This is How to Revolt Against an Evil Empire! “Private Vices, Public Virtues” review!

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On the countryside of a 19th century central European empire, Crown Prince Rudolf resides at his manor estate with his nanny, faithful servants, and armed guards. However, the Prince abstains from being stately and goes against his father’s, the Emperor’s, wishes. Instead, the pan-sexual Prince frolics through life with his two lovers, his half brother and half sister. Their apathetic about the Emperor’s inclinations and enjoying the carnal pleasures, juvenile games, and the ecstasy of free-spirit inducing drugs with their communal aristocratic friends and feral manor servants. The Prince plans to humiliate his stern father by hosting the biggest festivity with dancing and champagne, laced with uppers that has his guest losing their clothes and parading amongst the grounds in a merry-go-round of uninhibited jovial madness that sends his the Prince’s father into an uproar that calls for the execution of his son and his lovers.
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The 1976 “Public Vices, Public Virtues” is a circus of eroticism with a belly full of symbolism and ambiguity. Hungarian director Miklós Jancsó has developed a masterpiece from a script co-written with Giovanna Gagliardo that’s loosely based off the infamous 19th century murder-suicide known as the “Mayerling Incident,” which involved Prince Rudolf, the Crown Prince of Austria and the son of Emperor Franz Joseph I of Austria. Jancsó, called “the greatest Hungarian film director of all time” by his peers, maintains elements of the tragically historical event and morphs it into a melodramatic comedy penned with singsongy dialogue and communicated through various performances of the arts.
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Fellow Hungarian Lajos Balázsovits encompasses the lead role of Prince Rudolf who ravages the screen with a lighthearted and uncut male nudity performance that sets an artistic and ethereal tone of beauty, of love, and of revolt. Alongside Lajos Balázsovits comes cult actors such as Tinto Brass regular Franco Branciaroli (“The Key,” “The Voyeur” which he was spectacular), Teresa Ann Savoy (“Salon Kitty,” “Caligula”), Laura Betti (“A Bay of Blood”), and “Night Sun’s” Pamela Villoresi to be at Jancsó disposal to be free to unclothe in a joyous protest against a ruthless and steely ruler. The mutton chops of Emperor Franz Joseph make a resembling appearance as part of the lucrative backdrop for the boisterous sexual revolution that stormed the cinema markets and Balázsovits fully submerges into a pan-sexual role, gladly submitting himself to women, men, and even his goggly-eyed Nanny, Laura Betti, who gets to touch the royal scepter in more ways than one.
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The co-produced Italian and Yugoslavian “Public Vices, Public Virtues” has an astonishing production value for soft core erotica. The elaborate, detailed wardrobe and authentic appeal to recreate the 19th century era is stunningly breathtaking and highly infatuating to be in the midst of an amorous atmosphere. With the costumes and manor home, the cash flow trends toward the amount of extras casted to prance and dance in an everlasting parade of jubilance. “Inglorious Bastards” and “The New York Ripper” composer Francesco De Masi displays his brass, as in brass instruments, continuously conducting a marching tune to the aristocratic orgy that doesn’t attest to a viewer allurement, but does put into place a bit of pizzaz into the melodrama. De Masi’s soundtrack compliments the nursery rhymes and classical scores that round out this Filmes Cinematografica and Jadran Film production.
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Proclaimed the wild side of world cinema, Mondo Macabro releases “Private Vices, Public Virtues” on a glorious restored and uncut Blu-ray region ABC release. The original negative restored and transferred to a single layer BD25 displays a vibrant 1080p and progressive widescreen presentation. I’m amazed at the retaining of the natural coloring, the amount of spacial depth, and prolific details that doesn’t display a hint of compression artefacts and maintains very low digital noise interference, especially in the black levels. The LPCM audio contains an English dub track and an Italian track with optional English subtitles on both. The digitized analog audio clearly expresses itself without hisses, pops, or other types of disruption. Mondo Macabro stuffs this Blu-ray with exclusive bonus material including three interviews with writer Giavanna Gagliardo, actress Pamela Villosesi, and film historian Michael Brooke. The original theatrical trailer and Mondo Macabro previews bring up the bonus feature rear. “Private Vices, Public Virtue,” to the naked eye, is 104 minutes of a frisky spectacle of the utmost buffoonery, but in the trenches, the Miklós Jancsó film is a Hungarian filmmaker’s undercurrent of inspiration and revolution against oppression and Mondo Macabro just highly defined the era!

