“The Thing on the Doorstep” is a nearly 8o-year-old gothic tale converted the short story written by H.P. Lovecraft to a small screen adaptation from Leomark studios and MVDVisual home entertainment. The story tells of Daniel Upton and his relationship with friend socially hopeless affluent Edward Derby. When Edward meets and weds a bizarre hypnotists Asenath Waite, his relationship with good friend Daniel turns eccentric and mysterious. Edward’s personality switches from the person Daniel knows and loves to a completely separate entity. As Daniel investigates down the rabbit hole, he learns that Edward might be a victim of black magic and that Asenath’s disturbed and demented background might be behind it all.

Telling the story of this magnitude would be a difficult feat but director Tom Gilserman’s style through the narrative the character Daniel Upton and the structure is simple enough to make this story work well on screen. Penned by Mary Jane Hansen, who also has the lead role of Asenath Waite, pieces together natural dialogue to form believable characters. For great writing to transmit, you also need great actors. David Bunce, Susan Cicarelli-Caputo, Ron Komora, and Rob Dalton round out a great first time cast of actors that join Hansen and have completed a flowing conversations.

Gilserman does try to a create a Lovecraftian atmosphere with unique camera angles, a dark complexion, and a gothic facade that would make H.P. proud to have his story told through this medium. The film plays out as a bad nightmare full of continuous and repeated flashes of scenes that will drown you into madness while also attempting to make Edward have two sides of him – his soul and a wicked others.

One thing that I thought the film lacked with the use of black magic revealed. Anenath is suppose to be this powerful being who may or may not be human, but a witch, a succubus, a shell of a human. What the plot is more focus on is Daniel and Edward’s relationship and I believe this to be contributed to the narrative style of this film as it delivers as if one is reading straight from the source – the short story. Not too much is given about Asenath or her ‘hired help.’ Budgetary constraints more than likely contributed to the lack of black magic effects if there were to be any.

Take the plunge and test out this adaptation of one of Lovecraft’s more psychological horror stories. The DVD from MVD was released this past tuesday and surely will get your head twisted around and your spine snapped with intense suspense and mystery.
Category Archives: Demonology
It’s Bloggin’ Evil is Seeking EVIL WRITERS!
Its Bloggin’ Evil needs a few good writers to keep website fresh and up to date with the latest and greatest of horror, thrillers, and exploitation. I’m looking for writers who are 18 or older with some writing experience in a blog atmosphere. I would run this blog all by myself if I could, but at the moment I can’t and need your help!
Please, send me a writing sample at TheEvilBlogger@gmx.com along with your name, age, and your favorite horror movie.
Also, I can’t pay you. I’m sorry. But think of this blog as a great entry level, internship, volunteer service to build up your resume and to fine tune your writing skills. Hell, if I can, I might hook you up with a screener or two. Maybe even an interview with an indie movie director and/or actor. Who knows. If you can currently provide your own material – whether new theatrical movies, retro movies, Op-eds, horror literature, horror gaming, etc – let me know in your submission e-mail as well.
Half-Assed Evil Exorcists! “John Dies at the End” Book Review
Jason Pargin, under the pseudonym name David wong, is a major success stories that inspire all of us hopeful writers. Pargin, a low on the totem poll data entry administrator, is the brains behind the insanely clever, notoriously witty, and devilishly deranged novel “John Dies at the End.” Without even an English degree to his name, Pargin wrote short stories that turned into a full fledged novel solely by word of mouth from total strangers. Eventually Pargin was contacted by Phantasm director Don Coscarelli and as soon as Pargin blinked, a movie was adapted from his story and the rest is hisory.
“John Dies at the End” revolves around David Wong, a video store clerk whose life isn’t exactly that excited, but when he discovers the “soy sauce” from a homeless Rastafarian Wong and his friend John are sucked into the massive plans of an alternative reality species that has their sights on enslaving humanity in the name of their leader “Korrok.” Only Wong and John can see the truth because of the “soy sauce” and while others live their daily lives, Wong and John prepare for battle the only way they know how – with boom boxes, flame thrower water guns, and Molly the bomb eating dog.
Pargin’s novel will be a treat that you’ll never ever in your life read something similar like it again. Somehow able to paint a perfect picture with his colorful use of dictionary, Pargin certainly knows how to make silly scary and fun. The pages just kept turning as if I was hooked on the “soy sauce” and was warped, like a “Star Trek” hyper drive, into an other world universe. The randomness of scenes with Wong’s first person version of events can only be described as batshit nuts with a hint of nihilism. Once you add his friend John into the mix, it’s a whole different story as John is a colorful character with classically hilarious one liners and a mind like a 13 year old boy ready to take on the world.
I’m one those people who watched the Don Coscarelli movie first before reading the book and I did this before with Stephen King’s novel The Mist and so far, I’m not disappointed with my ass-backwards way of doing things. Of course, the novel will always have more than a movie adaptation, but damn did Coscarelli bring Wong’s world to life and light and I do believe that the writings of Pargin are so vivid and clear that this made Coscarelli’s job easy.
“John Dies at the End” is a must read. It isn’t the latest best seller as the book’s been out since 2007, but this horror comedy will make you laugh and thrill you into thinking about the possibilities of our universe.
How About A Nice Evil Plate of Hillbilly, Long Pig Meat? Legend of the Hillbilly Butcher!
Taking after his demented butcher of a father, Carl Henry Jessup (Paul E. Respass) is a backwoods living hunter whose local delicacy amongst his surround neighbors is serving up grade-A human meat for breakfast, lunch, and dinner. Carl relives the past with the tragic death of a murder-suicide of his parents and tries to summon them to live again with the help a demon named Sam Bakoo. When the loner cannibal doesn’t get his wish from Sam Bakoo, he curses and rejects the demon starting a whole new set of problems for poor old Carl. All this is told in narrative story of the “Legend of the Hillbilly Butcher” to three young children by an old man who knows Carl and his murderous history.

