Spying on Evil! Closed Circuit Extreme review!

Posted by Steven Lewis on September 8, 2014

Daniele and Claudia suspect their missing friend Francesca is dead and was at the hands of a predator named David De Santis. Daniele, being an expert at audio and video electronics, and Claudia set up spy equipment inside De Santis’s home while at work. But when the two try to retrieve the recordings, trouble finds them just as it found Francesca and there is nowhere to hide in the same abode.

First off, I don’t believe that Giorgio Amato film deservers a low rating on IMDB.com. Sure, there are a few flaws with the film that can’t go ignored, but no one can deny the realism of the story. An average man living an average life trapping unsuspecting young women in his average home for his own sexual and disgusting kicks of rape and murder. Sounds like something we hear about every year. For example, the Cleveland man who locked and chained up three young women for years and did ungodly things to them.

“Closed Circuit Extreme” is shot as court evidence which is all find and dandy, but if the “video evidence” is suppose to give the film a realistic, creepy feel then why put in character profile pop-ups in during a freeze frame of each character? There couldn’t be more invented ways to explain who these people were and why they’re there? I Like the idea that the cameras were motioned activated. This eliminates the inactivity and any dull moments in a life of a serial killer. Who wants to see a guy sit on his couch and scratch his ass for five hours?

Some of the character decisions were poor to give the film less credibility to the characters (such as Claudia’s decision to stay in the house after being discovered), but doesn’t necessarily take away from the story because suspense has been achieved in a film like this. Veteran Italian actor Stefano Fregni gives a chilling performance as serial killer De Santis. Lonely, child-like, over weight describes most of how we experience serial killers, but De Santis is smart and that makes for a dangerous character. No doubt was revealed by Fergni that he can put us into the life of a disturbed individual.

Lastly, the Rome set film is majority all in English. Was Amato’s film targeting American audiences? Perhaps. I find that the film’s release is very timely with the coinciding information that has revealed the identity of England’s Jack the Ripper. That could be a good selling point for the film, maybe? To get back on topic – I rather have a film set in Rome and speak the native language or else the film loses some authenticity.

“Closed Circuit Extreme” lives up to it’s moniker of being extreme. If you’re not keen on kidnapping, rape, and gruesome axe wielding murder of young beautiful women, then this is certainly not your movie. If all that stuff is your kind of thing, then you’re a sick son of a bitch and this will suit you well!

Get Into the Evil Spirit! Varsity Blood review!

Posted by Steven Lewis on September 1, 2014

A small town pack of football jocks and cheerleaders with a dark secret spend Halloween night at a rundown farmhouse to party until dawn, but a sadistic killer in the school mascot uniform hunts them down one by one. Now their only chance of survival is to rely on each other, but will their dark secret get the better of them?

“Varsity Blood” tries to home in on the slasher saturated 80’s decade and, more or less, hits the mark right on the head with quick quip dialogue, teen angst, nudity, and blood. The killer garnishes a costume, even if the costume is the school mascot of a goofy tribal warrior, but the warrior outfit is simple, dark, and, like aforementioned, tribal which already gives it a ominous feel. Like most iconic slasher movie killers, they all have to brand a signature weapon – Jason had his machete, Myers had his knife, Leatherface had his chainsaw. The Warrier had his axe. Not too many killers carry an axe as a signature weapon and the axe is not overused as the Warrior does implement various methods of death.

What about the teen group of various mannered jocks, cheerleaders, and other high school patrons of “Varsity Blood?” Like I said before, there is plenty of teen angst – jock wants sex badly, girl is major slut, fat girl tries to prove herself, lots of crying – so there lies enough teenage drama to make white and black pimples to form on your face. Some characters, like the main female lead Hannah (Lexi Giovagnoli) and good-girl Heather (Elyse Bigler), receive good character background, some of the cast are just fillers for the killer to dice up and their deaths become less important and severely fall short of a sympathetic death.

The whole reason why the killer kills is a bit of a joke too. I’m not going to go into more detail, but lets just say that there is an agreement and the one’s side terms are a bit too lame for my liking. The other side has an legitimate excuse for making these teen hooligans into mince meat. I do mean ‘hooligans’ too as the teens don’t learn from their historical depravities that resulted into a terrible accident that they’ll never forget. The past always catches up with them and the warrior makes sure of that.

Didn’t I mention nudity earlier? You would think nudity would run rampant in a film about cheerleaders getting hacked to bits. Unfortunately, we’re teased to no end as Natalie Peyton and Elle LaMont give nothing but a tease show with covered nudity and bra and panties. However, not all is a total loss. Taylor Moessinger does do a strip show dance and goes topless and you can read my short review of her scenes here.

