Evil Thoughts: Out with the Old, In with the New?

MOH

Masters of horror. You know. Those legendary filmmakers that become iconic in our beloved genre. The monumental men who made history by evolving the monsters, killers, and madmen to the very monsters, killers, and madmen we see today on the big and small screen. These giants of horror are household names to ordinary film fans and Gods to those who dedicate their lives just to live in a moment in a very small portion of their foot heel shadow. You, reading this op-ed, know the very names of these directors without even me mentioning their names. For those who are virgin to horror, however,…

George A. Romero
John Carpenter
Wes Craven
Stuart Gordon
Tobe Hooper
Joe Dante
Clive Barker

The list could go on with more familiar names. Familiar. That seems like a term for old people now, like myself, the thirty-years of living on this planet. Why is ‘familiar’ now for the old fogies? For one, I don’t think much of the younger generation are aware, or even respect, the above list of names. And why should they? Because, secondly, those listed about have done squat in, I don’t know, how many years? Think about. The Masters of Horror are no longer producing any great horror films and there seems to be no clear cut answer to why. A couple of theories swirl in my clustered little mind.

Theory one
They’re old. Getting elderly is tough and when you’re youth runs dry, you’re energy goes right along with it. Take Romero for example. The man is 74 years old. Wes Craven is even older than Romero by one year. Could their old school imaginations keep a generation, doped up on ADD medication, entertained for more than 10 minutes. Much of today’s horror is about the blood and the tits and the “how scary you can make a CGI monster.” Creativity has gone out the window and I think that “Saw 7” and the soon to be fifth sequel to “Paranormal Activity” have proven just that.

Rhauer

Theory two
Old school horror has run out of ideas. Can you remember the last time Romero, Carpenter, Stuart has made a good movie? Romero’s last film was “Survival of the Dead” back in 2009 which flopped. Before that “Diary of the dead” and that was another flop. Since the turn of the century, the king of the zombies has only directed four films with Land of the Dead being the more successful. Take a look at “Halloween” director John Carpenter. “Halloween” is the highest grossing independent film ever, yet also in the last decade, nothing spectacular from Carpenter. His vision of “The Thing” is classic, his character Snake Plissken is iconic in “Escape from New York”, “Big Trouble in Little China” is timeless cut, but “The Ward” and “Ghost of Mars” have been absolute below the bar with audiences. This theory doesn’t exclude international directors because we can also examine, point in case, Italian director Dario Argento. Argento famous for his colorful, psychedelic intense films such as “Suspiria”, “Phenomena”, and “Don’t Torture the Duckling”, has been reduced to direct a “Dracula 3D” movie starring Rutger Hauer. Freaking RUTGER HAUER!?!? Don’t get me wrong, I love Rutger Hauer – “Blind Fury” and “The Hitcher” are some favorites – but you can’t have a strawberry haired Van Helsing. Maybe you can – I don’t know. Let’s not forget poor Wes Craven who can’t seem to get off the “Scream” franchise train and everything else he touches turns into a limp, floppy mess.

Now that we’ve gone over my theories, there lies another question to be discussed. Who are the NEW masters of horror? Today’s films rely on blood and guts and not so much suspense and story. Would Eli Roth be my first example of a more current master? His films seemed to be well criticized – “Cabin Fever” with a fresh 63% and “Hostel” with a fresh 61% respectively on Rotten tomatoes. Also, his latest project “The Green Inferno” held promise until it’s untimely indefinite on hold status declared a few weeks ago. Who else? Alexandre Aja? More shock than schlock but hasn’t really produced anything original as he’s banked on remakes – “The Hills Have Eyes”, “Piranha 2” – but with his breakthrough hit “High Tension” and his upcoming release “Horns” starring Daniel Radcliffe, we could be watching a master in the making.
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I want to hear from you. Who do you think will step in the shoes of a master? Lucky McKee? Adam Wingard? Let me hear your choices and your thoughts on these!

