Meet the Evil Jade Executioner! “Red Nights” review!

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“Red Nights” is not exactly a new film. Being released in 2010, the erotic, giallo-inspired, thriller has only been available for DVD purchase in the Belgium market while Germany has the sole blu-ray edition. With much anticipation, Philadelphia based company Breaking Glass Pictures will be bringing “Red Nights” to DVD in the States in all it’s suspenseful and bloody glory.

The ancient box of the Jade Executioner has become the fascination of everyone’s desires. From crooked politicians, to thieves, to sadomasochistic murderers, the box contains a poison that will increase your pleasure by ten fold while leaving you completely paralyzed and increase your pain by the same amount. This twisted tale with a sexual aura constructs a cat-and-mouse game between two femme fatales, Catherine – who just wants a giant pay day for the box and Carrie Chan – who wishes to use the poison for the ultimate pleasure from pain, while a Manau crime lord embarks on a mission to retrieve back his stolen antique box.
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This is the first feature length film from French directors Laurent Courtiaud and Julien Carbon and while “Red Nights” looks beautiful on screen – the shot scenes remind me the Wachowski brother’s Noir film “Bound” – the story can be a bit loose and slow at first. The By the end of act one, “Red Nights” really pick up the pieces and the story of how Frédérique Bel’s character Catherine, a personal assistant to the crooked politician Savini, becomes snared in a web of deadly game with Carrie Chan – played by Hong Kong actress Carrie Ng – and in this game, minor players get a slow and painful death which translates very well to screen and relates very precisely to the character’s personas. Carrie is a sadist who can whip a dry martini while skinning you alive. Catherine is a bit more hesitant but her greed can force her hand to kill.
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The gory effects are surprisingly realistic for a pair of visual effects crew members – Jam Abelanet and Bertrand Levallois – who don’t have much horror and thriller film credits behind their names. This goes hand and hand with how I described the first time directors and how the crew of “Red Nights” got it right the first time. Where the film lost me a many of times was the back and forth dialect of French, Chinese, and a little bit of English thrown in there for good measure. As much as I like a foreign film to use their native tongue, it’s hard to follow when a conversation between a Chinese actress who speaks in full Chinese and then the French actress retorts in full French. “Red Nights” would not make a good Rosetta Stone substitute.
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Carrie Ng creates a fascinating character in Carrie Chan, a respectable, world renowned perfume designer and model. Chan’s dark side involves tight leather, bondage ropes, and razor sharp metallic finger talons that shred skin like shredding a block of cheese. Carrie Ng is lustfully sleek and sexy with her bad girl image that suites her well. Frédérique Bel couldn’t compare to Ng’s prowlness nor clean good looks, but I have to give Bel credit for making her character Catherine a sneaky and aggressive go getter. Maybe the issue was in the script’s writing, but Catherine seemed to lack a lot of intelligence for being in a game that could cost her her life. Catherine trusted everyone too easily and let people go too quickly without any kind of punishment or pain.
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While “Red Nights” won’t break the DVD retail shelf bank, I’m still glad Breaking Glass Pictures and Vicious Circle Films are releasing this foreign gem to the masses of ‘Merica. And while I appreciate every aspect of this film from the director’s inspiration of Giallo genre to the histories of Chinese folklore, I can’t see my country men going crazy over a Chinese girl with finger blades. However, the story for Carrie Chan might speak more to horror enthusiast in that the Jade Executioner’s poison is similar to the box in Hellraiser. The box is described to show you the pleasures of pain much like the poison in “Red Nights.” Lets also not forget that Japanese porn actress Kotone Amamlya and French actress Carole Brana do a bit of nudity as well – click to see my skin page here. Come Tuesday October 21st, DVD will be readily available for purchase, but why wait? Pre-order your copy of a unique thriller with hints of gruesome horror torture!

Legacy of Evil! “Legacy of Thorn” review!

What truly makes an ultimate killer and when I say “ultimate” I mean a killer with great power and will stop at nothing to get a prey? Jason Voorhees is an ultimate killer as he’s able to resurrect over and over and over again in order to slaughter mischievous camp goers. Michael Myers is an ultimate killer as he’s able to pick a victim up by the victim’s head and gouge his eyes while crushing his skull at the same time. Both Voorhees and Myers contain a certain kind of ruthful, limitless evil that makes Ted Bundy and Ed Gacy seem like cut and cuddly kittens. These ultimate killers are the very definition of the moniker. We can now add one more name to that list: Thorn.

