Nuditybadger at Batty for Nudity brings to light some disturbing, if not troubling, details on Katrina’s Bowden semi-covered nude scene (aka just her ass hanging out) in the shower. Now while Nuditybadger’s final verdict is that Bowden’s ass is in fact her real ass and not some computer generated faux-fanny, there still lies the notion that Hollywood can get away having no actual on screen nudity and just digitize all the good bits and pieces most of us want to see!
From the film:
From the trailer:
The first assumption when this was caught was that Katrina’s ass scene (see at the bottom of article) was entirely faked with CGI enhancements. The other assumption was that maybe perhaps to make the trailer more commercial-friendly, a computer generated bikini was quickly added to not offend certain viewers (who wish not to experience the great female form). Both points are valid, but in the “end” the conclusion was that Katrina is indeed giving us her rear-end with no movie magic pulling strings, but this is just the beginning with CGI/Fake nudity – remember Jessica Alba in Machete? Leslie Mann or Olivia Wilde in The Change-Up? or the remake of Night of the Demons with Diora Baird?
Nurse 3-D: A dedicated nurse has a dark side at night when she uses her sexual advances to lure men to their death. Paz De La Huerta stars and you can check her all over in the movie and below!
S.L.R., or Single Lens Reflex, involves a man obsessed with online young girl voyeur porn, but when he discovers photos of his underage daughter being photographed and uploaded online by a shameless and anonymous user named ANORAK, the emotionally compromised man must engage the user while battling his own obsession.
Game of Thrones star Liam Cunningham does a phenomenal job as the father searching for his daughter’s mysterious predator. Cunnigham’s struggle between being a voyeur porn enthusiast and a father is delivered systematically once the photos of the daughter, played by Amy Wren, become more frequent. The very plausibility of this happening is more than likely than we want to imagine. I’m sure we see ourselves or our close family as Saints who could do no wrong, but look at Saint Peter and his betrayal against Jesus.
The short film, written and directed by Stephen Fingleton, also embarks on the question of accessibility of material and how fast the fire can spread online. The beginning of the short shows how an instant snapshot of a woman’s panty from an upskirt angle can be uploaded in two seconds without obstacle. In seconds, the photograph would hit a thousand views because, frankly, people are perverted. In seconds, that very photograph, of a young naive girl, would be the face of voyeur porn and what if that girl was your daughter and she was underage? That’s another question that pops to mind as you don’t really know what the age might be of these girls. Of course, the website hosting photos might describe the girl as a “barely 18 teen hottie.” We easily digest this as we believe anything on the internet as true.
Well delivered as well as the material is disturbing to think about. Fingleton captures a father’s fears, a perverts lust, and little girl’s innocence. The short film is open ended for the viewer to create their own ending; I for one wanted the ending to be more disturbing because porn addiction, like any other addiction, can be a cycle and the father’s vice won’t be suffocated that ease even if his daughter’s pictures were only a temporary obstacle. Check the Best Irish short film below according to Foyle Film Festival.
Slowly and slowly, there has been a increase of likability toward director and writer Dustin Mills and his hugely creative and widely entertaining horror films. This might sound like a creepy man-crush, but the Kevin Smith like-a-like director has his own production company, he pulls from his own stable of actors, and his movies are not your typical, run-of-the-mill independent boringness trash. The experiences had with Dustin Mills have been in backwards motion where I’ve started Mills recent projects and have worked backwards ending with Zombie A-Hole – so far. Zombie A-Hole involves a hellbent cowboy, a psychic twin brother, and a one-eyed engineer superstar all seeking the same evil – the other twin brother who gave his soul to an evil living inside a medallion that has given the brother unlimited power and has returned him from the grave! This a-hole stalks and kills twin siblings for their brain matter to give him everlasting power making this zombie a-hole the most depraved, the most senseless, and the most hated being on this twisted earth!
What impresses me more about Dustin Mills is his use of effective special effects when compared to a $1,000 budget. The man must be good with a computer because even though I can see the slight mistakes or the slight cheapness of the prosthetics, his special effects can please even the most critical critics. Mills even uses quick editing techniques to create the illusion of twin siblings. Seven “twins” will trick your mind by having the “twins” seem to be in the same scene, but with some quick camera work and some flawless editing the same actor will only seem to be in the same scene with their twin when they’re talking to each other. If that last sentence doesn’t confuse you, then you’re special. Mills can also make Party City skeletons looks like some grade A Sam Raimi Army of Darkness skeletons by brushing them up in makeup and using filter techniques to create his own smart ass undead army.
