Ancient Evil: “Carrie” review (2013)

This 2013 horror film featuring Chloë Grace Moretz, unbeknownst to me when I watched this, is a remake of Stephen Kings’ 1976 film Carrie (which further derived from his 1974 novel of the same name).

Above: “Tampon scene”  (This is the scene in which Carrie begins her first ever period. She absolutely freaks out and bizarrely has no idea that this is a completely natural occurrence. She screams and spreads (period) blood everywhere. Instead of helping her, her fellow classmates prefer to throw sanitary towels and tampons are her.)

Above: “Tampon scene”
(This is the scene in which Carrie begins her first ever period. She absolutely freaks out and bizarrely has no idea that this is a completely natural occurrence. She screams and spreads (period) blood everywhere. Instead of helping her, her fellow classmates prefer to throw sanitary towels and tampons are her.)


I didn’t plan to watch this film, I just happened to stumble upon it on Netflix one night. I had a come over completely absent-minded and didn’t realise at first that it was a remake. I haven’t seen the original yet but I know Stephen Kings style and that it is a widely-known film, successfully kick-starting Stephens’ career. I love Chloë Grace Moretz in both Kick-Ass 1 and 2 because she performs her role flawlessly, seemingly born to play a bad-ass. This is the reason I put the film on with no hesitation. Chloe plays Carrie, a young girl who has a manically religious mother (Julianne Moore) and is constantly ostracized by her fellow students.
This is Carrie just after she unleashed hell and killed the majority of her school year. She was voted prom queen but her wonderment soon turned to disbelief when she was covered in pigs’ blood. Her path of destruction continues.

This is Carrie just after she unleashed hell and killed the majority of her school year. She was voted prom queen but her wonderment soon turned to disbelief when she was covered in pigs’ blood. Her path of destruction continues.


The film focuses entirely on Carrie being a victim of severe bullying (and of course her bizarre mother and their uncertain relationship). Throughout the film she is being viciously bullied and much to her surprise she discovers she has the power of telekinesis. Her powers are gradually used for evil until a prom night prank forces her to unleash all of the sinister and hellish destruction she can manage. She further kills her mother and herself. I was hugely disappointed with the film and I am amongst thousands who believe this film was a colossal mistake. Although Chloe definitely delivers in the blood-shedding scenes, she hasn’t shown me that she’s capable of playing a vulnerable character. Her timid scenes are not convincing at all, to say the least. The fact that they altered the storyline so Carries powers are shown over time totally dissipates the suspense of the entire film. A story about a teenage girl who doesn’t fit in, many people can relate to this… but that doesn’t make us like it. I can’t really comment on whether it was bad casting or a bad re-make because I just don’t know. I also don’t know why in the final scene Carrie reveals to Sue Snell (Gabriella Wilde) that she (Sue) is pregnant with a girl. Telekinesis is the ability to move objects without physically touching them. I don’t know the explanation they’d give for her having physic powers too. In conclusion I do suggest you watch it to make your own opinion but this comes with the warning for you not to expect much.

Syfy’s “Z Nation” S1Ep3 ‘Philly Feast’

Living in the Philadelphia area, the “Philly Feast” episode was quite the treat to see the “City of Brotherly Love” be taken over by the undead. Once again, Syfy and The Asylum grotesquely explode every bit and piece of body part in this episode never letting dismembered zombie appendages get old.

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Z-Nation writers didn’t wait too long to bring in the cannibal group. Every apocalyptic show has a cannibal group. Z-Nation just happens to reveal them in episode three under the ruling thump of Tobias Campbell played by Rick Rivera (happy National Hispanic Heritage Month, Rick). Now, I love me some good cannibal groups because they’re always the wild card, but this group lacked pizzaz and notoriety. Pisay Pao’s Cassandra character couldn’t quite play up Tobias’s long pig enthusiasts. However, the ending result of the full on assault on Tobias’s camp was well executed in a ‘classical’ fashion. Cassadnra’s backstory now looks to be wrapped up tight and we won’t have to explore that anymore in the foreseeable future, but I still feel she has more to hide or she has more up her sleeve with her new found friends in Addie and Warren.