Jess and three other survivors look to save their town and see revenge after a night of hell four years ago, February 29th – leap year. Every leap year, Thorn, a vicious, supernatural, and unstoppable killer, roams the town of Avondale to reek chaos and death until he locates his sacrifice. Four years later, Jess and her friends are able to capture Thorn and when their decision to kill Thorn backfires, another night of hell ensues and this time nothing will stop Thorn from taking what Thorn seeks.
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The character that is Thorn is a mixture of Jason Voorhees and the DC Universe and Batman villain Bane in a sense that while Thorn has an immense amount of strength and rejuvenation, Thorn is dependent. Bane relies on Venom to induce superhuman strength. The same goes for Thorn but with his mask giving Thorn also superhuman strength and while Voorhees has his machete, Thorn has two machetes for double the decapitations but he wasn’t limited to just his machetes as crushed multiple skulls with his bare hand and tore a woman half also with his bare hands – best scene ever. This will be Richard Daniel Thomas Holloran (whew) second time playing the Thorn character and he has the slow stalking walk down and the menacing posture that resembles the posture of the iconic horror legend Kane Hodder!
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Director-writer MJ Dixon captures the essence of an ultimate killer combining brutal deaths and a silent hatred while giving Thorn his own murderous theme soundtrack that is a necessity amongst all ultimate killers. Dixon’s editing techniques are top-notch and can rival many of today’s A-list directors; he has talented eye for editing and from “Legacy of Thorn” and “Slasher House” (a semi-sequel to “Legacy of Thorn” – read my review here), I’d trust the director with my low-budget screenplay and precious backing money. I’m certainly thought fond of the linear progression of current time and the reverse chronological order of four years ago when the group of friends were attacked. This editing choice resulted in more dramatic character developed. I actually give a shit about these people who are being hunted. The writing could use a bit of work especially in the first act as the pace slowly builds. There was also a scene where the hero characters – Jess (Jade Wallis), Eric (Paris Rivers), Alice (Jane Haslehurst), and Clark (Craig Canning) – kept debating why they should or should not kill Thorn. Another little annoyance was the blue tint. Much like in Slasher House with the yellowish green tint, Dixon’s heavy hand on blue tint made the film nearly too dark; however, the Duke blue tint did bring an ominous feel. The special effects involved with Thorn’s kills were subtle and the use of slight of hand came off a bit obvious, but overall the deaths were well executed, if I may use that pun.
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Thorn will never die like the ultimate killer he is and will need more stories in the future. His Legacy will live on and I hope to see him again in another rampage involving another group of shaken and distressed teens. There definitely needs to be more background on the character as we don’t know much about Thorn but the facts that returns to Avondale on every leap year and the majority of the town has conspired to keep Thorn pleased with their assistance. Lets establish more of that and make it more coherent in Legacy of Thorn: Chapter 3! “Legacy of Thorn” is now available for DVD pre-order in the UK and the US from MyCho Entertainment Group and Red:Fuse Releasing and looking to hit retail shelves on Tuesday October 27th – just in time for Halloween.

This Evil Island is More Like a Luxurious Resort: “Zombie Isle” review!

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When I first read the title “Zombie Isle,” the first thought was the popular survival horror game “Dead Island” where you can take on a horde of bikini clad, thong and thong wearing, tropicana-sippin’ zombies with various melee weapons. Sounds blood thirsty enough to be turned into a movie, right? Well “Zombie Isle” is obviously not the same brainchild from the people behind the “Dead Island” video game. One could only help and what happens to high hopes usually? High hopes are usually squashed and sure enough “Zombie Isle” was a big bust for not only meeting my expectations of being like the “Dead Island,” but for also being one of the many sheep in the undead genre.
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A group of university students and their teacher embark on a field trip to an uninhabited island to study the habitat. When they split up into groups of two, all hell on the island is unleashed and the students succumb as meals for the zombies that inhabit the uninhabited island. Not only do the flesh eaters swarm the island, but a mad Nazi doctor looks to replace the brain his deceased love into one of the bodies of the gorgeous girls trespassing on his island.
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“Zombie Isle’s” plot is, first off, way too scattered to fully explained how this island became ground zero for possible Nazi or U.S. Army experimentation – it’s not really explained. The Nazi mad doctor has a syringe he injects into the neck of the dead bodies to awaken them into flesh eaters. Nobody knows how he got to the island and no one really seems to ask. Also, the doctor keeps a giant three headed mutated zombie chained to a tree. Again, this all goes unexplained. Half the characters gets rip to shreds in the first 15 minutes of the film and that makes caring for characters really difficult.
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On the positive spectrum of “Zombie Isle,” the gory schlock really is potent. Zombies scooping out brains with their hands, stomachs being ripped open and disemboweled, and brains being munched on. With the gory and the blood, the parodical nature of the film, especially with the two dimwitted hotties, can kind of keep us awake at times; as for the rest of the duration, watch your eyelids become heavy and heavier. The zombies themselves do a good job. Hell, even the three headed mutant zombie has a certain ghoulish charm to it even though it’s obviously fake and goofy cladded, but with director Robert Elkins’ use of cigarette burns and faux faulty-like film strips the creature is hidden behind the throwback grindhouse cinematic style. The cast consisting of Crystal Howell, Tony Jones, Apryl Crowell, Kyle Billeter, Davids S. Witt, and Jonathan Moody are seemly a tight-knit group of people who’ve worked on films together before. They feel comfortable in what they’re trying to accomplish, but their really is no depth in their personas.
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On a technical note, the dialogue audibility is absolute crap. One minute you can hear the characters fine and then the next you’re turning up the volume. Constantly I was fiddling with the controls to find a ideal setting and just wasted my time and energy. Also, the soundtracks is very repetitive and drowns out most of the dialogue as well. The sure signs of low budget filmmaking and not making use of something better than to just repeat soundtrack audio. The foley sounds of squished heads and knocks to people’s dome pieces might as well come straight out of a Roadrunner and Coyote cartoon.
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“Zombie Isle” heart and soul likes with the gore effects not leaving the film to be an empty shell. The characters are the empty shells and the production kind have been better along with fine tuned story in which the parody could have stayed as some of bits were smirk-able. Surprisingly, no nudity for a zombie film with a bunch of university students, but that doesn’t give the film low marks at all. With that being said, “Zombie Isle” releases this Tuesday October 7th, but if you must venture into an overplayed genre, there are better zombie films out there that won’t leave you stranded on an island.