Dance the Evil Dance! Bloody Homecoming review!

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The latest trend for independent horror filmmakers is to pay homage to the 80’s slasher. Bloody Homecoming is no different as one other review site said the film is “an unusually effective homage to the golden age of American slasher movies.” Is the Freshman of Brian C. Weed a worthy throwback of the “golden age of American slasher?” The elements are there and I can say that Weed gave it one hell of a try making a masked killer into a relentless murderer of teens that harks back to classic icons like Jason Voorhees or Michael Myers.

Football star Billy Corbin dies in a fiery deathtrap during his school’s homecoming. Three years later, the teens who were labeled responsible, but never held accountable, prepare for the school’s first homecoming since the tragic death of Billy Corbin. While in jubilation of their school spirit, a killer dressed in a firman’s gear hunts them down one by one during the homecoming dance; a killer hell fire bent on revenge for Billy.
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And while director Weed makes a heartfelt attempt at a throwback horror movie, the characters are too shallow and need more work to make them more human. Robotic dialogue creates a kind of hatred that only a masked killer could exterminate. Thank goodness for the “fireman” killer. However, a handful of hopeful characters keep the film’s watchability right on the line between entertaining and dull. Bloody Homecoming does bring a unique way, a rare method, when deciding to who gets the axe. Every character is fair game to bite the dust and no one can argue with that as the usual suspects are token black guys, couples who’ve just had sex, and the comic relief – to be fair, all these characters were in this stereotyped high school teen horror film.
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Other slasher films such as My Bloody Valentine or Scream come to mind when thinking about the “fireman” killer. I’m guessing the writer, Jake Helgren, gave the killer inspiration for using the fireman gear after the burning death of Billy Corbin. The outfit is a bit out of place, but the connection between the catalyst and killer can determined. The killer uses a sharpened spirit stick which doesn’t make a intimidating weapon, but effective none the less. Lets just say the spirit stick takes the spirit right out of the kids. The killer character’s depth could have been more extensive and more meaningful. The paper thin motivation from the killer does little for the character and the killer would just be labeled as another run of the mill killer.

Bloody Homecoming won’t knock your socks off, but the death scenes are graphic, bloody, and well timed in the scene. Brian C. Weed’s first attempt at horror is just the tip of the ice berg and we could see some great things from Weed if another opportunity presents itself. The editing is professional and well done so I see things could only get better from here and Bloody Homecoming’s UK DVD release is slated for March 10 from Image Entertainment.

Don’t Fuck in the Woods! Indie Film with Great Title!

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Today, I came across a film entitled Don’t Fuck in the Woods and if you’re a die hard horror fan, you know that fucking in the woods (or in any horror scenario) will get you killed – reference Scream (1996). The synopsis is simple enough as a group of graduating friends take a debauchery camping trip to celebrate where things go horrifically wrong.

The “creature feature” labeled project is still in the pre-production fundraiser stage with shooting beginning Summer 2014. Writer and director Shawn Burkett has been involved in similar projects such as Midsummer Nightmares, Bludgeon, and Theater of the Deranged II. But what is most appealing about DFITW is the recent casting. Ayse Howard is the first name on the casting list and has worked with Burkett on numerous occasions. Apparently, TheDirty states she is a big slut (), but I’m a positive person and she looks like a great “slut” to hangout with. I see potential nudity written all over her character.

Ayse Howard

Ayse Howard

The second cast member is Suicide Girl Deziree Angel. This gauged out gal will be making her film debut with Don’t Fuck in the Woods. Garuanteed nudity? Who knows? But there is one aspect of her life that I can tell and that is that this Angel doesn’t dig guys and, perhaps, would care for a role where a one-on-one female scene would be required? We could only be so lucky, but I’m glad Angel is branching out from SG and making headlines as an actress.

