Sharks? Who Gives A Sh*t About Sharks When EVIL Clowns Storm In! “Clownado” reviewed!


A sadistic carny ringmaster and his troupe of malicious clowns put on a traveling circus act through the America midwest. When an unfaithful lover challenges the powerful lout, he and his painted-face company exact a punitive act against her for all the crowd to see and enjoy and in bitter return, the scorned woman invokes a witch’s spell to summons evil forces to pluck the ringmaster and his clown lackeys up into an unordinary whirlwind. Trapped inside a super storm, the clowns use their newfound and unintentional given powers to funnel a tornado for spreading massive destruction through their cyclonic path of vengeance, terrifying a handful of ensemble midwestern survivors to fight back against the merciless and murderous clowns.

Clowns are so hot right now. From the success of Stephen King’s “It” remake and the subsequent sequel to the re-emergence of Batman’s notorious foe, “Joker”, in a controversial origin film, the carnivalesque buffoons are at the height of their inhuman malevolency since the late 1980’s saw Jack Nicholson donned the makeup as a crazed lunatic with a penchant for nerve gas and extraterrestrial clowns invaded Earth to harvest people and snack on their blood. Adding director Todd Sheets into this era of clown renaissance and outcomes the carny carnage gore fest, “Clownado,” straight from the big top. As an obvious pun on the “Sharknado” franchise, the “Dreaming Purple Neon” and “Sorority Babes in the Dance-A-Thon of Death” director pens and helms another blood drenched, apocalyptic, cine-schlock of callous proportions and unparalleled in content funded by Sheet’s production company, Extreme Entertainment. With a production company tagline of Movies with Guts, Sheets makes good on his delivery with an up close and personal spew of geysering blood sprays, severed gushing limbs, and guts, lots of guts, that’ll run any clown’s makeup red while dousing each feature with action and fun.

How do you hire a cast to garb themselves as maniacal clowns, have them portray being supernaturally charged with meteorological phenomena, and wreak havoc down from the heavens with a tornado vessel just to rip people to shreds all the while laughing their heads off? Easy. You employ the entourage familiar with your brand of Mccobb! John O’Hara, Antwoine Steele, Dilynn Fawn Harvey, Rachel Lagen, Jeremy Todd, Millie Milan, Nate Karny Cole, Douglas Epps, and others have worked previously with Sheets in these flicks, but not limited to: “Sleepless Nights,” “Dreaming Purple Neon”,” “Bonehill Road,” and “House of Forbidden Secrets.” Mix to blend some well churned budget horror talent, such as “Return of the Living Dead’s” Linea Quigley as an angst-y bar/strip club owner and “Brainjacked’s” Joel D. Wynkoop as a fearless flyboy, an already colossal cast becomes an gargantuan cogency of tacit talent and to top it off, how about an former porn star amputee? Jeanne Silver, or better known in the industry as Long Jeanne Silver of “Debbie Does Dallas Part II”, bewitches the screen as the spellbound caster and she didn’t even have to penetrate anyone with your missing fibula of a leg. The one actor that really sought the affable nature in us all is Bobby Westrick with the charming redneck Hunter Fedelis. Westrick, who hasn’t been in a movie since Todd Sheets’ “Goblin” back in 1993, returns in 2019 to be one-time alcoholic lowlife to a world savior from clown devastation; Hunter’s an overall gentlemen despite his straggly, rough appearance and beat up old straw cowboy hat and doesn’t live one person behind while also befriend a black man impersonating Elvis Presley in town has unexpressed racial prejudice. The cast also includes Sierra Stodden, Eileen Dietz, and a Cayt Feinics who seemed to just love caressing her blood soused breasts more than the next woman.

