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Seeing Evil! Curandero: Dawn of the Demon review!

Posted by Steven Lewis on

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By now I imagine we’re all, by all I mean avid movie-goers, familiar with the director Robert Rodriguez. The balls-to-the-wall flare for action Rodriguez has written and directed some of the most memorable movies in nearly the last two decades – Desperado, From Dusk till Dawn, Planet Terror and, yes, even Spy Kids. Rodriguez is now a well-known household name now that he has his own production company – Troublemaker Studios – and is a hot-shit friend of Django Unchained writer and director Quentin Tarantino (they’re always in each other films if you haven’t noticed). Now, I had thought that I’ve seen all of Rodriguez’s work with the exception of Spy Kids, but I was wrong. Curandero: Dawn of the Demon is a latest release from Lionsgate; however, the movie was completed and released in 2005 – why such a delay? Perhaps the delay was a product of the film being made in and using the language spoken in Mexico. I wouldn’t doubt this as El Mariachi was not known to the American audience until Antonio Banderas and Selma Hayek starred in Desperado, a sort of sequel or remake of El Mariachi, and an American DVD of El Mariachi was released later.

Curandero, which translate to The Healer, follows the healer Carlos – a practical man who uses his knowledge of healing on those he think are weak minded fools just so they feel better about their lives. That is until he meets Mexican Federale Magdalena who hires him to become involved a case where a satanic cult terrorizes Mexico City. Carlos beliefs will be challenged as black magic becomes ultimately real and the forces against him are closer to home than what he could ever imagine.
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Curandero grabs you right from the start as we’re thrown into Carlos’s simple hometown world where he competes with another curandero named Alex Munez who is more popular around town, but even though Carlos thinks his line of work is a bit of a sham, he still makes an effort to please other people making him well liked in the community and has been given respect due to his father’s healing services. The horrifying action begins when Agent Magdalena enters the story; the saucy tall Latina is a realist and doesn’t much in the mumbo-jumbo that is black magic, but her story makes a complete 180 degree turn at the finale and so does Carlos. The story is well written by Rodriguez giving the both Carlos and the federale the same view on spirituality yet making both reason completely different.

Robert Rodriguez’s style directorial feels implemented into Curandero even though Robert Rodriguez didn’t direct the film. It is another Rodriguez who takes the credit for Curandero’s fast-paced, over-exaggerated action. Director Eduardo Rodriguez tries to recreate Robert Rodriguez, but does molds his own take to reconstruct the elements and add great horror qualities that contribute to the action.
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This 2005 cult/possession film should have had a much earlier release in the U.S. There is definitely an appeal here for niche horror fans. Would Curandero have done well with mainstream audiences? No because there is just too much working against Curandero when considering American mainstream audiences – it’s in Spanish, it’s lost in translation with the dialogue, and it deals with some Mexican traditions. Certainly pick this up from Lionsgate Home Entertainment. Curandero will fill your cup of blood and horror.

Crazy Evil Women! Crush review!

Posted by Steven Lewis on

crushCrush might be another edgy, teen melodramatic turned psychotic, obsessive-driven suspense genre film, but Crush provides a solid story that entertains. The teenage day-to-day runs over exaggerated throughout – a teenage life we wish we all had minus the crazy crush. Director Malik Bader works his black magic over his indie project that compares itself to a minor league version of 1993’s (29 years later…coincidence?) Crush starring Alicia Silverstone and Cary Elwes.

The most popular guy in high school has it all – a soccer superstar, good looks, and a beautiful best friend who is head over heels for him. His life seems perfect until a crush begins to secretly stalk him and remove any obstacles that may halt her destructive path that might interrupt their ultimate “union” together.
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I’m going to begin with what I dislike about Crush. Crush, like I mentioned before, over exaggerates the teenage life. High School parties involving alcohol were never this easy to obtain, but for these “kids” the parties seem to be conjured with ease. Also, practically almost no adult presence or the adults are among the clueless crowd throughout the film. Parents are rarely clueless because adults were once teenagers. Thirdly, why in all these obsession thrillers are the mentally unstable women always model-like hot? My mental picture of a woman of this nature, should have a socially unpleasing appearance. I’m imagining a large nose, frizzy hair, over weight, frumpy, maybe even anorexic, gothic and such. However in Crush this is not the case. Lastly, every woman in the film has a hard on for the main character, the soccer superstar. Even his English teacher flirts with him, asks him to call her to “discuss” a novel (even though she never gave him the title of the book).

