A pair of struggling paranormal investigator groups have been reduced to the gimmicky capturing and recording pay schemes of alleged ghost and spirit interactions, but when a hack actor is hired to setup a meet and greet with an apparent demon possessed girl, their investigation leads Freaky Link’s Jacob and Shawn and Spooky Links’ Lace and Rob to an abandoned and dilapidated fairground as the source of the girl’s possession. Upon arrival, they’re immediately sucked into the epicenter of Hell to battle for their very souls.
Jacob and Shawn return to confront the ruthless terrors of supernatural forces once again in “Anna 2: Freaky Links,” aka, ITN distributed titled “The Devil’s Fairground,” and aka, better known as simply, “Anna 2,” in this low-key horror-comedy sequel from the Crum brothers, director Michael and screenwriter Gerald, delivering infernal Hell straight out of the Lonestar state of Texas. Honestly, I’ve never seen the prior film, “Anna,” and at first glance, “Anna” was seemingly a rip from the successful coattails of “The Conjuring’s” universe sub story, “Annabelle,” involving a doll embodying the forces of evil. However, despite the comparable titles and a shade of the narrative, “Anna” and “The Devil’s Fairground” veer into a novel realm of the deep and ultra-surreal that became the basic construction materials needed for lush nightmares. The Dallas-Fort Worth based production company, MGI Films, founded by Michael Crum, backed the film saw fit to update the title form “Anna 2: Freaky Links” to “The Devil’s Fairground,” a simple, yet improved title change that landed some viewing confusion when the original title graced the scree when the original title graced the screen, like for myself who enjoys going into a movie knowing nothing. MGI Films has also produced “Lake Fear” and “Blood Vow.”
Returning as paranormal private eyes, Jacob and Shawn, are Justin Duncan and Gerald Crum as the hapless duo who barely survived the first demonic doll encounter and team up with the Spooky Links investigators Lace (Mercedes Peterson) and Rob (John Charles Dickson, “Meathook Massacre 3: First Hunt”) to combine their joint efforts and their holy water filled water guns up against an unknown evil. Initially, Jacob and Shawn are written without much consideration of the first happenstance with only brief hints that mean little to the layman toward the Crum pagan pageantry. There’s obvious history between the two groups beyond being competitive supernatural sleuths that’s difficult to sift through to make a full, clearer picture on their quarrelsome nature, but one thing is certain, both Freaky Link and Spooky Links are desperate to be validated ghost hunters. Gerald Crum’s script might have dissected the thick tension between the characters, but the poor audio quality and the loose preface that dots the eyes between both predecessor and sequel is about as abstract as the Hell they find themselves swallowed in. Daniel Frank, Kenzie Pallone, Shannon Snedden, and Vandi Clark fill out the cast list.
“The Fair Ground” is a tricky trickster when judgement comes during the credit roll. With all the audio issues during the story setup, as aforementioned, connecting with the characters and the story proved dreadfully challenging conjoining against the fact that I have never seen the film’s antecedent, “Anna.” I was lost, confused, and struggling to keep up with the exposition that didn’t circulate visibly a perfect picture of “Anna” to bring the viewer up to speed. Also, the very fact “Anna 2: Freaky Links” title is displayed and not “The Devil’s Fairground” threw me for a loop; I had to pause and look back at the press release to see if I was watching the correct feature. However, in the end, “The Fair Ground” became an absolute diamond in the rough with a delectably profound scare factory of terror imagery, wallowing in the timely executions in Michael Crum’s editing and Gerald Crum’s imaginative visual and special effects. Though some will see the effects being rough around the edges, the shock-horror discordances work without question with a pack of ghoulish bug-eyed zombies, a carousal of shuttering specters, a foreboding carnival PA system, an aborted past lurking in dark waters, and an overgrown monster with the biggest butcher blade you’ve ever seen while peppering with scenes of powerful gore interjections. It’s something very reminiscent of the cinema adaptations of “Silent Hill.” A lot of the imagery doesn’t make sense, like the jarring slivers of a bad dream, but I wouldn’t expect Hell to be or need to be a place of complete rational and our minds are able to grasp the nuts and bolts of it. “The Devil’s Fairground’s” interpretation is just as real, as scary, and as aptly damning without the grounded laws of physics to ease the dispiriting attitude of multi-faceted and gratifying torture and soul swallowing the investigators are subjected to. Whatever was left of a meaningful plot is whittled down to a more basic posture, a group of people engulfed by the fiery Abyss, and the movie is all better for it.
Get sucked into the depths of the blazing inferno thrill ride with “The Devil’s Fairground” on DVD home video, announced by MGI Films and distributed by ITN Distribution. Unfortunately, the video and audio specs won’t be reviewed due to being an online screener, but I did mention the dialogue is limited, capturing very little of the softly laid discourse leading up to all hell breaking loose. There are no special features included with the screener or incorporated within the feature itself. There were times I knew the jump scare was coming and, still, I couldn’t contain the tension as a little part of me died from the inside. “The Devil’s Fairground” is an up and down roller coaster of feeble and fright with a weak story abutted against concentrated horror and gore in a must-see film.