The Maestro Delivers Us From EVIL! “P.O. Box Tinto Brass” and “IsTintoBrass” reviewed! (Blu-ray / Cult Epics)


Tinto Brass, whose very name is synonymous with erotica cinema, presents a tantalizing series of letters and videotapes, written and recorded for him by adoring women executing their most sensual fantasies, exploiting their carnal desires, and giving the director a peak into their wet dreams. Brass’s lovely young assistant retrieves numerous submissions from his P.O. Box and as Brass scours through the countless correspondences, attempting to penetrate through the mundane to find that special something from his female fans, the stories become animated from text to short film visuals that involve spread eagle voyeurism, reluctantly desiring wife swapping, and a little husband and wife role playing to spice up their drab marital sex life by incorporating home movies. Each woman is able to confide in the maestro who harbors a gift for delivering classy and joyous erotica to not only the cinema market, but also into his admirers’ private lives.

While America became gradually engrossed by the Showtime syndicated erotic drama series, “Red Shoe Diaries,” hosted by “X-Files” David Duchovny that showcased unconnected sensual stories from women who bared it all in heated encounters with male companions, the Italians’, who were experts in erotica cinema that this time, had their very own, slightly more explicit, version released in 1995 in full-length feature form, cleverly titled “P.O. Box Tinto Brass,” from director, and as titular presenter, the erotic master himself, Tinto Brass. Originally titled “Fermo posta Tinto Brass” in the native dialect,” “P.O. Box Tinto Brass” arrives on a new and restored 2-disc Blu-ray release from Cult Epics and acts as a celebration on not only the filmmakers’ immensely arousing body of work, but also a celebration on the director himself who has the uncanny ability to unearth the hidden away desires in all from his tongue-and-cheeky intimacy story arcs that relieve suppression for exploration of our natural sexual ambitions without the culpability instilled by taboo cultures. Granted, some of the material presented might feel dated and not as salacious as every John and Jane Smith can now utilize their God-given bodies to amass a modest fortune across the world wide web of sex, but to understand today’s culture, which still seems a fair share of sexually oppressive forces, we must look at Tinto Brass’s gift in normalizing what once was bedroom only material. Brass, who sport smoking a signature cigar throughout the film, uses his platform and becomes the vessel of expulsion to remove the privacy and shaming barriers that hinder healthy sexual appetites and, literally, creates a tactile representation of sexual jubilee with little-to-no seething judgement other than that of the character’s own restrictions. There are a ton of Brass trademarks shots that include, but not limited to, the hairy vulvas, a playfulness toward the vagina, exhibitionist flaunting, loads and loads of butt and breast angles in and out of clothes, elaborate location patterns on a grand, maybe art deco, scale, and, perhaps his most notable trademark, the expansive range of setting up elegant shots reflected off mirrors. As a whole, “P.O. Box Tinto Brass” brings a lighthearted and free atmosphere that’s uninhibited and sexy during and between each segment and while Brass is no doughy-eyed David Duchovny, I would be remiss in the lascivious eyes of Tinto Brass if I didn’t mention that after immersing ourselves in the “P.O. Box Tinto Brass” anecdotes, me and my wife had the most passionate, free verse sex we ever had since we’ve tied the knot 8 years ago, an experience that’s akin to an economically-friendly version of sex therapy. Thank you, Maestro!

This leads us into the second disc of this Cult Epics epic release with a 2013 documentary, entitled “IsTintoBrass,” from a longtime Tinto Brass colleague and good friend, Massimiliano Zanin, who delves more into Brass’s political, experimental, and monumental work compositions that shaped the director into who is now the renowned eroticism auteur with a belief and a slogan that the ass is the window into the soul. Thought being born, bred, and flourish as an Italian filmmaker, “IsTintoBrass” speaks volumes about his French influences and his life guiding time at the Cinémathèque Française in Paris where he met Henri Langlois and Lotte H Eisner who exposed Brass to rare, unseen films His time Cinémathèque Française afforded him praise on his first films, such as “Who Works Is Lost” and “Attraction,” that were to the likes of French directors like Jean-Luc Godard and were labeled as a blend of part French New Wave movement and pop cinema. Zanin guides us through Brass’s continuous battles with censorship boards whose biggest problem with his filmic formations was not the nudity, but the supposed transgressions against conventional cinematic norms, especially with “Salon Kitty” that was an atypical example against the latter half of his career and used sex as a means of power of another person. His entrenched struggles didn’t end there as the documentary also shed lights on filmmaker’s most controversial work, “Caligula,” which became not his work due to a an underhanded producer who decidedly desired more sex than story and fought Brass, in more than one court of law, for the rights. Notable friends, colleagues, and film critics go through the eclectic Tinto Brass timeline, recalling and reexamining his decisions and aspirations into a multinational praise of his work. Some of these speakers included Franco Nero (“Dropout”), Helen Mirran (“Caligula”), and Sir Ken Adams (“Salon Kitty”). Plus, there is plenty of T and A to go around,

