Become Internet Famous From Being Buried Alive by Evil! “6 Plots” review!

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Seven close friends use “Screen It” to live stream online a drug and alcohol bender while partying hard at a vacant swanky home. When Brie awakes in a quiet, dark room of the luxurious house with no sign of her friends, she believes an odd prank is being played at her expense, but when she receives a frantic call from one of her frightened friends trapped inside a wooden box, Brie becomes their only hope of survival. She realizes that her six friends were abducted and buried in wooden boxes around the city, all of which contain it’s own deadly nightmare coinciding with each teen’s personal life. To heighten the tension, their fates are live streamed on the internet for the world to witness. Brie must connect the dots, find the pattern, and save the survivors before they all perish alone.
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Australian survival horror “6 Plots” capitalizes on popular teens being terrorized and murdered by a game mastering and mysterious sadist. The story, devised along with live streaming online the six teens’ fates, stems from director Leigh Sheehan and was commercially penned by the newcomer Tim C. Patterson. Alice Darling stars as Brie, the girl left untouched to save her shallowly engrained friends, along with “Wolf Creek 2” star Ryan Corr, Penelope Mitchell (“The Vampire Diaries”), Eliza Taylor, Emily Wheaton, Joey Coley-Sowry, Damien Harrison, Andrew Clarke, and PJ Lane. “6 Plots” introduces characters to face their fears, putting them up against a destined wall of death if unable to overcome challenges inspired by their own lives. Though the challenges are no where near the legacy of the “Saw” games where players have an opportunity to win their freedom themselves by sacrificing something dear to them and are constructed with their good fortune resting in the hands on one sole person, Sheehan’s race against the clock suspense thriller loses steam, never establishing momentum to strike the edge-of-your-seat nerve.
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Conceptually, placing unconscious disrespectful teens claustrophobic coffin structures and strategically scattering them along a small island coastal town only to direly drown their body and minds in a game of their own primal fears sounds amusingly devious. To pull off a grand recipe of intertwining cruelty, time would be the most difficult obstacle to hurdle and the plan’s organization and successfulness was ultimately determined on whether or not Brie and her friends were having a party at some random swanky house, which was on the verge of possibly being canceled priorly stated by one of the characters. Time spatially speaking, getting all six of her friends completely setup in boxes miles a part from each other would have taken most of the night, pending on how many hands were involved, and the story indulges a, perhaps, 3 to 4 hour workable time frame from each of seven passing out unconsciously due in part of whatever their drugs were laced with to the time they wake up alone in a confinement of darkness with only an element of personal fear accompanying them. In short, and this might spoil the end for a few readers, The Flash was able to accomplish casket coordination without much hassle. Just kidding…
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The biggest issue with “6 Plots” is the story never really comes to a head, never really providing that spark-lit surge of intensity at the point of apex. Instead, the course of action flounders at a lifeless flat line when a moment of clarity for Brie dawns upon her and she figures out the bedeviled jokester’s pentagram pattern, simply by hooking up to the internet and plotting lines onto charts of the island of possible casket locations. Brie made their tormentor’s Russian signal jamming plan the most elementary scheme to deconstruct and solve to date, but that’s due in part to poor character development as well. We know absolutely zilch about Brie, except for the facts that the daredevil rides a motorcycle off road, gives the local authoritative putz a run for his money, and likes to partake in drugs and alcohol. That’s basically all the information we’re given about Brie’s character and, somehow, a character who traditionally would have been nixed right about now was able to unravel a plan much too elaborate for her primitive Netgear hookup intelligence. Not even her tech savvy friend, Marty, could keep up with Brie’s uncanny genius, remarking a couple instances where Brie outthought his intellect about their predicament.
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Sheehan’s directorial style hinges upon a fair amount on the horrendously oppressive alternative music soundtrack and mawkish scenes of melodramatics with an example being after witnessing the horrifying demise of one of the teens on live stream, Sheriff Gary awkwardly drops the phone and hastily crosses the room to give Brie a clutching embrace as they both sob in each others’ arms. I’ve seen less over the top performances in soap operas. Certainly a first where melodrama meets tech horror, I found the technology to be sorely obsolete, especially for a film produced only four years ago. “6 Plots” was for sure a champion for Apple products, focal pointing on MacBooks and a Safari internet browser, but, yet, iPhones are rarely used and, instead, a healthy combination of Brie’s Blackberry and Sheriff Gary’s flip phone ultimately saves the day, proving that the latest and greatest tech gear can’t save you from a casket and can’t aid you in murdering people any faster.
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Lionsgate home entertainment label delivers the 87 minute Eagle I production onto DVD and Digital Video with a widescreen 2.35:1 presentation and an English 5.1 Dolby Digital audio mix. A high point of this “6 Plots” DVD is the video quality, though now fairly standard with current films in their home release formats. Image quality pops with detail and clarity bringing out the worst specifics in the poorly illustrated representation of the antagonist on ancient cell phones. Audio, again, lies in the realm of modern day conventions, albeit the down under accents are sometimes difficult to decipher. From the start, survival horror “6 Plots” quickly snuffs itself out from ever materializing into, what could have been, a gripping thriller by burying the best parts under a 6-foot deep layer of indigestible fluff that’s rudimentary right to the bone.

