PTSD war veteran Nick returns home and meets the love of his life, an eccentric young woman named Kayla. When Nick thinks things are going good, he discovers Kayla in the bathtub with slit wrists and no pulse. Nick’s world is turned upside and the pain of a life without Kayla is too severe and when Nick tries to kill himself by electrocution, he travels to a moment in his and Kayla’s life where words and meaning become clearer. Nick’s friends bring him back to life just in time and Nick realizes that her suicide might actually not be a suicide at all, but a murder. Now Nick must kill himself over and over and be brought back over and over to uncover the truth about Kayla’s fate.
“Memory Lane” has a premise that sounds like an ambitious and captivating suspenseful thriller; a synopsis that urges you to watch and a synopsis that is compared to the likes of “Memento” and “Primer.” In reality, “Memory Lane” is more like “Flatliners,” as also compared, but the execution, pun intended, by first time director Shawn Holmes doesn’t quite come out right. Forsaken by too many plot holes, convoluted editing, and a series of heart stopping methods that seem kind of hokey put a damper on the film’s integrity. Kayla’s death, explained at the end of act three, fairs to be the best portion in the film because the foreshadowing of events leading up to her death are so minor and well-kept from public perspective resulting in a not expecting moment.
I’m not too sold on all the actors either except for Meg Braden as Kayla. Her wild eyes, unique chin, and hot bod make her striking physically, but Braden plays a consistent internally struggled and troubled young woman very well. Michael Guy Allen as the PTSD-plagued Nick character could have perfected his struggles with his war time past; Nick, seamlessly and without hardship, eases his way back into the normal life and without any effort scores big with a hottie like Kayla. Seems too perfect without any real challenge or conquering on Nick’s part.
The Wild Eye Releasing DVD has some audio inconsistencies. The dialogue drowns out at times and background noise overtakes a few of the beginning scenes. The video also noises at random scenes as well. “Memory Lane” is a $300 low key Sci-Fi thriller that surely shows being low key in result. I’m a huge fan of Wild Eye Releasing, but “Memory Lane” just doesn’t seem to fit the bill for the company.
Category Archives: Evil Reviews
Evil Review. DreadOut: an Indonesian Horror
Oh how I miss the good old days of horror games on the Playstation 1 and 2. Sure we may see the genre coming back this generation but it just doesn’t feel the same. All the classic horror games we have played are either dying, abandon, or just kept from us like how Nintendo is handling the Fatal Frame series. We shall not give up hope though, as there is a game currently out now on steam that is oozing with nostalgic horror goodness!
DreadOut is an Indonesian survival horror game that was developed and published by Digital Happiness. The game is heavily inspired by the Fatal Frame games and is centered around a group of students who are trapped in a cursed and haunted town. DreadOut focuses on real life Indonesian folk lore and ghost stories, much like how Slender: The arrival is based on western folk lore character ”Slender man”.
I was not kidding about how this game oozes nostalgia. The atmosphere of DreadOut feels just like a Fatal Frame game, with it’s dark atmosphere and slow paced gameplay. When it comes to graphics, DreadOut is visually lacking. It’s graphic are very low res and look like what you might see on a playstation 2 or PSP game. Still the graphics have a charm and add to the creepy feel of the game and I love it! The design of the ghosts is what makes this game terrifying, nothing like walking down a pitch black corridor with nothing but your phone’s light on and then suddenly having a ghost based on a real life folk tale scare you! This just makes the game too bad ass.
The gameplay is very simple. It plays pretty much like a Fatal Frame game, it is in a third person perspective and you must use your smart phone to battle ghosts and find hints to solve puzzles. The game does promote exploration since there are collectibles for the player to find in order to unlock achievements. The player can also collect power items that will aid them in boss battles. The game has two endings; both good and bad. So make sure you try to get the true ending on your first play through so things can make a bit of sense.
Difficulty wise this game can be hard for new players. I admit that I died alot during the first boss battle, but this is a good thing since it forces the player to find out what the bosses weakness is and use it against them. Once you know how to defeat the enemies the game is quite easy to play. Unlike classic horror games, this game is not very long and that was kind of a bummer for me. The game is about 4 hours long, even shorter if you rush through it. For me I wished it was longer since I was starting to get so immersed into the story and wanted more.
For music in the game, it was amazing. The soundtrack fits perfectly and sounds so awesome during boss battles. My personal favorite track has to be the cover of Gloomy Sunday by Sarasvat; Which serves as the game’s main theme.
All I can say about DreadOut is that the game is amazing and I hope to god we get a sequel. There is so much unanswered questions to the story and so much content here to make a franchise off of. My personal rating for DreadOut is a 8/10. My only complaint is that the game was way too short but with the story, music, and some pretty cool innovative parts in the game that I wish we saw in other horror games made up for the game’s length.
So if you loved the old Fatal Frames, Silent Hills or even Resident Evil games. Then please go play DreadOut you won’t be disappointed.
