
Erotic escort Love falls for on the side boyfriend Ned, a regular client with who she’s madly in love and with who she doesn’t charge a dime for her services. When Love wants out of the escort business, her controlling pimp Sunny says otherwise by sending her and two other girls on Love’s final trick, an all night mansion party. When the girls arrive at the gated mansion, they’re greeted by three strange hosts: Cleb, Selma, and Hate. Each of the three girls partner up with each of the hosts and move forward to their separate rooms where the escorts fall victim to sadistic tendencies, but Hate has more in store for Love. Ned, concerned when Love didn’t call once all night, sets out on a rescue mission to track down Sunny and gain information in means necessary on the whereabouts of the girl who love struck him.

“The Last House” is a 2011 mixed subgenre film directed by b-horror director Sean Cain that was originally released under the title “Breath of Hate” and was penned by first time writer Wes Laurie. The ambitious story plays out cordially with a talented cast of actors behind the camera, but the story, though larger than life for a b-horror flick, follows a non-linear path that builds and builds for a grand finale and while that sort of tension usually creates a good setup, the ending nearly fizzles, not generating enough pizzaz and spark worthy the wait of the last five minutes of the total 91 minute runtime. However, the Laurie script fascinates and entertains throughout because of character structure through the aforementioned non-linear layout and because of the physical and emotional outpouring portrayed by the actors such as Lauren Walsch, Timothy Muskatell, Jason Mewes, and, especially, Ezra Buzzington.

“The Hills Have Eyes” remake actor Ezra Buzzington steals the entire movie as Hate, leader of the three sadistic maniacs, and Hate, in himself, is an interesting character who seeks to start revolutions against humanity through brains and brutality and maybe even something more. Buzzington embodies a “Die Hard with a Vengeance” Jeremy Iron’s type personality with a calm demeanor on one face and a ruthless side on the other, but he single handedly separates the character from the likes of any other and creates Hate, with the help of a Laurie twist ending, to be potentially a long time running franchise character. There is a fierce downside alongside Hate where his lackeys were served a overshadowed injustice. Monique Parent plays another sadist, Selma, and her time on screen didn’t add to the girth and felt unnecessary. The then 46-year-old actress, with more than 100 film credits to her name, looked absolutely stunning, sizzling with lust for her cougar age. That should be no surprise to fans of Parent who are mostly familiar with her previous work in a number of softcore porn films. Sadly, Parent has no nude scenes though the part strongly suggests it; “Evil Head’s” Joanna Angel and “Amateur Porn Star Killer 3’s” Regan Reece take the burden of skin diligently – thank you Joanna and Regan. The third sadist, Cleb, is portrayed by Jamaican native Ricardo Gray. Gray’s take made Cleb, frankly, my least favorite sadist as Gray went overboard with a character that could been a menacing psycho-sexual deviant to a half-witted, Jurassic role-playing pervert. If there was perhaps more of Cleb’s backstory, a better picture of this sadist’s mindset might have reversed the first unfavorable impression.

Jason Mewes has always played the part of the funny guy character. The same stereotype description can be laid upon other actors of similar character such as Hollywood studs Jim Carrey, the late Robin Williams, or the cult favorite Bill Murray. Mewes, a strong supporter of independent work, has most famously, for most of his career, teamed up with writer-director-actor Kevin Smith and produced some of the most notably comedic material to ever be released for about around a decade starting near the mid-1990’s. Not many audiences, aside from fanatical Mewes fans, are aware that the same Jay, of “Jay and Silent Bob” films, has had quite a few horror credits. From John Gulager’s “Feast,” to David Arquette’s “The Tripper,” Jason Mewes doesn’t just do comedy, but what makes “The Last House” unique from the other independent horror films is that Mewes is cast in a serious horror film whereas “Feast” and “The Tripper” are horror-comedies that still tap into Mewes endless vein of laughs. Instead, “Dead Girl” actor Timothy Muskatell takes the reigns on the comedy as a pot smokey, womanizing lackey and Muskatell is born for that type of part. Porn star Timmy Pistol also delivers some goofy laughs in a brief cameo with Jason Mewes and also, fun fact, Tommy Pistol and Joanna Angel were both in “Evil Head!”

Mewes, Buzzington, and even Parent are major, recognizable names in the movie industry, big enough that even audiences so attached to Hollywood stardom would still be familiar with them. Two of the names mentioned headlining “The Last House” are accompanied by one more name that isn’t familiar to mainstream audiences, but any knowledgeable horror enthusiast would surely recognize. “Sleepaway Camp” actress Felissa Rose is that third headlining name and, unfortunately, shouldn’t have been exploited. Rose’s on screen appearance runs a total of around two minutes as the mansion realtor, but her presence falls from the face of “The Last House’s” universe after her single scene. Her iconic name alone will draw in the horror masses, but when she filmed the minor role, Rose was near popping at 9-months pregnant and she didn’t have one single story merit line or action.