With all that said, there are numerous undertones to the film. Teacher-student relationship borders are being crossed, the socially accepted version of beauty, the absent presence of adults in a youth’s life, and the way we, as teens, want to perceive our young lives with parties, sex, and alcohol. Crush’s plot plays off these issues, but quickly just hints at most of them and then just as quickly discards.
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Technically, the film can compete with most modern day productions. The story could use strategic work to cover up the twist ending because one could decipher the ending without having to watch the entire film. My most aggravating aspect of Crush is with DVD/Blu-ray cover as this gives away the film’s ending making act one and two of the film pretty much pointless. I’ve probably said too much already, but I won’t go into more details about that. In fact, I’ve probably done enough damage to the film’s reputation, but don’t take my word for it because Crush is certainly entertaining with hints of Swimfan sprinkled throughout – okay, maybe not sprinkled but definitely heavily garnished – and everybody loves watching crazy women when the crazy women aren’t being crazy on them.

From the Evil Mind of Don Coscarelli! John Dies at the End review!

Posted by Steven Lewis on

jdateposterIf you did a retrospective analysis of Don Coscarelli’s film career and try to pinpoint Coscarelli’s area of specialty with in the realm of horror, you’ll wind up scattered all over the place unable to achieve an exact position of Coscarelli’s sub-genre schtick. His latest (and greatest) film endeavor John Dies at the End embarks on being Coscarelli’s next longevity cult hit. Unpredictable and captivating forces you to forget that this indie movie bares no no-named stardom and borders the edge of “crinchable” special effects, but the story grabs you, shakes you, chews you up, and spits you out wanting to know more while leaving you wondering what the hell just happened…in a good way.

Paranormal exorcists and best friends David and John are bound by the supernatural Soy Sauce, a jet black living drug that give David and John the outer body experience and is the source of their powers to fight evil. The Soy Sauce has a ying-yang affect and drive them down a path of sends them into another dimension to face off agains’t a monstrous being that wants to absorb their dimensions knowledge by digesting everything they know!
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John Dies at the End won’t scare you. There are no thrills or chills. What it will do is give you a wicked acid trip. Where bits of meat conjure together to become a meat monster, where door handles morph into large veiny penises, and where eye balls burst out by soul devouring gnats! Only Coscarelli’s mind could be this warped and that warp sense mixture of humor and horror keeps our attention waiting to see what happens next. This mixture also drives the film which is a definite positive, but can also be a negative.

Coscarelli’s film feels all over the place that makes the concept hard to grasp. The non-linear plot places characters in our conscious in disorderly manner without any grounded statuses. By the end of the movie, I start to wonder if there are pieces missing from the story boards. The concept of time doesn’t seem to exist and that might be part of the film’s facade as the drug-fueled outer-body experience.

Chase Williamson and Rob Mayes are great as Dave and John. Dave’s a passive person with a sarcastic attitude but willing to stand John’s frantic personality. John, as I said before, is a bit spastic and has that carpe diem attitude. Their contrast draws them together to form a powerhouse team. Tack on Clancy Brown as a co-worker of their trade with a sleazy white hairdo and Paul Giamatti as a skeptic feature reporter and you have great talent supporting the the two leads who are already phenomenal as your slummy ghostbusters. Doug Jones (Hellboy) makes an appearance whose character doesn’t have enough time screen in my opinion as an other dimension mystic. Lets not forget the cameo of Angus Scrimm as a demon priest – fantastic.
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John Dies at the End will smack you in the face and you’ll smile at the end. You’ll definitely get some laughs because this horror comedy is nearly in the same vein as the Bubba Ho-tep with the anal soul sucking mummy. Magnet Releasing brings you the next Don Coscarelli hit and you can purchase at Amazon.

Candarian Evil is Back! Evil Dead remake review!

Posted by Steven Lewis on

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Some moviegoers pride themselves as being a purist especially hardcore horror fans who are looking for an excuse to bash the shit out of anything that isn’t already the horror norm. Remakes are notorious for being made and resulting to being just a money-hungry cash-in and being an absolute piece of garbage bringing shame to the original crew of the original movie. Only once in awhile, a remake will come along to excite and thrill while still being true and respectful to the original movie. Evil Dead is very true and very respectful.

