“The Blackcoat’s Daughter” from Lionsgate in May!


Terrifying and suspenseful, The Blackcoat’s Daughter arrives on Blu-ray Combo Pack (plus Digital HD) and DVD May 30 from Lionsgate. Emma Roberts stars as a troubled young woman who embarks on a journey to an isolated prep school while two stranded students (played by Kiernan Shipka and Lucy Boynton) face a sinister threat from an unseen evil force. Praised as “truly unsettling” by RogerEbert.com, the movie premiered at the 2015 Toronto Film Festival and the 2015 Fantastic Fest. From writer-director Osgood Perkins, The Blackcoat’s Daughter Blu-ray Combo Pack and DVD will be available for the suggested retail price of $24.99 and $19.98, respectively.

OFFICIAL SYNOPSIS

Beautiful and haunted Joan (Emma Roberts “American Horror Story” and “Scream Queens”) makes a bloody and determined pilgrimage across a frozen landscape toward a prestigious all-girls prep school, where Rose (Lucy Boynton) and Kat (Kiernan Shipka) find themselves stranded after their parents mysteriously fail to retrieve them for winter break. As Joan gets closer, Rose watches in horror while Kat suffers terrifying visions and becomes possessed by an unseen force.

Lionsgate will release “The Blackcoat’s Daughter” on Blu-ray Combo Pack (plus Digital HD) and DVD May 30!

Colleen and Colleen Versus the Evil Bratzis! “Yoga Hosers” review!


Colleen Collette and Colleen McKenzie are best friends. They’re also two superficial 15-year-old girls who are nose deep into their social media campaigning cell phones, jamming in their girl punk band Glamthrax, and living by the unorthodox, yet namaste driven, yoga practices while exasperatingly working at one of girl’s father’s convenient stores called “Eh-2-Zed.” Set in the Great White North of Canada, the Winnipeg, Manitoba sophomores are surprisingly invited to a senior party, a lure by a popular, good-looking senior boy who has a darker, Satanic side to him. The Colleen girls’ run in with a murderous devil worshipping senior inadvertently opens another hidden danger lurking 37 feet beneath their “Eh-2-Zed” soles. A slumbering Nazi mad scientists has been awoken and aims to finish his Third Reich master plan to take over Canada with a cloned army of Bratzis, living Bratwurst sausages who are pint-sizes Nazis, and seeks to unleash evil upon the Manitoba Earth.

Kevin Smith’s latest pop-cultural flick, a comedy-horror feature, entitled “Yoga Hosers” is the second installment, following 2014’s film “Tusk”, in Smith’s horror-inspired trilogy known as The True North Trilogy. Did you noticed I labeled “Yoga Hosers” as a comedy-horror instead of a horror-comedy? The “Mallrats” and “Clerks” director basks more in the familiarity of witty, profane humor in this second of three films, but Kevin Smith has known to dapple, gradually stepping over to the dark side into horror with his radical religious sect piece “Red State” and, like aforementioned, the body-horror “Tusk.” The Jersey native also has an occasional appearance on AMC’s “The Talking Dead,” a talk show about “The Walking Dead’s” post-premier of each episode, and has meddled in the realm of the fantastic. Not only is Smith a strong advocate and sincerely passionate comic book enthusiast, coinciding with his own AMC show “The Comic Book Men,” but “Dogma,” starring the late Alan Rickman, delivers divine revelations and, now, with “Yoga Hosers,” a villainous Nazi clones miniature Bratwurst soldiers. Smith holds, in my opinion, one of the most extremely diverse bodies of work in our lifetime.