Go Graveside with “6 Plots” on DVD!

Takes Evil to Know Evil. “The Anatomy of Monsters” review!

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Timid sociopath Andrew patrons alone at a low-end bar, sipping delicately on straight whiskey and waiting for the perfect opportune moment to approach the right lonely woman. Andrew is not looking for a one night stand. Andrew is on the hunt for a victim, but when the night’s odds don’t seem to be in Andrew’s favor, a lovely young woman approaches him at the tail end of the night and begins to make small talk. After a night of coincided flirting, the woman seductively invites Andrew back to her motel room for some provocative foreplay, but before Andrew can move in for the kill, he suddenly realizes that the woman might just be as more of a sociopath than he could ever imagine by turning Andrew’s moment of a gratifying kill into her tragic tale of a more experienced and assured killer.
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Suspense thriller “The Anatomy of Monsters” is the sophomore film from the multitalented writer-director Byron C. Miller and stars Tabitha Bastien, Jesse Lee Keeter, and Connor Marx in a twisted narrative involving love, death, and the struggle between the two. Miller, unfortunately, wrestles to keep buoyant the scope of his story contained as scenes teeter when holding an airtight structure as Bastien’s character, Sarah, asserts her mortal coil. Her plight doesn’t grasp the attention needed to draw in an audience; instead, the back and forth between her present plea with Andrew and her past of leading a double life of affliction with whether to act on her killer instinct with the love of her life or not either passively regresses or just stands completely in place, not moving a motivational inch to take the much needed mile in making us believe in Sarah’s tragic love story and the story is actually, well, tragic by not building the passion between Sarah and Nick, played coyly by Connor Marx, as they just hunker inside Nick’s quaint apartment, affixed to his bed or couch while contemplating their instantaneous love for each other.
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A part of the film’s indelicate sting comes from Tabitha Bastien’s performance. Sarah, in the very definition of the character’s persona, is a sociopath which denotes a monotonous person to be without empathy, to have an ice cold demeanor, and to be calculating in their actions. While Bastien epitomizes a sizable amount of emotionlessness, her presentation leans a bit more toward being ingeniously staged, emitting a phoniness that doesn’t naturally crossover. If I didn’t know better, I would have guessed Bastien was a T-100 cybernetic organism underneath a flesh and blood outer layer from “The Terminator’s” apocalyptic bleak future. What Bastien does attribute very well to “The Anatomy of Monsters,” aside from her mechanical display, is a pair of piercingly bright eyes set upon a unique belle face akin to that of the nice looking girl next door you peeping tom on through the cracks of your window shades. Jesse Lee Keeter opposites Bastien with a more genuine approach that favors a Michael C. Hall similarity complete with a kill kit. Keeter’s Andrew is an example of well-written hesitation, exhibiting more of a killer’s struggle to maintain a low profile whereas Sarah leaves nothing to the imagination, baring it all out on the proverbial table with the extreme potency of egocentric cockiness.
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Along with Miller’s stationary script, the industrial rocker’s sporadic editing technique can be best described having a short-sighted attention span and his shaky handheld camera visually impairs the viewing pleasure of one monster’s monstrous thirst for death. “The Anatomy of Monsters” feature does play the role of being the quintessential independent product, but without stability and patience, Miller’s artistic craftsmanship suffers heavily from the technical aspects with really the only exception stemming from the minor gore scene during Andrew’s brief description of past murders, committing to a solid neck piece mock-up that realistically seeps blood in order to get the good throat slit shot.
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A fond blend of John McNaughton’s “Henry: Portrait of a Serial Killer” and Showtime’s “Dexter,” “The Anatomy of Monsters” is slated for a DVD and Video on Demand release on November 15th from the Philadelphian distributor Artsploitation Films. Certainly a film that’s an attestant to an American-horror, Byron C. Miller explores the corners of the dark and deranged minds associated with serial killers while meddling through the conventional intimate affairs of the masses, spurring an atomically explosive situation from a slowly, simmering boil. Though technically unattractive with arguably underwhelming and sulky performances, suggestions of a greater notion leaves behind an everlasting scar tissue from the necessary urges and the unquenchable desires of a killer can be appreciated.

