waist (22 inches), hips (33 inches), and a perky D cup bust, a healthy C-cup in the U.S. Kirishima has lower back length dark hair with a red tint stringing through overtop her girl-next-door-face, well-manicured, slightly freckled face in which she looks more Latina than Japanese. Though cute and appetizing in all regards to her physical appearance, her camerawork lacks the energy and the sensuality that graces the lens with little-to-no smiles but rather dull, blank stares; her eyes are not overly unique to warrant gazing alone. She poses half-heartedly through her scenes with a hand timidity and rigidity in her movements, often revealing her hesitation where and how to move her body and, likely, working off verbal instruction from the videographer. Though lacking kinetic enticements, Kirishima does unveil a little more bush area than Mitsuha (who has no bush) and Rinna (who has some bush). This opens more opportunity for visual cues for the viewers’ imagination to run wild when teasing just below the top waistline of her bikini bottoms and with her last few scenes, Kirishima may be the most adventurously provocative gravure model of the three despite her lack of expression.
Each gravure idol entry follows a similar formula that begins innocently enough in the backyard with a simple strip down of clothing, moving toward a semblance of athleticism, such as Mitsuha playing with a toy bat and ball that speaks to her love of baseball, Rinna’s bouncy-in-all-the-right-places jump roping, and Kirishima working the hips quite well with hula hooping. After breaking a sweat going through the fun physical play motions, it’s time to get ironically down and dirty with a shower scene that begins with a coursing shower head around the button-down white shirt to finally ending up in the tub of murky soap water. In between, each lady does soap up and massage themselves, missing no spot of skin in the process. Kirishima nearly bypasses the censorship leg spread in her bath water which is less opaque compared to the others. From there, it’s sexy secretary time as the ladies’ don similar black skirts, white button downs, and thigh-high or full black stockings that cover a bad girl’s lingerie beneath, slowly being unveiled in an enticing dress down as they longue seductively on leather or velvety upholstered furniture. Through all the down shirts, up skirts, extreme closeups, thrustings, grindings, and overall peeling back of innocence, the next to last scene embarks head first into a spicier flair by already skimping down the idols into lingerie or bikini in a more vibrantly hot colored walls and décor and introducing a toy of sorts, such as a glass phallus or a fur wand, to accentuate and punctuate their desire and kink. This sets up the JOI or POV scene of intercourse simulation to the eventual explosion of the male kind right onto the idol’s chest. These scenes drop the soundtrack and volume up the in-scene sound for erotic dialogue or moaning. However, not all three participate in the grand finale with Toka Rinna having either opted out or her footage was not included as her video ends with the spicier scene prior; speculation is that since Rinna had retired from JAV a few years prior, she may have opted out of a ”sex” scene. There’s plenty to like from each three gravure idols but I do wish production was more attended to especially around covering up certain scuffs on the models’ bodies with simple makeup, such as a pair of clotted scrapes on Mitsuha’s hand or even removal of the Band-Aids on the back of Kirishima’s ankles, and this surely speaks to the limited crew and price value of the series and something we’ve noticed before with our last J-Girl Yummy trio review of Ryo Harusaki, Ai Haneda, and Aoi Kurungi.
From Pink Eiga and Gravure Glamour Girls, Mitsuha Kikukawa, Toka Rinne, and Reona Kirishima are now personally available to you in high-definition on the J-Girl Yummy gravures. The Blu-rays are AVC encoded, offer 1080p resolution, on a 25 gigabyte BD-R, presented in a widescreen 1.78:1 aspect ratio. Organic image and lots of natural lighting use, the picture often appears with a resulting soft effulgence, or a heavenly light to go with the heavenly bodies, but there are also no counteractive measures to stop the overexposure, washing out some of details not only in the backdrop but also on the body and face. The digital quality, in its natural state, can’t re-produce the exact detail without a filter or touchup but this more natural approach provides a realism to the gravure despite the non-compression issue image loss. A BD-R does not replicate or help retain the picture integrity to its fullest, but the J-Girl Yummy product encoding still manages to sustain a sharper image. I did notice on Reona Kirishima’s static menu some macroblocking with the replay loop but that’s the extent of the glaring artefacts. I suspect there is an issue with the encoding as Mitsuha and Toka come with an elevator music layer with the static menu but for Reona there is no music but the menu still loops. The Japanese PCM Stereo is mostly silent during the feature with a genre variety of music from instrumental piano lounge to alternative rock, to a dabble in a low-key synth mix, often rough cutting from on to another in the same scene. Dialogue, mostly pleasure derived moans and groans, does come about in the last simulated sex scene from the idol and is organically resonating within the given space and unfiltered camera mic. There are no translation subtitles with the feature dialogue. Special features are generally the same across the board that includes a captioned interview with the model just after wrapping the gravure, focusing primarily on their sexual habits and pleasures while dipping toes into their personal time favorites, such as hobbies when not filming scenes. Compared to Mitsuha and Tokas’ interviews, Reona was extremely short with only a couple questions and a statement to the fans. There is also a still gallery with each idol, the J-Girl Yummy trailer for them, and a preview of the next gravure model. The Blu-rays come in standard Amaray with half-naked model front and center overtop a black banner with their name and a rainbow design in the backdrop. Inside is an insert card with a definite NSFW image of them. Each title is unrated and are region free with runtimes of 60 minutes for Mitsuha, 58 minutes for Toka, and a full feature-length of 80 minutes for Reona.
Last Rites: Sex is subjective. Depending on your desires and your hots for certain Japanese models, these gravure ladies – Mitsuha, Toka, and Reona – could make for great softcore sessions tailored to be tease in a solo performance that makes intimate and sexy. One thing is for sure, J-Girl Yummy series eases the most beautiful women adult stars from the East to the West and we just might not be ready for them yet!
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