Vlogging husband and wife, Vince and Deanna, digitally showcase their married life to the world from their vacation travels to exotic coastlines to the day-to-day, mundane tasks that includes home renovations. When they demolition a wall in order to install a French door in the master bedroom, they discover a mysterious box containing a Portate (carrying) cross hidden within the wall. Every night since then, Godfearing Deanna has felt a profound presence in the house, experiencing supernatural phenomena, such as grabbing at her feet and possessing her body, almost on a nightly basis, especially 8 minutes after 1:00 AM. The compilation of footage from Vince and Deanna’s vlog cameras around the house capture the seemingly malevolent events, but Vince, being the ever agnostic skeptic, tries to invalidate any paranormal occurrences, passing them off as more feasibilities explanations. Yet, the bumps in the night continue to place Deanna in inexplicable danger, forcing Vince to reconsider his position on God in order to save his wife.
CCTV horror has been quiet over the last few years, but 2020 has seen a fair share of the stale, declining genre that’s become more repellant than a draw for audiences; yet these new ventures into CCTV horror have splashed into a Lazarus pool, rejuvenating a slither of lifeforce within genre, with limited theatrical and VOD releases into the volatile cinema market. Vincent Rocca’s written and directed multi-camera spectral thriller, “8ight After,” is a found footage horror-comedy that is an analogue releasing on the heels of moderate success, following the making-of an active shooter thriller, “Mother of Monsters,” and the hellish hotel imprisonment of souls of “Followed,” another apparitional aghast blending CCTV and handheld footage in a vlog style. Rocca’s sophomore directorial comes nearly a decade and half after his 2006 feature film debut, a comedy entitled “Kisses and Caroms,” and is produced by Rocca’s less-is-more production company, PovertyWorks Productions, that aims to produce funny and profitable films and shorts on a miniscule budget. In “8ight After’s” case, the production cost totaled a whopping zero being Rocca’s own actual camera footage of and around his home and the use of handheld’s and phone cameras when out and about. I’m also positive he didn’t pay his wife a dime.
“8ight After” fits right into the PovertyWorks’s comedy portion of its business model, especially with Vincent Rocca in the lead role as a practical joker-goofball of a husband (who really has the vocal projection of the late Bill Paxton), leading the charge of the voyeuristically invasive vlogging lifestyle as well as being a religiously laidback soul with an atheist belief set. In stark contrast to his convictions is his wife Deanna, played by his real wife Deanna Rocca, who brings a knowledge of faith for a subplot of inner family squabbles about their mixed relationship to God. When I say “8ight After” is invasive, I mean the film is a truism of invasiveness that not only is a near tell all of Vincent’s life as a videophile and Deanna’s vocation as a zoo vet but also fractures into the story their recorded travel escapades from their VinceRocca Youtube channel show, “Life Doesn’t Suck,” that discusses and logs their destination highlights of various locations from around the world. The energy from their Youtube channel transcends over into the scenes committed to the necklace narrative with a bout between comedy and horror that peers Vince and Deanna’s religious fervors. Deanna shoulders more of the in character plights with the subtle, but effective, person plagued by a unremitting presence and has to become possessed, sleepwalk, and look menacing toward her husband when the time is right for the all-seeing camera.
Compiled like a documentary (or mockumentary?) and presented in a meta format by spinning and weaving the Rocca’s exuberant régime of life and love into an undercurrent of hidden terror, “8ight After” has unique cinematic properties, utilizing his reality television fluff techniques and editing, and tackle themes of family upheaval contentious topics like religion and gun control, to wrap “8ight After” complete on a zilch budget that rides the seams of fact and fiction. For the most part, “8ight After” tenderly progresses organically with little staged affect as the high school sweethearts play to their most innate strength – 20 years of marital bliss – and chips in sparsely the sarcastic wit of Vince Rocca (did I mention he sounds exactly like Bill Paxton?) through a tech-recorded compiled story that’s well built up initially with convincing acting and strange and spooky incidents that, like most found footage films, point to specifics pieces important to the narrative. There are even a couple of homages to great horror classics like “Jaws” and “Exorcist III.” But then in a turn of sudden events, the revealing climax fizzles like the air wheezing quickly out of an inflated balloon. The finagled ending stinted completing something uniquely branchlet from the found footage genre and something that had solid momentum and steam of an escalating snowball toward the essence of a presence, but became grounded by the acute conclusion to the matter in such a matter-of-fact fashion that it completely killed the mood, tone, and disposition “8ight After” carried in preponderance.
Become wrapped up in the lives of a pair of vloggers and see them suffer the wrath of a stubborn spirit in “8ight After” that was released October 15th on various digital retailers, including Amazon’s Prime Video. The film is unrated and has a runtime of 97 minutes and has an accompanying English language 5.1 surround sound audio mix with optional English subtitles. There were no bonus material included, but you can live vicariously through Vincent and Deanna’s touristy adventures of swimming with manatees, paddle boarding, and visiting breathtaking waterfalls. Also, you can purchase Vincent Rocca’s journal notes put into paperback, of the same title as the movie and also on Amazon, that goes hand-and-hand with the film; it’s also available as an audiobook. “8ight After” tempers with a well braided blend of found footage comedy and horror from a pair of seasoned Youtubers that then suddenly trails off, leaving us holding the baby in trying to make sense of an nonsensical ending.