On the Evil Chopping Block! Midnight Son (2011)

Monster Pictures was gracious enough to send me a copy of their latest release Midnight Son!  This is a UK release and, luckily, I have a cheap region free player.  Directed by Scot Lebercht (The Blair Witch Project), I’m interested to see how this film plays out as a “lonely young security guard Jacob (Zak Kilberg) has a terrible secret.  He can’t stand the sun, he rarely goes outside, and lately his unquenchable hunger can only be tamed by one thing: fresh blood.  When he hits it off with pretty young Mary (Maya Parish) who has some issues of her own, his craving kicks into overdrive as his monstrous inner demon beings to come out… and nothing will ever be the same again.”

Sounds like it could be a winner and so far, it has Tracey Walter in it!  Good enough start.  Review will come shortly after.

midnightson

Vampires Can Be Your Evil Saviors! The Caretaker Review!

The-CaretakerDon’t quite count out the vampire genre just yet.  Like the blood thirsty undead, the vampire genre just keeps resurrecting.  Vampire films might be critically castrated for the majority of the time, but there are times when a vampire film just had a lot of heart, especially in a no to low-budget project like the film I’m reviewing in this article – The Caretaker.  Directory Tom Conyers has no feature film directing experience.  Actor Mark White has no feature film acting experience.  Must can be said about the rest of the cast while a couple of them also worked in shorts and television series, but The Caretaker is a real test for the cast on such a venturous storyline.

Mosquito bites cause what many believe to be an epidemic of the flu in the area of Melbourne, Australia.  What the residents of Melbourne believed were wrong…dead wrong.  The bites cause the victims to turn into vampires that reaches out beyond the lines of Melbourne and spread across the world.  A small, on-edge group of four humans hold up on a small vineyard plantation where a vampire has claimed his nest.  In exchange for their protection during the day, the vampire offers his protection against his own kind at night.  The tension is thick not only between human and vampire, but also between human and human.

Now not to rain down on The Caretaker’s parade even though I do like the movie, but I feel there is always too much melodrama.  Melodrama seems to be a plague for many low-budget horror films just because the crew can’t add in top dollar special effects to entertain leaving a “talking head” movie syndrome inevitable.  But I can divulge that the fact that in spite there being melodrama spewing from every orifice, this doesn’t make The Caretaker a bad movie.  The characters are complex enough to welcome some of the “talking head” script.  There are internal conflicts in the characters themselves and they are also projected upon the other survivors causing turmoil in the house or “nest.”

When I said that many low-budget horror films just don’t have the dough to afford high-tech special effects, I didn’t intend on that to mean that The Caretaker’s effects were awful.  I rather enjoyed the effects as they were minimal and believable.  Some effects make a movie campy, but The Caretaker was all serious business and took the vampire story on a different level with an earnest commitment.  Mark White’s as the protective vampire Dr. Ford Grainger who never reveals a good side or an evil side.  We just know he is a bad ass vampire vampire slayer.  The human characters give off the same complexities with only Colin McPherson’s character Lester portraying anything that resembles a villain as the 50-year-old creepy vineyard owner who loves to chase after young women and that young woman happens to be the manic depressed Annie played by Anna Burgess.  Guy and Ron round out the last of the characters played by Clint Dowdell and Lee Mason and these two are buddy buddy at first until Annie’s secret comes to the forefront and then it is game on between the four humans and the lone vampire.

The Caretaker won’t knock your socks off, but comes off as a decent vampire genre flick.  Don’t expect flying body parts or gruesome scenes of vampire attacks with blood squirting in every direction.  Take it in like a worth seeing television soap drama and try to see the heart in the center like I did.  Then, after it is all over and you still didn’t care for The Caretaker, you can rip out that heart and eat with a side of lima beans and wash it down with a nice cold beer, but hey, at least you gave it a try, right?

Trailer for The Caretaker

British thugs versus evil! Dead Cert review!

Can you remember the last good vampire flick?  Does Underworld count?  My mind can’t conjure up one better than Interview with the Vampire, but of course, all of these examples are mainstream, hollywood-produce examples.  Am I shunning the back alley projects?  Perhaps I’ve just seen too much horror movies.  I can’t recall the last indie vampire project that was actually worth a viewing.  Unfortunately, I still haven’t come across such a worthy viewing even if the topic of this review is a vampire genre film called Dead Cert.

A tough London gang are ruthless when it comes to territorial disputes, taking care of their competition with merciless violence, but when an Iranian businessman comes into town, Freddy and his gang don’t know what they’re getting themselves into.  The Iranian businessmen are more than just land searchers, they’re legendary vampires looking to reclaim what they claim is theirs – the London land.  Freddy’s club becomes their base of operations when Freddy’s boxer Dennis loses his bout against an Iranian brute.

 

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Where’s the hunt for evil? Death Hunter: Werewolves vs Vampires review!

As seductively epic does the title Death Hunter:  Werewolves vs Vampires sounds, the funds for such a grand title don’t support it.  Werewolves and vampires have been the subject of folklore for more than century and to have the two be in the same production needs the backing of the money.  The Underworld trilogy gained much of it’s success and popularity through dollar signs and it’s stardom in the beautifully femme fatale of Kate Beckinsale.  Death Hunter has none of the above, leaving most of it’s special effects to the wolves and creativity helpless to the imagination of it’s audiences.

While lost deep with in the desert, John Croix and his wife Maria stumble upon a den of blood thirsty vampires; the master vampire takes his wife but leaves John to die in the desert and that’s not all.  Werewolves roam the night when the full moon is out; John becomes the victim of a werewolf bite, but he is rescued by a fellow survivor Van Ness who helps John beat his canine physical transformation yet keep all the lycanthrope abilities.  A few months training with Van Ness has John ready for his exact revenge on the vampire clan that stole his wife from him.

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Not just another evil versus movie! Ninjas vs Vampires review!

If you’ve ever been unfortunate to see that piece of shit Vince D’Amato 2004 film Vampires vs Zombies (also called Carmilla, the Lesbian Vampire), a fear has probably dug deep with in the core of you’re very soul urging you to never, ever watch another indie horror project again for the rest of your mundane life.  No fear fiends!  Lets split up vampires and zombies and add ninjas instead!  First, there was Ninjas vs Zombies; a sleek, funny and fresh clash of two factions that never saw the light of day against each other.  Director and writer Justin Timpane does a great job with the martial art choreographic and special effects that will put your faith back into indie horror.  The subject of this review is Timpane’s sequel to Ninjas vs Zombies; Ninjas vs Vampires was with out a doubt the next logical title for his 2008 versus movie.

Aaron and his long time friend and desire Alex find themselves in the middle of an epic battle between the deadly forces of ninjas and the ultimate blood sucking night stalkers, the vampires.  The ninjas look to stop the world from falling into the sharp fangs of the vampires, but when Alex is kidnapped, the clan and Aaron must make a choice to whether risk the fate of the entire world on a single mortal girl.

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