Grab “Private Vices, Public Virtues” on Blu-ray!

A Playgirl Versus the Evils of Lesbian Cults and Snooty Thieves! “Christina” review!

The following review is NSFW

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Christina Von Belle is a youthful playgirl heiress who travels through the exotic locations of Europe modeling and making love to the men of the world. Her jet-setting life screeches to a full and sudden stop when a vicious and merciless faction of lesbian guerillas, led by their determined leader Rosa who seeks to inspire young women to live a life of liberated homosexuality, kidnaps Christina for a high dollar ransom because paying for the liberation cause is quite pricey. Christina will be put through multitudes of depravity seductions to pursue the heiress that woman does not need man. As the ecstasy of her captures becomes more and more difficult to defend against, Christina jumps into action, escaping when the chance presents itself, and finds herself leaping into the arms of smugglers and thieves who seek to also use Christina’s title for a wealthy pay out. Christina’s only weapon, her only means of freedom, is her young, sensual flesh that puts everybody, even lesbian commandoes and high society smugglers, under her sultry spell.

One of Francisco Lara Polop’s (under the moniker credit of Poco Lara) last known feature films and penned by the legendary schlock writer Harry Alan Towers (under the moniker credit of Peter Welbeck), “Christina” expos a mingling cast of B-movie stars and starlets such as “Return of the Living Dead’s” Jewel Shepard. Before Shepard was a blue-haired, punk-rocking goth chick ready to be munched on by brain eating zombies, the native New Yorker stripped bare as a promiscuous woman meandering quickly through hordes of wealth and a legion of similar status men. For much of Poco Lara’s film, Jewel Shepard is damn near naked the entire time, exposing her perky breasts whenever the opportunity presents itself. The same whip-it-out concept can be attributed for nearly the rest of the female cast: Josephine Jacqueline Jones (“Black Venus”), Pepita Full James (“The Story of O 2”), Helen Devon, and Anne-Marie Jensen. The male performer counterpart understandably lacks in comparison, but rounds out nicely with Ian Sera (Pieces), Emilio Linder (Monster Dog), Tony Isbert (Tragic Ceremony), and Emilian Redondo (Black Venus).
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Christina’s sexual adventures turned passionate plights purposefully lays the groundwork in attempting to pave a similar path toward the highly popular French series “Emmanuelle,” its sequential films, and it’s cheaply produced spin-offs which simply focused around the erotic escapades of a young woman seeking to enhance her sexual experience. Also akin to the “Emmanuelle” series is the fact that “Christina” is an adaptation from a series of sexually charged books printed by Playboy Press. Yet, “Christina” failed to peak interest in spawning sequel additions, despite the high production value that includes exotically breathtaking locations in France and Spain and also the impressive car, dirt bike, and horse chases. To further be pro-“Christina,” the gratuitous nudity explodes onto nearly every single scene with Jewel Shepard’s tight and slender physique causing most tongues to go limp from gawkers’ mouths, secreting saliva with hound dog anticipation for more.

