I just received some exciting news from my pals over at the 99 Cent Network! They’ve extended an offer to my readers here at Its Bloggin’ Evil! Three free horror titles can be streamed directly to you! No personal information. No charge. Just horror at your fingertips.
Your free movies are “Mold” (read my review here), “Zombie Undead,” and “Dead Creatures.” Just follow the instructions below and click the image when you’re ready for a free triple feature!
If you like what you see, more titles are available through the 99 Cent Network!
Japanese iconic pornstar Sho Nishino stars as Momo, a very unlucky attractive young women whose luck consists of meeting all the wrong and greedy men. On top of that, Momo is told she only has 6 months left to live due to an incurable disease. When Momo is at her lowest, the VP of Hell gives her a visit. Ms. Devil Girl Succubus, played by the stunning Asami, and offers her a single wish in return for the possession of her soul for all eternity. Momo has to decide the outcome of her last six months of life to either keep wasting it on money-hungry men using her for a trip to heaven or give up her soul and spend the rest of her afterlife in the depravity of Hell for a little short tern of happiness.
The two female leads Sho Nishino and Asami couldn’t get any more sexier. I though Asami in “Prison Girl” (review here) was the peak of her sexiness, but I was wrong as her role as Ms. Devil Girl Succubus in “The Succulent Succubus” has gone far and beyond “Prison Girl.” Hair teased and curled, dark lucious lipstick, striking doctored eye coloring, and a figure that kills, Asami couldn’t be any hotter unless she really was in the infernal Hell. This is my first viewing experience with Sho Nishino. The slender body and the tenderness look is a tall tell sign that Nishino is a mega force in the porn industry; probably one of the hottest JAV actresses out there. Nishino and Asami are petite women who don’t need curves to excite and “The Succulent Succubus” pairs sex and parody and weaves a glorious romp-filled tale aiming to delight all you sinners out there.
Director Motosugu Watanabe’s simple editing and framing style works to accomplish creating Asami as the VP of Hell. Quick editing techniques and creative cost efficient special effects combined with quirky Japanese acting turns the what could have been another run of the mill, lackluster erotica film into a fun and entertaining hard-on producing gem. One particular scene stands out involving Nishino and Asami in a Hell setting lesbian scene. As the two grind their love boxes together in a scene of epic proportions, the obviously cheap Hell constructed scene only adds to the charm of the scene. I know what you’re thinking: Why are you looking at the setting instead of two naked and beautiful women doing the nasty? Answer: the setting creates a time warp and a sense of fantasy to where you yourself might think you’ve traveled back in time or to Hell to watch a lustful scene undertake.
Pink Eiga has again successfully distributed a great film to the masses and has notched another great edition into their extensive catalogue. The DVD, available for purchase at www.pinkeiga.com, release isn’t skimpy on the features (unlike the skimpy clothing the actresses are wearing). The DVD contains an interview “Why The Hell?” with actress Asami and includes also the film’s original artwork, a still image slideshow, and the whole presentation is in outstanding widescreen format for your viewing pleasure. Remember, if you love Pink Eiga make sure you pick this little devilish film up and check out other titles on the 99CentNetwork to stream other titles of titillating films.
My good friends over at The Movie & Music Network and the 99 Cent Network have teamed up with the Japanese erotica company Pink Eiga and now Pink Eiga’s could be yours streaming to you for only 99 cents! In fact, three titles could be yours for less than a dollar! Say What!?!
No joke. No jazz. No flim-flam. No malarky. 99 Cent Network is your one stop shop for the best in Japanese pinkusploitation films and other highly popular retro comedies, action, and horror. Plus a ton more.
If more than three titles strike your fancy, you can choose 10 titles for only a dollar more. Stream as much as you like and you can even share your awesome collection with your friends and family! You can even view some of the film’s you’ve read reviews from here! Scream Park and Mold!
What are you waiting for!?! Check out and start your collection today! Check out the Pink Eiga promo trailer for the 99 Cent Network.