If Tinto Brass didn’t have a stroke in 2010, Zanin’s documentary wouldn’t have been made three years later as it’s a highlighted tribute of one remarkable Italian filmmaker’s life achievements stemmed from something as terrible as a life threatening ailment; yet, that’s how these things usually go, right? A retrospective acknowledgement, usually overwhelming positive in general, of a great artist whose work is greatly admired, frequently in a posthumous manner. In this case, Zanin saw fit to encase a historical record on Tinto Brass before meeting his maker, beginning with a really vigorous look into his inspirations at the Cinémathèque Française, chalking up much of his earlier work to his time spent looking through reels upon reels of avant garde films, but then Zanin quietly fades out of the path that elevated Brass as the cherished erotic connoisseur. Zanin’s story takes this awkward tangent to only skim the surface of Brass’s erotic films, which is strange since Zanin’s known and collaborated with Brass the last 20 years, about 13 years when this documentary was released, and penned a pair of his Brass’s saucy scripts, “Cheeky” and “Monamour.” Yet, the last 20, if not 30, years is surprisingly fleeting in Zanin’s capsulated effort to immortalize Tinto Brass. Still, the overall film is perhaps more endearing than Tinto Brass would have ever imagined, especially as brash and as perverse as his image portrays him outside the parameters of the filmic dome. Inside that dome, Brass has obtained throughout the decades a following of professional admirers and adoring fans who see him for what he truly is, himself. “IsTintoBrass” isn’t a gratuitous or perverted exhibition of an old man’s horniness; it’s an intoxication of what it means to actually be free from the repressive nature of censorship, the rapturous high of being an unchained artist, and being an obsequious master craftsman of cinema.

Cult Epics delivers a 2-disc limited edition Blu-ray of Tinto Brass’s “P.O. Box Tinto Brass” and Massimiliano Zanin’s “IsTintoBrass.” “P.O. Box Tinto Brass” has been newly restored and re-mastered in 4K high definition from the original 35mm negative and presented is a widescreen, 1.85:1 aspect ratio. The picture is absolutely stunning that revels in the burst of primary colors Brass was keen to implement. The details and the tones on the naked skin flesh out every beauty mark, fiber of hair, and every pore. Typically, Tinto Brass films run purposely a little soft to create a dreamlike, if not fantasy-like, setting to obtain a jovial mood setting for the uninhibited moments, but the details are still strong throughout. “IsTintoBrass” is presented in a widescreen, 1.85:1 aspect ratio, from a 2K transfer scan of digital video, aside from the snippets of Brass’s work. Video presentation is like crystal that obviously wouldn’t distinguish any kind of transfer anomalies because there wouldn’t be any. The Italian language 2.0 Mono LCPM/DTS-HD Master Audio 2.0 Mono (“P.O. Box Tinto Brass”) and the DTS-HD Master Audio 5.1 Surround (“IsTintoBrass”) are clearly discernible in all regards, especially in the Tinto Brass directed feature form ’95 with a clarity in the speech, a softer ambience that supports the dialogue rather than be level with it or overwhelm it, a range that mingles to support the dialogue as well. English subtitles are available on both discs. To smooth off any rough edges is a score by Riz Ortolani (“Cannibal Holocaust”) with a vibrant, cheeky score that fits perfectly into Brass’s wheelhouse of curvy, adventurous women. Bonus features on the first disc includes a 2003 interview with Tinto Brass who gives a brief background on his cinematic start, poster and photo gallery, and the trailer. Disc 2’s bonus material includes an interview with writer-director Massimiliano Zanin providing his reasoning for this documentary, a Tinto Brass achieve photo gallery, a couple of short interviews praising Brass’s passion, and trailers The package is also a work of art sheathed inside a cardboard, black and blood red slipcover and inside the casing is a 48-page booklet of Gianfranco Salis stills from the Tinto Brass achieve which are beautiful and almost Playboy-esque. To experience Tinto Brass is invaluable enough, but to experience his films in high definition is without a doubt worth it’s weight in gold with the powerhouse release of “P.O. Box Tinto Brass” and a retrospective documentary “IsTintoBrass” from Cult Epics!

Check out the LIMITED EDITION “P.O. Box Tinto Brass” release!

Cult Epics Book Campaign!