DreadOut is available on Steam and Playstation 4 for $14.99
An Evil Chessboard of Blood and Guts! “The Demon’s Rook” review!
Young Roscoe is lured to an underground dwelling dimension by an ancient demon of peace. The demon takes Roscoe as his pupil and mentors him for years the ways of the powerful dark arts, but when Roscoe unknowingly opens the gates of hell by releasing three powerful and evil demons from their vessels, his master is killed and Roscoe flees back to his quiet earthly town with the evil demons in tail. Now the three pure evil beasts ascend topside and reek havoc amongst the quaint little town using mind control upon their human prey, re-animating the dead back to life, and conjuring the evil out of innocents’ souls. Roscoe has the only supernatural power to stop them, taught and passed down to him by his late demon master, but will he have enough strength to save what’s left of his humanity?
First off, “The Demon’s Rook” is my first favorite release of the 2015! A freshman film from James Sizemore rises to the top and absolutely destroys, or rather obliterates, any horror release I’ve watched and reviewed the past two months. Sizemore eviscerates the 1980’s and early 1990’s horror, tangles and twists all the elements together, releasing a grotesquely creature-feature of awesomeness.
The detail on the practical effects are so finely tuned and done well that in trying to point out the rubbery, obviously fake demon body parts was seriously pointless. Every thing from costumes, to makeup, to exploding heads were rock hard solid in the results, even the sometimes over-zealous gore scenes in other gory films were exact and on point with camera angles, the right amount of blood, and not too hard to swallow when it came down to suspending disbelief.
The fantastic-driven story combines many horror subgenres from, the obvious, demonology, to the living undead. This doesn’t feel like another “run for your life while we’re being chased” type film as there are various facets and layered tangents to the story. Many characters are introduced and are quickly, but properly, disposed of and, for a film like “The Demon’s Rook,” this type of catch and release is suitable because death becomes a character and without death, in a movie with demons and zombies and black magic, you need death to breathe and live and in order to fully embody that death character you need victims and Sizemore, along with co-write Akom Tidwell, breaks the bank with disposable characters.
Tim Reis’s cinematography is beyond brilliant with the use of prominent coloring. The red, green, blue dense fog settings create an atmosphere like none other while the editing, cut also by Tim Reis, is easy on the transitions and easy to follow. Sizemore tackles the special effects department and seizes the moment to be relentless on the use of fake blood. These Georgian filmmakers will need to be watched closely as “The Demon Rook” is underground gold and I wouldn’t be surprised if we see rush of more films into production from this crew. The dialogue is my only small beef with “The Demon’s Rook” as it’s bit bland and a bit expositional, but I’m really reaching to find a flaw here. Most of the ambiance and dialogue becomes a bit jumbled at the beginning with sudden stops in sounds creating goofy transitions. However, this all seems to clear up fairly early.
Technically, the Cindedigm DVD looks amazing in a clarity sense with only a few blurry moments during forest scenes in it’s 16:9 widescreen format. The sound is balanced and consistent throughout even during the scenes or montages tracks from rock bands come into play. No sign of audio stifling nor hijacking. Plus, a good amount of extras come with the release such as deleted scenes, a making of, a gag reel, and bonus short film from Sizemore entitled “Goat Witch” which is just as amazingly disturbing.
Bringing old time practical monster classiness to the modern age is risky business, but director James Sizemore’s and Akom Tidewell’s passion and thirst for hallmark classic demons and zombies resurrects legends back to the indie scene and by adding in his own terroristic tastes, the Black Rider Productions duo also conjures up something new with the vibrant coloring. I would compare Sizemore to the satanic or cult likes of Rob Zombie, to a young George A. Romero with the zombies, and to a special effects genius such as Tom Savini. Don’t consider Sizemore a hack of icons; he’s certainly not, but he displays his own style by slowly sliding that sharp blade into the stomach with perverseness pleasure and that, my friends, is Sizemore’s contribution to chaos.
Second Lesson of Evil by Knowing Your ABCs! “The ABCs of Death 2” review!
Ready for the second round of ABCs of death? Twenty-six new directors sign, seal, and deliver twenty-six new stories about death and breathe a whole new life into this highly anticipated sequel to the highly popular 2012 anthology. The ABCs of Death 2 attempts to be callous, sick, and offers up more blood and gore than it’s predecessor while the ABCs are very elementary, its the death part that makes then alphabet more complicated.
When one glances the cover and see thats familiar figure of the death eating Grim Reaper holding a story book, one who knew nothing about the anthology would consider The ABCs of the Death to be strictly a horror genre, short story telling series in the same ballpark as “Creepshow,” which ironically enough has a similar, yet cartoony, ghastly Grim Reaper on it’s sophomore sequel DVD cover. That assumption is significantly mistaken. The Grim Reaper is all about the death in every sense of the way and “The ABCs of Death” productions resemble more of the controversial and ultra-violent “Faces of Death” series. If you scour the internet, or just have the entire collection, many of the VHS and DVD editions have a similar Grim Reaper, but again more cartoonish. The content though is all about death gathering home recordings of unspeakable acts of death from suicide, murders, and to accidentals just to name a few.