The death scenes were relatively tame for a slasher that is suppose to homage the greats, but these deaths weren’t necessarily terrible either. There is great use of practical effects that are pulled off with excellent angle work with the camera and use of camera placement. I’ll give that to Jake Helgren, you might remember from my review of “Bloody Homecoming”, another high school slasher with the same vein.

Give “Varsity Blood” a try and see how it fits. Room for growth and improvement with the director Helgren, a promising career for sexy leading lady Lexi Giovagnoli, and a great topless scene from the spirited, free loving, always naked model Taylor Moessinger. “Varsity Blood” is now available to own on DVD and VOD from Image Entertainment.

Entertaining B-Movie Evil! “Werewolf Rising” review!

Posted by Steven Lewis on August 20, 2014

“Werewolf Rising” revolves around Emma (Melissa Carnell), a big city girl moving back to her secluded childhood home in the country after a long stint of battling alcoholism. But working on keeping her sobriety is a piece of cake compared to the full moon nights as werewolves roam the forest. Her relaxing vacation has turned into a nightmare when the wolves start to hunt her and her secluded getaway home has her trapped.

When I was a young lad, I remember watching old movies where actors dressed up in really bad Ape or Werewolf costumes and they would chase after the damsel in distress as she screams her head off. “Werewolf Rising” welcomed me back to my childhood with a big embracing hug made up of offbeat werewolf makeup and costumes. Nothing wrong with a man (or woman) in a fur coat with a immobile headpiece, but there is something campy in nature about the whole scenario.

In cahoots with the “classic” costuming, the story and acting are made up of the best b-movie attributes. From Matt Compko’s character Johnny Lee and his goofy-serious posture and speech to Bill Oberst Jr.’s overzealous portrayal of an escaped werewolf convict, B-movie madness is back in full swing. Speaking of Bill Oberst Jr., the veteran B-movie actor is a man on a movie role mission. The guy has way too many upcoming roles on his plate, but with a mug like his, I can see why he can be very versatile to filmmakers. In “Werewolf Rising”, Oberst is one creepy dude covered in blood and mucus – lets just leave it at that.

After 24 hours of having watched “Werewolf Rising”, I’m still trying to puzzle together to plot. I get that our heroine Emma retreats to her childhood home after a long and hard battle with alcoholism, but what does alcoholism really have to do with werewolves? What’s the parallel there? There seemed to be some underlying message that states drinking an colossal amount of hard alcohol, werewolves (or your demons) will come back into your life or am I reading too much into this B-movie? We see the same kind of alcoholism with the character Wayne played by Brian Berry so I could be correct. A blind squirrel finds a nut every once and awhile.

For the werewolves, how and why do they come into play? These creatures just happened to appear in the woods at this very particular moment with no explanation. Beatrix, played by Irena Murphy, seems to have some sense of what is going on as she waits in the woods for the beast. Emma involvement has more lycanthrope lineage, but again, the detail is limited and complex that nothing makes any real sense. I can tell you this. These werewolves love to go for the throat, they love to take long runs in the woods, and their red-tinted, nearly blind night vision sucks.

You have to hand it to writer/director BC Furtney because he was able to bare all with Irena Murphy’s character! But in all seriousness, Furtney tries his hand at direct-to-DVD horror and doesn’t come away exactly breaking even, but there is still some pride to be taken away from this piece of work. “Werewolf Rising’s” cast also includes Taylor Horneman as the man in the werewolf suit and Danielle Lozeau who you might remember completely buff from my review of “Black Water Vampire.” Werewolf Rising will be available to own September 8, 2014 in the uK from Image and RLJ Entertainment.

Trailer: Open Windows

Posted by Steven Lewis on August 18, 2014

I’ve never really been an Elijah Wood fan until this year. Wood has really impressed me with this recent film selections by going head first into horror thrillers: Grand Piano, Maniac, and the just announced The Last Witch Hunter with Vin Diesel.

A few days ago a trailer was released for the thriller Open Windows costarring the ever so lovely, porn starlet turned actress Sasha Grey.

When Nick (Elijah Wood) discovers that he’s won a dinner date with his favorite star Jill Goddard (Sasha Grey), he’s incredibly excited to finally get the chance to meet her. That excitement deflates when Jill refuses to honor the contest and all of Nick’s hopes are dashed. He’s intriged when Chord (Neil Maskell), a man claiming to be Jill’s campaign manager, offers him something he can’t quite refuse: Chord will give Nick the ability to constantly view Jill via computer. Nick is initially reluctant but Chord persuades him by saying that he should get at least some entertainment out of the actress. However, Nick is unaware that this decision will put himself and Jill at risk.