Cult Epics have launched a new campaign for the Hardcover Book “CULT EPICS – COMPREHENSIVE GUIDE” at INDIEGOGO
https://igg.me/at/cultepicsbook

Celebrating the 25th anniversary of Cult Epics, this commemorative book covers 150 essential releases 
from filmmakers such as Tinto Brass, Fernando Arrabal, Radley Metzger,
 Walerian Borowcyzk, Jean Genet, Abel Ferrara, Rene Daalder, Olivier Smolders, Jorg Buttgereit, Nico B, Irving Klaw, and pinup legend Bettie Page.

The book is divided into chapters on specific directors or genre (such as arthouse, horror, erotica, and music), and includes over 100 extensive in-depth reviews, essays and interviews by top writers – Mark R. Hasan, Michael Den Boer, Nathaniel Thompson, Ian Jane, Heather Drain, Rayo Casablanco, Matthew Whoolery, David Kerekes and Marcus Stiglegger, among others. The book will be fully illustrated in color with rare photos, poster art, and memorabilia – including images and rare personal notes from Bettie Page. Size is approximately 8.75″ x 11.25″ x 1″ with 256 full color pages (and over 200 pictures).

Here are some exclusive perks:

1. CULT EPICS – COMPREHENSIVE GUIDE TO CULT CINEMA. HC BOOK.
Cult Epics Hardcover Book + Your Name in the Acknowledgements + Digital Book – $50.00

2. CULT EPICS HC BOOK + DEATH LAID AN EGG BD/DVD/CD COMBO
Cult Epics Hardcover Book + Limited Edition of 3 disc Combo (Blu-ray/DVD/CD) of DEATH LAID AN EGG (Director’s Cut), a giallo film by Giulio Questi, starring Jean-Louis Trintignant, Ewa Aulin, Gina Lollobrigida. We offer our next upcoming release only through INDIEGOGO with EXCLUSIVE SOUNDTRACK CD (only 300 to be made) with fantastic score by Bruno Maderna, numbered, not to be available in stores + Your Name in the Acknowledgements + Digital Book – $75.00

3. CULT EPICS HC BOOK – SIGNED BY 10 DIRECTORS!
Cult Epics Hardcover Book – Ltd. ed. of 20 copies Exclusively Signed by the following filmmakers: Tinto Brass, Radley Metzger, Fernando Arrabal, Agusti Villaronga, Jorg Buttgereit, Gerald Kargl, George Barry, Anna Biller, Nico B + 10th director t.b.c. + Your Name in the Acknowledgements + Digital Book – $250.00

This gorgeously vivid illustrated book will be printed in July and ready to ship in August! Better hurry and get those awesome perks and grab a Limited Edition copy! Only 1,000 in stock!

Don’t wait!

This is How to Revolt Against an Evil Empire! “Private Vices, Public Virtues” review!