Where as “Tusk” goes gritty and gory with R rated horror-comedy, Smith’s intentions for “Yoga Hosers” has always leaned toward that of PG-13 and, maybe, that’s due in part of the two films’ minoring connection. The connection, presumably set in the same whacked out alternate universe, stem from the two Colleens, one played by Smith’s hysterically funny daughter, Harley Quinn Smith, and the other being Harley’s longtime, kindergarden friend Lily-Rose Depp. Yes, the daughter of mega star Johnny Depp and French singer Vanessa Paradis brings her inherited talent and French dialect to one-half of a buddy comedy. The 15-year old girls, who are also 15-year old in character, transfer their natural offscreen relationship into being an entitled millennial pair with every intent on neglecting responsibility until faced with the moment of truth. Teamed up well with Lily-Rose’s father, Johnny Depp, under the heavy makeup of a fictional French manhunter named Guy Lapointe, also from “Tusk,” with scene-to-scene rotating facial mole, the crime fighting, buddy trio awkwardly moves across the plain in an enjoyable double entendre performance of simple wit. Accompanying Depp, Smith, and Depp are an eclectic roster of Kevin Smith’s usuals such as Justin Long (“Tusk,” “Jeepers Creepers”) as a reality-severed Yoga instructor named Yogi Bayer, Jason Mewes (“Jay and Silent Bob Strike Back”) in a bit part, and, of course, Kevin Smith himself as the devilish Bratzis. New faces also make the scene with an unrecognizable Haley Joel Osment (“Sixth Sense”) as a young Canadian Nazi and “Orange is the New Black” Natasha Lyonne portraying a slutty Eh-2-Zed manager who sleeps her way to the top with Colleen C’s father, “Veep’s” Tony Hale.

“Yoga Hosers” explodes with Canadian farce that’s laced heavily with jokes on ‘aboots,’ hockey jersey-wearing patrons, an alternate version of Lucky Charms called Pucky Charms, and many more stereotypical references that satirically poke a good humored finger at Canadian culture and pop-culture. To top this satire sundae, the smug Colleens define the very title of the film with their dimwitted sludge and white girl yoga written into every storyboard moment. “Yoga Hosers'” buddy film concept gives an opportunity to two young and clueless teen girls who genre pirate the story with a jalopy of unsystematic plot humor, sucking away and discarding like garbage the sole ounce of blended “Gremlins” and “Puppet Master” cavalier subgenre horror that’s comfortably pleasant and inarguable right for a fun film of this triviality. Though I think the Colleens’ have had their story told, I’m intrigued to see what the pair of aloof teens offer in Smith’s third film of the trilogy, “Moose Jaws.”

MVDVisual distributes a dual format Blu-ray, DVD, and Digital HD release of the various production companies’, including main investor, Invincible Pictures, and Kevin Smith’s founded SModcast Pictures, “Yoga Hosers.” The Blu-ray disc is a MPEG-2 encoded 1080p transfer with a 2.38:1 presentation and, rarely, flutters under a mediocre bitrate. Image brightens with a glossy coating that revels in brighter hues of blue, pink, orange, and yellow while starker bolds such as red and purple pop with vividness. Yet, sharp details are thin, less defined to bring high definition to present technological age. The English Dolby Digital 5.1 track slightly elevates the ambient noise, especially during the girls’ punk rock practice that muffles out portions of their vocals, yet still manages to vary and balance. The only bonus feature available is a behind-the-scenes featurette that includes some insightful interviews. “Yoga Hosers” oppresses a melancholy reminder that the old Kevin Smith is no more and dawns a Kevin Smith 2.0 who transforms his satirical trademarks and his witty banter into strange misadventures, involving, in this case, two teenage fools flighting from one sub-narrative to another in a mixed bag of comedy and inferior minion horror.

Buy “Yoga Hosers” on Bluray/DVD/Digital HD at Amazon!

Evil Scores Big by Burning Rubber! “Death Race 2050” review!

