Ruriko’s family is on steep decline: Ruriko’s fooing around with other men, her husband has no job, and their son Koichi may or may not be accepted to Tokyo University. Money is tight, tensions are high, and then it all changes when Ruriko brings home Milk, a self-declared baby angel looking to get back to Heaven. Koichi and his dad believes Milk is annoying and needs to be committed, but when Milk is presented to live with the Tokyo family, nobody can resist her innocent sex appeal and mystical charm.
Oh my goodness. Tia is an absolute beautiful AV model who has only been in the Japanese porn business for 3 years. Her exotic red hair, massive succulent H cup, and slender tight body creates Tia to be the center of gravity in “Milk the Maid.” Her innocent act as a baby angel looking to make her way back to Heaven from God’s approval, but first she much help those around her “reach heaven” first. You can imagine the troubles the male characters, Koichi and his father, go through are quickly extinguished and they see their fateful path to enlightenment. Supporting female cast members Mirei Yokoyama, another tight big breasted Japanese AV wonderment, and Ayum, a lesser known AV model but none-the-less still cute, round out this zany erotic comedy. The film opens with Mirei Yokoyama working it on a man; her absolutely gorgeous body had me convinced that she was the “star” of the film until I saw Tia. The exotic red hair and light skin and the cutesy fantasy-like appeal certainly outshines the rest of the cast.
Though “Milk the Maid” ignites into a pretty common, yet spectacular, Japanese wacky erotic comedy – still quite hilarious at points – the characters do go through a rough patch and work through Milk’s heavenly-body ways in order to rekindle the lost spark back into the family and help them rediscover love. Another point to love this film is the sex scenes. Most pink films I’ve seen conjoin two people who seem to be contending on who can over sex the other. That’s not the case here as the sensual scenes are more, well, normal for lack of a better word. They’re still very sexy without creating an awkward viewing experience.
“Milk the Maid” is another great hit and recent release for the pinkusploitation empire Pink Eiga. Long time pink film director Motosugu Watanabe strikes panty wet gold! Being one of the most revealing pink films that I’ve ever seen, I’m glad Tia had honed onto my radar and is now a object of my dreams. Catch this DVD either at your local video store’s back room or, and a much easier more convenient way, purchase it directly at Pink Eiga.com!
Category Archives: Trailers
Indie Evil Whips Horror Back Into True Form! “HI-8: Horror Independent Eight” review!
On the heals of my review for excellent “Hillbilly Horror Show Vol. 1,” the next review had to be another anthology. There was a must-watch horror short attitude swirling in the cold air. Out of everything that lies on the review docket, by chance “HI-8 (Horror Independent Eight) was next on the chopping block and already the drool slithered itself from the corner’s of my horror-hungry mouth. “HI-8” brings together the best-of-the-best shot on video horror directors of the last three decades and where going back to your roots is not so much a challenge for the eight horror-short directors, but rather a natural like riding a bike scenario.
0: “No Budget Films Present…” by Brad Sykes
The anthology begins with a wrap around short entitled “No Budget Films Present…” and starts off innocent enough with three young and inspired horror filmmakers creating a slasher picture of a female jogger being terrorized by a masked killer. The short weaves in and out between the other shorts and during the intermediate of the story a terrifying myth is laid out about a face-ripping fiend who stalks the very location where they’re shooting their movie. By the end, you can only imagine the fates of our young filmmakers.
“No Budget Films Presents…” is directed by Brad Sykes who happens to also a co=producer of “HI-8.” The short isn’t the campiness of eight and is a bit hard to follow due to the choppiness of the in-and-out story telling between other shorts, but the story is still very solid and the ending is nothing short of a surprise. With great creature effects and a use of a video camera, this innocent story turns deadly and chilling real quick.
1: “Switchblade Insane” by Tim Ritter
“Switchblade Insane” follows the marital complications between a killer, the Switchblade Butcher, and his wife. The Switchblade Butcher feels the need to kidnap, rape, and murder his female victims and when his wife confronts his ghastly actions at gun point and caught red handed, he persuades her to join in his blood-letting ecstasy. Her lust for blood was just as thirsty as his and brought their relationship to new heights. As the story of the Switchblade Butcher is being told by the wife, the lines become blurred between killer and wife and the ending provides a better than M. Night Shyamalan twist!
Director Tim Ritter is one of my all time favorite shot on video directors. “Truth or Dare? A Critical Mass” is one my personal favorite films and to see his name as one of the directors gave me goosebumps. Ritter doesn’t disappoint bring out his A game witi “Switchblade Insane.” The story is freshly twisted and the laid out perfectly frame by frame to leave a lasting impression with no too much gore to try and ingest.
2: “A Very Bad Situation” by Marcus Koch
A handful of desparate survivors steadfast in a cramp and tight-knit garage after a exotic meteor-shower slowly turns humans into hideous flesh-eating monstrous transformations. Suspicions run rampant, weapons are drawn against one another, and nobody trusts the other as anybody could be infected in this John Carpenter-esque “The Thing” type horror short.