Though prevalent nudity thrills, the sex scenes lack that certain special something. The longevity of the scenes seem as transient as the Christina character, leaving more of the sexual intercourse to the far reaches of the implied sector than trying to push the envelope. The lesbian moments with Josephine Jacqueline Jones and Helen Devon cut briskly away to a dream sequence where Christina faints from the intensity of her captor’s advances and in these dreams, she’s metaphorically assessing her experience with black glove cladded hands rolling cars and tanks around the curvatures of her breasts and teasing the pubic edges of her nether regions. Another dilution of “Christina” is the stunts. While I mentioned the chase sequences were a refreshing surprise for soft core erotica, the hand-to-hand combat nullifies that pleasantry. The lesbian mercenaries fight each other, literally ripping the clothes from their hard bodies, to award themselves the pleasure of guarding, and seducing, Christina while Christina fights her way to escape from their enlisted clutches; yet, the choreography is horrendously slow and bad, resulting in more of an awkward contest rather than a test of might. I will say that the actresses did, in fact, do their own stunt work.
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Intervision Picture Corp. and CAV Distribution release a region free, re-mastered Blu-ray edition of “Christina” in a spellbinding Hi-definition 1080p resolution. The widescreen 16×9 presentation only adds to the HD transfer without forcing to strain the image framing and clarity. Clearly more vivid than any of the film’s at-home distributed predecessors, Intervision Picture Corp.’s improvement bares ample of detail, pops the natural coloring, and balances the blacks amongst the original print damage from minor grain to centering scratches. A few times a grey-to-blue toned sepia interludes during more closeup scenes, but the vast exteriors of locations, and for most of the film as well, share in the wealth of the image upgrade. The Dolby Digital English 2.0 mix has varying levels that, at times, sporadically lower the dialogue which might have stemmed from misplaced mic setups. No hissing or pops detected, resulting in clear and spotless finish on the tracks that smooths out the dialogue and sports a rather snazzy synth Ted Scotto soundtrack, especially during more action packed moments. Finally, no extras are included with this release.
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Overall, a solid piece of lost skin-er-iffic treasure dug up for display by Intervision Picture Corp. Never in my lifetime would I have guessed that Casey from the “Return of the Living Dead” would be fully nude, nearly full time, in a unique sexploitation gem entitled simply “Christina.” The Poco Lara directed soft core film might be based off the popular sleaze reads and trashy sex novels of the same name, but ultimately “Christina” just couldn’t gain any steam powered momentum on film as it so rightfully did in bedroom fantasies, leaving the kinky-lust and the misadventures of our heroine permanently in black and white of its literature bound kin.

Want a part of Christina? Own the Blu-ray of this rare film! Purchase by clicking the Amazon link image above!

Evil Arachnids from Space! Spiders review!

Spiders creep me the hell out. Eight legs, hairy, lots of black eyes, fangs – Spiders are frightening creatures of nature especially if you’re an insect. Spiders can hunt probably better than any human can as they can spin a web to capture their pray, dig holes to create traps for passing by prey, and can inject poison to paralyze their soon to be meal. I’m so fascinated (and frightened) of spiders that I had to review a copy of Tibor Takacs film simply
entitled Spiders.
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A disabled Soviet Union space station once harvested alien DNA that would only combine with the genes of spiders. The station was abandoned and 20 years later, the station orbits earth until a crumbling meteor slams into the station breaking off portion and sending the space junk into the atmosphere and crash landing into New York City’s metro underground. The mutated spiders lay eggs inside their prey and grow six inches every hour. A massive military cover up exposes the greed behind a rogue colonel’s intentions and its up to a metro controller and his estranged ex-wife, a city health inspector, to bring the surface the truth of the colonel malicious reign and to stop the mutant spiders from taking over the city.
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Director Takacs isn’t new the giant spider genre as he directed the 2007 TV movie Ice Spiders which didn’t fair too well with audiences, but who doesn’t love man-eating monstrous spiders? 2013’s Spider’s feels like David Arquette starred Eight Legged Freaks with the terror among the community in an old fashion creature feature, but Spiders does stand on it’s own eight legs by making the spiders alien in origin. Adding the once softcore porn actress Christa Campbell doesn’t hurt either. Campbell is accompanied by Patrick Muldoon who might remember from another arachnid type sci-fi movie Starship Troopers as the fleet pilot Zander. Muldoon also appeared in Ice Spiders – the guy has a thing for spiders.
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Takacs surprises me with the quality of Spiders and his other recent work. The story and the effects are okay and passable, but not as creatively outstanding as 1987’s The Gate – the film that had boosted his career as well as Stephen Doriff’s. These computer generated spiders are awkward when crawling and their razor-teeth filled mouths are even more awkward when stretched out to devour the next victim. However, Takacs knows how to keep an adventure and the action going and continuous, but seems to lack character motivation at times. I struggle to comprehend and begin to question our hero’s (Muldoon) and heroine’s (Campbell) choices in handling the spider chaos and the military’s cover-up. Also, I’m finding difficulty understanding that Muldoon’s character can outwit a giant Queen spider which is three stories tall while an entire military force can’t even handle the baby 4 foot tall male spiders.

With Spiders you will have to stretch your imagination beyond the limits of logical thinking, but with most creature features, you kind of need to and with that said, Spiders fairs well among the latest in the monster spider genre which has been severely neglected over the last five years. Spiders is also available in 3D if you have the capabilities! Thank you Millennium Films and Nu Image productions for a terrifying arachnophobia experience.