Sounds great. Even looks great. Can’t wait to see it. Directed by Timecrimes Nacho Vigalando with no release date set yet.

Sasha Grey

The Evil Dr. Is in! House of the Witchdoctor Review!

Posted by Steven Lewis on August 10, 2014

Who doesn’t love Bill Moseley? The loud mouth, sarcastic-trash talking, balls-to-the-fucking-wall, maniac characters swirl him into a familiar role that have been overly typecast by general audience standards, yet we, as the audience, love every minute Moseley is on screen – Otis Firefly from Rob Zombie’s “The Devil’s Rejects” for instance. Hell even Johnny from Tom Savini’s “Night of the Living Dead” gave Johnny a more twisted outlook on his short lived life. The same maniacal Moseley archetype reveals itself once again in House of the Witchdoctor along side a timeless buxom blonde and reoccurring co-cast member Leslie Easterbrook.

A young and beautiful Leslie Van Hooten and her four grad-study friends retreat to the Van Hooten home to help Leslie cope with the anniversary of her fiance’s brutal and shocking death one year ago. Peter (Bill Moseley) and Irene (Leslie Easterbrook) Van Hooten leave the family home for the weekend, giving the young group a chance to give Leslie a feeling of peace and relaxation during her time of suffering. However, a peaceful weekend is interrupted by a career criminal Cliff (played by Allan Kayser) and his drug fueled sidekick Buzz as they break into the Van Hooten home looking to rape and torture the women and steal from Leslie rich parents. What Cliff and Buzz don’t realize is that they have unleashed hell upon themselves breaking into a house that isn’t all quaint and innocent as it seems.

“House of the Witchdoctor” prides itself more toward the torture, rape, and murder that falls upon the young grad students than more toward the actual focus of what the title suggest – the Casa de El Witchdoctor. And while I enjoy a good torture scene between dirty old criminals and the naive youth of the nation, the witchdoctor intrigued me more because the subject matter of voodoo and witchdoctors are hardly explored anymore. “The Serpent and the Rainbow,” “American Horror Story” Season 3, and, well the “Candyman” trilogy, is all I can really account for voodooism. Aside from the lack of witchdoctor and witchdoctor activities, the misbehaving activities of Cliff and Buzz are quite enjoyable as their rampage is non-stop, their carnage reaping is continuities, and their true to their snake tongue speak. Buzz especially since this is actor’s David Willis feature film and his long, yet balding greasy hair and beer-belly gut attributes really play to Buzz’s low-life persona. Cliff is a bit of an enigma; coming from a religious home and being just release from prison, my first thought is that Cliff is a converted convict. The two minutes of his scenes are deceiving and you’re beliefs about Cliff will turn your head around so fast your neck might snap.

Leslie (Callie Stephens) travels home with a group of stereotypical archetypes that are commonly used in horror films such as the sex-crazed best friend Regina (Emily Bennett), her jock boyfriend Tom (Danny Miller), their religiously prude friend Patty (Summer Bills) and the nerd wimp Thad (Jonathan Helvey). I’m surprised that wasn’t a token black actor who tossed around quick quips, but I guess you just can’t have it all. Surprisingly enough, all three lead actresses show their racks! Woohoo! That in itself makes up for the usage of common archetypes and yet those scenes were more-or-less gratuitous – some more than others. Character development could have been improved especially since Thad and Patty had some sort of weird relationship arrangement where they together, yet not on holding hand terms due to religious beliefs. In turn, their religion background, along with Cliff’s religious background, would have been a good contrast with the Haitian voodoo, but the mark was missed. Also, Regina and Tom couldn’t stop with the overzealousness of their hormones and so their development was skewed. Leslie had more going for her character in which she would reminisce alone about her murdered fiance, but this is confusing in later on scenes when the shit hits the witchdoctor’s fan. We’re more in tune with Buzz and Cliff’s characters than really anybody else’s. Even Leslie parents, Peter and Irene, are simplified characters who deserve more background. But like I said at the start of this review, Bill Moseley could bring any character life even a limp one.

“House of the Witchdoctor” breaks the mold with a couple of good scumbags and will forever terrorize your dreams about being home alone. Also, a good amount of iconic cult star power doesn’t hurt and along side Moseley, Easterbrook, and Kayser are Dyanne Thorne (the ferociously buxom and nasty nazi Ilsa of the “Ilsa She Wolf of the SS”) and Howard Maurer (Also famed from an Ilsa film “Ilsa Harem Keeper of the Oil Shieks). Breaking Glass Pictures plan to release “House of the Witchdoctor” on DVD on September 16th!