Deerfield, Massachusetts – 1995 – a young boy becomes the sole survivor after a drifter senselessly massacres his mother and sister during the Christmas holiday while his father was out of town. 25 years later, Will Stark, that once little surviving boy now haunted by his past, bothers not live outside expectations and to be left alone to a life of normalcy, even working at the same industrial towing company his father once worked managed, but when the untimely death of mentally unstable father, who battled dissociative identity disorder and depression, among other psychological problems stemmed by the tragic loss of a wife and daughter, leaves Will inheriting his childhood home, the same home where the gruesome murders took place, Will’s life becomes anything but mundane with a house pulsating with malevolent paranormal energy connected to the sacred land it’s built on. Searching for an ancient talisman, unyielding entities exploit Will to stop at nothing and kill anyone to get back what is theirs lost 25 years ago.
Shot on location around the snowy banks of Deerfield, Massachusetts comes the Steven Grayhm written and directed “The Secret of Sinchanee with a folkloric backstory set in New England about a feud between an invulnerable indigenous people versus malicious pagan settlers stretching over time into present day with an ancient artifact as the centerpiece to possession and murder. The “House of Dust” and “Crash Site” actor steps into his first feature directorial and writing project with a story that crosses paths the hereditary burden of lineage bred mental issues with the tribalistic supernatural forces, opening with text origins of the longstanding rival feud between the selfless mysticism and disease immune Sinchanee people and the black magic disciples of Atlantow who seek to snuff out the Sinchanee bloodline. The 2021 American made film is the first product of the Steven Grayhm and Nate Boyer co-founded, military veteran empowering Team House Studios and presented by Truth Entertainment.
Not only does Steven Grayhm write and direct “The Secret of Sinchanee,” the Canadian actor also helms the lead as Will Stark, the town-talked recluse troubled by his grisly past. Quiet and unphased by the strange nightmares and powerful visions inside his father’s house, Stark gradually becomes an entranced pawn and Grayhm poses a lifeless, wandering shell of a man honestly enough but on paper, Stark never questions the housebound oddities or even shed a lick of emotion when his dog, his only companion, vanishes. Grayhm just kind of sleepwalks through the performance which I’m sure was his intended purpose since, you know, he wrote and directed the film. In a parallel plane, detectives and marital exes, Carrie Donovan (Tamara Austin, “The Walking Dead”) and Drew Carter (Nate Boyer), embroil themselves into a Deerfield homicide case despite their past differences and their shared preteen daughter (Laila Lockhart Kraner). Though not playing a footballer or someone in the armed forces, Carter steps into law enforcement as Boston PD and though Massachusetts is not a big state, I’m not sure a Boston detective would travel 120 miles outside of the city to continuing investigating a Boston murder in the rural sticks of Deerfield. The entire dynamic between the local Donovan and the big city Carter plays to unresolved subversive tune of Carter taking advantage of the moment in order to rekindle the spark with his ex-wife or, perhaps, just be close to this daughter. Obviously some personal tension between them but rarely does that tension surface to endorse strife as Donovan is carried away the homicide case, taking her investigation to an unlawful next level by trespassing onto Stark’s land and inside his house to be spooked by the spirits’ distorted reflection of herself. Somewhere in the trio of leads lie a more meaningful connection that’s more muddled by individual character, side story offshoots, leaving what’s most important to the film scattered profoundly thin to meet the bar. What also doesn’t bode well for Grayhm’s debut is the late introduction of a key Sinchanee descendent, Solomon Goodblood, played by Rudy Reyes who starred alongside our horror community gal pal, Diana Prince, in “Beach Massacre at Kill Devil Hills,” who intercedes for his fading bloodline as a shaman against Atlantow.
Speaking of Atlantow, there is hardly a sense or a tangibility to the sect God plaguing the Stark family going on for decades now and that sides more with the mental instability theme of a family with a history of mental illness coinciding the allusions of one’s own internalized battle with trauma, insomnia, and past down disorders to manifest tragedy into a shared psychosis of Atlantow’s sinister and manipulative craft. Perceived heinous actions, such as modern day scalping or wielding a tomahawk, can be seen as someone possessed with incoherent malintent because that traumatized person’s survival’s guilt warps them so. Unfortunately, the story’s jumble beyond one aortic premise and spreads the whole concept thin without hardly touching upon the Sinchanee and Atlantow quarrel as noted in the opening text that laid out the intentions of a contentious war between good versus evil. In the film’s reality, “The Secret of Sinchanee” is about two cops stumbling into Atlantow’s business in trying to find a sacred artifact. We’re not even granted the reason why this talisman, a decently sized arrowhead, is terribly significant to the dark forces of Atlantow aside from vocal desperation in the object’s return to sacred ground. Is “The Secret of Sinchanee” more aligned with themes of desecration of sacred land? The meddling of a once proud culture now lost? Not much clarity among the variety of circumstances happening inside Grayhm’s runtime lengthy debut picture other than the surface level possession and the cops’ investigation that motivates them into the paranormal situation.
Under the executive producer team of Joe Newcomb (“Dallas Buyers Club”) and Jose Martinez Jr, “The Secret of Sinchanee” is now available on Digital HD and On Demand this month of October, released by Vertical Entertainment. With a runtime just shy of two hours, 115 minutes, the film will be available on all major cable and digital platforms, including Apple TV, Amazon Prime Video, Vudu, Comcast, Cox, and Spectrum, as well as playing in select theaters. Though an indie picture, production value pinnacles the budget, shot cleanly by Logan Fulton using an ARRI Alexa camera to capture the serene snow covered wooded landscapes of typical rural New England while succumbing to remain steady in the clean-cut darkness and warmer hues when things go bump in the night. Definitely not much camera movement, but the still shots, mostly medium to closeup, are framed properly without an any abnormality, providing just enough evidences to keep viewers on edge, while sprinkling in a Dutch angle or two to encourage anxiety where due. No special features included with this digital screener nor were any bonus scenes present during or after the credits. “The Secret of Sinchanee” remains private under a lock and key guise of mental illness and consigned to oblivion of parentage without breaking through those cognizant barriers to fully grasp a ancient tribal hatred that spills beyond normal time and space.