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In the dystopian America of 2050, commercialism presides over the middle and lower classes in the constructed wasteland that is United Corporation of States led by an impeccable and blood thirsty Chairman. A popular, carnage-laden sport known as the high octane Death Race has become beloved by all Americans, giving them an escape from their mundane and pitiful existence. The Death Race is simple: war-modified cars trek across the United Corporation of States in a 3-day race to score points by running down citizens of an overpopulated nation as an encouraged way of resetting the out of control producing rate and racers can also seek glory to reach the finish line with best time. Four-time champion, Frankenstein, is the returning crowd favorite and seeks to win a fifth crown, unless the powerful and conniving Chairman decides otherwise.
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Under Universal Studio’s filmic sequel and reboot sublabel, Universal 1440 Entertainment’s “Death Race 2050” is a rip-roaring start toward 2017’s best intense action cinema and despite being pre-labeled as just another diluted and benign remake of the Roger Corman produced, Paul Bartel directed “Death Race 2000” from 1975, the modern day G.J. Echternkamp directed and co-directed film with Matt Tamashita honorably doesn’t lose the rich, yet full of cheap thrills, heritage that makes the original “Death Race” so fun, so entertaining, and so campy keeping the pandemonium on four high-performance, face-shearing tires. Even though Death Race has been quiet for over thirty years since 1975, the last decade has been riddled with Death Race films produced by the legendary low-budget filmmaker Roger Corman and all have been complimentary exclusive in their charm, mayhem, and versions of the lead character Frankenstein to thrill audiences, but it’s “Death Race 2050” that revs in true remake fashion of similar plot structure that changes all but one character.
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New Zealander Manu Bennet carries the torch in portraying the original character Frankenstein, a four time champion with a leather covered body that’s been ravaged and cybernetically repaired from previous race crashes. Manu’s charisma and rugged image will win over audiences as he perfectly embodies a conflicted champion on the brink of doing what’s right; a tone very similar in all “Death Race” films. Manu is paired with actress Marci Miller, as Frankenstein’s passenger proxy, who dishes out the good girl sex appeal with a self-reliant rind. Beyond these two characters, even with a moniker like Frankenstein, the remaining characters make Mike Judge’s “Idiocracy” a college course of rocket science! Deliveries were timely, actions were precise, and performances couldn’t have been more meticulous in scenes with Jed Perfectus, the genetically engineered and ambiguous pretty boy played by Burt Grinstead, Minerva Jefferson, the wealthy ghetto rapper forged to life by Folake Olowofoyeku, and with Tammy the Terrorist, a cult leader with a celebrity high power portrayed by 2007’s “The Signal’s” Anessa Ramsey. The relatively unknown cast is whole-heartedly glued together by the flamboyant performance of “Clockwork Orange’s” and “31’s” Malcolm McDowell as the Chairman.
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One could take a good stab in the dark on what the quality of the effects would be like for any Roger Corman produced film. In this instance, “Death Race 2050” channels much of Corman’s style with Echternkamp and his visual effects supervisor Anthony J. Rickert-Epstein (“Sharktopus vs. Whalewolf”) supplying rotoscope blood and dismemberments that pin-pricks a visual stimulate into the vein of the snobbiest of film aficionados and can be on an everlasting high. The simple, but effect, gasoline based pyrotechnics attest to the dedication of the crew and to the stunt work to know that if they miss their spot, they’re literally toast. However, the sometimes choppy, rapid editing drains some of the juice from the kills that attempt to piece coherent death sequences with humor and action. In fact, “Death Race 2050” redlines just like the modified, manslaughter vehicles used to rundown babies and the elderly to score points by quickly jumping to the next segment in order to sustain all the gory story’s girth.
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“Death Race 2050” is adrenaline flowing wildly adjacent with gasoline, exploding with gore, and is terrifically enjoyable. Echternkamp’s script bares no sense with the sensitivities, secreting American wealth, greed, and stupidity in an environmentally degraded America filled with large high fructose corn syrup soda, an addictive cheese whiz byproduct, and borders that are named after corporate conglomerate of brands such as Walmart or Texaco. Universal’s R rated Blu-ray, DVD, and Digital HD release of the New Horizon film is an 1080p of the 1.78:1 widescreen presentation that makes the film look cheap due it’s hi-def attributes. The image quality is sleek and vibrant with a wide range of rainbow hues and the definition doesn’t ever thrown in the towel. The three option audio selection that consists of an English DTS-HD Master Audio has a lossless appetite that delectable distinguishes the channels where explosions are bombastically LFE and the gory parts are viscerally squishy. The dialogue is surprisingly clear through the amount of chaos. Bonus features include “The Making of Roger Corman’s Death Race 2050,” “The Look of 2050″ featurette,” a closer look at the cars in a segment entitled “Cars! Cars! Cars!,” a cast car tour, and deleted scenes. Even if the story’s timing is a spastic, “Death Race 2050’s” a guilty pleasure from start to finish line under the caustic cinematic eye of Roger Corman!
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Buy it today on Bluray/DVD/Digital HD!