Diziree Angel (left)

Diziree Angel (left)

Kevin Bacon and the Evil Cult! The Following (TV Series – Ep. 1 Review)

The-followingFox usually has some pretty entertaining shows.  I was a religions Hugh Laurie House M.D. follower and Tim Roth’s Lie To Me really had me going until the show was canceled for some, most likely, idiotic reason.  After that those two shows were no longer running new episodes, I occasionally watched Family Guy, The Simpsons and Football whenever the Detroit Lions were playing.  This new crime/horror thriller show called The Following had aired January 21st and I can’t say I was eager to turn away from Monday night’s The Biggest Loser that airs at the same time that The Following airs.  I’m not ashamed to say that my wife and I caught The Following on On Demand and I’m impressed.  What a great first episode to set up all the characters and their stories and now I am eager enough to start being a religious follower; however, I will not turn away from watching obese people sweat to death and curse at their trainers for a killer’s killer cult.  Something about big people struggling to lose weight has more of an appeal, but thank you On Demand for being so convenient in helping me catching up on my shows (Dexter, American Horror Story: Asylum)!

The Following is about a charismatic and powerfully persuasive English professor Joe Carroll who is also a murderer of young college women to capture the essence of Edgar Alan Poe’s literary work.  FBI agent Ryan Hardy tracks down Carroll and single handedly arrests him despite being stabbed in the heart.  Years later, Carroll escapes just a week before his execution and now the ex-FBI agent Ryan Hardy has to once again track him down.  Before Hardy is able to apprehend once again, Carroll sets forth a plan that involves his loyal followers doing his murderous bidding for him which will tie up loose ends and most certainly involved the wash up agent Hardy.

Kevin Bacon in the first episode had a good first impression, but I didn’t empathize with him.  This is not to say that his character will develop more into something more in depth and I can’t wait.  My third eye tells me that there will be more to his character and his story.  Bacon isn’t a stranger to horror (Tremors, Stir of Echos, Flatliners, Friday the 13th) and his performances usually stands out.  I believe in the Bacon.  Plus, with being the brain child of Scream series screenwriter Kevin Williamson, I have no doubt that we’ll get some great thrills.  Episode one delivered some fantastic and dark scenes, especially with Joe Carroll’s potential serial killer prodigy and his dog experiments.  The cast is well rounded out with Shawn Ashmore (Lord of the Rings, Frozen), James Purefoy (Resident Evil) and Natalie Zea.

What I seriously hope to be a brutal series, I kind of have my doubts that this will be anything like American Horror Story.  Unlike it’s more edgier little brother F/X, FOX seems to be a tamer, more conservative counterpart and FOX, much like ABC and NBC, have had too many shows that are a hit and a miss and are canceled before you can say seven degrees of Kevin Bacon.  I see The Following lasting beyond the first season and I see my ass in bed turning in a couple of days after the airing to catch up!  Keep your eye on this one from FOX.

Evil Dwelling: Horror Icons of the 21st Century?

After watching The Collector, I started to think about how potential horror icons of the 21st century seem to shrivel up, fizzle, and dissolve away into nothing halting a potentially worthy horror franchise into spit – yeah, spit. The franchise runners – Jason Voorhees of Friday the 13th, Michael Myers of Halloween, Freddy Kruger of A Nightmare on Elm Street, Leatherface of Texas Chainsaw Massacre, Chucky of Child’s Play, Pinhead of Hellraiser – are good examples of horror icons and their franchise titles; yet the trend has seem to fade away, perhaps we are seeing the last of franchise horror icon and their time as reigning champs is on the way out. I like to think that this lack of a long hauling series is giving an opportunity for new blood, but the majority of horror movies the past decade don’t have the staying power nor do they have enough support to have a sequel every other year. I’d like to share with you my thoughts on current horror franchise icons and some possible contenders for the future.

Ghostface

I like my knife.