screen-shot-2017-01-04-at-10-11-23-pm
On the countryside of a 19th century central European empire, Crown Prince Rudolf resides at his manor estate with his nanny, faithful servants, and armed guards. However, the Prince abstains from being stately and goes against his father’s, the Emperor’s, wishes. Instead, the pan-sexual Prince frolics through life with his two lovers, his half brother and half sister. Their apathetic about the Emperor’s inclinations and enjoying the carnal pleasures, juvenile games, and the ecstasy of free-spirit inducing drugs with their communal aristocratic friends and feral manor servants. The Prince plans to humiliate his stern father by hosting the biggest festivity with dancing and champagne, laced with uppers that has his guest losing their clothes and parading amongst the grounds in a merry-go-round of uninhibited jovial madness that sends his the Prince’s father into an uproar that calls for the execution of his son and his lovers.
screen-shot-2017-01-04-at-10-09-45-pm
The 1976 “Public Vices, Public Virtues” is a circus of eroticism with a belly full of symbolism and ambiguity. Hungarian director Miklós Jancsó has developed a masterpiece from a script co-written with Giovanna Gagliardo that’s loosely based off the infamous 19th century murder-suicide known as the “Mayerling Incident,” which involved Prince Rudolf, the Crown Prince of Austria and the son of Emperor Franz Joseph I of Austria. Jancsó, called “the greatest Hungarian film director of all time” by his peers, maintains elements of the tragically historical event and morphs it into a melodramatic comedy penned with singsongy dialogue and communicated through various performances of the arts.
screen-shot-2017-01-04-at-10-11-13-pm
Fellow Hungarian Lajos Balázsovits encompasses the lead role of Prince Rudolf who ravages the screen with a lighthearted and uncut male nudity performance that sets an artistic and ethereal tone of beauty, of love, and of revolt. Alongside Lajos Balázsovits comes cult actors such as Tinto Brass regular Franco Branciaroli (“The Key,” “The Voyeur” which he was spectacular), Teresa Ann Savoy (“Salon Kitty,” “Caligula”), Laura Betti (“A Bay of Blood”), and “Night Sun’s” Pamela Villoresi to be at Jancsó disposal to be free to unclothe in a joyous protest against a ruthless and steely ruler. The mutton chops of Emperor Franz Joseph make a resembling appearance as part of the lucrative backdrop for the boisterous sexual revolution that stormed the cinema markets and Balázsovits fully submerges into a pan-sexual role, gladly submitting himself to women, men, and even his goggly-eyed Nanny, Laura Betti, who gets to touch the royal scepter in more ways than one.
screen-shot-2017-01-04-at-10-10-16-pm
The co-produced Italian and Yugoslavian “Public Vices, Public Virtues” has an astonishing production value for soft core erotica. The elaborate, detailed wardrobe and authentic appeal to recreate the 19th century era is stunningly breathtaking and highly infatuating to be in the midst of an amorous atmosphere. With the costumes and manor home, the cash flow trends toward the amount of extras casted to prance and dance in an everlasting parade of jubilance. “Inglorious Bastards” and “The New York Ripper” composer Francesco De Masi displays his brass, as in brass instruments, continuously conducting a marching tune to the aristocratic orgy that doesn’t attest to a viewer allurement, but does put into place a bit of pizzaz into the melodrama. De Masi’s soundtrack compliments the nursery rhymes and classical scores that round out this Filmes Cinematografica and Jadran Film production.
screen-shot-2017-01-04-at-10-11-09-pm
Proclaimed the wild side of world cinema, Mondo Macabro releases “Private Vices, Public Virtues” on a glorious restored and uncut Blu-ray region ABC release. The original negative restored and transferred to a single layer BD25 displays a vibrant 1080p and progressive widescreen presentation. I’m amazed at the retaining of the natural coloring, the amount of spacial depth, and prolific details that doesn’t display a hint of compression artefacts and maintains very low digital noise interference, especially in the black levels. The LPCM audio contains an English dub track and an Italian track with optional English subtitles on both. The digitized analog audio clearly expresses itself without hisses, pops, or other types of disruption. Mondo Macabro stuffs this Blu-ray with exclusive bonus material including three interviews with writer Giavanna Gagliardo, actress Pamela Villosesi, and film historian Michael Brooke. The original theatrical trailer and Mondo Macabro previews bring up the bonus feature rear. “Private Vices, Public Virtue,” to the naked eye, is 104 minutes of a frisky spectacle of the utmost buffoonery, but in the trenches, the Miklós Jancsó film is a Hungarian filmmaker’s undercurrent of inspiration and revolution against oppression and Mondo Macabro just highly defined the era!

Grab “Private Vices, Public Virtues” on Blu-ray!

Evil Gets to Cookin’! “Gran Bollito” review!