Two regular actors of Mills’ work turn grueling indie project into a highly entertaining horror film. Brandon Salkil portrays three characters in Zombie A-hole as the twin brothers and the zombie. Jason Eal takes on the rough and tough, zombie asskickin’ cowboy. Both actors feature in Mills’ later films such as Bath Salt Zombies (another great, based on a true story film) and both have had their own starring roles in Mills’ films as well as working behind the scenes on the production crew. Versatile and hardworking, these two actors’ on screen performances are poetic. Salkil’s animated personality homes in on a Jim Carrey while Eal tough guy schtick is well welcomed when dealing with any evil force.
Zombie A-hole markets itself as a zombies are cool and hip while being brutal and deadly. Though Salkil’s zombie is brutal and deadly, the prey could have been more lively. The “twins” are mainly alternative girls who for some reason always get the ax when they’re taking a bath or in the shower…? A pre-shower, during shower, post-shower motif I don’t completely understand. Perhaps to show some gratuitous tits or maybe to show how helpless these victims are with no fight in them when the Zombie A-Hole is cracking open their skulls, ready to eat their brains!
Zombie A-Hole’s all out mentality will leave you with great appreciate for independent filmmaking. Thank you MVDVisual for releasing Dustin Mills work and exposing the writer and director and also his two main actors Brandon Salkil and Josh Eal. MVD’s presentation runs 108 minutes with a standard definition 16×9 widescreen ratio, but Mills purposely grains the film to give the a grindhouse film feel and the standard definition goes right out the window. There are no extras and its a bit of a shame because I would want to see the behind the scenes of Zombie A-Hole, but that shouldn’t come between man and his urges to see blood, boobs, and the zombies!
About damn time a way of learning your ABCs by the teaches of death! The ABCs of Death brings together 26 international directors to direct, at their own artistic freedom, their each short film segment. Each director was given a letter and were told to choose a word to title their work with and create a story around that word. The individual segments are not your typical horror thrillers about death and what I mean by that is that you don’t have a vampire segment, a slasher segment, etc. Death can come in any way, shape, or form and is certainly explored every single way in this fatal anthology.
I’d like to start off with my favorite segment which is entitled “D is for Dogfight” directed by Marcel Sarmiento, who you might remember from his direction work on Deadgirl and it’s been a little bit since that project! “D is for Dogfight” simply pits a man versus a vicious dog in an underground “fight club” style face-off. The short film is shot nearly without dialogue and the twist ending will leave you more with a sinister grin rather than a shock on your face. The man versus dog fight is excellent when done in slow motion with every dog punch and every bite to the arm or leg just as real as you would see on any animal attack video on RealTV.
Those Japanese directors again….
The worst videos have to come from the Japanese, especially the one entitled “F is for Farts” directed by Noboru Iguchi. Iguchi did Machine Girl which is ultra-violet and just brutally stupid in a good way, but then Iguchi followed up later on with Zombie Ass: Toilet of the Dead and, well, yeah. By The ABCs of Death title alone, you can tell he hasn’t expanded his horizon’s much further. The whole episode, which lasts no more than four or five minutes, is about stinky, women farts. The comedy element I get, but the death part I do not and nor will I ever. Maybe I’m just not Japanese educated enough to learn the history behind Japan’s wackiness.
CLAYMATION!!!!
There are other really cool segments (Timo’s Tjahjanto’s “L is for Libido”) and other silly toilet humor death segments (Anders Morgenthaler’s “K is for Klutz”). This anthology is unique because you get a taste of everything, of every culture, of every opinion with no restraint and with no influence. Creativity is boundless and that is what is more outstanding here than most of the segments and you won’t get bored which is great! I can’t wait for The ABCs of Death 2 and the anticipation is killing me – wait – that should be in the sequel – “A is for Anticipation.”
The ABCs of Death is distributed by Magnolia Home Entertainment.
Fan of AMC’s The Walking Dead? Fan of porn? You’re in luck because a hardcore parody of The Walking Dead is in the works and there’s a trailer for it! Burning Angel Entertainment, the alternative tattoo emo-girl porn company, takes the walkers into a whole new, filthy direction. Burning Angel is also behind other great horror inspired parodies such as Evil Head (Evil Dead), The EXXXorcist (Exorcist) and Re-Penetrator (Re-Animator); all of which star Joanna Angel.
The trailer is practically PG, but you can visit Burning Angel.com to get a feel (or a feel on yourself) about how Rick and his group might become a little closer together.
It's Bloggin Evil! 