Who is probably the face of franchise horror of the 2000s, Ghostface became a household horror name, easily becoming an icon without really trying. The simple use of black and white and an abstract of Edvard Munch’s portrait woven with the mind of Wes Craven and screenwriter Kevin Williamson catapulted the franchise from the 1996 all the way to 2011. The icon has made it’s mark in the Halloween costume market, memorabilia shelves and was even homaged in an unofficial video game that pitted horror icon versus horror icon called Terrordome. The Ghostface killer can be anybody, can out swift anybody and can rise from the grave over and over again (much like his icon predecessors). However, Ghostface stays human and never has been backed by evil powers to contribute to his killing spree success (much unlike his icon predecessors).

Jigsaw

Every channel has Jigsaw – gosh!

Where Ghostface became the face of an horror icon of the millennium. Jigsaw most certainly was the presence that absorbed the rest of the icon persona of the 2000s. Ghostface had the healthy braun, Jigsaw had the killer mental capacity. The ailing killer engineer masterfully justified his kills by righting wrong by committing extreme self-judgments. Even after death, Jigsaw had a lasting impression upon his followers who carried out his deeds for him. For seven consecutive Halloweens, Jigsaw has made an appearance on the big screen. While most fans have probably had enough of Jigsaw for at least another seven years, there are some die hard Saw fans itching for more traps, more blood and more Jigsaw and his creepy doll.

Victor Crowley

A face only a mother can love.

Louisiana back-woods, swamp thing Victor Crowley is a deformed tortured soul that will never sleep until every single person who trespasses is ripped to bloody shreds with his bare hands or, of course, hatchet. Crowley came on the scene in 2006. Adam Green brought the slasher back. Green gave Crowley a tragic backstory much like Jason Voorhees. A boy who is teased to the point of his almost death only to rise again to embark on a murder crusade. Victor Crowley initial success might be his downfall. Much like how Wes Craven played out the Scream with sequel two (it was okay) and sequel three (damn near stank), Hatchet II was garbage in comparison. One could only hope Green took a step back and reviewed Crowley’s flaws to bounce the deranged maniac back to spilling more blood than ever.

The Creeper

Be a part of me!

Never have I really cared for Victor Silva, but his creation, The Creeper, has to be one of, if not the, best horror character icons ever. With intelligence, attitude and a knack for resurrection, The Creeper has it all. Two films are under this potential franchiser’s belt with a possible third movie continuously being hinted at and unlike perhaps Hatchet, the fans want the winged creature back and possible this year…so sources say. Lets all hope that The Creeper will piece himself back together, from the body parts of his future victims, and return to more rural terror!

The Collector

You'd like nice in my Collection!

You’d like nice in my Collection!

The Collector had sparked this whole notion about more modern horror icons. With The Collection release, I’m anxious to see what kind of hobbies The Collector has in store. At first, I’ve brushed The Collector dismissing it as another run of the mill slasher flick. That is not the kind of horror blogger I strive to be, but one can get discouraged by most of the junk horror that surrounds us. I’m glad I have Jayson Kennedy in my life (or at least as a friend on my Facebook). I trust Jayson’s word so much that on his positive views of The Collector, I could not wait to get my hands on this interesting character. Marcus Dunstan’s and Patrick Melton’s icon has a bright future. Don’t get him mixed up with Jigsaw as The Collector is more of a perverse character whereas Jigsaw was a teacher of sorts. This is what makes The Collector an even more mysterious character.

Chromeskull

Slice and dice with a smile.

Laid to Rest was a sleeper. Loved the viciousness and the tenacity in brutally murdering people and using a camera to relive the experience over and over. Must like Adam Green, Chromeskull is the one trick pony of Robert Hall which could hinder Chromeskull’s career as a franchise killer! If there was ever another sequel, the story and the effects would really have to blow us, and the critics, out of the water if Chromeskulll wishes to return and return and return from the grave. Chromeskull’s mysterious ways his frightening and his appearance is reminisce of an 90’s slasher, but unlike those decade slashers Chromeskull has the most potential in the 2000s.

Now that I’ve shared my thoughts, can you think of any other franchise or potentially franchise icons that sparked in the turn of the century?