As aforementioned, Carpenter had already done this similar scenario in the arctic with a group of station inhabits who are imitated precisely by an alien being. The first minute, minute and half, is a bunch of stock footage of people in the masses reaping havoc and violence, but it’s the end of the short that will get your heart racing when the creature unveils itself to the group in a very practical and gross special effects way.
3: “The Tape” by Tony Masiello
An obsolete VHS rental store is shutting the doors for good and store clerk Tim is able to take one of the VHS tapes home with him as part of a severance package type deal. He pops in the tape to find that it’s an unfinished, self-taped film entitled Bloodgasm. Just as the name suggest, Bloodgasm is a more gory and colorful version of the tape in “The Ring.” Tim becomes engrossed to the point where raunchy sex with his girlfriend is nearly non-existent and can’t sway his attention away from the screen. His obsession is so strong that he researches the tape and finds the director who wishes to finish (off) the film with Tim and his girlfriend.
“The Tape” will have your entrails running for dear life. The tape is nothing but shock and gore and I get why Tim loves it due to it’s realistic effect. This is another short that deserves kudos for the awesome twist ending. Though the events are rather rushed, Masiello is able to squeeze everything to provide a well coherent, gut wrenching, bloody festive screening.
4: “Gang Them Style” by Ron Bonk
A zombie breakout ensues. One man decides to break into a nursing home to save his Nana. He takes on more than he can chew as Nana brings with her a handful of other nursing home residents. The long 10 foot walk between the exit doors and the minivan is the dangerous journey the survivors must make in order to survive the ordeal.
By far the campiest short of the all, “Gang Them Style” incorporates and pays homage to the indie horror icons and classics especially such with John Carpenter, names of the characters from “The Thing” are reused for some the cast in “Gang Them Style” and some of a few taglines made in the dialogue as well; the “kick ass and chew bubble gum” comes to mind. The short doesn’t take itself serious and does a great job on homing in on the 80’s style in every way – soundtrack, camera angles, clothing, acting, effects, zombie makeup, etc.
5: “Genre Bending” by Chris Seaver
A curvy young woman has gained a couple of creepy, sleazy stalker that she may or may not be oblivious to the fact. Once all the characters come into play, “Genre Bending” is true to the title with a a back and forth game between genre and gender.
“Genre Bending” is the least horrific film of all the shorts and plays out more like a dark comedy. The short does speak upon the terms of gender, sexism, race, and voyeurism. Even though each film is only 8 to 10 minutes long, this short feels a bit overplayed and does over stay its welcome.
6: “Thicker Than Water” by Donald Farmer
Emily’s jealousy and paranoia wigs out her boyfriend Ted with accusations that he’s fooling around with ex-girlfriend Lauren. After Ted calms down Emily’s suspicions, She reveals reveals that she’s pregnant. But Emily isn’t quite convinced of Ted’s assurance; she wants to be completely sure so she wants Ted’s to rid of his previous relationship and takes him into the back room where Lauren sits tied up. Will Ted cut ties with Lauren for good by overseeing her demise?
Donald Farmer is the quintessential SOV director; one of the legends much in the same class as Tim Ritter. His entry is brutal and unapologetic pitting current life agains’t the past. The drastic measures Lauren takes is not fantastic or far from the truth as many will do anything for love or for a child. “Thicker Than Water” is not necessarily fresh script, but certainly visceral and emotional.
7: “The Scout” by Brad Sykes
Director Adrian is scouting the desert for the perfect location for his next film and tagging along is Madison, an aspiring actress. When their car breaks down by a run down structure, Madison has a few choice words for Adrian and embarks on her own back to town as she is already late for potential acting gig. When she becomes lost, she circles back and can’t locate Adrian. Instead, she locates his camera and is shocked by the found footage.
“The Scout” is a bit more spellbinding and greatly introducing more blood than his wrap around short “No Budget Films Presents…” The sheer mystery of the camera’s ability to see into the future could have been explored a little more instead near the end of the short, but this provides a mysterious and supernatural tidbit that leaves open the chilling story.
8: “The Request” by Todd Sheets
A late night radio DJ is being phone stalked when counting down the top music hits. The calls are mysterious, menacing, and spooky giving a tingle down the DJ’s spine. He thinks a prank is being played on his good nature, but the DJ has a secret – a secret that haunts him and, eventually, catches up with him even from the grave.
Todd Sheets Lives! The legendary SOV director stirs in his own gruesome material into a story that eerily resembles a Stephen King story. The film speaks about the ultimate betrayal and proves that karma is a bitch. Timing of the story is enough to keep your attention quenched and the ending will eat your heart out!
“Hi-8” brings the beloved 80’s and 90’s analog horror back to the small screen giving future generations only a small taste of CGI-less horror. The nostalgia for this review alone is over-stimulating. Greats like Todd Sheets, Tim Ritter, and Brad Sykes are not a dying breed, but rather an underlying threat to mainstream horror, lying and waiting for tween horror acolytes to drop dead and have SOV rise from the tomb once again. Check out this Wild Eye Releasing DVD that is already out on shelves ready to be picked up, watched, and loved.
Good Night, Good Luck. Dying Light is out now!