Watch The Anatomy of Monsters on Amazon Video!

“The Orphan Killer” Blu-ray Combo Pack This December!

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Gore Reel Releasing and CAV Distribution is slated to release Matt Farnsworth’s “The Orphan Killer” on Blu-ray/DVD combo come 12/13/2016 and you can pre-book the title on Election Day 11/08/2016!

“The Orphan Killer” is a tour de force murder flick that defies classification. It goes far beyond current trends in gore and breaks open a new suffering genre of horror. Marcus Miller is a serial murderer hellbent on teaching his estranged sister Audrey what it means to have family loyalty. His lessons are taught in massive doses of vulgar and unimaginable pain. Throughout her brutal torture we learn that Marcus is not the only Miller with Killer in the bloodline as Audrey proves to be a formidable adversary.

Cast: Diane Foster, David Bachhaus, Karen Young, James McCaffrey, Matt Farnsworth


Special Features Include:

Behind The Murder – Exclusive Video Diary
Trailer
Teaser
Music Clip
Slideshow

Blu-ray/DVD combo Specs:
SRP: $34.95 UPC: 881190600498 Cat: RGR004
Color 83 minutes In English with Spanish, French, Italian, Japanese subtitles
All Regions Widescreen Anamorphic 2.35:1 DTS-HD MA 5.1 Surround

Pre-order “The Orphan Killer” today at Amazon!

Quick Pic! Ghoulies!

Remember to check the toilet bowl before having a seat!

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Allison Road. A Silent Hills replacement?

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Many horror fans were heart broken after hearing the cancellation of Silent Hills. I know many people are still in mourning an are trying to pressure Konami into giving in. We shouldn’t feel all too bad though as there is another game that looks like it can fill in the empty void of our hearts.

Allison Road, is an upcoming first person, survival horror game being developed by a small UK studio called Lilith Ltd. The game has passed Steam’s Greenlight program and on its way. No released date has been confirmed but here is some in-game footage from their official Youtube channel.

From the video you can see how the game is very similar to the P.T. demo and I have high hopes for this. I was so excited about Silent Hills and since its cancellation, I hope this game helps us through the grieving process.

Allison Road will be coming to PC sometime in 2016. No news on a console version at this time.