Insemination EVILS in “Bigfoot: Blood Trap” reviewed!

The folkloric Bigfoot goes bananas on one man’s family, killing his wife and young daughter before leaving him crippled. Years later, the same beast rips the guts out of two tattooed women filming a girl-on-girl romp in the middle of the woods after mistakingly gunning down Littlefoot with their accompanying high powered rifles. Meanwhile, gun store owner, Shannon, receives news that’s she’s inherited land from her estranged, molesting grandfather that could be worth a small fortune. Before opting to sell the land, Shannon, her brother Billy, and her two uncles, Bob and Chester, aim to have a good old fashion hunt, but are viciously attacked by the monster. Barely surviving the ordeal, they managed to capture the creature with a tranquilizer gun and phone in an eccentric cryptozoologist, Dr. Corman, who presents a radical proposition: To prove his missing link genome theory, he wants to conclude that Bigfoot can, in fact, inseminate a human female to produce an offspring. Though crazed and inhumane, the wild idea could bring in loads of capital from all sorts of scientific angles, but the greedy captors soon learn that’ll it’ll take more than a pretty face to get the legendary and mysterious Bigfoot into the proper mood for lovemaking!

With the exception of a few films, the lesser known Sasquatchsploitation genre has been more schlocky exploitation than of Bigfoot doing some serious rampaging. Critics from around all outlets, small and big, have mercilessly dumped upon the hairy big fella, calling the flicks stinky as much as reeking Bigfoot in it’s natural habitat. Unfortunately, “Bigfoot: Blood Trap” sustains the same fodder and, perhaps, evens lowers the bar even further. Despite claims of the satirical motivations and plenty passion for the project, the John Orrichio directed film released in 2017 is a bit of giant mess. The New Jersey based Orrichio (“Paranormal Captivity”) collaborates with Edward X. Young, who was thrusted into scandalous controversy with this film as he was then an active candidate for a member on the New Township Board of Education. Safe to say, a storyline involving young women being kidnapped for rape and insemination didn’t go over well with parents, but Young and Orrichio sallied-forth to bring us a plot about an abomination from the abominable.

As aforementioned, Edward X. Young steps into the role of a creepy cryptologist named Dr. Corman whose obsessed with impregnating an abducted, innocent young women. With extensive credits in no-budget horror, including “Mold!” and themed holiday slasher “Easter Sunday,” Young is highly enthusiastic about his part, being one of the main fixtures of the overhauled production, evening tackling the special effects rich with blood soaked intestines. Another lasting cast member is “The Soulless” actor John McCormack as uncle Chester. Rustic as as he is rusty, McCormack bulldozers through his lines, never letting emotions and inflections carry his performance to fruition. Playing Chester’s nephew, Billy, is “Bloody Christmas’s” Dennis Carter Jr. With turbo energy and a high, if not zany, voice, Carter blossoms more of the satire from hiding, especially when contrasted against his sister, a gun-toting, possessive, money grubber named Shannon played by Chrissy Laboy (“Long Island Serial Killer”). Young, McCormack, Laboy, and Carter are the staple four that have the most scenes, but since the production spanned over the course of years, main characters came and went like yesterday’s bagel, introducing other characters into the fold from a supporting cast that included K.J. Hopkins (“Witches Blood”), Richard Szulborski (“Paranormal Captivity”), Gregory Stokes, and John D. Harris Jr.

As much as one can open their mind to all types of movies, across a vast spectrum of genres, sitting through “Bigfoot: Blood Trap” tested patience, will, and interests. The over-the-top gore, with strewn organs being, sometimes awfully blatantly, ripped from the bellies of Bigfoot victims did not turn heads away in disgust. The problem is more insidious with sloppy, shoddy technical gaffes with a brain seizing storyboard and choppy editing topping the lineup. Performances eek by without much scathing and one could even look past the joker in the “Trading Spaces” monkey suit passing as a vicious Bigfoot, but the lack post-production effort, especially with such a lengthy shoot, kinda says, “Hey! Let’s wrap this up! “Pronto!” and carry on with our lives without batting an eyelash in attempting at beautifying a hunk of ho-hum creature feature, but there is one positive thing about “Bigfoot: Blood Trap,” Orrichio manages to pull off 95 minutes in a sex with Bigfoot bonanza and I’m sure nobody else can claim that title.

“Bigfoot: Blood Trap” is released onto DVD home video courteous of Wild Eye Releasing on their Raw & Extreme label. The DVD is presented in a widescreen, 1.78:1 aspect ratio, that often looks stretched over a canvas with plenty of digital noise and low lighting woes. Colors look okay and same can be said for skin tones. There’s hardly any tinting so all, if not most, scenes are in natural lighting. Some lens cleaning wouldn’t hurt either on the drone for ariel shots. The English language stereo 2.0 lossy mix has hard stops when regarding quality. Swelling vocal tracks lack fidelity gusto and wander into the crackling territories often associated with poor mic placement or an unfinished track mix. Dialogue also comes and go from the forefront to the background. Bonus features include a production interviews, which are basically actors introducing themselves and being advocates for their characters. Also included is a segment entitled “Andy Girffith,” where little foot and Bigfoot reenact that rememberable son and father walk with a fishing rod with whistling that recognizable and catchy thematic tune. “Killing the Girls” is a true behind-the-scenes look into two of Bigfoot’s potential unwilling mates meeting their ends at the monstrous hands of the hairy beast; it’s a glimpse of Edward X. Young, wearing his special effects technician hat, gooey up the gore on the girls as the act out their best scream queen impersonations. Rounding out the extras is a music video and trailers. From the Wild Eye Raw & Extreme’s snarling, bloodied-teeth, Bigfoot faced DVD cover, high hopes created a false foundation leading into a John Orrichio’s Sasquatch breeding farm film! Yet, no matter how enthusiastic the cast, “Bigfoot: Blood Trap” unsavory independent charisma snared time that we’ll never get back into our precious lives ever again.