Distributed by Wild Eye Releasing, “The Last House” picture quality looks amazing presented in a detailed widescreen format. The audio quality comes and goes; at some points during outside scenes the ambience or the soundtrack plays at a whisper. When in more confined scenes, the tracks blare with some crackle. However, none of these will impact watchability nor take away from the film itself. “The Last House” aka “Breath of Hate” will make a deep gash into the independent horror scene and Wild Eye Releasing will help deliver Hate into your home entertainment on November 24th.
Tag Archives: Bill Murray
Living Alongside Evil. “A Plague So Pleasant” review!

In the zombie post-apocalypse, the human discovered that by not firing their weapons allowed the flesh eating hordes to calm their desires, resulting in the protection of the zombie species and institutionalizing laws against the killing zombies for fear of another undead swarm attack. One of the many survivors Clay has lived in a zombie cooperation world for over a year after the initial outbreak along with his sister Mia, whose boyfriend Gerry didn’t survive, but still roams the Earth as the walking dead. With no one truly dying, the whole idea of existence becomes meaningless and where people, like Mia, won’t move on when they’re loved ones still feel very much alive. When Clay discovers his sister’s attachment to undead Gerry, he takes it upon himself to kill Mia’s zombie boyfriend, releasing a zombie swarm post-apocalypse apocalypse on the his town.

Unprecedented and gushing with rage, “A Plague so Pleasant” redefines the way audiences would view the zombie since 1968, constructing still a vicious species of man-eating undead while domesticating them to a lumbering land fixture much like the way pigeons amongst the birds. First time directors Benjamin Roberds and Jordan Reyes triumph amongst the modern zombie competition, spilling their heart and soul onto the script and onto the screen. With a story to match, a Romero-inspired social commentary zombie film held true to form by instilling normality to a post-apocalyptic world. Zombie and man living together. What was that Bill Murray line in “Ghostbusters?” “Cats and dogs living together… mass hysteria.” Clay and Mia were living a mundane life while the dead remained alive and protected, socially poking fun at how society maintain a normal livelihood with zombies: the U.S. Government made killing zombies a national felony, companies were mandated to go through a yearly undead awareness program as a formality, and there’s a guarded visitation area full of the undead much like a graveyard without graves.

Stunning cinematography added much needed life to “A Plague so Pleasant” which settles into an already over saturated zombie genre. Starting in black and white, Clay introduces his life in a offscreen monologue, conveying much of the post-apocalyptic and zombie information. The black and white symbolizes how simple and plain life has become with the living with zombies regulations. When Clay breaks the law by offing Gerry for good, thats when the movie turns to color and creating complications in a black and white life. The once unvarying and shuffling zombie nuisance goes into full berserk mode with “28 Days Later” sprinters thirsty to tear into anything with a heart beat. Only when the zombies turn calm is when life goes back to being black and white, considering the option that normality needs to be simplified to live peacefully.

The special effects by first timer Tyler Carver are a great effort clashing together a classic European Giannetto De Rossi style with Carver’s own settle flair by not being overly gruesome. There’s not an over-the-top, chart-topping special effects moment that defines the “A Plague so Pleasant,’ but there the solid effects subtly throughout satisfies. The zombies overall look are the usual stock type, yet they’re exhilarating to watch with an army of intense actors who are no doubt from the Athens, GA Halloween attraction named Zombie Farm where Tyler Carver has a connection. Not everything about the creation of a frightening zombie was accomplished as much of the audio tracks were out of sync and just too gaudy.

Actor David Chandler as Clay does a fine job portraying a bored survivor and a clueless big brother while also performing the second zombie swarm nearly without speaking during the entire engagement. Mia, played by Eva Boehnke, resembles the gorgeous Lebanese-American porn star actress Mia Khalfia with her giant nerdy glasses. Boehnke creates a free spirited, yet delusional, persona in Mia whose holding onto the past and coping the only way she knows how and that’s by not separating from her undead boyfriend Gerry. We round out the cast with Todd played by Maxwell Moody. Todd becomes the catalyst of the coming events by placing the idea of him and Mia being a couple and putting a bullet into Gerry’s rotting brain. Chandler, Boehnke, and Moody on paper are amateur actors in an estimated $1,500 budget, independent movie, but they own their performances and shine through budgetary constraints.