I get what Todd Sheets has erected here being the ringmaster of a dementedly dissension in the circus of blood. The capitalizing idea of clowns twirling and terrorizing through a maelstrom flash of fluorescent, like of SyFy sharks in that popular six installment franchise, is indie kitschiness at it’s finest and couldn’t be more perfectly timed after the release of Joaquin Phoenix’s “Joker.” “Clownado” is a fun windstorm of gore and carnival surrealism. Sheets continues to deliver as promised per his production company and is still able to sustain relationships with his usual clowns – such as my stoic favorite, Antwoine Steele, and his role dressed arbitrarily as the King of Rock and Roll – while providing chuckles, sparks, and bimbos galore and, no, I don’t mean clown names. With any Todd Sheets production, the practical effects are innovative and dastardly with highlights including breasts with teeth instead of nipples, heart replacement surgery with a block of ice, and head explosions!

MVDVisual and Wild Eye Releasing doesn’t clown around with Todd Sheets’ “Clownado” that lands onto DVD home video in a widescreen, 1.78:1 aspect ratio. In light of microbudget limits, the digitally shot film has some issues, such as color banding, and then there’s also the visual effects that come straight out of the stock footage file and then matted over with assertion on the first run; however, Todd Sheets been doing this for decades and I’m sure if the director wanted his production and post-production to be first rate, he’d be like Picard and make it so. Yet, disappointments are a part of life and the biggest disappointment by far is the over saturation of purple tint to lay down an ominous killer vibe throughout the night scenes of the 99minute run and the tint completely dilutes the vivid face paint, or in the clowns’ case war paint, and also turns blood into a black and magenta farcical gas. The English language audio 2.0 stereo track, complete with closed captioning available, has great clarity and often doesn’t seem as tumultuous as would be expected. The mic had on point placement to hone in on every wisecrack and pun known to clown-kind. Bonus features include a commentary track with Todd Sheets, behind the scenes, a featurette entitled “The Human Hurricane, and Wild Eye Releasing trailers. From a meteorologist standpoint, weathering through “Clownado” might be a downpour of rubbish, but for those who live vicariously through Todd Sheets’ repertoire of campy, no-budget, gore films, “Clownado” is a beautiful black-comedy day for a stroll.

Purchase Clownado on DVD!

Insecurity is a Path to the EVILside! “Killing Spree” review!


Airplane mechanic Tom Russo is a newly married man; it’s his second marriage, in fact. Tom’s first go around in marital union didn’t go over so well as found himself on the other end of being a victim of adultery. Paranoid and skeptical, Tom requires his young and hot new wife, Leeza, to become a house wife as he works long, exhausting hours to support his family in a one income household. As the work hours pile, money becomes tight, and tensions build in the back of Tom’s mind, paranoia steamrolls Tom’s reality when he starts suspecting a lonely Leeza of screwing every delivery, repair, and lawn car man that knocks at their door. Without confronting Leeza with his delusions, Tom’s extreme jealously pushes him to kill and bury the men that he envisions involved in the affairs, but his victims don’t stay dead, they don’t stay buried, and seek the eternal suffering for their killer.

A few, long years have gone by since our last encounter with the practical effects-heavy, indie horror director Tim Ritter. From his disturbing tale of destructive descent in “Truth and Dare?: A Critical Madness to his “Switchblade Insane” segment from the SOV masters of horror in the ghastly-variant anthology “Hi-8 (Horror Independent 8)” that also helms short films from Donald Farmer (“Cannibal Hookers”), Todd Sheets (“Dreaming Purple Neon”), and Brad Sykes (“Camp Blood”), the filmmaker has a legacy of blood-shedding entertainment. Today, exploration into Ritter’s “Killing Spree” unearths his passion for horror that develops out of influences from other horror icons before leaving his bloody footprint in the indie scene. “Killing Spree,” written and directed by Ritter, displays the filmmaker’s deep affection for Fangoria magazine having it displayed, repeatedly used as coffee table literature prop. There’s also admiration for “Night of the Living Dead” in the bonkers film about one man’s mind snapping like a twig under the formidable stress. The main character’s name is Tom Russo and Russo is the last name of NOTLD co-writer John Russo and let’s not also forget about the undead rising from Tom’s backyard is fairly synonymous with zombie classic.