Own this Raw & Extreme film today!

Evil’s Hairy, Foul-Smelling, and Big! “Stomping Ground” review!


Chicago based Ben and Annie travel to Annie’s small southern hometown in North Carolina over Thanksgiving weekend. Annie reunites with high school friends Paul and Jed, who have stuck with their southern roots and tease Ben for his sheltered city life. Ben discovers more about Annie’s past through her friends such as her and Paul being at one point in time an item in high school, her being a wild party animal, and that she actually believes in Bigfoot. Jed and Paul invite Annie and Ben to a deep woods camping trip where Bigfoot has been believed to be looming about; Ben doesn’t believe in Annie’s Bigfoot obsession, but tags along to keep Paul from purposely undermining their relationship in order too get close to his at one time girlfriend. When the four go deeper into the woods, attempting ddto meet up with a couple of other friends, they soon realize something is wrong and something has been following and toying with them, but is it really Bigfoot?

Finally, a well-made simplistic, yet terrifying story about the legendary Bigfoot that isn’t disgustingly mishandled when interpreted to the big screen. Cautiously optimistic with each Bigfoot inspired film, I’m always to be horribly let down by the sheer lack of monstrous intensity, heartfelt passion, and distinctive effects the big and iconic cryptozoological creature has been displayed over the years, or even decades in fact. I did think the William Dear family-friendly “Harry and the Henderson’s” would be the sole king of the Sasquatchsploitation genre, but here, right before me, under the careful and patient eye of director Dan Riesser is “Stomping Ground.” “Stomping Ground” is one part comedy, one part melodrama, and one part thriller rolled up into a three act film school archetype that gets it’s dirty sasquatch-ian claws into the viewer’s attention from start to finish.
The Riesser and Andrew Genser collaborated script strongly develops the four main characters in Ben, Annie, Paul and Jed. Ben is a complete fish out of water, seeking eagerly to fit into Annie’s southern habitat and be one with it’s rowdy and rugged natives, but can’t seem to grasp, what he considers, the oddball behavior of those living below the northern hemisphere. Annie is a girl with an elusive past, according to Ben, by not letting Ben into who she formerly was, a Bigfoot believing, let-loose party girl with a love for the ourdoors, until old habits start to emerge externally in her return back home. Knowing this about Annie and with a strong attraction to his former fling, Paul seeks to disintegrate Ben and Annie’s city-living relationship, cutting their opposite-attraction bind, and get her back at whatever means possible. Jed opposites life long friend Annie where he lives for the freedom of the sticks while never letting go the cockeyed belief that Bigfoot roams the local woods. John Bobeck as Ben, Jeramy Blackford as Paul, Tarah DeSpain as Annie, and Justin Giddings as Jed deserve a round of applause for believing, and showcasing those beliefs, in their characters because if there wasn’t such a heavy character development in the first two acts of “Stomping Ground,” there might not have been such a desire to give two-shits about any of the characters, placing them in the neutrality column.
Usually with any film about the big, hairy myth, the Bigfoot effects are either jerry-built or heavily CGI dependent that reveal more of a glossy feel aftertaste than a mangy, gritty animalistic and realistic one. Not many effects were used up until when the Bigfoot made an appearance so I wasn’t quite sure what to expect and, like I aforementioned, I’m always cautiously optimistic. When Bigfoot made the on screen debut in full visibility, the matted hair, begrimed skin, tall and broad stature, and an effects accomplished atrocious face was all combined to structure a well-crafted, finely-detailed animal that could pass for a real life Bigfoot sighting without a doubt. Though the scenes are brief and obscured at points, “Stomping Ground” has a Bigfoot contender that’ll top the makeshift giant gorilla suits some actors are placed into with very little touchups and the digitally implemented gargantuan that’s over exaggerate in appearance and abilities of the Bigfoot in those other films.

I wouldn’t be doing my job if I didn’t have a gripe or two about every film I review and there are a couple of issues that deserve expressing here, even if “Stomping Ground” is an independent favorite. Shot on location in North Carolina, the woods felt more like a national park than uncharted territory as a few trail markers were seen on trees and though not necessarily expressed that the woods were uncharted, wouldn’t that still leave the question why Bigfoot has been so elusive? Yes, a few background hints were dropped in the beginning about sightings, but nothing major really split the hairs to make North Carolina the Bigfoot sighting capital of the world. The circle seemed kind of small to just the group of three – Annie, Jed, and possibly Paul. Also, the film’s ending was a bit undercooked, leaving up the air the fate status of Ben and Annie and also of the Bigfoot too. The abrupt finale emerged right when the story was becoming more and more captivating and now I feel unquenched, I feel betrayed, and I feel unsatisfied with our character’s conclusions.
Anvil Entertainment and Irrational Films co-produced the project with independent distributor BrinkVision, who also distributed the praised “Evilution,” releasing the DVD and streaming Video On-Demand on March 8th. Don’t also miss the Theresa Tilly cameo, one of original ladies of Sam Raimi’s “The Evil Dead,” as she’s cast as Annie’s mother. Though we received only a streaming copy for review, “Stomping Ground” does include other extras such as audio commentary by writer-director Dan Riesser and Stars John Bobek and Tarah DeSpain, behind the scenes featurette, deleted scenes, and the film’s theatrical trailer. We can’t comment on the video or audio quality due in part to the streaming screener copy, but the our overall impression of the film’s quality is above par as no technical errors were discovered or noticeable. Its good to have Bigfoot looking good back on the screen again.