Director Jaoquin Montalvan could be considered the underground doppleganger of Rob Zombie in filmmaking especially in “House of a 1000 Corpses” or “The Devil’s Rejects.” In the “Legend of the Hillbilly Butcher”, all the makings of a Rob Zombie like film are accounted for with the exception of hard rockabilly music. White trash and white trash dialogue? Check. Grindhouse style editing and cinematography? Check. Cannibalism and demon summon horror genre? Check. It isn’t like Montalvan exactly mirror’s Zombie’s films from scene to scene. Montalvan makes this film his own in the subtlety of the work; many of the scenes are low key and not over the top with dialogue and heavy moments of stimulating effects. And the indie director does make this into a bit of a horror comedy. In a number of scenes, the characters will sit across from each other, have a meal or a drink of moonshine, and bullshit in a quippy could of way. End scene.

The cannibalism story tangent takes a bit of a backseat to the demon that plagues Cary Henry. The quick switch in plot direction is a good, positive change for the Hillbilly Butcher as monotony would set in with the cannibalism plot line. Much of the “meat” effects were a bit scarce and cheesy. The dead bodies were not so realistic. But the quick edited dream sequences of Sam Bakoo and Carl Henry’s visions of Sam Bakoo were intense, surreal, and welcomed. What also helped was the performance from amateur actor Allen East as Sam Bakoo – a scrawny, bald man who can conform with the best of them like Doug Jones from “Hellboy.”

Another good actor (or actress in this case) is Theresa Holly. A blue eyed, black haired beauty with a bust that would break hearts. Her character Rae Lynn, a friend of Carl Henry, is sweet and tender but when push comes to shove, her salvation lies with her fighting for her life. While there were no nude scenes for her character, Theresa Holly does do some bra and panty scenes in a, and again in a Rob Zombie like way, montage scene.

With any cannibal archetype or cannibalism film, I expect a lot of gore and with a title like the Legend of the “Hillbilly Butcher”, there comes an expectation that meat would be separated from the bone for consumption. Well, prepared to be mostly disappointed with only one real scene of disembowelment. The scene is fairly gory and intestinally jarring, the movie is practically over by the time we get to this scene. The film does speak more to it’s tone toward placement in the world and in the afterlife; how the good become better and those who do wrong get what they deserve in the end.

MVDVisual is releasing this 2012 festival hit on September 23rd, 2014 and while I won’t expect this to be flying off the shelves, reaching cult status in a matter of weeks, I do expect a pretty good following for poor old Carl Henry.
Trailer: Annabelle
Before The Conjuring, there was Annabelle. The new tagline for the upcoming spinoff film to James Wan’s The Conjuring in which a doll becomes possessed by a deranged cultist killer and forces itself into the lives of John and Mia Form.
What was the last creepy doll movie? Oh yea, another James Wan related film, Dead Silence and lets not forget about the doll in the Saw movies either. Wan has a major hard on for creepy killer dolls, but then again, dolls are absolutely horrific in the first place.