While Tim Ritter flicks may not be graced with star-studded actors and actress, even from the B-movie lot, and more than likely don’t spawn hidden talent, there’s still something to be wholeheartedly said about the cast of his films that can only be described as an eclectic bunch of marvelous misfits that bring underground brilliance to the screen. Asbestos Felt is one of those said characters. No, I don’t mean the toxic asbestos felt roofers use as a underlaying backing when nailing in shingles. “Killing Spree” is one of three films Felt and Tim Ritter have worked on together and the scrawny-build with a strung out Grizzly Adam’s head on his shoulders has a wide-eyed spectacle about him when playing Tom Russo spiraling down the crazy train drain. Tom’s obsession with keeping Leeza from the perverted grips on those naughty repairmen would drive any wife away, but not Leeza, played by Courtney Lercara. The “Slaughterhouse” actress is an aesthetic flower growing in the middle of all the mayhem and she protrudes an innocence well received by her character. Other cast members include Bruce Paquette with the white boy dance moves, indie horror vet John D. Wynkoop (“Brainjacked”), Kieran Turner, Alan Brown, Rachel Rutz, Cloe Pavel, and Raymond Carbone as a dirty old pilot with a wise guy brogue.

Remember when I said these types of horror films don’t typically expose acting artistry? Well, behind the camera, one or two crew members start their illustrious careers in the indie trenches. Such can be said for special effects master Joel Harlow who makes his introductory launch with “Killing Spree” and then find work on a couple sequels for “Toxic Avenger,” “Basket Case 2,” and all the way up to the Neil Marshall “Hellboy” and “Godzilla: King of the Monsters.” Yeah, I think Harlow made out OK. Harlow’s effects on “Killing Spree” will “blow your mind,” as stated on the back of the Blu-ray cover. Well, when Leeza’s head turns into giant lips then goes oral on Raymond Carbone’s head until his crown ejaculates, then, yes, these effects will blow your mind…literally! The medley macabre showcase Harlow’s craft from A to Z that includes a torched corpse, a disembowelment, severed undead head, and a nosy neighbor without a nose or without half a face for that matter.

Sub Rosa Studios re-releases “Killing Spree” onto the dual format, DVD/Blu-ray combo set with MVDVisuals providing distribution of the limited 666 copies. Essentially, this is the same release that was made available a couple years back presented in a standard television format of 1.33:1. The Betacamp SP 16mm video has held back the test of time since 1987, but with any video film on a budget, the rather cheap recording method does come with inadequacies, even if being remastered. For the entire runtime and not just in the tinted moments of carnage, the skin tones are akin to Donald Trump’s uncanny neon orange flesh and perhaps could have gone under an extensive color correction. Aside a few very minor tracking issues and faded coloring, the video transfer passes substantially well despite the continuous flare of orange. The English stereo 2.0 mix isn’t hearty or robust. Whenever Tom goes into maniacal mode, his crazy quips are quite soft even when he elevates his voice, and that goes the same with depth and range which are non-existent over the course of a flat audio tracks. Though soft at times, dialogue strongly comes through in the forefront with some fuzzy nuances. Bonus features are killer on this release with the Blu-ray sporting the majority with a never before seen extended director’s cut, a new commentary track from director Tim Ritter, a 90 minute documentary entitled “Blinded by the Blood,” a radio show commentary by H.G. Lewis and Tim Ritter, music tracks, photo slide show, three alternative scenes, blooper reel, and a Joel D. Wynkoop segment. The DVD also includes the director’s cut version of the film, the new commentary by Tim Ritter, and commentary for the original cut by Tim Ritter. “Killing Spree” is as grisly as the SRS cinema Blu-ray/DVD cover implies and then some with all the characteristics of a deranged and unhinged man exerting himself beyond the limits of sanity and mortality to unambiguously protect what is his; a dramatize example rendered as a metaphor for those who will do anything to protect what’s theirs.

Limited Edition. Get it now!