Upcoming Evil: Legacy of Thorn!

I’m a little behind the ball with this news, but big thanks to producer Anna McCarthy (click here for her bathtub scene here in Slasher House review) for sharing with me the big news that Thorn, a gargantuan serial killer from “Slasher House”, will be getting his own backstory prequel movie entitled “Legacy of Thorn.”

McCarthy’s independent production company MyCho Entertainment Group will be backing the film while “Slasher House” director MJ Dixon is in the director’s seat. A review will be out before the film’s October 27th release! Stay with us and see how “Legacy of Thorn” plays out. Check out the trailer below.

Plot

4 years ago on February 29th… Jessica Lawrence and her friends lived a nightmare that has left her pursued from that moment by the unstoppable Killer known as Thorn… Four years on, Jessica and a band of survivors from that night make an attempt to stop him once and for all… but how can you stop what can’t be stopped?

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Judgment of Evil Looks: “Blackbird” review!

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Columbine. Your first thought? I bet your first thought is a Columbine high school massacre of 15 students and teachers in April of 1999. Two armed to the teeth individuals walk into a school wearing trench coats and black clothing giving the look of Goth a bad name and forever giving the once questionably fashionable outfit of the early nineties stigma of hate, anger, revenge, and murderous intentions. The film “Blackbird” explores what happens when fear takes over a community because a Goth 15 year old boy makes insubstantial threats among his peers. His life is forever changed because he dresses the part of historical mass murders and lives in a cycle of despair because his right to freedom of speech is revoked by just a few expressive words written on a blog.
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Sean is an outcast. His black, satanic laden clothing, thrash metal music, and pacifist persona make him an easy target for popular kids, say the entire hockey all star team. When popular hottie Deanne shows interest in Sean’s life, the angst of high school becomes more of a burden upon Sean’s shoulders Deanne’s boyfriend threatens him. Sean’s counter threats go public and he is thrown into youth detention center by a community who fears a school-shooting massacre. From then on, Sean is force to conform and lie about who he really is and tries to regain his dignity and self from in and out of jail and in a community that fears him.
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Bravo writer-director Jason Buxton for producing a freshman film that is powerfully anecdotal, well performed by young actors, and well down in a production sense. Lead actor Connor Jessup serves as a force driven by his bottle emotions in the character of Sean. Jessup, who might remember as from TNT’s sci-fi series Falling Skies, harks up being a gothic pacifist as if he was one himself. Another stand out actor is Alex Ozerov as the relentless youth detention center bully Trevor. These two actors, plus a just as equivalently strong cast with Alexia Fast and Michael Bule, represent a strong contingency of intermediate Canadian actors that need more international exposure.
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While Blackbird doesn’t rely on major effects, the captivating storytelling is worth the price of admission. There are numerous underlying issues in Blackbird that are current in today’s world which makes this film so compelling and interesting. Topics like bullying, being true to yourself, high school shootings, parenting, and the broken court system are just a few of many touched upon and exploited for our own good. We, as people, can learn a lot from Blackbird. We can all relate to being bullied and being the bully and facing all the consequences in between.
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This multiple festival award winner is being released on VOD platforms and on DVD home entertainment by Breaking Glass Pictures on October 21st here in the States. This release should be a big win for Breaking Glass and a big win for whomever goes and grabs a copy.