Another awesome release from Wild Eye releasing that would make a worthy and unique edition to a zombie fanatic’s movie collection. Don’t judge to harsh the production value with the slight aliasing, the out of sync zombie audio tracks, and the muffled off screen Clay character monologue. Instead, focus on the cinematography, the actors performances, and the genuine story telling of a socially awkward scenario. Let “A Plague so Pleasant” infect, let it sink it’s teeth deep, and let it help turn your undying attention unto a lively concept.
Bill Murray’s Suggested Actresses for Female Ghostbuster Film.
Bill Murray will forever be an ultimate and timeless hero to everyone. If you don’t like Bill Murray, than you’re obviously an idiot because what is their not to like about a comedic icon who loves to crash weddings and end up being the face of all of American’s hipster community? So when news came out today that Bill Murray, at the Toronto International Film Festival, gave his his opinion on who should be cast in the new Ghostbuster film, I was rather disappointed in his taste.
Melissa McCarthy
Kristen Wiig
Linda Cardellini
Emma Stone
The list is…well…eh. Bill Murray, Dan Aykroyd, Harold Ramis, and Ernie Hudson were practically every day looking Joes and a couple of those guys weren’t really funny.
I, personally, would not suggest Melissa McCarthy. I could never in a million years image her with a proton pack strapped to her. Subtlety, in a comedy sense, was very much a part of the Ghostbuster persona and McCarthy has not one subtle bone in her body as she’s an “in-your-face” type comedy actress.
Kristen Wiig, I’m good with. I think she’s awkward enough like Murray to pull off the lead role for the film and still have a sexy side of her while busting some ghouls. Her comedy style could be comparable to Murray’s as she is not necessarily over the top with her performances and doesn’t try to steal the show but yet add to the material of the other cast members.
Linda Cardellini made a good Velma in the Scooby Doo movies. As a Ghostbuster, I don’t think she has what it takes as I picture Cardelline more of a Janine Melnitz type character, but since this is a Ghostbuster movie with all female cast, will Janine’s role be replaced by a nerdy, yet somewhat irresistibly cute, man? I shutter at the thought.
Emma Stone comes off a bit dry. Her role would resemble that of Ernie Hudson’s Winston – the character that just joins the ranks for a paycheck. To be one of the guys but stays in the background most of the time. Stone doesn’t have the on screen persona that the original trio (Murray, Aykroyd, and Ramis) possess and I would expect too many chefs in the kitchen amongst women star power.
So in all, Kristen Wiig was my only keeper, but who would I chose? Whom am I to fans? I’m certainly no Bill Murray, but I am a fan of film and of actresses and I think the following would be a great cast. Keep Kristen Wiig for the sole reasons I have above. Lets add in a blonde as in Amy Poehler with her subtleness and silliness works well. Mary Elizabeth Winstead would be my next choice because of her dark side that accompanies her – a good choice to be the Egon Spengler equivalent. Then either Mindy Kaling for her awkwardly funny quips or Rinko Kikuchi to be the stand out, kick ass Ghostbuster who seems standout like a sore thumb.
These are just my thoughts and I wouldn’t mind hearing yours!
Rumor Pit: “Ghostbuster” Reboot with Ghostbustettes?

Note: The above image does not represent any depiction of the actual cast of a Ghostbuster reboot. Just an image found on Google.
Here’s a rumor from way out in left field. There seems to be talks between Sony and Paul Feig, the director of “Bridesmaids”, to reboot “Ghostbusters” and have an all female, comedic cast.
No word on whether Ivan Reitman or Dan Aykroyd is in involved in this … project … but there are sources that are saying the script is being totally rewritten.
I’m not totally cool with an all woman cast for “Ghostbusters.” Sure, I was down for one or two roles going to a great cast of new ghostbusting characters, but for all female cast I’m just not feeling it. I also have a sneaking suspicion that Melissa McCarthy will be one of the ghostbusting foursome on the sole basis that she was in “Bridesmaids” and was also in another Feig film “The Heat.” We will have to see where this rumor takes us, but as far as the original cast coming together (sans Harold Ramis – RIP), I see this reboot becoming more of a reality than a sequel.
Toe Tagged: Harold Ramis
Comedy has lost one of the greats – a Ghostbuster – Harold Ramis (aka Egon Spengler). Ramis died yesterday due to an autoimmune disease. Ghostbusters I and II are staples in the horror comedy world and Egon Spengler is an iconic character we all loved even with his quirks. RIP Egon.
RIP Harold Ramis







