Ready for the second round of ABCs of death? Twenty-six new directors sign, seal, and deliver twenty-six new stories about death and breathe a whole new life into this highly anticipated sequel to the highly popular 2012 anthology. The ABCs of Death 2 attempts to be callous, sick, and offers up more blood and gore than it’s predecessor while the ABCs are very elementary, its the death part that makes then alphabet more complicated.
When one glances the cover and see thats familiar figure of the death eating Grim Reaper holding a story book, one who knew nothing about the anthology would consider The ABCs of the Death to be strictly a horror genre, short story telling series in the same ballpark as “Creepshow,” which ironically enough has a similar, yet cartoony, ghastly Grim Reaper on it’s sophomore sequel DVD cover. That assumption is significantly mistaken. The Grim Reaper is all about the death in every sense of the way and “The ABCs of Death” productions resemble more of the controversial and ultra-violent “Faces of Death” series. If you scour the internet, or just have the entire collection, many of the VHS and DVD editions have a similar Grim Reaper, but again more cartoonish. The content though is all about death gathering home recordings of unspeakable acts of death from suicide, murders, and to accidentals just to name a few.
Yes, there are fantastic horror elements to “The ABCs of the Death” as well making this hybrid of an anthology that more entertaining, but the sequel relies a lot on the human element. The nature of man is cruel and vicious and most of the 26 films are based on this true to form fact. For example, “C is for Capital Punishment” by director Julian Barratt tells the story of a lynch mob trying to justify the disappearance of a village girl, Aharon Keshales “F is for Falling” involves the tautness of a rifle-toting Palestinian boy who discovers a Israeli fighter dangling from her parachute chords stuck in a tree, or Vincenzio Natali’s “U is for Utopia” in where a society made up of thin, good looking people living their lives while the ugly people are hunted down and burned alive.
What I also like about “The ABCs of Death” is the various culturally inspired films. There are directors from all over the glob spanning from Japan, England, France, Argentina and Nigeria just to name a few and all of who incorporate their own culture and style in the mixture. Some introduced comedy while others took a stylish-serious route and others just wanted to scare the pants off you. The couple animated shorts weren’t as rememberable as in the first anthology, but certain “D is for Deloused” by Robert Morgan will at least make you have underlining nightmares.
Some of the more memorable shorts stood out over all the rest. One in particular was Steven Kostanski’s “W is for Wish” which took a late 80’s to early 90’s take on a fantasy toy commercial where two children wished to be a part of and then actually went into the world where it was like nothing they expected. In fact, carnage and chaos (and awkwardly weird and fantastic) was the maelstrom these kids were thrusted into making their fantasy a real and deadly nightmare.
Magnolia Home Entertainment scores big with the sequel to “The ABCs of Death” and I’m sure the company won’t stop at just two. Expect more great films from lesser known directors and more blood and guts than ever. In the meantime, pick up your copy of “The ABCs of Death 2” on DVD or Blu-ray because you never know when you might keel over and die!
About damn time a way of learning your ABCs by the teaches of death! The ABCs of Death brings together 26 international directors to direct, at their own artistic freedom, their each short film segment. Each director was given a letter and were told to choose a word to title their work with and create a story around that word. The individual segments are not your typical horror thrillers about death and what I mean by that is that you don’t have a vampire segment, a slasher segment, etc. Death can come in any way, shape, or form and is certainly explored every single way in this fatal anthology.
I’d like to start off with my favorite segment which is entitled “D is for Dogfight” directed by Marcel Sarmiento, who you might remember from his direction work on Deadgirl and it’s been a little bit since that project! “D is for Dogfight” simply pits a man versus a vicious dog in an underground “fight club” style face-off. The short film is shot nearly without dialogue and the twist ending will leave you more with a sinister grin rather than a shock on your face. The man versus dog fight is excellent when done in slow motion with every dog punch and every bite to the arm or leg just as real as you would see on any animal attack video on RealTV.
The worst videos have to come from the Japanese, especially the one entitled “F is for Farts” directed by Noboru Iguchi. Iguchi did Machine Girl which is ultra-violet and just brutally stupid in a good way, but then Iguchi followed up later on with Zombie Ass: Toilet of the Dead and, well, yeah. By The ABCs of Death title alone, you can tell he hasn’t expanded his horizon’s much further. The whole episode, which lasts no more than four or five minutes, is about stinky, women farts. The comedy element I get, but the death part I do not and nor will I ever. Maybe I’m just not Japanese educated enough to learn the history behind Japan’s wackiness.
There are other really cool segments (Timo’s Tjahjanto’s “L is for Libido”) and other silly toilet humor death segments (Anders Morgenthaler’s “K is for Klutz”). This anthology is unique because you get a taste of everything, of every culture, of every opinion with no restraint and with no influence. Creativity is boundless and that is what is more outstanding here than most of the segments and you won’t get bored which is great! I can’t wait for The ABCs of Death 2 and the anticipation is killing me – wait – that should be in the sequel – “A is for Anticipation.”
The ABCs of Death is distributed by Magnolia Home Entertainment.