The scene with the Liberty Bell had me rolling with laughter and giddy with the sight of zombie bashing mayhem. Z-Nation continues to make the implausible plausible and yet somehow make it look totally believable with the ridiculous zombie fraggings and though I do like all the characters, Nat Zang’s 10K has to be one of the standouts. His sniper character is the hardest the kill and I’d like him to reach his goal of 10,000 kills.

Can’t wait for next week’s episode!

EVIL playthrough: Slender: The Arrival PART 1

Well its official, our youtube channel is now active! The first video is a playthrough on Slender: The Arrival.

The Walking Dead – A Bad Lip Read!

The Walking Dead is back! Well, not until October, but a bad lip reading parody of hit AMC show about zombies has been released and it’s freakin’ hilarious. Check it out below!

The House that Holds Evil! “Slasher House” review!

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Here is an entertaining little piece of UK slasher horror that will sure be appreciated as well as thrilling. “Slasher House” had finished filming and was wrapped up in a nice bow two years ago but, finally, made an appearance on DVD just last year in the UK. A whole another year later and “Slasher House” hits retail shelves this past Tuesday in the States – about damn time – courtesy of Sector 5 Films. In all honestly, the good old USA missed out on releasing “Slasher House” as this English film’s crew and cast were the highlights of turning a run of the mill survival film into a great little unknown gem of a movie.

Red wakes up stark naked in a cell of a grungy rundown prison. Plagued with amnesia, she can’t remember who she is let alone how she how she got here. When her cell door opens up, Red discovers she isn’t alone as their other captives, but these captives are not so innocent. Within these iron bars and walls, she is trapped with notorious serial killers who are being released from the cells one by one. With no way out in sight, Red must elude the killers as they hunt for her in the corridors. There are more sinister means behind this game, but she must go through the players first to find out why she’s here and who she really is.
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Leading lady Eleanor James was labeled one of Britain’s new age scream queens. Though she delivers no real scream here in “Slasher House,” James’ character resembles more of Milla Jovovich’s Alice character in the Resident Evil series – more so with the red dress, calm demeanor, and feistiness with less kung fu, ESP abilities. Her performance as Red has you rooting for her all the way because she is the first and last “last girl” in “Slasher House” against a handful of murderous sonuvabitches.
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Each notorious slasher has a trademark and a unique personality – a child killer, an operator, a brute, a dual personality – leaving no room for boring characters. Their backstories are briefly told in a flashback anecdote just short enough to give you their whole persona. The plot is a bit more complex than it’s unique cast of characters. I like the idea of bringing a lineup of serial killer allstars into a dirty old prison and letting them face off. I wish there was more of that. Half of “Slasher House” was trying to find an exit and the other half was escaping the maniacs. No real dull moments plagued the film, but with a premise that involves a battle royal amongst the worst of the worst, you would think you’d be up against a blood spattered wall and heads would be constantly rolling. The other half of my mind says the slowed down story goes better with a film like this to build the characters up for a great and glorious downfall.
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“Slasher House” plays out like a graphic novel and could be well turned into one. A great one in fact. “Slasher House” also delivers a twist ending that you won’t see coming until the very end! Speaking of the movie’s end, the open ending doesn’t explain much to the character’s situation. One could only guess to the purpose behind the game, but none of the plans are plainly explained.
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“Slasher House” is a must buy from Sector 5 Films. Two years have I waited for a film like this that could entertain me on a budget while pulling off major production status. I’m very impressed by director MJ Dixon and his vision and his future is bright with indie pictures and possibly get a gig in Hollywood if he keeps turning out good films. If you have a fear of clowns you may want to stay away; other than that, pick this DVD up that was released this past Tuesday the 26th!