screen-shot-2016-12-31-at-2-38-11-pm
Journeying from the South to reside with her son Michele, Lea is a boisterously strong matriarch whose suffered through twelve miscarriages in fifteen years and has become insanely protective of her sole breathing progeny. Michele lives in a stately condominium that accommodates an eclectic bunch of women of various tastes, housing his mother Lea to mix as a lottery fortune teller of sorts. Lea’s talents go beyond just predicting winning lucky numbers as she’s also a fantastic cook in the kitchen, a superb soap maker, and an efficient killer that supplements the prior traits. Madness consumes a mother who seeks to absolutely protect her only child and a contractual deal with Death itself orders the end of minuscule lives, such as the other tenants of Lea’s apartment building, to fulfill her obligations to Death.
screen-shot-2016-12-31-at-10-05-12-pm
I promise you, you’ve never seen a Shelley Winters performance like this! “Gran Bollito,” otherwise known in the U.S. as “Black Journal,” is a 1977 Italian macabre from director Mauro Bolognini and has for the first time ever been slow cooked to Blu-ray high definition. “Gran Bollito” has been resurrected from the archives of production company Italfrance Films’ with Shelley Winters (“The Poseidon Adventure”, “Lolita”) exploiting her mother’s animal instincts to provide Death with as many souls as she can chop up and boil into a lathery substance. “Gran Bollito” loosely translate as very boiled, a form of murder that would top the charts and these heinous acts were, in fact, inspired by the true, inexplicable story of an Italian serial killer named Leonarda Ciancillui, a soap maker whom sacrificed three women in hopes to protect her war drafted son. Alongside mother mayhem are a trio of cross-dressing actors portraying the three victims; actors such as singer-actor-director Renato Pozzetto, Italian sex-comedy actor Alberto Lionello, and the legendary Max von Sydow (“The Exorcist,” “Game of Thrones”) go full blown drag, donning the period piece’s late 1930s conservative wardrobes while conducting themselves loosely with their intimate and delicate privacies.
screen-shot-2016-12-31-at-10-05-24-pm
As I mentioned, “Gran Bollito” tackles numerous undertones with multiple notations of the horrors of war and the inexplicable amount of death from it as well as from disease, to miscarriages, and to the actual beheadings to sustain a red soap bar factory and food processing plant Lea runs in her custom made kitchen. The Bolognini film also notes many facets of mental illness and health with merely Winters’ topping the psychological pyramid. Conditions consisting of states from a stroke, absentminded dementia, and severe delusions to name a select few are displayed throughout to which almost puts the perception of Lea, or maybe Lea’s perception, one of relative normalcy. Lea’s derangement stems from her fifteen years of pain and suffering through multiple miscarriages. Bolognini very conspicuously has Pozzetto, Lionello, and Sydow portray Lea’s victimized women. They represent Lea’s resentment for their wasteful contributions toward their natural given right to bear children as if the women were merely men without a womb and that strikes a sensitive nerve with Lea who would do anything to give her children life again.
screen-shot-2016-12-31-at-2-43-15-pm
Generally, Bolognini’s constructs a well paced film, seamlessly passing the days, weeks, or months from Lea’s condominium integration to the slow seep that eventually breaks into maddening despair and desperateness. The cinematography by Armando Nannuzzi is soft and lofty that appeases to angelic similarities akin to that of Tinto Brass films, but when the tide turns, her kitchen brights white and Lea is dressed in midnight black as if she’s the Grim Reaper herself. Nannuzzi’s an artist at his trade by enabling Shelley Winters to shed the wholesome of her prior performances and at the same time present a false sense of calm and good fortune. Composer Enzo Jannacci’s score underwhelms when accompanying said Nannuzzi’s style; the score’s flat and breathy tone just doesn’t leave an impression, lacking substance and girth that doesn’t quite fit the Bolognini’s mold. Though acting and performing not in her native country, the St. Louis born Shelley Winters extracts a true life serial killer from off the Italian crime section.
screen-shot-2016-12-31-at-2-44-00-pm
Twilight Time’s “Gran Bollito” is now on a Blu-ray High Definition 1080p transfer presented in a widescreen 1.85:1 aspect ratio. The limited edition release look impeccably detailed, sporting natural coloring and depth. Twilight Time, by far, has the best image quality compared to any release. The Italian 1.0 DTS-HD Master Audio is pretty good with balanced range and clarity in all aspects of audible tracks with only a minor pops in the tracks during transitional scenes. Bonus features include an audio commentary with film historians Derek Botelho and David Del Valte with also the original theatrical trailer. Twilight Time polishes “Gran Bollito” with the respect this obscure Shelley Winters film deserves; a horror-comedy that pushes the limits bordering insanity and disparity in a twisted display of narrative too intriguing to fathom.

“Gran Bollito” on Limited Edition Blu-ray!

Holiday Charity Starts Now! Distribution label Cult Epics Campaigns for a Continuous Cult Cinema Journey!

Cult Epic founder Nico B. wants to spread the joy of cult cinema to not only the television sets at home, but to the world! The Dutch filmmaker and passionate cult cinema lover has employed me, and other social media coordinators and bloggers, as a servant of his word, delivering the following message to all fans of erotica, horror, and arthouse films!

We are in our last week, and this is the week that counts. Some of you have contributed to our campaign, thank you so much! and we would ask all who are fans of our label or releases and want to secure its future in the new year, please pick a Perk to your liking and support us in our endeavor bringing you new releases in the years to come. One of the titles we have secured the rights as well for is the most interesting giallo DEATH LAID AN EGG, so there is much work to do, and for such we need funding, which current distributors no longer provide.

Also please give the campaign one more push on your social media:
CULT EPICS INDIEGOGO CAMPAIGN Cult Epics presents controversial art films with a cult following on DVD and Blu-ray. At its 25th Anniversary year Cult Epics needs your support to continue bringing you new releases. Find out more here: https://igg.me/at/cultepics

Best regards, Nico B
www.cultepics.com

Please show your support! Every little bit matters and you may get a little something in return if you donate $20 or more! I got my eye on that Nekromantik T-shirt! Only 1 MORE WEEK TO GO!

k0tnwdty6w7k6c9lj7fw