Finally! Storage 24 is a sci-fi creature feature that lives and breathes to impress and to entertain! I hadn’t had this much fun with a monster movie since Matt Reeves’ Cloverfield back in theaters of 2008. Both works have a simple premise, a cast of favorable characters, and deadly results for them by a vicious, out of this world thing that just wants to rip anything and everything to shreds without reason. Of course, Storage 24’s smaller setting confines itself to a sole storage unit instead of the broad city landscape that is New York, but Storage 24 builds to be, and develops really well into, a bigger than expected movie.
A military plane crashes in the middle of London. The event seems small enough until the military quarantine the area. Exes Charlie and Shelley are trapped in their powerless storage unit facility during their clean out their belongings with the help of their friends. Lurking in the building with them is the contents that were on that military plane – an 9 foot alien with a killer instinct.
The alien portrayed had me thrilled with the movements and the special effects. The mandibles were a big plus with me as I am a huge Predator fanatic (Sorry Xenomorph fans, but Predator has the bugs beat!). The creature performs in almost stop motion which gave it a more unearthly feel and the way it mangled people lives up to a killer animal on the loose – think Ghost in the Darkness. Unlike Predator, the alien seemed to be more mobile and more crafty by being able to move and hide in the rafters of the storage facility. I know that sounds like an aspect of Predator, but this alien did more with ease and without being bulky about doing it. Less human and more alien – if we knew how aliens existed I’m sure Storage 24 captured the perceptual concept.
I love the films misdirection as you’re sucked into hating one set of characters and sympathizing with the other set during the first part of the film. Suddenly, just before the shit hits the extraterrestrial fan, you’re now rooting for the asshole and the slut who cheated. The laws of a horror movie are null and void at this point.
I’m not completely satisfied on why Storage 24 is being wrongly shunned on IMDB and Rotten Tomatoes with both sites sporting around a meager 40% freshness. Perhaps the dorky comedy at the first half of the film is too blame? Maybe the dialogue tracks could have been louder and the actors could have their pronunciation cleaned up a bit? Who knows and who cares? All I can tell you about Storage 24 is how much fun I had and that’s what matters the most about b-movies, right? You can buy your copy of Storage 24 here!
The Video Home System, aka the VHS, became a leap forward for home entertainment in the mid to late 1970s growing widely popular by the 1980s and into the better half of the 90s. Two decades later, most of the youthful generation can’t even tell you what a VHS tape looks like or spell out the abbreviation. Today the DVD is the standard norm and DVD has made a fatal blow that killed the VHS tape forever in the industry retail market, but believe me or not, the VHS tape still lives and breathes among us and those who collect the out of print format believe that VHS is the ultimate haven for movie lovers. Today, not everything is on DVD. VHS had thirty years to collect films from all over the world and DVD nor Blu-ray have captured them. They are timeless vintage that doesn’t have a expiration date (until the sun gets a hold of them).
Now, the VHS tape has been used in horror movies before – The Ring, Vacancy, etc – and has become sort of a icon for the genre. Nothing about a DVD disc is scary, but bring out a VHS tape with the grain and the tracking blemishes and that can even make the happiest of times seem creepy as shit. This leads me into V/H/S a horror anthology of short films surrounded by main film where adult juvenile delinquents decide to pursue a lead in gaining a cash prize if they pinch a VHS tape from an old man’s house as if sharking (scoping out women targets and exposing their breasts on camera unwillingly) and breaking windows in an abandoned complexes wasn’t exciting enough. After they break into the house and discover the owner apparently dead in a room full of televisions, they decide to split up and search for the tape. One by one they view a different tape and get more then they bargain for as each tape contains a horror story which once watched will never leave them the same again.
V/H/S is damn scary. Plain and simple. Black and white. Up and down. Five short horror stories with an horror story – a resemblance, if not a respectable nod, to Creepshow or Tales from the Crypt era, but the writers and directors made these stories their own constructing each one carefully to where the content just doesn’t scare you stupid but will also leave your jaw dropped and your mind racing. Being a recently married man myself, one episode entitled ‘The Second Honeymoon’ had my mind racing and paranoid – you’ll know what I’m talking about when you see the anthology. V/H/S encompasses different genres such as creature feature, thriller, haunted house, satan, slasher, and even aliens. A little something for everyone to enjoy. You might even recognize some of the directors and writers names such as Ti West (House of the Devil), Adam Wingard (Pop Skull), David Bruckner (The Signal), and Glenn McQuad (I Sell the Dead).
There is definitely a feeling of no holds barred when an series of short come out like this. I feel that the nudity and gore taboo go right out the window and anything can go. A big F.U. is given to the MPAA and, for this review, that I’m on board with that as I my philosophy in life is the more brutality, more nudity, more visceral the better and though each director accomplished their part in each of their respective story, I couldn’t help that something was missing. The characters and some of the dialogue just weren’t doing it for me. I must be jaded as I write myself and I find some of the dialogue to be at a third grade level along with most of the character’s mental states. Again, ‘The Second Honeymoon’ separates itself from the pack with sympathetic characters and an adult, non-frat party attitude dialogue. ‘Friday the 17th’ episode could just be a spoof on the 80’s slasher now that I think about it and that makes me a feel a little better about the writing.
Go grab your DVD or Blu-ray copy of V/H/S from Magnet Releasing and keep your eye out for V/H/S/2 – I’m sure it’ll bite even harder than the first.