Four friends watch over a drug recovering addict going cold turkey in a woodsy remote cabin. They happen upon the Necronomican – a book bound in human flesh and inked in human blood – and release soul possessing and feasting demons that bring bloody havoc upon group of friends.
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With Sam Raimi, Rob Tapert, and Bruce Campbell backing and producing complete the remake project helmed by newcomer Fede Alvarez, you could call this movie a slam dunk and was from start to finish. Right from beginning, the blood begins and, boy, did the blood keep flowing. Raimi’s The Evil Dead intended to be a frightening movie with lots of gore with very little campiness. Alvarez’s Evil Dead just amplified the scary and quadrupled the gore with little to no campiness while keeping Raimi’s story practically whole through the film’s duration and even putting little tidbit easter eggs in film much like Raimi did with placing Freddy Kueger’s blade claw in the tool shed to show respect to Wes Craven and Nightmare on Elm Street.

Fede Alvarez’s Evil Dead is it’s own monster when being compared to the original film while still being a “Video Nasty.” I’d call Evil Dead a proud and gruesome spawn based off the original intent of Raimi’s The Evil Dead. If you’re Evil Dead 2 or Army of Darkness fan, you can completely forget about any humor being portrayed here; all the fun and games will be left out until Evil Dead 4 makes some kind of potential wave.
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Call me impressed by Fede Alveraz who has all short films under his belt. I watched his robo-apocolyptic short Panic Attack and thought he had an eye for detail and the details for Evil Dead are right on the nose – the Cabin, the overzealous fog, the controversial woods scene, – but Fede did add his own. For example, there is no Ash (which might piss some people off more than the rest), the whole reason for being at the cabin, the explanation of the Necronomicon, the ending. Yet all these elements make the movie stand on it’s own two evil feet. It is mindless, it is gory, it is sick and it is fun – just like the original.

Evil Arachnids from Space! Spiders review!

Posted by Steven Lewis on

Spiders creep me the hell out. Eight legs, hairy, lots of black eyes, fangs – Spiders are frightening creatures of nature especially if you’re an insect. Spiders can hunt probably better than any human can as they can spin a web to capture their pray, dig holes to create traps for passing by prey, and can inject poison to paralyze their soon to be meal. I’m so fascinated (and frightened) of spiders that I had to review a copy of Tibor Takacs film simply
entitled Spiders.
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A disabled Soviet Union space station once harvested alien DNA that would only combine with the genes of spiders. The station was abandoned and 20 years later, the station orbits earth until a crumbling meteor slams into the station breaking off portion and sending the space junk into the atmosphere and crash landing into New York City’s metro underground. The mutated spiders lay eggs inside their prey and grow six inches every hour. A massive military cover up exposes the greed behind a rogue colonel’s intentions and its up to a metro controller and his estranged ex-wife, a city health inspector, to bring the surface the truth of the colonel malicious reign and to stop the mutant spiders from taking over the city.
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Director Takacs isn’t new the giant spider genre as he directed the 2007 TV movie Ice Spiders which didn’t fair too well with audiences, but who doesn’t love man-eating monstrous spiders? 2013’s Spider’s feels like David Arquette starred Eight Legged Freaks with the terror among the community in an old fashion creature feature, but Spiders does stand on it’s own eight legs by making the spiders alien in origin. Adding the once softcore porn actress Christa Campbell doesn’t hurt either. Campbell is accompanied by Patrick Muldoon who might remember from another arachnid type sci-fi movie Starship Troopers as the fleet pilot Zander. Muldoon also appeared in Ice Spiders – the guy has a thing for spiders.
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Takacs surprises me with the quality of Spiders and his other recent work. The story and the effects are okay and passable, but not as creatively outstanding as 1987’s The Gate – the film that had boosted his career as well as Stephen Doriff’s. These computer generated spiders are awkward when crawling and their razor-teeth filled mouths are even more awkward when stretched out to devour the next victim. However, Takacs knows how to keep an adventure and the action going and continuous, but seems to lack character motivation at times. I struggle to comprehend and begin to question our hero’s (Muldoon) and heroine’s (Campbell) choices in handling the spider chaos and the military’s cover-up. Also, I’m finding difficulty understanding that Muldoon’s character can outwit a giant Queen spider which is three stories tall while an entire military force can’t even handle the baby 4 foot tall male spiders.

With Spiders you will have to stretch your imagination beyond the limits of logical thinking, but with most creature features, you kind of need to and with that said, Spiders fairs well among the latest in the monster spider genre which has been severely neglected over the last five years. Spiders is also available in 3D if you have the capabilities! Thank you Millennium Films and Nu Image productions for a terrifying arachnophobia experience.