The Crossover EVIL Has Been Fearing! “Straight Outta Nowhere: Scooby-Doo! Meets Courage the Cowardly Dog reviewed! (Warner Bros / DVD)



“Warner Bros. Home Entertainment provided me with a free copy of the DVD I reviewed in this Blog Post. The opinions I share are my own.”

A sub-frequency sound sends Scooby-Doo into a crazed and booty shaking fit.  So much so, Scooby runs away from the mystery solving gang and straight into the quaint, bizarre rural town of Nowhere, Kansas where he bumps into another canine, Courage, whose experiencing the same soundx and sensations.  When a plague of monstrous cicadas dig from out of the earth, Scooby and his friends, plus Courage and his lovable human Muriel and grouchy old farmer Eustace, must understand the copious amounts of the longstanding strange and unusual happenings in Nowhere to solve the mystery of the giant cicada attack that goes deeper into Nowhere’s roots…literally.  The two dogs have to peel off their scaredy cat shells and face fear head on while chowing down some of Nowhere’s delightful delicacies!

Finally!  The two most famous, fright-filled dogs make their cinematic crossover debut in “Straight Outta Nowhere:  Scooby-Doo!  Meets Courage the Cowardly Dog” that brings the terror tenfold to toon town!  Under the supervision of the serial animation director, Cecilia Aranovic, who helmed two previous Scooby-Doo installments, “Scooby-Doo! And the Curse of the 13th Ghost” and “Scooby-Doo:  Return to Zombie Island,” and tackled the action-packaged animation of “DC Super Hero Girls,” finds herself tackling a short-lived, Cartoon Network created cult fan favorite, “Courage the Cowardly Dog.”  Returning to the Scooby-Doo universe is the televised “Mystery Incorporated’s” writer and editor Michael Ryan penning a script with Courage the Cowardly Dog and creative mastermind of John Dilworth in mind to maximize all the grandstanding personalities faithfully.  Both lovable and yellow-bellied pooches are produced by Hanna-Barbera Productions, who do more crossovers of their cartoons characters than NBA’s Tim Hardaway, and are joined by Warner Bros. Animation and Cartoon Network studios. 

“Straight Outta Nowhere” reteams the “Mystery Incorporated” voice cast of Frank Welker as Fred Jones and Scooby-Doo, Grey Griffin as Daphne Blake, and “Scream’s” Matthew Lillard as Shaggy Rogers.  The revamped “Ducktales’” Kate Micucci replaces Mindy Cohn as the voice of Velma Dinkley with an apt Velma impression that easily transitions without discording the mystery solvers.  Courage voice actor Marty Grabstein reprises his quirky exclaiming hound whose full of heart and also returning Thea White stepping into the boots of Muriel, one-half of Courage’s owners.  Sadly, like original voice actor for Eustace, the late Lionel Wilson, who passed away shortly after the original show’s discontinuance, Thea White also passed away but the sting of her death was more poignant as White past July at the age of 81 and this crossover is presented in White’s memory.  Bugs Bunny and Daffy Duck funnyman Jeff Bergman voices the grouchy and sarcastic Eustace without missing a beat and with about as much cynicism as his predecessors even when unloading a boatload of scares with his giant and unsightly boogey-boogey mask!  A Eustace classic! To preface my character opinion, this movie is obvious about the Scooby and Courage spellbinding the little viewers about location gumption in themselves to face their fears when it matters, but Scooby and Courage’s friends and family provide pivotal, building black support that should render each mystery solver and podunk rural-ite as a mini-lead within the story. That’s not the case inside this crossover that lacks specifics with certain characters, such as the straightforward Fred, Daphne, and Velma who instantly fall way behind without much dialogue or screen time in favor of the more caricatured Muriel, Eustace, and Shaggy. Eustace even gets his own rap music video. Some minor characters from Courage’s past return to scheme and terrorize with the voice work rounded out by Jeff Bennett (“Friday the 13th Part VII: The New Blood”), Chuck Montgomery, and Paul Schoeffler.

Who would have thought it? Scooby-Doo has been a staple of Saturday morning cartoons, television specials, spinoff movies, holiday events, and has been reimagined animatedly and in live-action since 1969. And Courage the Cowardly Dog? Well, Courage ran on Cartoon Network from 1999 to 2002 with little specials here and there in between, but virtually radio silent when compared to his over 50 year-old co-star. Yet, did you know, the 2021 film isn’t the first time these two hounds crossed paths? That’s right, Scooby and Courage (along with Shaggy, Mureil, and Eustace) were first seen in a brief Cartoon Network promo together that you current see on Youtube – search “Scooby and Courage Cartoon Olio.” To be honest, I had assumed Scooby-Doo, who has spanned over multiple generations, is practically known worldwide in every household, and has been an invaluable money-making machine for Warner Bros., would tip the crossover screen time into the animated Great Dane’s favor, but in a pleasant surprise, a good chunk and crucial portions of the story revolves around Courage and his immediacy characters who are brought to the forefront with Scooby and the gang clearly taking a backseat to the smaller, lesser known pup.  Even the animation sides more with Courage, preserving within a smoother veneer the intrinsically warped details familiar to the show, as seen with Eustace’s Courage-scaring mask or Courage’s fluid scared reactions, and we can be honest with ourselves that although Scooby works in Courage’s surrealistic macabre world, the Dane and his gang have been rendered countless times in many different animation styles throughout the last five decades.  Enigmatically familiar to one of the mysteries Scooby and his gang dive right into, the tale fashions a composite of two different protagonist dynamics to expose who or whom are behind the giant cicada attack and the hypnosis causing ruckus; however, like the original episodes of the early 2000s, Muriel and Eustace are present just for the ride as Muriel stumps a self-frustrated Velma with elementary riddles and Eustace mouths off like an old kook without as much as a care in the world around them or what’s happened in their own backyard of Nowhere. 