The most anticipated zombie game of the year is now out! Dying Light is a first person zombie horror game that takes place in a overrun city that has been blocked off from the outside world. Survivors must work together or fight against each other to reach the air drop supply crates in order to survive.
Dying Light is now available on XBOX ONE, Playstation 4, and PC
It Takes Real Evil to Cure an Addiction! “Malignant” review!
Allex’s life is meaningless. Losing his wife spun a web of alcoholism that drained his motivation to live. But Allex is about to get a little help from a man in black; a rogue scientist looking to cure Allex’s addiction in the most radical of sense. When Allex wakes up after a black out binder, a stitched up incision is on his chest and a video that shows him on a murderous rampage. Allex doesn’t remember a thing. Being terrorized by a scientists who thirst to cure Allex of his alcoholism and stagnant life is nothing short of bitter sweet.
Lets start off this review with a positive. Brad Dourif will forever stand out among his fellow cast mates. Dourif has accumulated over the years the manners and the techniques to build a sinister villain even if the legendary “Chucky” voicing actor plays a character that lacks major cojones. In “Malignant,” Dourif is the rogue scientist playing havoc on Allex’s life and the subtle approach Dourif brings is exactly how I would have imagined it as his character is brilliantly spiteful and usually where there is brains, there is less braun.
“Malignant” drives a stake right through the heart of alcoholism subject matter. Most people flounder the way the main character Allex does when they’re under the spell of the drink. Director Brian Avenet-Bradley introduces a cruel and diabolical intervention where pro-choice to cure one’s self is non-existent. Now, the fix isn’t exactly quick and nor is it ethical and moral, but when you need to start living your life again, what better way than to slash the throats of the drunks around you?
With a good amount of positives for the film, “Malignant” certainly isn’t anything spectacular to where you desperately need to watch it right away. But I certainly encourage the message behind the film and can back good Dourif performance even if it’s not his best. Another positive is the lobotomy surgical scenes will have some eye lids squint with visual displeasure and I can contest that the effects are realistic and not at all cheesy.
What I can’t escape from is the main character’s poor choices. The screenplay holes are major because the character Allex makes too many poor choices driving my dislike for Allex high and hoping that he gets what he deserves, for being idiotic, in the end. Played by Gary Cairns, Allex’s woes with this loss of his wife, played by the smoking Sienna Farall only in flashbacks, are felt, but I felt like his life with alcohol could have been more depressing. Cairns portraying a depressed drunk certainly needed more boozing and loathing of life.
“Malignant” isn’t benign. This is a good solid DVD release by MVDvisual with great presentation and clarity that makes the surgical scenes that more fearing. Watching it for Brad Dourif alone if you’re a fan of his work or watch one night when the mood for a thriller takes you over. Test the waters as you may find this film evilly enticing.
Show Evil the Ropes! “Educating Yuna” review!
Innocent Yuna meets famous art critic and collector Professor Shibuya. Shibuya invites Yuna to his countryside home to organize his art collection, but Shibuya’s real intention is to reveal his true self to Yuna – a BDS&M practitioner. He introduces her to S&M queen Erika and her mistress Miho and before Yuna could blink she was thrusted into a world of bondage and pleasure. The experiences were new to shameful and innocent Yuna and though she enjoyed her stimulating new feats, she reluctantly did so and began to question her acceptance of such new enjoyments.
Forget “50 Shades of Grey.” Say hello to “Educating Yuna!” True S&M fans will love this film that tightens the ropes around the scared body, that cums without mercy, that brings masochistic pleasure to the forefront, and shows men and women alike can shed their shame and live an exotic lifestyle. A bondage professional was brought in as an advisor for the extremely intricate shibari rope bondage scenes which director Yutaka Ikemjima, aka Mr. Pink, well crafts into the film. Ikemjima turned innocence into perversion in a matter of a few frames.
Leading lady Mari Yamaguchi delicate body turns rapturous. Yamaguchi remarkably does well at portraying an young and naive college student standing on the brink of kinky sex and just needing that helpful push. Teamed up with actresses Japanese AV pornstar Ran Kurenai (Erika) and masochistic pornstar Satsuki Mochida (Miho) and the combination will get rock hard reactions around the globe. “Educating Yuna” intensity can not be so easily described as the scenes are too extreme for simple words; the extensive bondage scenes are cringe searing, but one can’t help to lust for more of Mari Yamaguchi in tight ropes suspended high in the air with her breasts exposed and her flesh swelling pink with desire. The film isn’t all about BDS&M as there is a serious message behind the film. The Shibuya character at one points collapses and the realization that his willingness to lay with anybody (or anything) puts the fear of Aids into her soul. The penance of careless sex.
“Educating Yuna,” in all its Japanese government mandated genitalia censorship glory, is a raw explosion of dark perversion brought to you by the likes of the wonderful pink film distributor Pink Eiga (www.pinkeiga.com)! Our of the four recently DVD releases from Pink Eiga, the Yamaguichi and Ikemjima film wins the award for making one feel dirty and guilty on the inside yet stimulating and wetting their private parts at the same time on the outside. Strongly recommended for those who love the BDS&M genre or those who want to know a little bit more in their sexual experimental quest.
It's Bloggin Evil! 