Yes, there are fantastic horror elements to “The ABCs of the Death” as well making this hybrid of an anthology that more entertaining, but the sequel relies a lot on the human element. The nature of man is cruel and vicious and most of the 26 films are based on this true to form fact. For example, “C is for Capital Punishment” by director Julian Barratt tells the story of a lynch mob trying to justify the disappearance of a village girl, Aharon Keshales “F is for Falling” involves the tautness of a rifle-toting Palestinian boy who discovers a Israeli fighter dangling from her parachute chords stuck in a tree, or Vincenzio Natali’s “U is for Utopia” in where a society made up of thin, good looking people living their lives while the ugly people are hunted down and burned alive.
What I also like about “The ABCs of Death” is the various culturally inspired films. There are directors from all over the glob spanning from Japan, England, France, Argentina and Nigeria just to name a few and all of who incorporate their own culture and style in the mixture. Some introduced comedy while others took a stylish-serious route and others just wanted to scare the pants off you. The couple animated shorts weren’t as rememberable as in the first anthology, but certain “D is for Deloused” by Robert Morgan will at least make you have underlining nightmares.
Some of the more memorable shorts stood out over all the rest. One in particular was Steven Kostanski’s “W is for Wish” which took a late 80’s to early 90’s take on a fantasy toy commercial where two children wished to be a part of and then actually went into the world where it was like nothing they expected. In fact, carnage and chaos (and awkwardly weird and fantastic) was the maelstrom these kids were thrusted into making their fantasy a real and deadly nightmare.
Magnolia Home Entertainment scores big with the sequel to “The ABCs of Death” and I’m sure the company won’t stop at just two. Expect more great films from lesser known directors and more blood and guts than ever. In the meantime, pick up your copy of “The ABCs of Death 2” on DVD or Blu-ray because you never know when you might keel over and die!
Fear The Future. Metro: 2033 Review
Well here I am doing another late review, this one being 5 years late but I just finished my first playthrough of the game and I feel the game needs more publicity since it still isn’t that well known. Before we go on with the review I want to tell the reader that there is a HD remaster version of this game on PC, PS4, and XBOX ONE. This review will not include that version. Review will only be on the version released back in 2010.
Metro: 2033 is a post-apocalyptic survival horror game. Developed by 4A Games and published by THQ on March 2010. The game is based on the science fiction novel by Dmitry Gluhvsky. The game takes place in Moscow in the year 2033, 20 years after a nuclear war that has devastated the world and has forced the survivors to live in the Moscow metro stations.
Since the game’s release I never thought much of it. I thought it was just a cheap game trying to get success after Fallout 3 and Fallout New Vegas, I never even heard a single person talk about it. When the sequel Metro last light was coming out I started to hear more about Metro 2033 and that it was good. I was still not sold but of course I guess waiting proved to be good since I got this game free a few months ago during a giveaway. So I finally downloaded it on steam and started playing. While playing I started to have regret for not picking this game up sooner, I was totally immersed into the game. First I would like to talk about the atmosphere of the game, It is amazing, one of the best atmospheric games I have ever played. From the old, dark metro stations to the silent, scorched surface of Moscow. Everything around you made the experience of the game very enjoyable, especially the feeling of sadness and gloom I had while on the surface looking at a destroyed city and wondering what it was like before the apocalypse.
Game play is simple and easy to learn, pretty much feels like a standard shooter but as for difficulty this game can be brutal. Even on normal difficulty I had a very hard time at certain moments and If you plan to play on ranger mode then you better hope you have a tolerance for dying over and over. Now for what you can do in the game is limited. Through your journey you will stop at multiple stations where you’ll be able to purchase or sell equipment. You can trade in ammo for currency, buy supplies, and buy better modified weapons which can fit your certain play style. You want to hide in the shadows and be stealthy? Buy a suppressed revolver or sub machine gun or if you are a shooter then buy the bad ass automatic shotgun machine gun thing. In the metro of course there are hostiles both mutants and humans that you will have to fight through. You have your standard mutants who crawl through the metro hunting you down. Then you have your Nazi and Soviet parties both at war with each other over different stations.
The graphics are very well down, the environments are detailed and very nice to look at. NPC characters do look generic but none of it really effects the game. Now if you planning to play this game on PC please check the requirements for the game as it is a little demanding. I had to put the game on low settings just to get a decent frame rate. But if you do not have a decent PC then I would say try it out on XBOX 360
So for my final thoughts on Metro 2033 I’m going to give it a 8/10 score. It is a very good game, not much of a horror but a damn good science fiction. I highly recommend this game to people who love post-apocalyptic movies, games, books, etc. It is an amazing title. Before you play this title I must tell you, If you want the best experience of this game then please switch the language to Russian with american subtitles and have it atleast on normal. I promise you, you will be immersed in the game like I was.
Metro: 2033 (Original version) is only on PC, and XBOX 360
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