Witty, zany, and all of the above with a nostalgia high, “Straight Outta Nowhere:  Scooby-Doo!  Meets Courage the Cowardly Dog” will delight fans of both series with the hope for more team-ups in the future.  Warner Bros. Animation will release the film on DVD come Tuesday, September 14th with a G rating approved for all audiences and with a runtime of 78 minutes. The disc’s animation picture quality is about as animated and as lively in it’s vibrancy as the characters with no real cause for format concern as aside from a cleaner, more robust color palette, the colors translate nearly indistinguishably from it’s 1080, HD counterpart as the colors do saturate nicely, leaving little room for a potential washed or dull veneer. The English (and dog gibberish) language Dolby digital 5.1 surround sound mix boosts an energetic and immersive output with nonstop creature effects, explosions, laser zaps, etc. All the creepy ambience and score that make “Courage the Cowardly Dog” spookily alluring is right here on this DVD, filling out the channels with dichotic range and space with the depth. Screams take centerstage as the keystones to ever scary flick to maximize the intended feeling of fear and, in this case, laughter. One of the more disappointing aspects of the release is the special features and while three episodes, seemingly randomized picks – Scooby-Doo! Where Are You!’s – “Decoy for a Dognapper” and The Scooby-Doo/Dynomutt Hour’s – “The Gruesome Game of the Gator Ghoul” and “Chiller Diller Movie Thriller,” is a blast from the past and a bit of nostalgia watching reruns as a kid, I really wished there were interviews with the voice cast, especially Marty Grabstein, Thea White, and Courage creator John Dilworth to laud the show and let the fans their appreciate for the little guy…meaning Courage. “Straight Outta Nowhere:  Scooby-Doo!  Meets Courage the Cowardly Dog” wins on many levels: Courage the Cowardly Dog is back, Matthew Lillard is Shaggy once again, and the most petrified pooches in all of animation land bring two generations of people together for the whole family to enjoy their staple idiosyncratic gags and colorful personalities.

A Must Own “Scooby-Doo Meets Courage the Cowardly Dog” on DVD!

EVIL Presses the Reset Button For Killer Results! “To Your Last Death” reviewed! (Quiver Distribution / Blu-ray)

Miriam DeKalb has just survived a bloodbath inside her tycoon father’s high-rise, walking out shaken, bloodied, and carrying an axe.  When the police detain her in the hospital, construing a case against her for the death of her siblings and father based off her previously unhinged mental state inside a psychiatric institute, Miriam is visited by an otherworldly being known as the Gamemaster.  Miriam is given two choices:  stay at the hospital to be pursued as the murderous villain in her harrowing escape from near death or restart her traumatizing experience to save her siblings in an intergalactic wager by infinite being gamblers eager for amusement, blood, and a clear winner.  Miriam’s foreknowledge of how the events play out should give her an edge in saving her family, but the restart is the Gamemaster’s game with the Gamemaster’s rules as timelines and outcomes are determined limitless. 

“To Your Last Death” is a science fictional brawl of Darwinism in this eviscerating adult animated survival horror from director Jason Axinn.  Originally titled as “The Malevolent” during the crowd-funded Indiegogo campaign, which raised 114% above film’s budget, “To Your Last Death” is Axinn’s first full length feature from a script co-written by Jim Cirile (writer of horror-comedy “Banned”) and is the first credited work of Tanya C. Klein, both who’ve previously collaborated on the superhero short “Liberator” in 2016 starring the original Hulk himself, Lou Ferrigno  With an animated direction similar to that of FX’s “Archer,” Cartoon Network’s “Metalocalypse,” or an even slightly more advanced version of “Space Ghost Coast to Coast,” but, in fact, the hand-drawn, puppetry style animation is the first ever 2-D animated horror under the meticulous art direction of Carl Frank along with lead artists Luca Romano and Vicente Saldivar, who interned on “Metalocalypse,” that keeps in tune with the adult themed animation trend, but levels up the explicit nature that kisses the sordid substance of “Heavy Metal” with strong bloody violence and some nudity.  “To Your Last Death” is the first feature film of Jim Cirile and Tanya C. Klien’s Coverage Ink Films, a subsidiary of the screenplay analysis and development service group, Coverage Ink, and Quiver Distribution (“Becky”) with Cindi Rice, Paige Barnett and Jason Axinn taking on a producer role. 