Three documentary filmmakers and gold hunters hitchhike to the remote Superstition Mountains of Arizona. The Lost Dutchman mine is their destination goal and all the long the way they film their experience until they disappeared and only the footage remained. The mountain have claimed many before them, will the mountain claim more unsuspecting treasure seekers?
“Dark Mountain” claims to be a found footage experience that displays paranormal activities based on true events. Alien green lights, cave ghosts, and internal madness are all attributed to the Superstition Mountains. This is also the film’s downfall as too much is attributed to make Superstition Mountain a mystery all the way to the credits. The backstory about the Apache being the root cause of the disappearances would have been a more likely and just that more interesting because, really, when is the last time you’ve seen killer Apaches in modern times? Claustrophobia seems to be the new fad in the horror genre with films like “So Above, As Below,” “Day of the Mummy” (), and the upcoming Alexandre Aja produced film The Pyramid where a group of explorers become trapped, entombed and doomed by a supernatural force. These films are no cult hits like “The Descent” but the fear of the walls closing in and a force looming closer to you has taken charge and is on the rise of terror. “Dark Mountain” dabbles in that a little with the cave exploration sharing the terror that a night vision should ensue into the audience.
First time director Tara Anaise’s style is purely audible and that’s not a bad thing. The film progresses through sounds: locusts, thrash metal, and the sounds of the desert. The three hitchhikers played by Sage Howard, Andrew Simpson, and Shelby Stehlin do a fairly convincible job being lost, confused, and afraid tourists. However, the characters carry unrealistic characteristics which could also be contributed to the film crew’s inexperience. For one, if weird shit happens around one in the first instance, you get the hell out of dodge. Secondly, nobody’s cell phone and handheld camera has a battery life of five days and that is what happens here. Lastly, and this one is more bittersweet than the rest, Sage Howard scopes the land in her booty jorts amongst deadly rattle snakes and prickly surrounding cacti.
“Dark Mountain” from, uh, Dark Mountain Studios, Superstitious Films, and released by MVD can certainly be engaging and entertaining, but this story ends too abruptly leaving a sour taste. The accounts stay mysterious and the real knowledge of what malevolence goes untold. I’m sure that’s the film’s supposed charm, but even “Paranormal Activity” had a revelation, even “Blair Witch Project” had solid back story and so comes “Dark Mountain” whose heights has no limits.
Cult actor Bill Oberst Jr. plays a deranged struggling writer with insomniac. Bill’s lack of sleep drives him to extremely hallucinate to the point of being dangerous to not only himself but to others. His derangement wields a bowie knife, a rust colored hammer, and a sporting bow and arrow as the hallucinations get weirder, stranger, and more violent and everyone that Bill comes into contact with becomes a target of his severe breakdown into insanity.
Who doesn’t love Bill Oberst Jr? The veteran actor has a unique look about him and his acting method brings stage and screen acting together into one great performance in Trevor Juenger’s “Coyote.” Without saying much through the entirety of the film, Oberst interpretation of one man’s sleepless delusions sports no talking head explanation. Rigorously and physically involved in the role, “Coyote” could not have been possible if it wasn’t for Oberst serious role indulgence.
The film is described as a blend between “Taxi Driver” and “Videodrome.” That description is entirely accurate. Full of body horror and plenty of schizo to go around, the surrealism in the editing by Juenger is remarkable pitted against budgetary restraints. Hard to follow, lost in translation, yet somehow by the end of the movie you get it, you just get it. You might even feel lost for the first hour and by the time the last half hour comes around, you’re just as angry, confused, and disturbed as Bill. You might even want to take out a person or two with a bowie knife.
“Coyote” won’t break much cinematic ground like “Taxi Driver” or “Videodrome,” but “Coyote” will be a great embarkment to a honorable homage and a surreal look into fresh art-house horror. If you like this type of material full of masochistic mutilation, visceral carnage, and a visual look into the mind of lunacy, then Wild Eye Releasing’s “Coyote” is for you.
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