The voice work is comprised of some of the most distinguishable voices in genre land; voices that carry the unparalleled weight in intensity, tenor, and madness to their darkly depicted illustrated characters.  You can almost feel the veins throbbing out of Ray Wise’s neck when spewing the murderous insanity of warfare kingpin and diabolical businessman, Cyrus DeKalb.  The “Dead End” and “Jeepers Creepers 2” actor’s inhumane avatar, who looks just like him, devises a plan to solidify his company’s legacy by eliminating his four children who, if banding together, can derail his egomaniacal runaway train.  His children are distinct individuals themselves, beginning with the BDS&M buff and death metal rocker, Ethan (Damein C. Haas), a pill-popping wrist cutter, Kelsy (Florence Hartigan “Phoenix Forgotten”), and a mirror-image disappointment and homosexual, Collin (Benjamin Siemon “Thankskilling 3”).  The fourth child, Miriam, is the principle lead.  Voiced with perpetual mixed reactions by Dani Lennon, a regular from the videogame-themed horror comedy and zombie apocalypse television series, “Bite Me,” Miriam’s complexities stem from a web of junctures that lead her to being a control freak amongst her siblings, an obsessive activist against her father, and a certified schizophrenic, but Miriam is also pragmatic with the strongest will to see through and survive her maniacal father’s abhorrence.  While everyone’s voice work is solid, Steve Geiger’s Eastern European accent replicated for the sadistic, warmongering henchman, Jurek, imprints a nightmare man unabashed by his decadent desires.  You wouldn’t think just be reading this review, but Bill Moseley (“Devil’s Rejects”) and William Shatner (“Star Trek” franchise) also have voice roles that are more cameo resembling as Moseley voices a short lived, facially disfigured hired gun and Shatner is the narrating voice in between the void as the Overseer, filling in with cryptic exposition of the Gamemaster’s existence, much like his narrative work on the reboot of the children’s show, “The Clangers.”   Mark Whitten, Bill Mishap, Rom Lommel, Paige Barnnet, Jim Cirile, Tanya C. Klein, Ruairi Douglas, Jason Axinn, and “Deadpool’s” Morena Baccarin as the Gamemaster round out the cast.

The way “To Your Last Death’s” story is structured runs along the same quivering line that’s equal to pure madness and this narrative path of unstoppable carnage is purposefully trekked to dislodge any judgements about what we, the viewer, think we know about the Gamemaster’s macabre game for galactic gambling.  Is the whole “Saw”-like designed bloodbath really a part of Cyrus DeKalb’s hatred and vindictiveness toward his children or is the lucid experience just a figment of Miriam’s break from reality?  Remember, Miriam was depicted to an ex-committed, living with and within the pressures of her father’s ever present, looming shadow. Miriam finds herself repeating moments but blueprinted differently than before or is manipulated by the Gamemaster’s gamer’s high for the adrenaline voyeurs betting on the outcome. The story’s effervescently fluid in pivots, tactics, and style; yet, the constant modify and rebuild was, perhaps, done one or two many times as staleness begins to set in and I eventually find himself anxious for a more linear goal for Miriam and her siblings to be out of limbo, out of being hacked to pieces on the fourth or fifth go-around, and reach the final stage, the final boss, to not be jerked back (or jerked around) to the beginning or midpoint like in unendurable game of chutes and ladders. Soon after that sensation of being uninterested in another rewind, the feeling immediately washes away as the story finally did progress, climax, finish, end, close, and put to sleep a rotunda of violence engendered by cosmic sadists that is “To Your Last Death.”

Like some warped version of “Clash of the Titans,” the insouciant Gods in “To Your Last Death” are not generous or kind in their gamble of human entertainment on this Blu-ray release distributed by Quiver Distribution. The feature is presented in a windscreen 1.78:1 aspect ratio with rich colors through but favor toward scenes splotched of dark red or saturated in full tints of blue. The animation can be a little jagged at times but tolerable and only one scenes stood out compromised with two character stuck still for a few seconds too long and color banding rear its little ugly head on their animated faces. The English Dolby Digital 5.1 surround sound renders equally gratifying that includes a pulsating and terror riddled soundtrack by Rene G. Boscio. Typical with animation, ambience is generally underused as the filmmakers control much of what’s in the frame and the same can be said with this film, but with the much of action stationary inside the building, the confinement fills in the auditory gaps in conjunction with lucrative and well timed effects, such as a ripping roar of gas guzzling chainsaw, the squirting sounds of blood sprays, and even with the lossless details of minor necessities, such as Jurek whistling, to build upon character development. Dialogue is prominent, clear, and syncs okay with the marionette animation. The Blu-ray case is sheathed in a cardboard slipcover, both arranged with the same front and back cover image and layout. The bonus features are lack as the bare bones release only comes with a high definition trailer of the film. “To Your Last Death” is this year’s cinematic graphic novel to knock back and lap up, loaded with transcendent selfish twists and second-chance carnage with dysfunctional family issues spot lit on center stage.

 

Pre-Order “To Your Last Death” for a October 6th release!